The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface are both high-quality interfaces known for their robust performance and exceptional sound quality. However, they cater to slightly different needs and user profiles, which is reflected in their features and specifications.
The UltraLite-mk5 is designed for professionals who require a versatile and powerful audio interface. It offers an impressive 18 inputs and 22 outputs, making it suitable for complex setups involving multiple instruments and microphones. This interface also boasts ESS Sabre32 Ultra™ DAC technology, ensuring pristine audio quality with a dynamic range of 125 dB. It features high-quality preamps with individual phantom power, a built-in digital mixer with 48-channel mixing, and advanced DSP effects like reverb, EQ, and compression. The UltraLite-mk5’s rugged metal chassis and compact design make it a durable and portable option for on-the-go recording professionals.
On the other hand, the MOTU M4 is aimed at musicians, podcasters, and home studio enthusiasts looking for a more straightforward and affordable solution without compromising on audio quality. The M4 features 4 inputs and 4 outputs, which are sufficient for small to medium-sized recording setups. It also uses ESS Sabre32 Ultra™ DAC technology, offering excellent audio performance with a dynamic range of 120 dB. The M4 includes loopback functionality, which is particularly useful for live streaming and podcasting. Its front-panel metering provides real-time visual feedback, enhancing the user experience. The M4 is housed in a sturdy metal enclosure, ensuring durability while maintaining a user-friendly, compact form factor.
In summary, the MOTU UltraLite-mk5 is ideal for professionals needing extensive I/O options and advanced DSP capabilities in a portable format. In contrast, the MOTU M4 is perfect for those who require high-quality audio for simpler setups, such as home studios or podcasting environments, and appreciate its affordability and ease of use. Both interfaces leverage MOTU’s renowned audio technology, ensuring top-tier sound performance regardless of the application.
User Rating Based on Analysis of Reviews |
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Pros: |
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High-quality audio with 24-bit/192kHz resolution.
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Comprehensive I/O options including 10 inputs and 8 outputs.
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User-friendly software for easy control and monitoring.
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Solid build quality and compact design for portability.
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Low-latency performance suitable for professional use.
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High-quality audio performance with ESS Sabre32 Ultra DAC technology.
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Ultra-low latency performance, making it suitable for real-time monitoring.
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Comprehensive metering with full-color LCD display for precise level monitoring.
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USB-C connectivity ensures fast data transfer and compatibility with modern devices.
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Sturdy build quality and compact design, ideal for portable use.
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Loopback functionality for easy live streaming and podcasting.
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Cons: |
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Higher price point compared to some competing models.
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No dedicated physical MIDI controls.
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Learning curve for beginners due to extensive features.
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Limited onboard DSP effects.
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Limited to 4 inputs and 4 outputs, which may not be sufficient for larger setups.
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No built-in DSP effects, which could limit flexibility for some users.
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Only USB bus-powered, which might not be ideal for all scenarios.
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No ADAT or S/PDIF connectivity, limiting expansion options.
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Key Specs |
Channels of I/O |
Analog: 8 Inputs / 12 Outputs Digital: 10 Inputs / 10 Outputs |
Analog: 4 Inputs / 4 Outputs |
Maximum Sampling Rate |
192 kHz / 24-Bit |
192 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
2 Preamps |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6x 1/4" TRS Balanced Line Input 10x 1/4" TRS Balanced Line Output (DC-Coupled) 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2x 1/4" TRS Balanced Line Input 1x 1/4" TRS Unbalanced Headphone Output 4x 1/4" TRS Balanced Line Output (DC-Coupled) 4x RCA TS Unbalanced Line Output |
Host Connection |
1x USB-C (Class-Compliant) |
1x USB-C |
OS Compatibility |
macOS 10.11 or Later Windows 10 13.5 or Later |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
Power Requirements |
AC/DC Power Adapter (Included) |
USB Bus Power |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface both offer robust features but cater to different needs based on their specifications.
