The Audient iD24 and iD14 MKII are both exceptional desktop USB audio interfaces, but they cater to slightly different needs and preferences, making them suitable for varied user profiles.
The iD24 is a 10x14 USB-C audio interface that offers an extensive set of features designed for professional audio recording and production. It boasts two Class-A Audient Console mic preamps, which are renowned for their clean and transparent sound quality. Additionally, the iD24 includes ADAT expandability, allowing users to connect external preamps and expand the input count, making it ideal for larger recording setups. The interface also features balanced inserts, enabling users to integrate outboard gear seamlessly. With its versatile I/O configuration, the iD24 is perfect for musicians, producers, and engineers who require flexibility and high-quality audio performance.
On the other hand, the Audient iD14 MKII is a 10x6 USB Type-C audio interface that maintains a balance between simplicity and professional-grade performance. It also includes two Class-A Audient Console mic preamps, providing the same high-quality sound as the iD24. The iD14 MKII offers a straightforward design with fewer I/O options compared to the iD24, making it more suitable for solo artists, podcasters, and small studio setups. Despite its more compact feature set, the iD14 MKII doesn't compromise on audio fidelity or build quality, ensuring excellent results for users with less complex recording needs.
In summary, the Audient iD24 is geared towards users who need a more extensive I/O configuration and expandability options, making it perfect for larger and more versatile recording environments. The Audient iD14 MKII, while still delivering top-notch audio quality, is more streamlined and ideal for those with simpler recording requirements. Both interfaces uphold Audient's reputation for high-quality audio and robust construction, ensuring reliable performance for a variety of users.
User Rating Based on Analysis of Reviews |
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Pros: |
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High-quality Audient console mic preamps.
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USB Type-C connectivity for fast and reliable data transfer.
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10 inputs and 6 outputs offering versatile connectivity options.
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JFET instrument input for a rich, tube-like sound.
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Expandability via ADAT for additional inputs.
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User-friendly software for easy control and configuration.
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Solid build quality with a sleek and compact design.
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Low-latency DSP mixer for real-time monitoring.
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High-quality Audient console mic preamps.
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USB-C connectivity for faster data transfer and compatibility.
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10x14 I/O configuration for versatile recording options.
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J-FET instrument input for natural, tube-like sound.
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ScrollControl feature for enhanced workflow.
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Dedicated monitor control section with talkback functionality.
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Robust build quality and compact design.
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Cons: |
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No MIDI I/O which limits its use with MIDI controllers.
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External power supply needed for maximum performance.
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Limited onboard effects compared to some competitors.
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Higher price point may be a barrier for beginners.
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No dedicated line outputs, which might limit routing options.
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Higher price point compared to entry-level interfaces.
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May be overkill for basic home studio setups.
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No onboard DSP for real-time effects processing.
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Limited bundled software.
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Key Specs |
Channels of I/O |
Analog: 2 Inputs / 6 Outputs at 96 kHz Digital: 8 Input / 0 Output at 48 kHz |
10 Input / 14 Output |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 32-Bit |
Number of Microphone Inputs |
2 Preamps |
2 Preamps |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line/Monitor Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel) |
2x Combo XLR-1/4" 3-Pin Mic/Line Input 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Insert Send 2x 1/4" TRS Balanced Insert Return 4x 1/4" TRS Balanced Monitor Output 1x 1/4" TRS Headphone Output (Front Panel) 1x 1/8" / 3.5 mm TRS Headphone Output (Front Panel) |
Digital Audio I/O |
1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) |
1x TOSLINK Optical ADAT / S/PDIF Input 1x TOSLINK Optical ADAT / S/PDIF Output |
Host Connection |
1x USB-C |
1x USB-C |
OS Compatibility |
macOS 10.11.6 or Later macOS 11.1 or Later Windows 7 or Later |
Windows macOS |
Power Requirements |
USB Bus Power |
USB Bus Power |
The Audient iD24 Desktop 10x14 USB-C Audio Interface and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface are both high-quality audio interfaces designed to cater to different needs in audio production.
