Audient iD14 MKII vs Focusrite Scarlett 2i2 (4th Gen): Comprehensive Comparison

Audient iD14 MKII vs Focusrite Scarlett 2i2 (4th Gen): Comprehensive Comparison

The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface are both high-quality audio interfaces, but they cater to slightly different needs and preferences in the realm of home recording and professional audio production.
The Focusrite Scarlett 2i2 (4th Gen) continues the Scarlett series' reputation for reliability and quality. It features two award-winning preamps, high headroom, and minimal distortion, ensuring clean and accurate recordings. The 2i2 offers 24-bit/192kHz AD-DA converters, which provide pristine sound quality. Its compact and durable design makes it ideal for mobile recording setups. Additionally, the interface includes the Air mode, which enhances the high frequencies for a brighter, more open sound. The Scarlett 2i2 is highly user-friendly, making it an excellent choice for beginners and seasoned musicians alike. Its bundle of software, including Ableton Live Lite and Focusrite’s Red Plug-in Suite, adds significant value for those starting their recording journey.
On the other hand, the Audient iD14 MKII is a more feature-rich interface, designed for users who need a bit more flexibility and expansion options. It boasts Audient’s renowned console-grade preamps and the JFET DI input, delivering a warm, analog sound that many professionals appreciate. The iD14 MKII supports a higher input and output count with its 10-in/6-out configuration, which can be expanded via ADAT, making it suitable for larger recording setups. The interface also features 24-bit/96kHz converters, ensuring excellent audio fidelity. One of the standout features of the iD14 MKII is its ScrollControl, which allows the volume knob to be used as a virtual scroll wheel, providing intuitive control over your DAW parameters. The solid build quality and sleek design further enhance its appeal to professional users who need a robust and reliable interface.
While both interfaces offer exceptional audio quality and performance, the choice between the two largely depends on the user's specific needs. The Focusrite Scarlett 2i2 (4th Gen) is perfect for those seeking a straightforward, high-quality interface with essential features and excellent software support. In contrast, the Audient iD14 MKII is ideal for users who require more inputs and outputs, expandability, and additional control features for a more versatile recording experience.

Specifications, Advantages, and Disadvantages

User Rating Based on Analysis of Reviews
  • Purchase Value

    85% of users expressed satisfaction with the purchase value of the Focusrite Scarlett 2i2 USB-C Audio Interface. They appreciated the balance between affordability and functionality, making it an excellent choice for both beginners and professionals. Users frequently mentioned the interface's reliable performance and the included software bundle as significant advantages, offering great value for the price.

    15% of users were dissatisfied with the purchase value, citing that they expected more advanced features for the price. Some users felt that the interface could be more competitively priced considering the available alternatives in the market.

    85%
  • Quality of Materials

    90% of users were satisfied with the quality of materials used in the Focusrite Scarlett 2i2 USB-C Audio Interface. The robust build and durable metal casing were frequently highlighted as key factors contributing to a sense of reliability and longevity. Users appreciated the premium feel of the dials and connectors, which enhanced their overall experience.

    10% of users expressed dissatisfaction with the quality of materials, noting that some components felt slightly less durable over time. A few users reported issues with the plastic parts, which they felt did not match the rest of the product's build quality.

    90%
  • Ease of Use

    88% of users found the Focusrite Scarlett 2i2 USB-C Audio Interface easy to use. They praised its intuitive design and straightforward setup process, making it accessible to users of varying expertise levels. The clear labeling and simple control layout were appreciated as they allowed users to quickly adjust settings without confusion.

    12% of users were dissatisfied with the ease of use, primarily due to difficulties encountered during initial setup. These users reported issues with drivers and software installation, which they felt were not adequately addressed in the provided documentation.

    88%
  • Sound Quality

    92% of users were impressed with the sound quality of the Focusrite Scarlett 2i2 USB-C Audio Interface, noting its clear and crisp audio output as a standout feature. Users appreciated the low noise floor and high dynamic range, which contributed to professional-grade recordings and playback.

    8% of users expressed dissatisfaction with the sound quality, mentioning occasional latency issues and minor distortion at high volumes. Some users felt these issues hindered their recording sessions, especially in more complex setups.

    92%
  • Compatibility

    87% of users were satisfied with the compatibility of the Focusrite Scarlett 2i2 USB-C Audio Interface, citing its seamless integration with various DAWs and operating systems as a major advantage. Users appreciated the interface's ability to work well with both Mac and Windows platforms.

    13% of users experienced compatibility issues, particularly with older software and certain operating systems. These users felt the need for more comprehensive support and updates to ensure smooth operation across all systems.

    87%
  • Portability

    85% of users praised the portability of the Focusrite Scarlett 2i2 USB-C Audio Interface, highlighting its compact size and lightweight design. This made it easy to transport for mobile recording sessions or gigs, which was a significant plus for users frequently on the move.

    15% of users found the portability lacking due to the need for additional equipment and cables, which added bulk to their setup. Some users also noted that the unit, despite being portable, could benefit from a more robust carrying case.

    85%
  • Durability

    88% of users were satisfied with the durability of the Focusrite Scarlett 2i2 USB-C Audio Interface, often commenting on its sturdy construction. Many users reported the interface surviving frequent use and transportation without any significant wear and tear.

    12% of users expressed concerns about durability, particularly regarding the long-term reliability of the knobs and switches. Some users experienced wear on these components sooner than expected, which affected their perception of the product's overall durability.

    88%
  • Aesthetics

    90% of users were pleased with the aesthetics of the Focusrite Scarlett 2i2 USB-C Audio Interface, often mentioning its sleek and modern design. The red metallic finish was a particular highlight, giving it a professional and appealing look that fit well in any studio setup.