The MOTU UltraLite-mk5 provides a significantly higher number of I/O channels. It offers 8 analog inputs and 12 analog outputs, compared to the M4's 4 analog inputs and 4 analog outputs. Additionally, the UltraLite-mk5 includes digital audio I/O with 10 inputs and 10 outputs, featuring TOSLINK Optical ADAT/S/PDIF and RCA Coaxial S/PDIF connections. In contrast, the M4 does not offer digital audio I/O. Both interfaces support a maximum sampling rate of 192 kHz at 24-bit.
On the analog audio I/O front, the UltraLite-mk5 is equipped with 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs on the front panel, 6 x 1/4" TRS balanced line inputs, 10 x 1/4" TRS balanced line outputs (DC-coupled), and a 1/4" TRS unbalanced headphone output. The M4, while also featuring 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, has only 2 x 1/4" TRS balanced line inputs, 4 x 1/4" TRS balanced line outputs (DC-coupled), 4 x RCA TS unbalanced line outputs, and a 1/4" TRS unbalanced headphone output.
In terms of host connection, both interfaces utilize a USB-C connection. However, the UltraLite-mk5 requires an AC/DC power adapter, which is included, whereas the M4 is powered via USB bus power, making it more convenient for mobile setups.
When it comes to OS compatibility, the UltraLite-mk5 supports macOS 10.11 or later and Windows 10 or later, while the M4 is compatible with macOS 10.11 or later and Windows 7 or later.
Overall, the MOTU UltraLite-mk5 offers more extensive I/O capabilities and digital connectivity options, making it suitable for more complex studio setups. The MOTU M4, on the other hand, provides a more streamlined and portable solution, ideal for simpler recording needs and mobile use.
General |
Channels of I/O |
Analog: 8 Inputs / 12 Outputs Digital: 10 Inputs / 10 Outputs |
Analog: 4 Inputs / 4 Outputs |
Maximum Sampling Rate |
192 kHz / 24-Bit |
192 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
2 Preamps |
Input Level Adjustment |
2x Knob |
2x Knob |
Expansion Slots |
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The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface both offer high-quality audio performance, but they differ in several key specifications.
The MOTU UltraLite-mk5 features a more extensive range of I/O with 8 analog inputs and 12 analog outputs, along with 10 digital inputs and 10 digital outputs. In contrast, the MOTU M4 offers 4 analog inputs and 4 analog outputs, with no additional digital I/O capabilities. This makes the UltraLite-mk5 more versatile for users requiring a higher number of input and output channels.
Both interfaces support a maximum sampling rate of 192 kHz at 24-bit resolution, ensuring high fidelity audio recording and playback. They each have 2 microphone preamps, which are suitable for capturing high-quality vocal and instrumental recordings.
The UltraLite-mk5 includes built-in DSP, providing additional processing power for tasks such as mixing and effects, which is not available in the M4. Both models feature input level adjustment via two knobs, allowing for precise control over input signals.
Neither of the interfaces has built-in microphones or expansion slots. Overall, the UltraLite-mk5 offers a more comprehensive set of features, particularly with its higher number of I/O channels and built-in DSP, making it a suitable choice for more complex recording and production setups. The M4, with its more straightforward design, is ideal for users who need a high-quality, yet simpler, audio interface.
Signal Processing |
Pad |
Mic: -20 dB (Switchable per Channel) |
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Gain/Trim Range |
Mic Inputs: Up to +74 dB |
Mic Inputs: 0 dB to +60 dB Line/Hi-Z Inputs: 0 dB to +57 dB |
High-Pass Filter |
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Solo/Mute |
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The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface offers a switchable pad feature for its microphone inputs, allowing a -20 dB reduction per channel to prevent clipping at high input levels. This feature is absent in the MOTU M4 USB-C Audio-MIDI Interface, which does not include any pad feature.
In terms of gain/trim range, the UltraLite-mk5 provides a significantly broader range for mic inputs, offering up to +74 dB of gain. On the other hand, the M4 provides a mic input gain range from 0 dB to +60 dB, and for line/Hi-Z inputs, it ranges from 0 dB to +57 dB. This makes the UltraLite-mk5 more versatile for handling a variety of microphone sensitivities and input levels.