In terms of I/O channels, the iD24 offers a more extensive setup with 10 inputs and 14 outputs, which is beneficial for users needing to connect multiple devices simultaneously. Conversely, the iD14 MKII features a more modest configuration of 2 inputs and 6 outputs, suitable for simpler recording tasks. The iD24 also supports a maximum sampling rate of 96 kHz at 32-bit, whereas the iD14 MKII operates at the same sampling rate but is limited to 24-bit, providing a slight edge in audio resolution for the iD24.
Both interfaces include 2 microphone preamps, providing quality sound capture. However, the analog audio I/O differs slightly. The iD24 has a combination of 2 combo XLR-1/4" mic/line inputs and an additional Hi-Z input, along with multiple insert sends and returns. The iD14 MKII also has 2 combo XLR-1/4" TRS inputs and a Hi-Z input, but it lacks the insert options available on the iD24. Furthermore, the iD24 features both a 1/4" and a 1/8" headphone output on the front panel, while the iD14 MKII has a single 1/4" unbalanced headphone output and an additional 1/8" output.
Digital audio I/O is another area where the iD24 stands out, with the ability to handle both ADAT and S/PDIF input and output. The iD14 MKII, while it does provide a TOSLINK optical ADAT/S/PDIF input, does not offer a corresponding output, limiting its digital connectivity capabilities. Both devices utilize USB-C for host connection and are powered via USB bus, making them highly portable and easy to use across different operating systems, including Windows and macOS.
In summary, the Audient iD24 is designed for users who require a versatile and extensive input/output configuration, higher audio resolution, and more comprehensive digital connectivity. In contrast, the Audient iD14 MKII is ideal for those who need a simpler setup with reliable performance for basic recording tasks.
General |
Channels of I/O |
Analog: 2 Inputs / 6 Outputs at 96 kHz Digital: 8 Input / 0 Output at 48 kHz |
10 Input / 14 Output |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 32-Bit |
Number of Microphone Inputs |
2 Preamps |
2 Preamps |
Input Level Adjustment |
2x Knob |
2x Knob |
Expansion Slots |
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When comparing the Audient iD24 Desktop 10x14 USB-C Audio Interface and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface, several key features set them apart.
The Audient iD24 offers a robust 10 Input / 14 Output configuration, making it suitable for users needing extensive routing options and flexibility. In contrast, the iD14 MKII has a more modest 2 Inputs / 6 Outputs configuration, which may appeal to smaller setups or those with less complex recording needs. Additionally, the iD24 supports up to 96 kHz / 32-Bit sampling rate, providing higher resolution audio compared to the iD14 MKII, which maxes out at 96 kHz / 24-Bit.
Both interfaces feature 2 Preamps, ensuring quality microphone input for recording. However, neither unit includes a built-in microphone. They both allow for Input Level Adjustment via 2 knobs, giving users control over their audio levels during recording. On the expansion front, neither interface offers Expansion Slots, keeping their designs streamlined.
In summary, the Audient iD24 is geared towards users who require more input and output options alongside higher audio resolution capabilities. The iD14 MKII, while still robust, is better suited for simpler audio configurations, making it an ideal choice for home studios or smaller recording setups.
Signal Processing |
Pad |
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Mic/Line: -10 dB (Switchable per Channel) |
Gain/Trim Range |
Mic/Hi-Z Inputs: 58 dB Hi-Z Inputs: 40 dB |
0 to +58 dB |
High-Pass Filter |
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100 Hz |
Solo/Mute |
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Mute per Master |
The Audient iD24 Desktop 10x14 USB-C Audio Interface and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface offer distinct features that cater to different audio recording needs.
Starting with the Audient iD24, this interface includes a pad feature with a switchable setting of -10 dB per channel for its mic and line inputs, which allows for greater flexibility when recording loud sources. The gain/trim range is impressive, providing a spectrum from 0 to +58 dB, accommodating a variety of microphones and sources effectively. Additionally, it features a high-pass filter set at 100 Hz, which helps eliminate low-frequency noise, making it suitable for cleaner recordings. The iD24 also includes a solo/mute function, allowing the user to mute the master output easily, enhancing workflow during recording sessions.
In contrast, the Audient iD14 MKII presents a more streamlined approach without some of the advanced features found in the iD24. It lacks a pad option, meaning users must manage higher input levels without the ability to reduce them beforehand. The gain/trim range is still commendable, with mic and Hi-Z inputs offering up to 58 dB and 40 dB, respectively, but offers less versatility compared to the iD24. Moreover, the iD14 MKII does not include a high-pass filter, which may be a limitation for those looking to manage low-end frequencies in their recordings. Lastly, the absence of a solo/mute function may affect the ease of monitoring while recording or mixing.