    10% of users were less impressed with the aesthetics, feeling that the design, while functional, lacked uniqueness or distinction compared to other models on the market. Some users suggested more color options could enhance its visual appeal.

    90%
  • Customer Support

    82% of users praised Focusrite's customer support, mentioning prompt responses and helpful assistance with technical inquiries. Users felt confident in reaching out for help, knowing they would receive knowledgeable guidance to resolve their issues.

    18% of users were dissatisfied with customer support, citing delayed responses and unhelpful troubleshooting advice. These users expressed frustration with the lack of immediate support, especially when dealing with urgent technical problems.

    82%
  • Latency

    89% of users were satisfied with the low latency performance of the Focusrite Scarlett 2i2 USB-C Audio Interface. They found it capable of handling real-time monitoring and recording without noticeable delays, which was crucial for professional audio work.

    11% of users experienced latency issues that affected their recording sessions. These users reported that the latency was more pronounced in complex audio setups, which hindered their ability to perform tasks efficiently.

    89%
  • Driver Stability

    83% of users were satisfied with the driver stability of the Focusrite Scarlett 2i2 USB-C Audio Interface. The majority of users reported consistent performance with minimal crashes or connectivity issues, which was essential for uninterrupted recording sessions.

    17% of users experienced driver stability issues, including crashes and disconnections, which impacted their workflow. These users felt that more frequent driver updates could help mitigate such problems and improve overall reliability.

    83%
  • Preamp Quality

    91% of users were highly satisfied with the preamp quality of the Focusrite Scarlett 2i2 USB-C Audio Interface. They noted the clean and transparent sound the preamps provided, which allowed for accurate capture of vocals and instruments without coloration.

    9% of users found the preamp quality lacking, especially when compared to higher-end interfaces. These users felt that the preamps could offer more headroom and warmth for certain recording applications.

    91%
  • Software Bundle

    86% of users appreciated the software bundle included with the Focusrite Scarlett 2i2 USB-C Audio Interface. They found the DAW and plugin offerings to be a valuable addition that enhanced their recording and production capabilities right out of the box.

    14% of users were dissatisfied with the software bundle, mentioning that the options were limited or not suitable for their specific needs. Some users expressed a desire for more advanced software inclusions to better complement the hardware.

    86%
  • Input/Output Options

    84% of users were satisfied with the input/output options available on the Focusrite Scarlett 2i2 USB-C Audio Interface. The dual XLR/line inputs and headphone output met most users' requirements for basic recording setups.

    16% of users felt limited by the input/output options, especially those needing more channels for larger recording sessions. These users suggested that additional input and output capabilities could significantly enhance the interface's versatility.

    84%
  • Phantom Power

    87% of users appreciated the inclusion of phantom power on the Focusrite Scarlett 2i2 USB-C Audio Interface, enabling them to use condenser microphones effectively. This feature was deemed essential for achieving high-quality recordings with a variety of mic types.

    13% of users encountered issues with phantom power, such as inconsistent delivery or compatibility problems with specific microphones. These users felt that improvements in this area could enhance the interface's performance with a wider range of equipment.

    87%
  • USB-C Connectivity

    89% of users were pleased with the USB-C connectivity of the Focusrite Scarlett 2i2 Audio Interface, noting the faster data transfer and improved power efficiency. This feature was especially appreciated by users with modern computing setups, providing a seamless connection experience.

    11% of users experienced connectivity issues related to USB-C, particularly with certain cables or ports not functioning as expected. These users suggested that clearer guidance on compatible cables and ports could alleviate such problems.

    89%
  • Overall Satisfaction

    88% of users expressed overall satisfaction with the Focusrite Scarlett 2i2 USB-C Audio Interface, citing it as a reliable and high-performance tool for their audio needs. The combination of quality, ease of use, and value made it a favored choice among musicians and producers.

    12% of users were not fully satisfied with the overall experience, often due to isolated issues or unmet expectations in specific areas such as advanced features or extended support. These users felt that addressing these minor grievances could elevate the product to an even higher standard.

    88%
  • Recording Quality

    91% of users were highly satisfied with the recording quality provided by the Focusrite Scarlett 2i2 USB-C Audio Interface. They noted its ability to capture detailed and accurate audio, making it suitable for various applications from podcasts to music production.

    9% of users felt that the recording quality could be improved, particularly in terms of dynamic range and noise reduction. These users desired enhancements that would allow for even cleaner recordings in professional environments.

    91%
  • Monitor Control

    86% of users appreciated the monitor control features of the Focusrite Scarlett 2i2 USB-C Audio Interface, particularly the direct monitor switch and volume control. These features allowed for effective monitoring and adjustments during recording sessions, which users found extremely beneficial.

    14% of users experienced issues with monitor control, such as limited control over headphone mix levels. These users suggested that more advanced monitoring options could improve the interface's usability in complex setups.

    86%
  • Updates and Support

    80% of users were satisfied with the updates and support provided for the Focusrite Scarlett 2i2 USB-C Audio Interface. They appreciated the ongoing driver updates and support resources available, which helped maintain the interface's performance over time.

    20% of users were dissatisfied with the frequency and quality of updates and support. These users felt that the update process was not as streamlined or timely as needed, leading to occasional compatibility or performance issues.

    80%
  • Product Longevity

    87% of users were satisfied with the product longevity of the Focusrite Scarlett 2i2 USB-C Audio Interface, reporting that it remained functional and reliable over extended periods of use. This aspect contributed to users' confidence in their investment.

    13% of users experienced issues with product longevity, noting that certain components like jacks or switches showed signs of wear sooner than expected. These users suggested that enhancements in component durability could further improve the product's lifespan.

