The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface are both high-quality devices designed for professional audio production, but they cater to slightly different needs and preferences.
The MOTU UltraLite-mk5 stands out for its comprehensive connectivity and compact form factor. It offers a total of 18 inputs and 22 outputs, including two mic/line/instrument inputs, six line inputs, 10 analog outputs, and digital I/O via optical and S/PDIF connections. The device also features MIDI I/O, making it a versatile choice for musicians and producers who need to integrate various types of equipment. It boasts pristine audio quality with a 24-bit/192kHz resolution and ultra-low latency. The UltraLite-mk5 is equipped with a suite of advanced DSP features, including EQ, compression, and reverb, which can be controlled via the MOTU Pro Audio Control web app, providing flexibility for both studio and live performance settings. Its USB-C connectivity ensures fast data transfer and broad compatibility with modern computers.
On the other hand, the Audient ID44 MkII is designed with an emphasis on exceptional analog quality and user-friendly features. It provides 20 inputs and 24 outputs, featuring four Audient Console mic preamps, two JFET instrument inputs, and ADAT expandability for additional channels. The ID44 MkII is renowned for its premium preamps, which deliver a clean, detailed sound with a touch of analog warmth. It supports a 24-bit/96kHz resolution, ensuring high-fidelity audio capture. The interface includes the innovative ScrollControl feature, which allows any knob to be used for DAW control, enhancing workflow efficiency. Additionally, the ID44 MkII offers a robust build quality and an intuitive user interface, making it suitable for both experienced professionals and those new to high-end audio production.
In summary, the MOTU UltraLite-mk5 excels in connectivity options and DSP capabilities, making it ideal for users who need a versatile, all-in-one solution. The Audient ID44 MkII, however, is tailored for those who prioritize superior preamp quality and an intuitive user experience. Both interfaces deliver excellent performance, but your choice will depend on your specific needs and preferences in a recording setup.
User Rating Based on Analysis of Reviews |
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Pros: |
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High-quality audio with 24-bit/192kHz resolution.
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Comprehensive I/O options including 10 inputs and 8 outputs.
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User-friendly software for easy control and monitoring.
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Solid build quality and compact design for portability.
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Low-latency performance suitable for professional use.
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High-quality preamps with versatile gain range.
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Expandable via ADAT for increased input/output options.
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Robust build quality with a sleek, professional design.
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Low-latency performance with stable drivers.
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Comprehensive control software for easy management.
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Cons: |
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Higher price point compared to some competing models.
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No dedicated physical MIDI controls.
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Learning curve for beginners due to extensive features.
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Limited onboard DSP effects.
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Relatively higher price point compared to some competitors.
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Requires external power supply, limiting portability.
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No MIDI I/O, which may be a drawback for some users.
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Learning curve associated with advanced features.
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Key Specs |
Channels of I/O |
Analog: 8 Inputs / 12 Outputs Digital: 10 Inputs / 10 Outputs |
Analog: 4 Inputs / 8 Outputs at 96 kHz ADAT: 16 Inputs / 16 Outputs at 48 kHz S/PDIF: 2 Inputs / 2 Outputs |
Maximum Sampling Rate |
192 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
4 Preamps |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6x 1/4" TRS Balanced Line Input 10x 1/4" TRS Balanced Line Output (DC-Coupled) 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input 2x 1/4" TS Unbalanced Hi-Z Input 4x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output 2x 1/4" TRS Balanced Insert Send 2x 1/4" TRS Balanced Insert Return |
Digital Audio I/O |
1x TOSLINK Optical ADAT / S/PDIF Input 1x TOSLINK Optical ADAT / S/PDIF Output 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output |
2x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) 2x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support) |
Host Connection |
1x USB-C (Class-Compliant) |
1x USB-C |
OS Compatibility |
macOS 10.11 or Later Windows 10 13.5 or Later |
macOS 10.11.6 or Later Windows 8 or Later (32-/64-Bit) |
Power Requirements |
AC/DC Power Adapter (Included) |
AC/DC Power Adapter (Included) |
The MOTU UltraLite-mk5 and the Audient ID44 MkII are both robust USB-C audio interfaces aiming to cater to professional audio recording and production needs, but they present different strengths and features tailored to various user requirements.