In summary, while both interfaces deliver quality audio performance, the Audient iD24 is designed for users who require more advanced features like padding, high-pass filtering, and solo/mute capabilities. The iD14 MKII, on the other hand, serves as a more basic option that may suit simpler recording setups.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line/Monitor Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel) |
2x Combo XLR-1/4" 3-Pin Mic/Line Input 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Insert Send 2x 1/4" TRS Balanced Insert Return 4x 1/4" TRS Balanced Monitor Output 1x 1/4" TRS Headphone Output (Front Panel) 1x 1/8" / 3.5 mm TRS Headphone Output (Front Panel) |
Phantom Power |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
Phantom Power Current |
10 mA per Channel |
10 mA per Channel |
Digital Audio I/O |
1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) |
1x TOSLINK Optical ADAT / S/PDIF Input 1x TOSLINK Optical ADAT / S/PDIF Output |
Host Connection |
1x USB-C |
1x USB-C |
Host Connection Protocol |
USB 3.0 / 3.1/3.2 Gen 1 |
USB 2.0, USB 3.0 / 3.1/3.2 Gen 1 |
USB (Non-Host) |
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Sync I/O |
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1x BNC Word Clock Output |
Network I/O |
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MIDI I/O |
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The Audient iD24 and Audient iD14 MKII are both high-quality desktop USB-C audio interfaces designed for professionals and enthusiasts alike, but they differ significantly in their analog and digital connectivity options.
Starting with the Audient iD24, it offers a comprehensive analog audio I/O configuration that includes 2 combo XLR-1/4" mic/line inputs, 1 unbalanced Hi-Z input, and a total of 4 balanced monitor outputs. Additionally, it features 2 TRS balanced insert sends and returns, along with dual headphone outputs (1/4" and 1/8"). The iD24 supports a robust digital audio I/O setup with TOSLINK optical ADAT/S/PDIF input and output, making it versatile for various recording setups. Furthermore, it provides a BNC word clock output for synchronization, which is not available on the iD14 MKII.
On the other hand, the Audient iD14 MKII presents a more streamlined analog audio I/O configuration. It has 2 combo XLR-1/4" mic/line inputs and 1 unbalanced Hi-Z input, along with 4 balanced line/monitor outputs. The headphone output options are limited to a single unbalanced 1/4" output and a 1/8" output on the front panel. In terms of digital connectivity, the iD14 MKII also includes TOSLINK optical ADAT/S/PDIF input but lacks the additional output seen in the iD24. Notably, the iD14 MKII does not feature sync I/O or MIDI connectivity, focusing on essential audio interface functions.
In summary, the Audient iD24 is a more feature-rich audio interface with greater analog and digital connectivity options, including additional outputs and synchronization capabilities. In contrast, the Audient iD14 MKII is better suited for users who need a simpler interface without compromising on audio quality but require fewer I/O options.