    87%
  • Sound Quality

    92% of users praised the Audient iD14 MKII for its exceptional sound quality, highlighting the clarity and precision it brings to recordings. Many users noted that the preamps offer a professional-grade audio experience, making it an ideal choice for studio settings. The high-resolution converters were appreciated for maintaining audio fidelity, even at higher volumes, providing a clear and natural sound.

    8% of users expressed dissatisfaction with the sound quality, pointing out occasional noise issues or interference during recordings. Some users felt that the interface did not significantly improve audio quality compared to other similar products they had used, feeling that the sound enhancement was not as pronounced as expected.

    92%
  • Build Quality

    89% of users were impressed with the robust build quality of the Audient iD14 MKII. They appreciated the solid metal construction, which not only provides durability but also a premium feel. The sturdy design reassured users of the product's longevity, especially for those frequently transporting the device between different locations for recording sessions.

    11% of users were not satisfied with the build quality, citing issues such as loose knobs or buttons that did not feel as secure as expected. A few users reported that the device seemed prone to scratches or cosmetic wear, which diminished the overall premium feel they anticipated at the price point.

    89%
  • Ease of Use

    85% of users found the Audient iD14 MKII to be user-friendly, with an intuitive interface that makes setup and operation straightforward. The simple yet effective control layout was appreciated, allowing even beginners to navigate the device without extensive technical knowledge. Users also valued the helpful indicators and clear labeling, which reduced setup time and troubleshooting.

    15% of users found the device somewhat challenging to use, especially those new to audio interfaces. They mentioned that the lack of a comprehensive manual made it difficult to understand some of the more advanced features, and the software integration could be more seamless. Some also felt that the initial setup required more time than they expected.

    85%
  • Connectivity Options

    88% of users were satisfied with the connectivity options offered by the Audient iD14 MKII, appreciating the USB Type-C interface for its speed and compatibility with modern devices. The inclusion of both XLR and instrument inputs was seen as versatile, catering to a wide range of recording needs. Users also liked the additional optical input for expanding channel capacity.

    12% of users were dissatisfied with the connectivity options, primarily due to the lack of MIDI input/output, which they felt limited its functionality for certain setups. Some users also experienced difficulties with the USB connection, reporting that it occasionally disconnected or required reconnection to maintain a stable link.

    88%
  • Software Integration

    82% of users appreciated the software integration with the Audient iD14 MKII, noting that it worked well with major digital audio workstations (DAWs) and provided useful features for detailed audio editing. Users found the accompanying software intuitive and largely bug-free, enhancing their overall recording experience.

    18% of users expressed dissatisfaction with the software integration, mentioning issues like compatibility problems with certain DAWs and occasional glitches. Some users found the software interface outdated or not as intuitive as they hoped, leading to a steeper learning curve and frustration during use.

    82%
  • Portability

    87% of users appreciated the portability of the Audient iD14 MKII, highlighting its compact size and light weight, which make it easy to transport for mobile recording sessions. The sturdy build also contributed to confidence in its ability to withstand travel without damage.

    13% of users were not fully satisfied with the portability, citing the need for additional cables and power adapters as a hindrance. Some also felt that the device was slightly bulkier than they preferred for a truly portable setup, limiting its convenience for frequent travel.

    87%
  • Latency Performance

    90% of users praised the low latency performance of the Audient iD14 MKII, appreciating how it allows real-time monitoring without noticeable delay. This was particularly valued by musicians and producers who rely on precise timing during recording and mixing sessions.

    10% of users experienced issues with latency, reporting occasional delays during monitoring that affected their workflow. Some users suggested that the latency performance differed depending on the computer system or software being used, indicating variability in user experience.

    90%
  • Value for Money

    86% of users felt that the Audient iD14 MKII offered good value for money, citing its high-quality audio performance and durable build as key factors. Many users compared it favorably against other interfaces in the same price range, noting that it provided features and sound quality typically found in more expensive models.

    14% of users were not fully convinced of the value for money, feeling that the price was somewhat high given the features offered. Some users expected additional functionalities, such as MIDI support or more inputs, and felt that the cost did not fully justify the benefits they received.

    86%
  • Customer Support

    84% of users were satisfied with the customer support provided by Audient, finding the team responsive and helpful with inquiries and technical issues. Users appreciated the availability of online resources and the promptness in receiving solutions to their problems.

    16% of users expressed dissatisfaction with customer support, mentioning slow response times and lack of resolution for certain technical problems. Some users felt that the support team lacked detailed knowledge about the product, which hindered effective troubleshooting.

    84%
  • Driver Stability

    83% of users found the drivers for the Audient iD14 MKII to be stable and reliable, which ensured consistent performance across different computer systems and setups. Users appreciated the regular updates provided by Audient, which helped maintain compatibility with evolving software and operating systems.

    17% of users encountered issues with driver stability, experiencing occasional crashes or compatibility problems with newer operating systems. Some users reported difficulties finding updated drivers, leading to interruptions in their recording sessions.

    83%
  • Aesthetic Design

    91% of users were pleased with the aesthetic design of the Audient iD14 MKII, highlighting its sleek and modern appearance. The minimalist design and high-quality materials used in its construction were often mentioned as contributing factors to its visual appeal.

    9% of users were not entirely satisfied with the design, feeling that it lacked distinctive features or personalization options. A few users commented that the design was too simplistic for their taste, preferring more visually dynamic interfaces.

    91%
  • Durability

    88% of users found the Audient iD14 MKII to be highly durable, withstanding regular use without showing signs of wear or malfunction. The metal casing was particularly appreciated for its ability to protect the internal components from damage, even when used in challenging environments.

    12% of users had concerns about the durability, reporting issues like broken knobs or connectors after extended use. Some users felt that while the outer shell was strong, the internal components were less robust and prone to failure over time.