Starting with the MOTU UltraLite-mk5, it offers a comprehensive array of I/O channels, with 8 analog inputs and 12 outputs, supplemented by 10 digital inputs and outputs. The maximum sampling rate is 192 kHz at 24-bit, ensuring high-resolution audio fidelity. The interface includes 2 microphone preamps, accessible via front panel combo XLR-1/4" TRS inputs, and additional analog I/O options include 6 balanced line inputs and 10 balanced line outputs, alongside a dedicated headphone output on the front panel. For digital audio I/O, it supports TOSLINK Optical ADAT/S/PDIF and RCA Coaxial S/PDIF connections. The UltraLite-mk5 connects to a host via USB-C and is compatible with macOS 10.11 or later and Windows 10 or later. It is powered via an included AC/DC power adapter.
On the other hand, the Audient ID44 MkII distinguishes itself with a slightly different configuration. It provides 4 analog inputs and 8 outputs at 96 kHz, with the capability to handle 16 ADAT inputs and outputs at 48 kHz and 2 S/PDIF inputs and outputs. The maximum sampling rate here is 96 kHz at 24-bit. This interface features 4 microphone preamps, which is double that of the UltraLite-mk5, and includes 4 XLR-1/4" TRS balanced inputs, 2 unbalanced Hi-Z inputs, and 4 balanced line outputs. Additionally, it offers more headphone output options with 2 unbalanced 1/4" TRS outputs and a 1/8" TRS output. The ID44 MkII also includes 2 balanced insert send and return points. For digital audio I/O, it supports dual TOSLINK Optical ADAT/S/PDIF connections with S/MUX support. Also connecting via USB-C, the ID44 MkII is compatible with macOS 10.11.6 or later and Windows 8 or later and is powered by an included AC/DC adapter.
In summary, the MOTU UltraLite-mk5 provides a higher maximum sampling rate and a more extensive array of analog and digital I/O channels, making it suitable for users needing a broad range of connectivity. The Audient ID44 MkII, while offering a lower maximum sampling rate, excels in the number of microphone preamps, additional headphone outputs, and balanced insert points, making it a versatile choice for recording environments that require multiple mic inputs and detailed monitoring setups.
General |
Channels of I/O |
Analog: 8 Inputs / 12 Outputs Digital: 10 Inputs / 10 Outputs |
Analog: 4 Inputs / 8 Outputs at 96 kHz ADAT: 16 Inputs / 16 Outputs at 48 kHz S/PDIF: 2 Inputs / 2 Outputs |
Maximum Sampling Rate |
192 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
4 Preamps |
Built-In Microphone |
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Input Level Adjustment |
2x Knob |
4x Knob |
Expansion Slots |
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The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface are both high-quality audio interfaces, but they differ significantly in their features and capabilities.
Starting with the channels of I/O, the MOTU UltraLite-mk5 offers a broader range with 8 analog inputs and 12 analog outputs, along with 10 digital inputs and 10 digital outputs. In contrast, the Audient ID44 MkII is equipped with 4 analog inputs and 8 analog outputs at a sampling rate of 96 kHz, supplemented by ADAT channels that provide an additional 16 inputs and 16 outputs at 48 kHz, and 2 S/PDIF inputs and outputs. This makes the MOTU UltraLite-mk5 more versatile in terms of analog and digital connectivity.
Both interfaces support high-quality audio with the MOTU UltraLite-mk5 offering a maximum sampling rate of 192 kHz at 24-bit, while the Audient ID44 MkII supports a maximum sampling rate of 96 kHz at 24-bit. This gives the MOTU UltraLite-mk5 an edge in terms of higher resolution audio recording capabilities.
In terms of microphone inputs, the Audient ID44 MkII has 4 preamps compared to the MOTU UltraLite-mk5's 2 preamps. This means the Audient ID44 MkII is better suited for scenarios requiring more microphone inputs without needing an external preamp.
Neither interface includes a built-in microphone, but they both feature input level adjustments with the MOTU UltraLite-mk5 having 2 adjustment knobs, whereas the Audient ID44 MkII offers more control with 4 adjustment knobs.