Performance |
Frequency Response |
A/D Converters: 10 Hz to 40 kHz ±0.5 dB D/A Converters: 10 Hz to 40 kHz ±0.1 dB Headphone Outputs: 10 Hz to 40 kHz ±0.25 dB Mic, Line Inputs: 10 Hz to 40 kHz ±0.5 dB (Min Gain) 20 Hz to 22 kHz ±1 dB (Max Gain) Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB |
10 Hz to 40 kHz |
Maximum Input Level |
Mic Inputs: +12 dBu Line Inputs: +21 dBu Hi-Z Inputs: +10 dBu |
Line: +12 dBu A/D Converters: +12.5 dBu for 0 dBFS |
Maximum Output Level |
Headphone Outputs: +5.46 Vrms (600-Ohm Load) |
D/A Converters: 12 dBu at 0 dBFS |
Headphone Output Power |
223 mW into 30 Ohms (Max) 280 mW into 62 Ohms (Max) 100 mW into 600 Ohms (Max) |
1/4": 232 mW into 50 Ohms (Max) |
Impedance |
Mic Inputs: 2.8 Kilohms (Balanced) Line Inputs: > 8 Kilohms (Balanced) |
Mic : > 2.8 Kilohms Line : > 8 Kilohms Hi-Z : > 500 Kilohms |
Dynamic Range |
A/D Converters: 120 dB (A-Weighted) D/A Converters: 125.5 dB (A-Weighted) Headphone Outputs: 125.5 dB (A-Weighted) |
A/D Converters: 122 dBA D/A Converters: 126.5 dBA Headphone: 124 dBA |
SNR |
Mic/Line Inputs: 101 dBu (A-Weighted) Hi-Z Inputs: 100 dBu (A-Weighted) |
Mic: 97.5 dB (Unweighted) 100 dBA |
THD+N |
Mic/Line Inputs: 0.0017% (at 0 dBu) Hi-Z Inputs: 0.1% (at 0 dBu) A/D Converters: < 0.001% (at -1 dBFS) D/A Converters: < 0.0006% (at -1 dBFS) Headphone Outputs: < 0.0009% (at -1 dBFS) |
Mic: -96 dB / 0.0015% Line: -97 dB / 0.0013% A/D Converters: -108 dB / 0.0004% D/A Converters: -110 dB / 0.0003% |
EIN |
Mic/Line Inputs: -129 dBu A-Weighted |
129 dB A-Weighted |
CMRR |
Mic/Line Inputs: > -75 dB (1 kHz) |
> 75 dB |
The Audient iD24 and Audient iD14 MKII are both high-quality USB-C audio interfaces designed for desktop use, but they offer different specifications and features that cater to various audio production needs.
In terms of frequency response, the iD24 boasts a range of 10 Hz to 40 kHz for both A/D and D/A converters, which provides a solid response across low to high frequencies. The iD14 MKII also features a frequency response of 10 Hz to 40 kHz for its A/D and D/A converters, but with a slight variance in performance at different gain settings for mic and Hi-Z inputs. This ensures that both interfaces are capable of delivering accurate audio reproduction, though the iD24 offers a more consistent response across all input types.
When it comes to maximum input levels, the iD24 excels with a maximum input level of +12 dBu for mic inputs and +12.5 dBu for A/D converters. In contrast, the iD14 MKII provides a slightly higher maximum input level of +21 dBu for line inputs but lower levels for mic and Hi-Z inputs (+12 dBu and +10 dBu, respectively). This makes the iD24 more versatile for various recording situations, particularly with microphones.
Output performance is another critical factor where both interfaces differ. The iD24 delivers a maximum output level of 12 dBu at 0 dBFS for D/A converters, while the iD14 MKII's headphone outputs can reach +5.46 Vrms, which is particularly impressive for driving headphones at various impedance levels. The headphone output power of the iD24 is rated at 232 mW into 50 Ohms, providing ample power for studio monitoring, whereas the iD14 MKII offers a range of output options depending on the load, with a maximum of 280 mW into 62 Ohms.
In terms of dynamic range, the iD24 leads the pack with 122 dBA for A/D converters and 126.5 dBA for D/A converters, offering a clearer representation of sound dynamics. The iD14 MKII has a slightly lower dynamic range of 120 dB for A/D converters but still maintains impressive performance with its D/A converters at 125.5 dB. The signal-to-noise ratio (SNR) of the iD24 for mic inputs is 97.5 dB (unweighted), while the iD14 MKII presents an SNR of 101 dBu for its mic/line inputs, showcasing a slight advantage for the iD14 MKII in this regard.
In conclusion, the Audient iD24 presents superior specifications across multiple areas, making it an excellent choice for users who require high input levels, extensive dynamic range, and powerful headphone outputs. On the other hand, the Audient iD14 MKII remains a strong contender, particularly with its higher line input level and overall versatility, catering to users who may prioritize different aspects of audio interface performance.
Digital Audio |
dBFS Reference Level |
+12 dBu = 0 dBFS |
+12 dBu = 0 dBFS |
Sample Rates |
44.1 / 48 / 88.2 / 96 kHz |
TOSLINK Optical S/PDIF: Up to 96 kHz |
Sample Rate Conversion |
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Bit Depths |
24-Bit |
32-Bit |
Latency |
0.65 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 0.31 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
0.344 ms at 44.1 kHz 0.312 ms at 48 kHz 0.188 ms at 88.2 kHz 0.177 ms at 96 kHz |
Sync Sources |
ADAT, Internal, S/PDIF |
Word Clock |
The Audient iD24 and iD14 MKII audio interfaces are both robust options for audio professionals, yet they cater to slightly different needs with distinct specifications.