Neither the UltraLite-mk5 nor the M4 includes a high-pass filter, which means both interfaces lack the capability to filter out low-frequency noise directly within the device. Additionally, both devices do not feature solo or mute functions on their inputs, limiting their flexibility in live monitoring and recording scenarios where these features might be beneficial.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6x 1/4" TRS Balanced Line Input 10x 1/4" TRS Balanced Line Output (DC-Coupled) 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2x 1/4" TRS Balanced Line Input 1x 1/4" TRS Unbalanced Headphone Output 4x 1/4" TRS Balanced Line Output (DC-Coupled) 4x RCA TS Unbalanced Line Output |
Phantom Power |
48 V, Selectable On/Off (Selectable on Individual Inputs) |
48 V, Selectable On/Off (Selectable on Individual Inputs) |
Digital Audio I/O |
1x TOSLINK Optical ADAT / S/PDIF Input 1x TOSLINK Optical ADAT / S/PDIF Output 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output |
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Host Connection |
1x USB-C (Class-Compliant) |
1x USB-C |
Host Connection Protocol |
USB 2.0 |
USB 2.0 |
USB (Non-Host) |
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Sync I/O |
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Network I/O |
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MIDI I/O |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
The MOTU UltraLite-mk5 and the MOTU M4 USB-C Audio/MIDI Interfaces offer a variety of features catering to different audio production needs. Here's a detailed comparison of their specifications:
Analog Audio I/O:
The UltraLite-mk5 features a more extensive array of analog audio inputs and outputs than the M4. It has 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs on the front panel, 6 additional 1/4" TRS balanced line inputs, and 10 1/4" TRS balanced line outputs (DC-coupled). It also includes a 1/4" TRS unbalanced headphone output on the front panel. In contrast, the M4 offers 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, 2 additional 1/4" TRS balanced line inputs, and 4 1/4" TRS balanced line outputs (DC-coupled). The M4 also includes 4 RCA TS unbalanced line outputs and a 1/4" TRS unbalanced headphone output.
Phantom Power:
Both interfaces provide 48V phantom power, selectable on/off for individual inputs, ensuring compatibility with a wide range of condenser microphones.
Digital Audio I/O:
The UltraLite-mk5 includes comprehensive digital audio I/O options with 1 TOSLINK optical ADAT/S/PDIF input, 1 TOSLINK optical ADAT/S/PDIF output, 1 RCA coaxial S/PDIF input, and 1 RCA coaxial S/PDIF output. The M4, however, does not offer any digital audio I/O options.
Host Connection:
Both interfaces connect via a single USB-C port, adhering to USB 2.0 protocol for host connection. Neither interface supports USB non-host connections.
Sync I/O and Network I/O:
Both the UltraLite-mk5 and the M4 lack Sync I/O and Network I/O capabilities, indicating that these interfaces are designed primarily for straightforward audio/MIDI interfacing without the need for additional synchronization or networked audio functionality.
MIDI I/O:
Both models are equipped with 1 DIN 5-pin MIDI input and 1 DIN 5-pin MIDI output, allowing for integration with MIDI hardware such as keyboards, controllers, and other MIDI-enabled devices.
In summary, the MOTU UltraLite-mk5 offers a more robust set of analog and digital I/O options compared to the M4, making it suitable for users who require extensive connectivity. The M4, while more limited in I/O capabilities, still provides essential features and may be more appropriate for users with simpler setups. Both interfaces maintain high-quality audio performance and essential MIDI I/O, ensuring versatility in various audio production environments.