Lastly, both devices do not feature expansion slots, so their connectivity and functionality are limited to their built-in capabilities.
In summary, the MOTU UltraLite-mk5 stands out with its higher sampling rate and extensive I/O options, making it a versatile choice for various audio setups. On the other hand, the Audient ID44 MkII offers more microphone inputs and additional ADAT connectivity, which could be advantageous for users needing more preamps and digital expansion.
Signal Processing |
Pad |
Mic: -20 dB (Switchable per Channel) |
Mic/Line: -10 dB (Switchable per Channel) |
Gain/Trim Range |
Mic Inputs: Up to +74 dB |
Combo XLR-1/4" Mic/Hi-Z Inputs: 0 to +60 dB Line Inputs: -10 to +50 dB |
High-Pass Filter |
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100 Hz, 12 dB/Octave |
Solo/Mute |
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Mute per Master |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface offers a pad feature for mic inputs at -20 dB, which is switchable per channel. It provides an impressive gain/trim range for mic inputs, allowing up to +74 dB, making it suitable for a variety of recording situations that require high gain levels. However, the UltraLite-mk5 does not come with a high-pass filter or solo/mute functionality, which might be a consideration depending on your specific needs.
On the other hand, the Audient ID44 MkII 20x24 Desktop USB Audio Interface features a -10 dB pad switchable per channel for both mic and line inputs. It offers a gain/trim range of 0 to +60 dB for combo XLR-1/4" mic/Hi-Z inputs and -10 to +50 dB for line inputs. This range provides flexibility for different input sources but is slightly lower compared to the MOTU UltraLite-mk5. Additionally, the ID44 MkII includes a high-pass filter set at 100 Hz with a 12 dB/octave slope, which is useful for managing low-frequency noise. It also features a mute function per master channel, adding another layer of control during recording or mixing sessions.
In summary, the MOTU UltraLite-mk5 excels in offering a higher gain/trim range and a more substantial pad for mic inputs, while the Audient ID44 MkII provides a high-pass filter and mute functionality, which are absent in the UltraLite-mk5. Both interfaces cater to different needs and preferences, making them suitable for various recording environments.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6x 1/4" TRS Balanced Line Input 10x 1/4" TRS Balanced Line Output (DC-Coupled) 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input 2x 1/4" TS Unbalanced Hi-Z Input 4x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output 2x 1/4" TRS Balanced Insert Send 2x 1/4" TRS Balanced Insert Return |
Phantom Power |
48 V, Selectable On/Off (Selectable on Individual Inputs) |
48 V ± 4 V (Selectable on Individual Inputs) |
Digital Audio I/O |
1x TOSLINK Optical ADAT / S/PDIF Input 1x TOSLINK Optical ADAT / S/PDIF Output 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output |
2x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) 2x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support) |
Host Connection |
1x USB-C (Class-Compliant) |
1x USB-C |
Host Connection Protocol |
USB 2.0 |
USB 2.0 |
USB (Non-Host) |
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Sync I/O |
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1x BNC Word Clock Output |
Network I/O |
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MIDI I/O |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
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The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface offer differing capabilities in several key areas, making each suitable for different audio production needs.
In terms of analog audio I/O, the MOTU UltraLite-mk5 provides 2 combo XLR-1/4" TRS inputs that support mic, line, and Hi-Z signals, 6 TRS balanced line inputs, and an impressive 10 TRS balanced line outputs. It also features a single TRS unbalanced headphone output on the front panel. In contrast, the Audient ID44 MkII offers 4 combo XLR-1/4" TRS balanced mic/line inputs, 2 dedicated Hi-Z inputs, 4 TRS balanced line outputs, and 2 TRS unbalanced headphone outputs, along with a 1/8" TRS unbalanced headphone output. Additionally, the ID44 MkII includes 2 TRS balanced insert sends and returns, which are not present on the UltraLite-mk5.
Phantom power is available on both interfaces at 48V, selectable on individual inputs. The Audient ID44 MkII specifies a phantom power current of 10 mA per channel, whereas the MOTU UltraLite-mk5 does not specify the current.