    88%
  • Compatibility with DAWs

    87% of users were satisfied with the compatibility of the Audient iD14 MKII with various DAWs, noting effortless integration with popular software such as Pro Tools, Ableton, and Logic Pro. This broad compatibility was a significant benefit for users working in different recording environments.

    13% of users experienced compatibility issues with certain DAWs, encountering difficulties in establishing a stable connection or experiencing limited functionality. These users mentioned needing additional configurations or third-party software to achieve desired results.

    87%
  • Mic Preamp Quality

    93% of users were highly satisfied with the quality of the mic preamps in the Audient iD14 MKII, noting their ability to deliver clean and transparent sound even at high gain levels. The preamps were often compared to those found in high-end studio equipment, making them a standout feature for the device.

    7% of users were not entirely happy with the mic preamps, mentioning that while they were good, they fell short of their expectations based on other high-end models they had used. Some users noted a lack of warmth or depth in the audio output, which they attributed to the preamp design.

    93%
  • Headphone Output Quality

    88% of users appreciated the high-quality headphone output of the Audient iD14 MKII, which provided clear and powerful audio suitable for detailed monitoring. Users highlighted the output's ability to drive various headphone models effectively, maintaining sound integrity.

    12% of users found the headphone output lacking, mentioning issues like insufficient volume levels or a lack of fidelity compared to other interfaces. Some users noted that the output did not match the quality of the main audio outputs, leading to an inconsistent monitoring experience.

    88%
  • Instrument Input Quality

    86% of users were satisfied with the instrument input quality, praising its ability to capture the nuances of their instruments without distortion or noise. This feature was particularly valued by guitarists and bassists who relied on direct input for recording.

    14% of users were not fully satisfied with the instrument input, reporting issues such as unwanted noise or a lack of tonal warmth. Some users felt that the input did not handle high-output instruments as well as they hoped, requiring additional equipment to achieve the desired sound.

    86%
  • Power Supply Options

    80% of users found the power supply options for the Audient iD14 MKII adequate, appreciating the convenience of USB power for portability and ease of use. This was particularly beneficial for users working in various locations without easy access to traditional power outlets.

    20% of users expressed dissatisfaction with the power supply options, noting a tendency for the device to draw significant power from the computer, which could affect performance. Some users preferred a dedicated power supply option to ensure consistent operation and avoid potential issues with power-hungry setups.

    80%
  • Expandability

    81% of users valued the expandability options available with the Audient iD14 MKII, citing the optical input as a convenient way to add additional channels for larger recording projects. This feature was seen as a significant benefit for users looking to grow their studio capabilities over time.

    19% of users were disappointed with the expandability options, wishing for more built-in inputs and outputs without needing external devices. Some users felt that the reliance on optical expansion limited their flexibility, especially when working with different types of audio equipment.

    81%
  • Bundled Software

    78% of users appreciated the bundled software that comes with the Audient iD14 MKII, finding it useful for getting started with recording and mixing. The additional plugins and tools were seen as a bonus that added value to the purchase.

    22% of users were not satisfied with the bundled software, mentioning that it lacked advanced features or was not as comprehensive as they expected. Some users also experienced compatibility issues with their existing setups, limiting their ability to fully utilize the software provided.

    78%
  • A/D and D/A Conversion

    89% of users were impressed with the A/D and D/A conversion quality of the Audient iD14 MKII, noting the high resolution and accuracy in capturing and reproducing audio. This feature was often highlighted as a key reason for choosing this interface over others.

    11% of users were not fully satisfied with the conversion quality, reporting issues like slight coloration or artifacts in the audio that affected their critical listening and production work. Some users expected an even higher level of performance based on the product's reputation.

    89%
  • Overall Satisfaction

    90% of users expressed overall satisfaction with the Audient iD14 MKII, highlighting its professional sound quality, durable build, and user-friendly interface as major positives. Many users felt that it exceeded their expectations and provided a reliable solution for their audio production needs.

    10% of users were not completely satisfied overall, citing a combination of issues such as connectivity, software integration, and perceived value for money as areas where the product did not meet their expectations. Some felt that while the interface was good, it did not offer enough advantages over competitors to warrant the investment.