Performance |
Maximum Input Level |
Mic Inputs: 0 dBu Line Inputs: +24 dBu |
Mic Inputs: +10 dBu (Min Gain) Line/Hi-Z Inputs: +16 dBu (Min Gain) Line Inputs: +18 dBu (Min Gain) |
Maximum Output Level |
Line Outputs: +21 dBu Headphone Outputs: +14 dBu |
Line Outputs: +16 dBu (Balanced) Line Outputs: +9.5 dBu (Unbalanced) Headphone Outputs: +12.5 dBu |
Impedance |
Line/Hi-Z Inputs: 1 Megohm |
Mic Inputs: 2.65 Kilohms Line Inputs: 2 Megohms Hi-Z Inputs: 1 Megohm Line Outputs: 100 Ohms |
Dynamic Range |
Mic Inputs: 115 dB (A-Weighted) Line Inputs: 120 dB (A-Weighted) Line Outputs: 125 dB (A-Weighted) Headphone Outputs: 118 dB (A-Weighted) |
Mic Inputs: 115 dBA Line/Hi-Z Inputs: 114 dBA Line Inputs: 115 dBA Line/Monitor Outputs: 120 dBA RCA Outputs: 119 dBA Headphone Outputs: 115 dBA |
THD+N |
Mic Inputs: -113 dB Line Inputs: -114 dB / 0.0002% (Unweighted) Line Outputs: -114 dB / 0.0002% (Unweighted) Headphone Outputs: -110 dB / 0.0003% (Unweighted) |
Mic Inputs: < -97 dB / < 0.0014% Line/Hi-Z Inputs: < -100 dB / < 0.001% Line Inputs: < -106 dB / < 0.0005% Line/Monitor Outputs: < -110 dB / < 0.00032% RCA Outputs: < -105 dB / < 0.00056% Headphone Outputs: < -110 dB / < 0.0003% |
EIN |
Mic Inputs: -129 dBu |
Mic Inputs: -129 dB A-Weighted (150-Ohm Source, Max Gain) |
When comparing the MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface, certain key features stand out, highlighting their respective strengths and capabilities.
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface boasts impressive specifications with a maximum input level of 0 dBu for mic inputs and +24 dBu for line inputs. Its maximum output levels are +21 dBu for line outputs and +14 dBu for headphone outputs. In terms of impedance, the UltraLite-mk5 features 1 Megohm for line/Hi-Z inputs. Dynamic range figures are equally remarkable, with mic inputs at 115 dB (A-Weighted), line inputs at 120 dB (A-Weighted), line outputs at 125 dB (A-Weighted), and headphone outputs at 118 dB (A-Weighted). The Total Harmonic Distortion plus Noise (THD+N) values are -113 dB for mic inputs, -114 dB / 0.0002% for line inputs, -114 dB / 0.0002% for line outputs, and -110 dB / 0.0003% for headphone outputs. Additionally, the Equivalent Input Noise (EIN) for mic inputs is -129 dBu.
On the other hand, the MOTU M4 USB-C Audio-MIDI Interface features a frequency response for mic inputs from 20 Hz to 20 kHz with +0/-0.1 dB accuracy, and similar detailed frequency responses for line, Hi-Z, and line outputs. The maximum input levels are +10 dBu for mic inputs, +16 dBu for line/Hi-Z inputs, and +18 dBu for line inputs. The maximum output levels are +16 dBu (balanced) and +9.5 dBu (unbalanced) for line outputs, with headphone outputs at +12.5 dBu. The impedance values include 2.65 Kilohms for mic inputs, 2 Megohms for line inputs, and 1 Megohm for Hi-Z inputs. The dynamic range is robust, with 115 dBA for mic inputs, 114 dBA for line/Hi-Z inputs, 115 dBA for line inputs, 120 dBA for line/monitor outputs, 119 dBA for RCA outputs, and 115 dBA for headphone outputs. The THD+N values are less than -97 dB / less than 0.0014% for mic inputs, less than -100 dB / less than 0.001% for line/Hi-Z inputs, less than -106 dB / less than 0.0005% for line inputs, less than -110 dB / less than 0.00032% for line/monitor outputs, and less than -105 dB / less than 0.00056% for RCA outputs, and less than -110 dB / less than 0.0003% for headphone outputs. The EIN for mic inputs is -129 dB A-Weighted (150-Ohm Source, Max Gain).
In summary, both the UltraLite-mk5 and M4 deliver high-performance audio specifications, with the UltraLite-mk5 excelling in maximum input and output levels as well as dynamic range. The M4, while also impressive, offers a slightly different set of strengths with detailed frequency response accuracy and a competitive dynamic range. Both interfaces are suitable for professional audio applications, but the choice may depend on specific needs such as maximum level handling and detailed frequency response.