For digital audio I/O, the MOTU UltraLite-mk5 features a single TOSLINK optical ADAT/S/PDIF input and output, along with RCA coaxial S/PDIF input and output. The Audient ID44 MkII expands on this with 2 TOSLINK optical ADAT/S/PDIF inputs and outputs with S/MUX support, providing more flexibility for digital connections.
Both interfaces connect to the host via USB-C using USB 2.0 protocol. Neither offers additional USB (non-host) or network I/O. The Audient ID44 MkII, however, includes a BNC word clock output for synchronization, which the MOTU UltraLite-mk5 lacks.
When it comes to MIDI I/O, the MOTU UltraLite-mk5 includes 1 DIN 5-pin MIDI input and output, while the Audient ID44 MkII does not offer any MIDI connectivity.
In summary, the MOTU UltraLite-mk5 stands out with its higher number of line inputs and outputs, as well as MIDI I/O, making it versatile for complex setups. The Audient ID44 MkII, meanwhile, provides additional mic/line inputs, dedicated Hi-Z inputs, and more comprehensive digital I/O options, along with insert send and return capabilities, catering to users who require robust input and output options and advanced digital connectivity.
Performance |
Maximum Input Level |
Mic Inputs: 0 dBu Line Inputs: +24 dBu |
Mic Inputs: +18 dBu +28 dBu (with Pad) Line Inputs: 28 dBu Hi-Z Inputs: +10 dBu Insert Return: +18 dBu |
Maximum Output Level |
Line Outputs: +21 dBu Headphone Outputs: +14 dBu |
Line Outputs: +18 dBu Insert Send: +22 dBu Headphone Outputs: +14 dBu |
Impedance |
Line/Hi-Z Inputs: 1 Megohm |
Mic Inputs: 3 Kilohms (Balanced) Line Inputs: 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) Insert Return: > 10 Kilohms (Balanced) Insert Send: < 100 Ohms (Balanced) D/A Converters: < 100 Ohms (Balanced) Headphone Outputs: < 50 Ohms (Balanced) |
Dynamic Range |
Mic Inputs: 115 dB (A-Weighted) Line Inputs: 120 dB (A-Weighted) Line Outputs: 125 dB (A-Weighted) Headphone Outputs: 118 dB (A-Weighted) |
A/D Converters: 120 dB (A-Weighted) D/A Converters: 126 dB (A-Weighted) Headphone Outputs: 124 dB (A-Weighted) |
THD+N |
Mic Inputs: -113 dB Line Inputs: -114 dB / 0.0002% (Unweighted) Line Outputs: -114 dB / 0.0002% (Unweighted) Headphone Outputs: -110 dB / 0.0003% (Unweighted) |
Mic Inputs: -96 dBu / < 0.003% (1 kHz) Hi-Z Inputs: < 0.3% (1 kHz) A/D Converters: -112 dB / < 0.0003% (1 kHz, at -1 dBFS) D/A Converters: -104 dB / < 0.0006% (1 kHz, at -1 dBFS) Headphone Outputs: -103 dB / < 0.0008% (1 kHz, at -1 dBFS) |
EIN |
Mic Inputs: -129 dBu |
Mic Inputs: -126 dBu |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface are both high-performance audio interfaces catering to professional audio recording and production needs. Here’s a comparison based on their key specifications:
Maximum Input Level:
The MOTU UltraLite-mk5 provides a maximum input level of 0 dBu for mic inputs and +24 dBu for line inputs. In comparison, the Audient ID44 MkII offers a higher maximum input level for mic inputs at +18 dBu (+28 dBu with pad) and for line inputs at +28 dBu. This makes the Audient ID44 MkII more versatile for handling higher input signals.
Maximum Output Level:
The MOTU UltraLite-mk5 has a maximum output level of +21 dBu for line outputs and +14 dBu for headphone outputs. The Audient ID44 MkII, on the other hand, delivers a slightly lower maximum line output level at +18 dBu but matches the UltraLite-mk5 with +14 dBu for headphone outputs. The Audient ID44 MkII also includes an insert send with a maximum output level of +22 dBu.
Impedance:
For impedance, the MOTU UltraLite-mk5 provides 1 Megohm for line/Hi-Z inputs. The Audient ID44 MkII showcases a variety of impedance values: 3 Kilohms for mic inputs, 10 Kilohms for line inputs, and 1 Megohm for Hi-Z inputs, providing a more detailed breakdown.