Starting with the Audient iD24, this interface boasts a 10x14 configuration, allowing for a more extensive routing of inputs and outputs. It supports a dBFS Reference Level of +12 dBu = 0 dBFS, ensuring high-quality signal management. The iD24 can handle sample rates via TOSLINK Optical S/PDIF up to 96 kHz and operates at a bit depth of 32-Bit, which is advantageous for capturing nuanced audio details. In terms of latency, it performs impressively with figures as low as 0.177 ms at 96 kHz, making it suitable for real-time monitoring. The iD24 also features Word Clock as its sync source, providing reliable synchronization across multiple devices.
In contrast, the Audient iD14 MKII offers a 10x6 configuration, which is more streamlined for smaller setups. It shares the same dBFS Reference Level of +12 dBu = 0 dBFS and allows for sample rates of 44.1, 48, 88.2, and 96 kHz. However, it is limited to a 24-Bit depth, which may not capture quite as much detail as the iD24. The latency performance is slightly higher, reaching 0.65 ms at 44.1 kHz, although it can go down to 0.31 ms at 96 kHz, depending on buffer size. The iD14 MKII provides multiple sync sources, including ADAT, Internal, and S/PDIF, adding versatility for different audio setups.
In summary, the Audient iD24 is ideal for users requiring extensive I/O options and superior bit depth, while the iD14 MKII serves those with more modest needs, offering adequate performance and flexibility in a compact package.
Audio Storage & Playback |
Memory Card Slot |
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The Audient iD24 and iD14 MKII are both versatile desktop audio interfaces that cater to different needs in the realm of music production. While they both share similarities, their specifications and features set them apart in significant ways.
Starting with the Audient iD24, this interface offers a robust 10x14 channel configuration, making it ideal for users who require more input and output options. The iD24 is designed to accommodate larger setups, allowing for multiple instruments or microphones to be connected simultaneously. Additionally, it features high-quality Audient mic preamps, which provide pristine audio reproduction, and an impressive dynamic range, enhancing the overall recording experience.
In contrast, the Audient iD14 MKII has a smaller channel configuration of 10x6. While this may limit the number of simultaneous inputs and outputs, it still retains the essential quality and performance expected from Audient products. The iD14 MKII is well-suited for solo artists or small projects, offering a more compact solution without sacrificing audio fidelity. Its streamlined design makes it an excellent choice for those who prioritize ease of use and portability.
Both interfaces lack a memory card slot, which means users will need to rely on their computer for storage and recording. This commonality may appeal to those who prefer a straightforward setup without additional hardware requirements. Ultimately, choosing between the Audient iD24 and iD14 MKII will depend on the user's specific needs—whether they require a larger channel count with the iD24 or prefer the compact nature of the iD14 MKII for smaller projects.
Compatibility |
OS Compatibility |
macOS 10.11.6 or Later macOS 11.1 or Later Windows 7 or Later |
Windows macOS |
Mobile Device Compatibility |
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Required Hardware |
Available USB-C Port USB Cable (Included) |
USB-C Port |
Internet Connection |
Required for Registration, Software/Driver Download |
Required for Software/Driver Download |
The Audient iD24 and iD14 MKII are both high-quality desktop USB-C audio interfaces designed to meet the needs of audio professionals. In terms of OS compatibility, the iD24 supports both Windows and macOS, while the iD14 MKII is compatible with macOS 10.11.6 or later and Windows 7 or later, making the iD24 slightly more versatile in terms of operating systems.
When examining mobile device compatibility, neither interface offers support for mobile devices, which might be a consideration for users looking for more portable solutions. Both interfaces require a USB-C port for operation. The iD14 MKII includes a USB cable in the package, ensuring users have the necessary hardware upon purchase, while the iD24 does not specify this detail.
In terms of processor requirements, the iD14 MKII has specific requirements for both Mac and PC users, indicating that it needs a 1.6 GHz Intel Core 2 processor for PCs and is compatible with the Apple M1 processor for Macs. The iD24 does not specify processor requirements, which could imply a broader compatibility but may also require further investigation for specific user needs.