Digital Audio |
Sample Rates |
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz |
Up to 192 kHz |
Sample Rate Conversion |
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Bit Depths |
24-Bit |
24-Bit |
Latency |
2.4 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Sync Sources |
ADAT, Internal, S/PDIF |
Internal |
When comparing the MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface, several key features stand out including sample rates, sample rate conversion, bit depths, latency, and sync sources.
The MOTU UltraLite-mk5 offers sample rates of 44.1, 48, 88.2, 96, 176.4, and 192 kHz, providing a broad range of options for various recording and playback needs. In contrast, the MOTU M4 supports sample rates up to 192 kHz, also offering high-resolution audio capabilities but without specifying intermediate sample rates like the UltraLite-mk5. Both interfaces provide a 24-bit bit depth, ensuring high-quality audio recording and playback.
Neither interface supports sample rate conversion, meaning they rely on the host software or other hardware to handle any necessary conversions. This is standard for many audio interfaces but is worth noting for users who frequently work with multiple sample rates.
Latency performance is crucial for any audio interface, and here, the MOTU UltraLite-mk5 boasts a latency of 2.4 ms at 96 kHz, which is slightly better than the MOTU M4's latency of 2.5 ms at the same sample rate. Both figures are dependent on buffer size and other factors but indicate very low latency suitable for live monitoring and recording. Additionally, the MOTU M4 features zero-latency direct monitoring, a valuable feature for real-time tracking without any delay.
Sync sources differ between the two interfaces. The UltraLite-mk5 supports synchronization through ADAT, internal, and S/PDIF sources, offering greater flexibility for integrating with other digital audio equipment. On the other hand, the MOTU M4 is limited to internal synchronization, which may be sufficient for simpler setups but lacks the advanced synchronization options of the UltraLite-mk5.
In summary, the MOTU UltraLite-mk5 provides a wider range of sample rates and more versatile synchronization options, making it suitable for more complex studio environments. The MOTU M4, while still offering high-resolution audio and low latency, is geared towards simpler setups with its emphasis on direct monitoring and internal sync. Both interfaces maintain a 24-bit depth for high-quality audio.
Audio Storage & Playback |
Memory Card Slot |
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The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface both come equipped with a variety of features tailored for professional audio production, but they share a notable similarity when it comes to memory card slots: neither product includes a memory card slot.
This absence of a memory card slot in both the UltraLite-mk5 and the M4 means that users looking to record or transfer data directly to or from a memory card will need to find alternative methods, such as using their computer's internal storage or external hard drives. Given that both interfaces are equipped with USB-C connectivity, they offer high-speed data transfer rates, which can help mitigate the lack of direct memory card support by facilitating quick and efficient transfers to connected devices.
When choosing between the UltraLite-mk5 and the M4, potential buyers should consider other differentiating features and specifications beyond the shared absence of a memory card slot to find the best fit for their specific audio production needs.
Compatibility |
OS Compatibility |
macOS 10.11 or Later Windows 10 13.5 or Later |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
Processor Requirement |
Mac: Intel Core i3 or Better PC: Intel Core i3 or Better AMD |
Mac: 1 GHz Intel PC: 1 GHz Intel Pentium |
RAM Requirements |
4 GB, 8 GB Recommended |
2 GB, 4 GB Recommended |
Required Hardware |
Available USB 2.0 Port |
Available USB 2.0 Port USB Cable (Included) |
Internet Connection |
Required for Registration, Software/Driver Download |
Required for Software/Driver Download |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface both offer robust features but differ in several key specifications.
In terms of OS Compatibility, the UltraLite-mk5 supports macOS 10.11 or later and Windows 10 13.5 or later, while the M4 is compatible with macOS 10.11 or later and Windows 7 or later, making the M4 more versatile for older Windows systems.
Regarding Processor Requirements, the UltraLite-mk5 demands a more powerful system, requiring an Intel Core i3 or better for both Mac and PC, whereas the M4 can operate with a 1 GHz Intel processor for both Mac and PC, including the Intel Pentium for PC users, indicating lower system requirements.
For RAM Requirements, the UltraLite-mk5 needs a minimum of 4 GB, with 8 GB recommended, while the M4 requires only 2 GB, recommending 4 GB, making the M4 less demanding on system memory.