Dynamic Range:
Dynamic range is a critical factor for audio quality. The MOTU UltraLite-mk5 offers a dynamic range of 115 dB (A-Weighted) for mic inputs, 120 dB for line inputs, 125 dB for line outputs, and 118 dB for headphone outputs. The Audient ID44 MkII presents slightly different values with A/D converters at 120 dB, D/A converters at 126 dB, and headphone outputs at 124 dB (A-Weighted).
THD+N:
Total Harmonic Distortion plus Noise (THD+N) is another crucial metric. The MOTU UltraLite-mk5 boasts very low THD+N values: -113 dB for mic inputs, -114 dB / 0.0002% for line inputs and outputs, and -110 dB / 0.0003% for headphone outputs. The Audient ID44 MkII shows a THD+N of -96 dBu / < 0.003% for mic inputs, < 0.3% for Hi-Z inputs, -112 dB / < 0.0003% for A/D converters, -104 dB / < 0.0006% for D/A converters, and -103 dB / < 0.0008% for headphone outputs.
EIN:
Equivalent Input Noise (EIN) values also show differences. The MOTU UltraLite-mk5 has an EIN of -129 dBu for mic inputs, whereas the Audient ID44 MkII has an EIN of -126 dBu for mic inputs.
Overall, both interfaces offer high-quality audio performance, but the Audient ID44 MkII provides slightly more headroom and versatility in terms of input levels and impedance options, while the MOTU UltraLite-mk5 excels with lower THD+N values and a slightly better EIN for mic inputs.
Digital Audio |
Sample Rates |
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz |
Up to 96 kHz |
Sample Rate Conversion |
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Bit Depths |
24-Bit |
24-Bit |
Latency |
2.4 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
0.677 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 0.625 ms 0.354 ms at 88.2 kHz 0.323 ms at 96 kHz (Input to Output) |
Sync Sources |
ADAT, Internal, S/PDIF |
ADAT, Internal, S/PDIF |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both offer premium specifications, but they cater to different needs and preferences based on certain critical features.
In terms of sample rates, the MOTU UltraLite-mk5 supports a wide range of options, including 44.1, 48, 88.2, 96, 176.4, and 192 kHz. This extensive range offers flexibility for various recording and playback scenarios, making it suitable for high-resolution audio projects. On the other hand, the Audient ID44 MkII supports sample rates up to 96 kHz, which is sufficient for most professional audio applications but does not reach the higher rates available with the MOTU UltraLite-mk5.
Both interfaces support 24-bit depth, ensuring high-quality audio resolution. When it comes to latency, the Audient ID44 MkII outperforms the MOTU UltraLite-mk5, offering exceptionally low latency figures: 0.677 ms at 44.1 kHz, 0.625 ms at 48 kHz, 0.354 ms at 88.2 kHz, and 0.323 ms at 96 kHz. In comparison, the MOTU UltraLite-mk5 has a latency of 2.4 ms at 96 kHz, which, while still low, is significantly higher than the Audient ID44 MkII's performance.
Regarding sync sources, both interfaces provide similar options, with support for ADAT, internal clock, and S/PDIF synchronization. This ensures both units can be easily integrated into professional audio setups requiring precise timing and synchronization.
In conclusion, the MOTU UltraLite-mk5 excels in offering a broader range of sample rates, making it a versatile choice for high-resolution audio work. Conversely, the Audient ID44 MkII stands out with its remarkably low latency, making it an excellent option for real-time audio processing and monitoring. Both units deliver professional-grade audio quality with 24-bit depth and robust sync capabilities, catering to different needs based on their specific strengths.
Audio Storage & Playback |
Memory Card Slot |
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When comparing the MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface, both products share a common feature in that they do not include a memory card slot. This means that neither of these interfaces offers built-in storage capabilities for directly saving or transferring files via memory cards.