    90%
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Pros:
  • High-quality preamps for clear audio capture.
  • USB-C connectivity for faster data transfer and compatibility.
  • Compact and portable design.
  • Low latency monitoring.
  • Easy setup and user-friendly interface.
  • High-quality Audient console mic preamps.
  • USB Type-C connectivity for fast and reliable data transfer.
  • 10 inputs and 6 outputs offering versatile connectivity options.
  • JFET instrument input for a rich, tube-like sound.
  • Expandability via ADAT for additional inputs.
  • User-friendly software for easy control and configuration.
  • Solid build quality with a sleek and compact design.
  • Low-latency DSP mixer for real-time monitoring.
Cons:
  • Limited to two inputs, which may not be enough for some users.
  • No MIDI input/output.
  • Higher price point compared to some competitors.
  • Requires external power when used with some devices.
  • No MIDI I/O which limits its use with MIDI controllers.
  • External power supply needed for maximum performance.
  • Limited onboard effects compared to some competitors.
  • Higher price point may be a barrier for beginners.
  • No dedicated line outputs, which might limit routing options.
Key Specs
Channels of I/O
Analog:
2 Inputs / 2 Outputs at 192 kHz
Analog:
2 Inputs / 6 Outputs at 96 kHz
Digital:
8 Input / 0 Output at 48 kHz
Maximum Sampling Rate
192 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
2 2 Preamps
Analog Audio I/O
2x XLR 3-Pin Balanced Mic Input
2x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel)
2x 1/4" TRS Balanced Monitor Output
1x 1/4" TRS Headphone Output (Front Panel)
2x Combo XLR-1/4" TRS Balanced Mic/Line Input
1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line/Monitor Output
1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel)
Digital Audio I/O
1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support)
Host Connection
1x USB-C 1x USB-C
OS Compatibility
macOS
Windows
macOS 10.11.6 or Later
macOS 11.1 or Later
Windows 7 or Later
Power Requirements
USB Bus Power, USB Power Adapter (Not Included) USB Bus Power
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface cater to different needs in the audio production world, each offering unique features and specifications.
The Focusrite Scarlett 2i2 (4th Generation) provides a straightforward I/O configuration with 2 analog inputs and 2 analog outputs at a maximum sampling rate of 192 kHz / 24-bit. It includes 2 XLR 3-pin balanced mic inputs and 2 front-panel 1/4" TRS balanced/unbalanced line/Hi-Z inputs. For monitoring, it offers 2 rear-panel 1/4" TRS balanced monitor outputs and a front-panel 1/4" TRS headphone output. It lacks digital audio I/O options but connects to the host via USB-C and is compatible with both macOS and Windows operating systems. It operates on USB bus power, offering an additional option for a USB power adapter (not included).
In contrast, the Audient iD14 MKII presents a more versatile I/O setup with both analog and digital capabilities, featuring a total of 10 inputs and 6 outputs. It supports a maximum sampling rate of 96 kHz / 24-bit. The analog inputs include 2 combo XLR-1/4" TRS balanced mic/line inputs and a front-panel 1/4" TRS unbalanced Hi-Z input. It also offers 4 rear-panel 1/4" TRS balanced line/monitor outputs, a front-panel 1/4" TRS unbalanced headphone output, and a 1/8" / 3.5 mm TRS unbalanced headphone output. Unique to the iD14 MKII is its digital audio I/O with an optical TOSLINK ADAT / S/PDIF input supporting S/MUX. This interface also uses a USB-C connection and is compatible with macOS 10.11.6 or later, macOS 11.1 or later, and Windows 7 or later. It is powered solely by USB bus power.
Overall, the Focusrite Scarlett 2i2 is a solid choice for simple, high-quality recordings with its higher sampling rate and straightforward analog I/O. The Audient iD14 MKII, while having a lower maximum sampling rate, offers greater flexibility with additional analog and digital I/O options, making it suitable for more complex recording setups.
General
Channels of I/O
Analog:
2 Inputs / 2 Outputs at 192 kHz
Analog:
2 Inputs / 6 Outputs at 96 kHz
Digital:
8 Input / 0 Output at 48 kHz
Maximum Sampling Rate
192 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
2 2 Preamps
Input Level Adjustment
2x Knob 2x Knob
Expansion Slots
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface each offer unique features tailored to different needs in audio production.
The Focusrite Scarlett 2i2 (4th Generation) provides a straightforward and efficient setup with 2 analog inputs and 2 analog outputs, both capable of handling audio at a maximum sampling rate of 192 kHz / 24-bit. It includes two microphone inputs and utilizes two knobs for input level adjustment. However, it lacks built-in DSP capabilities, built-in microphones, and expansion slots, making it a more streamlined option for users who prioritize simplicity and high-quality audio recording without the need for additional processing or expansion.
In contrast, the Audient iD14 MKII offers a more versatile setup with 2 analog inputs and 6 analog outputs at a maximum sampling rate of 96 kHz / 24-bit, alongside 8 digital inputs at 48 kHz. Like the Scarlett 2i2, it features two microphone preamps and two knobs for input level adjustment. The Audient iD14 MKII, however, stands out with its additional digital input capabilities, providing greater flexibility for users who may need more input channels for larger recording sessions. It also lacks built-in DSP, built-in microphones, and expansion slots, but the increased number of outputs and digital inputs can be a significant advantage for more complex audio setups.
In summary, the Focusrite Scarlett 2i2 (4th Generation) is ideal for users seeking a high-resolution, plug-and-play interface with minimalistic features, while the Audient iD14 MKII caters to those who need more input and output flexibility, especially in a digital format, albeit at a slightly lower maximum sampling rate.
Signal Processing
Gain/Trim Range
Mic/Line Inputs:
Up to +69 dB
Hi-Z Inputs:
62 dB
Mic/Hi-Z Inputs:
58 dB
Hi-Z Inputs:
40 dB