Storage-wise, the UltraLite-mk5 specifies a 500 GB requirement, which is not mentioned for the M4, suggesting the UltraLite-mk5 may need more disk space for its operations.
Both interfaces require an available USB 2.0 port, but the M4 comes with a USB cable included. Additionally, an internet connection is necessary for the software/driver download for both, with the UltraLite-mk5 also needing it for registration.
Furthermore, the UltraLite-mk5 is compatible with mobile devices such as iPads, iPhones, and iPod Touches, which is not specified for the M4, highlighting the UltraLite-mk5's versatility for mobile device integration.
Power |
Power Requirements |
AC/DC Power Adapter (Included) |
USB Bus Power |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface differ significantly in terms of their power requirements. The UltraLite-mk5 requires an AC/DC power adapter, which is included with the interface. Specifically, it operates with a power adapter that provides between 12 to 18 VDC at 1 A, and can be either center-positive or center-negative. This means that the UltraLite-mk5 needs an external power source to function, which might be beneficial in a stationary setup but could limit portability.
In contrast, the MOTU M4 USB-C Audio-MIDI Interface operates solely on USB bus power. This means that it draws its power directly from the USB connection to the computer, eliminating the need for an external power adapter. This feature enhances its portability and convenience, making it an excellent choice for mobile setups or situations where minimizing the number of cables and power supplies is advantageous.
Physical |
Dimensions |
8.6 x 6.9 x 1.75" / 21.8 x 17.5 x 4.45 cm |
8.25 x 4.25 x 1.75" / 20.96 x 10.79 x 4.45 cm (Chassis Only) |
Weight |
2.9 lb / 1.3 kg |
1.6 lb / 0.7 kg |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface differ in several key specifications including rackmount size, dimensions, weight, and additional features.
The MOTU UltraLite-mk5 is designed with a rackmount size of 1 RU, compatible with optional hardware for a 1/2-rack configuration. Its dimensions are 8.6 x 6.9 x 1.75 inches (21.8 x 17.5 x 4.45 cm), making it relatively compact but slightly larger than the M4. The UltraLite-mk5 weighs 2.9 lb (1.3 kg), which adds a bit of heft compared to the M4, reflecting its more robust build and potentially more advanced internal components.
In contrast, the MOTU M4 features a Kensington Security Slot as an anti-theft feature, which is not mentioned for the UltraLite-mk5. The M4's dimensions are slightly smaller at 8.25 x 4.25 x 1.75 inches (20.96 x 10.79 x 4.45 cm), making it more compact in terms of width and depth. This smaller footprint could be advantageous for users with limited desk space. The M4 is also lighter, weighing only 1.6 lb (0.7 kg), which makes it more portable and easier to transport.
Overall, the UltraLite-mk5 offers a more substantial build with optional rackmount capabilities and a slightly larger footprint, while the M4 provides enhanced security features, a more compact design, and lightweight construction. Each interface caters to different user needs, with the UltraLite-mk5 potentially appealing to professional studio environments and the M4 to mobile or space-constrained setups.
Packaging Info |
Package Weight |
4.87 lb |
2.15 lb |
Box Dimensions (LxWxH) |
14.8 x 11.4 x 5.5" |
10.6 x 7.3 x 2.8" |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface are both high-quality audio interfaces that cater to different needs and preferences. In terms of package weight, the UltraLite-mk5 is significantly heavier, weighing in at 4.87 lb, compared to the M4, which has a package weight of 2.15 lb. This difference in weight may reflect the UltraLite-mk5's more robust build or additional features that are not present in the M4.
When it comes to the box dimensions, the UltraLite-mk5 is also larger, with dimensions of 14.8 x 11.4 x 5.5". In contrast, the M4 is more compact, with box dimensions of 10.6 x 7.3 x 2.8". The larger size of the UltraLite-mk5 suggests it might offer more connectivity options or a more extensive feature set, while the more compact M4 could be more convenient for mobile setups or smaller studio spaces.
In summary, the MOTU UltraLite-mk5 is a heavier and larger interface, potentially indicating a more feature-rich and robust design, whereas the MOTU M4 is lighter and more compact, making it a more portable and space-efficient option.