The MOTU UltraLite-mk5 is a versatile and compact USB-C audio/MIDI interface designed for musicians, producers, and audio engineers who need a reliable and high-quality interface for both studio and live applications. Its design emphasizes portability and flexibility, making it suitable for a variety of recording environments. Despite lacking a memory card slot, it offers extensive connectivity options and high-resolution audio, accommodating a wide range of professional audio tasks.
On the other hand, the Audient ID44 MkII is a more desktop-oriented USB audio interface that provides a robust and high-quality recording solution with a focus on detailed sound and advanced features. Like the MOTU UltraLite-mk5, the Audient ID44 MkII also does not include a memory card slot, focusing instead on delivering superior audio performance through its advanced preamps and converters. It is particularly well-suited for users seeking high-fidelity sound and an intuitive, user-friendly interface for their desktop recording setup.
In summary, while both the MOTU UltraLite-mk5 and the Audient ID44 MkII lack a memory card slot, they each offer distinct advantages tailored to different user needs. The MOTU UltraLite-mk5 excels in portability and versatility, whereas the Audient ID44 MkII stands out for its high-quality desktop recording capabilities.
Compatibility |
OS Compatibility |
macOS 10.11 or Later Windows 10 13.5 or Later |
macOS 10.11.6 or Later Windows 8 or Later (32-/64-Bit) |
Processor Requirement |
Mac: Intel Core i3 or Better PC: Intel Core i3 or Better AMD |
Mac: Intel Apple PC: 1.6 GHz Intel Core 2 AMD |
RAM Requirements |
4 GB, 8 GB Recommended |
1 GB |
Mobile Device Compatibility |
iPad iPhone iPod Touch |
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Required Hardware |
Available USB 2.0 Port |
USB 2.0 Port USB Cable (Included) |
Internet Connection |
Required for Registration, Software/Driver Download |
Required for Registration, Software/Driver Download |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both offer robust features for professional audio recording and production, but they differ in several key aspects that could influence a user's choice.
Starting with OS compatibility, both interfaces support macOS, with the MOTU UltraLite-mk5 requiring macOS 10.11 or later and the Audient ID44 MkII requiring macOS 10.11.6 or later. For Windows users, the MOTU UltraLite-mk5 supports Windows 10 and later, while the Audient ID44 MkII supports Windows 8 and later, accommodating both 32- and 64-bit systems. This slight difference means the Audient ID44 MkII can be used on slightly older Windows systems compared to the MOTU UltraLite-mk5.
When it comes to processor requirements, the MOTU UltraLite-mk5 specifies a need for an Intel Core i3 or better for both Mac and PC users, and it also mentions compatibility with AMD processors. On the other hand, the Audient ID44 MkII has a lower minimum requirement for Mac users with a 1.6 GHz Intel Core 2 processor, and it supports both Intel and AMD processors for PC users without specifying a minimum speed, potentially making it more accessible for users with older or less powerful computers.
In terms of RAM, the MOTU UltraLite-mk5 recommends 4 GB of RAM, with 8 GB being preferred, while the Audient ID44 MkII has a lower requirement of just 1 GB of RAM. This makes the Audient ID44 MkII more lenient in terms of memory resources needed, which could be beneficial for users running multiple applications simultaneously or those with systems that have lower RAM.
Storage requirements favor the MOTU UltraLite-mk5, which specifies a need for 500 GB of storage, ensuring ample space for software, drivers, and potential audio files. The Audient ID44 MkII does not specify a storage requirement, which could imply a more flexible approach but also leaves users to determine their storage needs based on usage.
Another significant difference is mobile device compatibility. The MOTU UltraLite-mk5 is compatible with mobile devices such as iPads, iPhones, and iPod Touches, offering more flexibility for mobile recording and control. In contrast, the Audient ID44 MkII does not support mobile device compatibility, which could be a limitation for users seeking mobile integration.
Both interfaces require an available USB 2.0 port and an internet connection for registration and software/driver download. However, the Audient ID44 MkII includes a USB cable, which can be a convenience for users, whereas the MOTU UltraLite-mk5 does not mention whether a USB cable is included, potentially requiring an additional purchase.
In summary, the MOTU UltraLite-mk5 offers broader mobile device compatibility and slightly higher system requirements, which might appeal to users needing that flexibility and who have more modern systems. The Audient ID44 MkII, with its lower RAM and processor requirements, might be more accessible for users with older systems or those looking for a simpler setup without the need for mobile integration.