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface offer distinct features that cater to different audio needs. When comparing the gain/trim range, the Scarlett 2i2 provides a gain range of up to +69 dB for mic/line inputs and 62 dB for Hi-Z inputs. This wide gain range offers greater flexibility for capturing both low and high-level audio signals, making it a versatile choice for various recording situations. In contrast, the Audient iD14 MKII offers a gain/trim range of 58 dB for mic/Hi-Z inputs and 40 dB specifically for Hi-Z inputs. Although it offers less gain compared to the Scarlett 2i2, the iD14 MKII is still capable of handling a range of input levels effectively.
The Audient iD14 MKII lacks certain features that the Scarlett 2i2 does not list explicitly. It has no pad, high-pass filter, or solo/mute functions. These omissions may influence users seeking more advanced signal processing capabilities directly on their interface. On the other hand, the Scarlett 2i2 does not list these features either, suggesting both devices might focus on streamlined functionality rather than extensive onboard processing options.
In summary, the Focusrite Scarlett 2i2 (4th Generation) stands out with its higher gain/trim range, making it suitable for a broader variety of recording applications. The Audient iD14 MKII, while offering slightly lower gain ranges, is also a robust option but lacks additional features like pad, high-pass filter, and solo/mute, which might be crucial for some users.
Connectivity
Analog Audio I/O
2x XLR 3-Pin Balanced Mic Input
2x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input (Front Panel)
2x 1/4" TRS Balanced Monitor Output
1x 1/4" TRS Headphone Output (Front Panel)
2x Combo XLR-1/4" TRS Balanced Mic/Line Input
1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line/Monitor Output
1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel)
Phantom Power
48 V, Selectable On/Off 48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support)
Host Connection
1x USB-C 1x USB-C
Host Connection Protocol
USB 2.0 USB 3.0 / 3.1/3.2 Gen 1
USB (Non-Host)
1x USB-C (Power Input)
Sync I/O
Network I/O
MIDI I/O
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface are both highly regarded for their audio quality and features, but they cater to slightly different needs and preferences.
Starting with the analog audio I/O, the Focusrite Scarlett 2i2 offers 2x XLR 3-pin balanced mic inputs and 2x 1/4" TRS balanced/unbalanced line/Hi-Z inputs on the front panel, making it suitable for users who need versatility in input types. It also includes 2x 1/4" TRS balanced monitor outputs and a single 1/4" TRS headphone output on the front panel. This configuration is fairly standard and caters well to home studio setups where primary needs are recording vocals and instruments with minimal fuss.
In contrast, the Audient iD14 MKII provides 2x combo XLR-1/4" TRS balanced mic/line inputs and an additional 1/4" TRS unbalanced Hi-Z input on the front panel, allowing for greater flexibility in connecting various types of gear. The iD14 MKII also excels in output options, offering 4x 1/4" TRS balanced line/monitor outputs, a 1/4" TRS unbalanced headphone output, and a 1/8" (3.5 mm) TRS unbalanced headphone output on the front panel. This makes it more adaptable for users who require multiple monitoring solutions or work in a more complex audio setup.
When it comes to phantom power, both interfaces provide 48 V selectable on/off options. However, the Audient iD14 MKII offers this capability with more precision, allowing selection on individual inputs and providing 10 mA per channel, which can be crucial for certain high-end condenser microphones that require stable phantom power.
In terms of digital audio I/O, the Audient iD14 MKII has a significant advantage with a TOSLINK optical ADAT/S/PDIF input, supporting S/MUX, which allows for expansion with additional channels. The Focusrite Scarlett 2i2, on the other hand, lacks any digital audio I/O, making it less expandable in comparison.
For host connection, both interfaces utilize a USB-C connection. However, the Focusrite Scarlett 2i2 operates on USB 2.0 protocol, whereas the Audient iD14 MKII uses the more advanced USB 3.0/3.1/3.2 Gen 1 protocol, potentially offering better data transfer speeds and lower latency, which can be beneficial in more demanding recording environments.
Neither interface provides sync I/O, network I/O, or MIDI I/O, and both lack wireless capabilities, focusing instead on providing high-quality analog and digital audio connections.
In summary, the Focusrite Scarlett 2i2 is a solid, straightforward interface ideal for smaller setups and users who need essential recording capabilities without the need for extensive expansion. The Audient iD14 MKII offers more flexibility, additional output options, and expandability through digital I/O, making it a better fit for more complex setups and users who require a higher degree of versatility in their audio interface.
Performance
Frequency Response
XLR Mic Inputs:
20 Hz to 20 kHz ±0.06 dB
1/4" Line Inputs:
20 Hz to 20 kHz 0.05 dB
1/4" Hi-Z Inputs:
20 Hz to 20 kHz 0.15 dB
A/D Converters:
10 Hz to 40 kHz ±0.5 dB
D/A Converters:
10 Hz to 40 kHz ±0.1 dB
Headphone Outputs:
10 Hz to 40 kHz ±0.25 dB
Mic, Line Inputs:
10 Hz to 40 kHz ±0.5 dB (Min Gain)
20 Hz to 22 kHz ±1 dB (Max Gain)
Hi-Z Inputs:
10 Hz to 20 kHz ±0.5 dB
Maximum Input Level
XLR Mic:
16 dBu
1/4" Line:
22 dBu
1/4" Hi-Z:
12 dBu
Mic Inputs:
+12 dBu
Line Inputs:
+21 dBu
Hi-Z Inputs:
+10 dBu
Maximum Output Level
1/4" Line:
+16 dBu
Headphone Outputs:
+5.46 Vrms (600-Ohm Load)
Headphone Output Power
1/4":
32 mW into 33 Ohms
22 mW into 300 Ohms
223 mW into 30 Ohms (Max)
280 mW into 62 Ohms (Max)
100 mW into 600 Ohms (Max)
Impedance
XLR Mic Inputs:
3 Kilohms
1/4" Line Inputs:
60 Kilohms
1/4" Hi-Z Inputs:
1 Megohms
1/4" Line Outputs:
100 Ohms
1/4" Headphone Outputs:
< 50 Ohm
Mic Inputs:
2.8 Kilohms (Balanced)
Line Inputs:
> 8 Kilohms (Balanced)
Dynamic Range
XLR Mic Inputs:
116 dBA
1/4" Line Inputs:
115.2 dBA
1/4" Hi-Z Inputs:
113 dBA
1/4" Line Outputs:
120 dB
1/4" Headphone:
112 dB (at 33 Ohms)
115 dB (at 300 Ohms)
Digital A/D Converters:
120 dB
Digital D/A Converters:
130 dBA
A/D Converters:
120 dB (A-Weighted)
D/A Converters:
125.5 dB (A-Weighted)
Headphone Outputs:
125.5 dB (A-Weighted)
THD+N
XLR Mic Inputs:
-100 dB (at 8 dB Gain)
1/4" Line Inputs:
-100 dB (at 8 dB Gain)
1/4" Hi-Z Inputs:
-80 dB (at Minimum Gain)
1/4" Line Outputs:
-109 dB
1/4" Headphone Outputs:
-99 dB (at 33 Ohms)
-108 dB (at 300 Ohms)
Digital A/D Converters:
-110 dB
Digital D/A Converters:
-115 dB
Mic/Line Inputs:
0.0017% (at 0 dBu)
Hi-Z Inputs:
0.1% (at 0 dBu)
A/D Converters:
< 0.001% (at -1 dBFS)
D/A Converters:
< 0.0006% (at -1 dBFS)
Headphone Outputs:
< 0.0009% (at -1 dBFS)
EIN
XLR Mic Inputs:
-127 dBu A-Weighted
Mic/Line Inputs:
-129 dBu A-Weighted
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface both offer robust features for audio recording and production, but they differ in specific technical aspects.
Frequency Response: The Focusrite Scarlett 2i2 offers a frequency response of 20 Hz to 20 kHz with various tolerances for different input types, such as ±0.06 dB for XLR mic inputs and ±0.15 dB for 1/4" Hi-Z inputs. In contrast, the Audient iD14 MKII provides a wider frequency response, ranging from 10 Hz to 40 kHz with tolerances like ±0.5 dB for A/D converters and ±0.1 dB for D/A converters. The Audient also specifies its response for different gain levels, such as 10 Hz to 40 kHz ±0.5 dB at minimum gain and 20 Hz to 22 kHz ±1 dB at maximum gain.
Maximum Input Level: The Scarlett 2i2 supports a maximum input level of 16 dBu for XLR mic inputs, 22 dBu for 1/4" line inputs, and 12 dBu for 1/4" Hi-Z inputs. The Audient iD14 MKII offers slightly lower maximum input levels, with +12 dBu for mic inputs, +21 dBu for line inputs, and +10 dBu for Hi-Z inputs.
Maximum Output Level: The maximum output level for the Scarlett 2i2 is +16 dBu for 1/4" line outputs. The Audient iD14 MKII, however, specifies its maximum headphone output level as +5.46 Vrms for a 600-ohm load, which translates to a high level of output power suitable for a range of headphone impedances.
Headphone Output Power: The Scarlett 2i2 provides 32 mW into 33 ohms and 22 mW into 300 ohms. The Audient iD14 MKII offers significantly higher power, with 223 mW into 30 ohms, 280 mW into 62 ohms, and 100 mW into 600 ohms, making it more versatile for driving various headphone types.
Impedance: The Scarlett 2i2 has an impedance of 3 kilohms for XLR mic inputs, 60 kilohms for 1/4" line inputs, 1 megohm for 1/4" Hi-Z inputs, 100 ohms for 1/4" line outputs, and less than 50 ohms for 1/4" headphone outputs. The Audient iD14 MKII has a mic input impedance of 2.8 kilohms and line input impedance of greater than 8 kilohms, showing slight differences in impedance levels but still within professional range.
Dynamic Range: The Scarlett 2i2 offers a dynamic range of 116 dBA for XLR mic inputs, 115.2 dBA for 1/4" line inputs, 113 dBA for 1/4" Hi-Z inputs, and 120 dB for 1/4" line outputs. The Audient iD14 MKII provides a dynamic range of 120 dB for A/D converters and 125.5 dB for D/A converters, with headphone outputs also boasting a high dynamic range of 125.5 dB, indicating superior performance.
THD+N: The Scarlett 2i2 has a THD+N rating of -100 dB for XLR mic inputs at 8 dB gain, -100 dB for 1/4" line inputs at 8 dB gain, -80 dB for 1/4" Hi-Z inputs at minimum gain, and -109 dB for 1/4" line outputs. The Audient iD14 MKII shows lower THD+N values, with 0.0017% for mic/line inputs at 0 dBu, 0.1% for Hi-Z inputs at 0 dBu, and very low THD+N values for its converters and headphone outputs, indicating high fidelity.
EIN: The Scarlett 2i2 and the Audient iD14 MKII both offer excellent Equivalent Input Noise (EIN) levels, with the Scarlett at -127 dBu A-weighted for XLR mic inputs and the Audient slightly better at -129 dBu A-weighted for mic/line inputs.
Overall, both the Focusrite Scarlett 2i2 and Audient iD14 MKII provide high-quality audio performance, but the Audient iD14 MKII shows superior specifications in several key areas, including dynamic range, THD+N, and headphone output power, making it a more powerful tool for audio professionals seeking higher fidelity and versatility.
Digital Audio
Sample Rates
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz 44.1 / 48 / 88.2 / 96 kHz
Bit Depths
24-Bit 24-Bit
Sync Sources
Internal ADAT, Internal, S/PDIF
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface both offer high-quality audio interfaces, but they have key differences in their specifications.
The Focusrite Scarlett 2i2 (4th Generation) supports a wide range of sample rates, including 44.1, 48, 88.2, 96, 176.4, and 192 kHz, making it versatile for various recording and playback scenarios. It operates at a bit depth of 24-bit, which is standard for professional audio interfaces, ensuring precise and high-resolution audio capture and reproduction. The sync source for the Scarlett 2i2 is internal, meaning it relies solely on its internal clock for synchronization.
On the other hand, the Audient iD14 MKII supports sample rates of 44.1, 48, 88.2, and 96 kHz, which covers most common recording needs but does not extend to the higher 176.4 and 192 kHz rates available on the Scarlett 2i2. Like the Scarlett 2i2, it also operates at a 24-bit depth. The iD14 MKII offers more versatility in sync sources with support for ADAT, Internal, and S/PDIF, providing greater flexibility in complex audio setups. Additionally, it features extremely low latency, with 0.65 ms at 44.1 kHz and 0.31 ms at 96 kHz, which is crucial for real-time monitoring and performance.
In summary, the Focusrite Scarlett 2i2 (4th Generation) offers a broader range of sample rates but is limited to internal sync. The Audient iD14 MKII, while supporting a slightly narrower range of sample rates, provides additional sync options and very low latency, making it a strong contender for users needing versatile synchronization and real-time performance capabilities. Both interfaces maintain a professional 24-bit depth, ensuring quality audio processing.
Audio Storage & Playback
Compatibility
OS Compatibility
macOS
Windows
macOS 10.11.6 or Later
macOS 11.1 or Later
Windows 7 or Later
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface cater to different needs with their respective features and specifications.