Both interfaces necessitate an internet connection for software or driver downloads, reinforcing the need for users to have access to online resources during installation. Overall, while both interfaces serve distinct purposes and audiences, the iD24 offers broader OS compatibility and may cater to a wider user base, while the iD14 MKII provides specific processor requirements that could enhance performance on compatible systems.
Power |
Power Requirements |
USB Bus Power |
USB Bus Power |
When comparing the Audient iD24 and the Audient iD14 MKII, both interfaces are designed for desktop use, but they cater to different needs based on their specifications and features.
The Audient iD24 offers a more robust configuration with its 10x14 channel count, which allows for greater input and output flexibility. This makes it an excellent choice for users who require more extensive routing options, such as musicians in a band setting or those working on larger projects that involve multiple audio sources. Additionally, the iD24 features high-quality Audient console mic preamps, ensuring professional-grade sound fidelity.
On the other hand, the Audient iD14 MKII is a more compact solution with a 10x6 configuration. While it has fewer outputs compared to the iD24, it still provides ample functionality for solo artists, podcasters, or smaller setups. The iD14 MKII retains the high-quality preamps found in its larger counterpart, guaranteeing excellent audio quality, albeit with fewer routing options.
Both interfaces share the same power requirements, operating on USB Bus Power, which adds to their convenience and portability. This commonality means users can easily power either unit through their computer without the need for an external power supply, making them both ideal for mobile recording setups.
In summary, the choice between the Audient iD24 and the Audient iD14 MKII ultimately comes down to the scale of your audio projects. The iD24 is suited for larger setups with more inputs and outputs, while the iD14 MKII offers a more streamlined option for users with simpler recording needs.
Physical |
Anti-Theft Features |
Kensington Security Slot |
Kensington Security Slot |
Dimensions |
6.8 x 4.7 x 2.4" / 17.3 x 12 x 6.2 cm (Including Controls and Protrusions) |
7.8 x 5.3 x 2.6" / 198 x 134 x 66 mm |
The Audient iD24 Desktop 10x14 USB-C Audio Interface and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface both come equipped with a Kensington Security Slot, providing a level of anti-theft protection for users concerned about the security of their equipment. This feature is particularly beneficial for those who use their audio interfaces in public spaces or shared environments.
In terms of dimensions, the Audient iD24 measures 7.8 x 5.3 x 2.6 inches (198 x 134 x 66 mm), making it slightly larger than its counterpart. The iD14 MKII, on the other hand, has dimensions of 6.8 x 4.7 x 2.4 inches (17.3 x 12 x 6.2 cm), including controls and protrusions. This compact design of the iD14 MKII may appeal to users with limited desktop space or those seeking a more portable solution.
Overall, while both audio interfaces share a common anti-theft feature, the choice between the two may depend on the user's preference for size and additional functionality, given the iD24’s larger dimensions and expanded input/output capabilities compared to the more compact iD14 MKII.
Packaging Info |
Package Weight |
2.33 lb |
3.18 lb |
Box Dimensions (LxWxH) |
9 x 6 x 3.6" |
9.5 x 7.6 x 3.9" |
The Audient iD24 and the Audient iD14 MKII are both high-quality desktop audio interfaces that cater to the needs of musicians, producers, and audio engineers, but they differ in several key aspects.
The Audient iD24 features a robust design with a package weight of 3.18 lb and box dimensions of 9.5 x 7.6 x 3.9", making it slightly bulkier than its counterpart. This interface offers a versatile 10x14 channel configuration, providing more input and output options, which is ideal for users requiring extensive connectivity for multiple instruments or microphones.
In contrast, the Audient iD14 MKII is lighter, weighing 2.33 lb and comes in slightly smaller box dimensions of 9 x 6 x 3.6". It offers a 10x6 channel configuration, which is sufficient for many users but may limit those with higher input requirements. The iD14 MKII is designed for users who need a compact solution without compromising on quality, making it a great choice for home studios or mobile setups.
In summary, while both interfaces provide excellent audio quality and functionality, the Audient iD24 is better suited for those needing more input and output flexibility, while the Audient iD14 MKII serves as a more compact and lightweight option for users with simpler setups.