Power |
Power Requirements |
AC/DC Power Adapter (Included) |
AC/DC Power Adapter (Included) |
AC/DC Power Adapter |
12 to 18 VDC at 1 A, Center-Positive or Negative (Included) |
12 VAC at 2 A, Center-Positive (Included) |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both come with included AC/DC power adapters, but their power requirements and specifications differ in a few key areas.
The MOTU UltraLite-mk5 requires an AC/DC power adapter that supports 12 to 18 VDC at 1 A. This adapter can be either center-positive or center-negative, providing flexibility in terms of compatibility and power source configurations. The power adapter is included with the unit, ensuring users have everything they need to power the interface right out of the box.
On the other hand, the Audient ID44 MkII also includes an AC/DC power adapter but has different power requirements. The adapter for the Audient ID44 MkII provides 12 VAC at 2 A and is center-positive. Additionally, the Audient ID44 MkII's power adapter can handle a range of AC input power from 90 to 264 VAC at 50/60 Hz, making it versatile for use in various international power environments without the need for additional converters or adapters.
In summary, while both interfaces come with their respective power adapters included, the MOTU UltraLite-mk5 operates on a variable 12 to 18 VDC at 1 A with either center-positive or negative polarity, and the Audient ID44 MkII operates on a fixed 12 VAC at 2 A center-positive adapter, capable of handling a wide range of AC input voltages from 90 to 264 VAC at 50/60 Hz.
Physical |
Dimensions |
8.6 x 6.9 x 1.75" / 21.8 x 17.5 x 4.45 cm |
10.9 x 7.5 x 2.7" / 27.6 x 19.1 x 6.9 cm (Including Controls and Protrusions) |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface showcase distinct physical specifications and security features suitable for different user preferences and setups.
The MOTU UltraLite-mk5 is designed with a 1 RU rackmount size, which can be optionally mounted in a half-rack configuration. This makes it a versatile option for both studio and portable use. The unit measures 8.6 x 6.9 x 1.75 inches (21.8 x 17.5 x 4.45 cm) and weighs 2.9 lb (1.3 kg), making it relatively compact and lightweight. Its dimensions and weight make it easy to integrate into a variety of environments without taking up much space.
On the other hand, the Audient ID44 MkII is a desktop USB audio interface with a slightly larger footprint. It measures 10.9 x 7.5 x 2.7 inches (27.6 x 19.1 x 6.9 cm), which includes controls and protrusions. This larger size may offer more physical controls and a more substantial presence on a desktop setup. Additionally, the Audient ID44 MkII includes a Kensington Security Slot, providing an anti-theft feature that adds an extra layer of security for users concerned about the safety of their equipment.
In summary, the MOTU UltraLite-mk5 is a more compact and lightweight option with flexibility for rack mounting, while the Audient ID44 MkII provides a larger desktop interface with built-in anti-theft security. Users should consider these physical and security aspects based on their specific needs and workspace configurations.
Packaging Info |
Package Weight |
4.87 lb |
5.74 lb |
Box Dimensions (LxWxH) |
14.8 x 11.4 x 5.5" |
14.5 x 9.5 x 4.5" |
The MOTU UltraLite-mk5 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface differ in terms of package weight and box dimensions, reflecting their respective designs and form factors.
The MOTU UltraLite-mk5 has a package weight of 4.87 lb, making it slightly lighter than the Audient ID44 MkII. This could be a consideration for users who need a more portable option. The box dimensions for the UltraLite-mk5 are 14.8 x 11.4 x 5.5", indicating a slightly larger packaging footprint in terms of length and width but a more compact height compared to the Audient ID44 MkII.
In contrast, the Audient ID44 MkII has a package weight of 5.74 lb, which is heavier than the UltraLite-mk5. This might suggest a more robust build or additional internal components. The box dimensions for the ID44 MkII are 14.5 x 9.5 x 4.5", which shows a marginally shorter length and reduced width, but a slightly lower height than the UltraLite-mk5.
These differences in weight and dimensions could influence user decisions based on portability, storage space, and the physical setup of their audio workstations.