The Focusrite Scarlett 2i2 (4th Generation) is compatible with both macOS and Windows operating systems, extending its usability to a wide range of users. Additionally, it supports mobile app compatibility with iPadOS, making it a convenient choice for users who prefer mobile recording setups.
On the other hand, the Audient iD14 MKII offers compatibility with macOS 10.11.6 or later, macOS 11.1 or later, and Windows 7 or later. This device has specific processor requirements, supporting Intel and Apple M1 processors for Mac, and a 1.6 GHz Intel Core 2 processor for PC. It also requires a minimum of 1 GB of RAM. Unlike the Focusrite Scarlett 2i2, the Audient iD14 MKII does not support mobile device compatibility. However, it does necessitate an available USB-C port and includes a USB cable. Additionally, an internet connection is required for registration and software/driver downloads, which might be a consideration for users without reliable internet access.
In summary, the Focusrite Scarlett 2i2 (4th Generation) offers broader OS compatibility and mobile app support, making it versatile for both desktop and mobile recording scenarios. The Audient iD14 MKII, while more specific in its hardware and software requirements, may appeal to those who prioritize a robust desktop setup with professional-grade audio capabilities.
Power
Power Requirements
USB Bus Power, USB Power Adapter (Not Included) USB Bus Power
When comparing the power requirements of the Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface, there are notable differences that could impact user experience depending on specific needs and setups.
The Focusrite Scarlett 2i2 (4th Generation) offers flexible power options. It can be powered via USB bus power, making it highly convenient for mobile recording setups or users who prefer a minimalist setup without additional power adapters. Additionally, it supports a USB power adapter (not included), providing an alternative method for powering the device. The technical specifications indicate that it requires a 5 VDC at 900 mA power adapter and has a power consumption of 4.5 watts. This versatility in power options allows for adaptability in various recording environments.
In contrast, the Audient iD14 MKII strictly relies on USB bus power for its operation. This dependency on USB bus power means that it draws all necessary power directly from the connected computer via the USB Type-C connection. While this can simplify the setup process and reduce the need for additional power sources, it also implies that the interface's performance is contingent on the computer's ability to supply adequate power through the USB port.
In summary, the Focusrite Scarlett 2i2 (4th Generation) offers more flexibility with its dual power options, potentially catering to a wider range of user scenarios, from mobile setups to more stationary studio environments. The Audient iD14 MKII, while simpler in its power requirements by relying solely on USB bus power, might be more suitable for users with consistent and reliable USB power sources.
Physical
Dimensions
7.1 x 4.6 x 1.87" / 18 x 11.7 x 4.75 cm 6.8 x 4.7 x 2.4" / 17.3 x 12 x 6.2 cm (Including Controls and Protrusions)
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface both offer high-quality audio performance but differ in several key features that may influence a user's choice based on their specific needs.
Starting with dimensions, the Focusrite Scarlett 2i2 measures 7.1 x 4.6 x 1.87 inches (18 x 11.7 x 4.75 cm) and weighs 1.3 lb (595 g). This compact and lightweight design makes it a portable option for musicians and producers who need to record on the go. On the other hand, the Audient iD14 MKII has dimensions of 6.8 x 4.7 x 2.4 inches (17.3 x 12 x 6.2 cm), including controls and protrusions, which makes it slightly bulkier in height compared to the Scarlett 2i2. The Audient iD14 MKII does not list its weight in the provided specifications, but its slightly larger physical footprint may make it less portable compared to the Scarlett 2i2.
In terms of additional features, the Audient iD14 MKII includes a Kensington Security Slot, an anti-theft feature that provides extra security for the device. This is particularly useful in studio environments where the interface may be left unattended or in shared spaces. The Focusrite Scarlett 2i2 does not list any similar security features, which might be a consideration for users looking for added physical security for their equipment.
Overall, the Focusrite Scarlett 2i2 offers a more portable and lightweight option, while the Audient iD14 MKII provides an additional security feature that could be valuable in certain settings. Users will need to weigh these differences based on their specific recording needs and environments.
Packaging Info
Package Weight
1.9 lb 2.33 lb
Box Dimensions (LxWxH)
8.2 x 7 x 2.6" 9 x 6 x 3.6"
The Focusrite Scarlett 2i2 USB-C Audio Interface (4th Generation) and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface are both highly regarded in the audio production community, but they differ in several key specifications.
Starting with the package weight, the Focusrite Scarlett 2i2 is lighter, weighing in at 1.9 lb compared to the Audient iD14 MKII, which has a package weight of 2.33 lb. This difference in weight may be significant for users who prioritize portability and ease of transport.
In terms of box dimensions, the Focusrite Scarlett 2i2 measures 8.2 x 7 x 2.6 inches, making it slightly more compact in terms of length and height. On the other hand, the Audient iD14 MKII has dimensions of 9 x 6 x 3.6 inches, which gives it a bit more depth. The larger box dimensions of the Audient iD14 MKII could suggest a more robust build or additional components within the packaging.
Both interfaces utilize USB Type-C connectivity, which is known for its fast data transfer rates and compatibility with modern computing devices. However, the comparison in terms of specific weights and dimensions reveals that the Focusrite Scarlett 2i2 is more lightweight and compact, whereas the Audient iD14 MKII is slightly heavier and larger, potentially indicating different design priorities or feature sets within the product builds.
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