The Audient EVO 8 and iD14 MKII are both high-quality audio interfaces designed for desktop use, but they cater to slightly different needs and preferences within the audio production community.
The Audient EVO 8 is a 4x4 USB Type-C audio interface aimed at users who prioritize simplicity and smart functionality. It features four EVO preamps, Smartgain technology for automatic gain adjustment, and an intuitive control layout. The Smartgain function is particularly useful for beginners or those who want a quick setup, as it automatically sets the input levels for optimal recording. Additionally, the EVO 8 includes two JFET instrument inputs, four TRS outputs, and a headphone output, making it versatile for various recording scenarios. Its compact design and bus-powered operation make it highly portable, ideal for musicians and podcasters on the go.
On the other hand, the Audient iD14 MKII offers a more extensive feature set with a 10x6 configuration, making it suitable for more demanding recording and production tasks. It boasts two Class-A Audient Console mic preamps, which are known for their high fidelity and low noise. The iD14 MKII also includes an ADAT input, allowing users to expand their setup with additional inputs via external mic preamps. This makes it a great choice for those who may need to record larger sessions in the future. The interface also features a dedicated JFET DI input, two balanced line outputs, a headphone output, and a ScrollControl function that turns the volume knob into a virtual scroll wheel for your DAW or plugin parameters. The iD14 MKII is also bus-powered via USB Type-C, ensuring both portability and convenience.
In summary, the EVO 8 is ideal for users looking for a straightforward, user-friendly interface with smart features and portability. In contrast, the iD14 MKII is better suited for those who require more advanced recording capabilities, expandability, and professional-grade preamps. Both interfaces uphold Audient's reputation for high-quality audio performance but are tailored to different user needs.
User Rating Based on Analysis of Reviews |
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Pros: |
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High-quality Audient console mic preamps.
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USB Type-C connectivity for fast and reliable data transfer.
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10 inputs and 6 outputs offering versatile connectivity options.
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JFET instrument input for a rich, tube-like sound.
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Expandability via ADAT for additional inputs.
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User-friendly software for easy control and configuration.
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Solid build quality with a sleek and compact design.
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Low-latency DSP mixer for real-time monitoring.
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High-quality preamps with 58dB gain range for clean recordings.
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Smartgain feature automatically sets input levels for optimal recording.
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USB Type-C connectivity for fast and reliable data transfer.
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Compact and portable design, ideal for mobile recording setups.
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User-friendly interface with easy-to-use controls.
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Cons: |
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No MIDI I/O which limits its use with MIDI controllers.
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External power supply needed for maximum performance.
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Limited onboard effects compared to some competitors.
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Higher price point may be a barrier for beginners.
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No dedicated line outputs, which might limit routing options.
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Limited to 4 inputs and 4 outputs, which might not be enough for larger setups.
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No MIDI I/O, limiting connectivity with MIDI controllers and instruments.
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Plastic construction might not be as durable as metal alternatives.
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No onboard DSP for real-time effects processing.
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Requires external power supply, which can limit portability.
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Key Specs |
Channels of I/O |
Analog: 2 Inputs / 6 Outputs at 96 kHz Digital: 8 Input / 0 Output at 48 kHz |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
4 Preamps |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line/Monitor Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel) |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Host Connection |
1x USB-C |
1x USB-C |
OS Compatibility |
macOS 10.11.6 or Later macOS 11.1 or Later Windows 7 or Later |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Power Requirements |
USB Bus Power |
USB Bus Power |
The Audient EVO 8 and Audient iD14 MKII are both high-quality USB Type-C audio interfaces, but they cater to different needs and workflows, particularly in terms of their input and output capabilities.
The Audient EVO 8 features a 4x4 channel configuration, offering 4 analog inputs and 4 outputs at a maximum sampling rate of 96 kHz and a bit depth of 24-bit. It includes 4 microphone preamps, which provide flexibility for recording multiple sources simultaneously. The interface is designed with 4 combo XLR-1/4" TRS balanced mic/line inputs, along with a front panel 1/4" TS unbalanced Hi-Z input, making it suitable for a variety of recording scenarios. Additionally, it has two 1/4" TRS unbalanced headphone outputs, allowing for easy monitoring options. The EVO 8 is powered via USB bus and is compatible with macOS versions 10.7.5 or later and Windows 7 or later.
On the other hand, the Audient iD14 MKII offers a more extensive 10x6 channel configuration, with 2 analog inputs and 6 outputs, also at a maximum sampling rate of 96 kHz and 24-bit depth. It features 2 microphone preamps and a similar combination of inputs as the EVO 8, including 2 combo XLR-1/4" TRS balanced mic/line inputs and a front panel 1/4" TRS unbalanced Hi-Z input. However, it also provides an additional digital audio interface capability through its TOSLINK optical ADAT/S/PDIF input, allowing for expanded input options when needed. The iD14 MKII includes 4 balanced line/monitor outputs and two headphone outputs — one 1/4" TRS and one 1/8" TRS — which adds to its versatility. It is also powered via USB bus and requires macOS 10.11.6 or later or Windows 7 or later for operation.
In summary, while both interfaces are robust and offer similar sampling rates and bit depths, the Audient EVO 8 is tailored for simpler recording setups with a higher number of inputs relative to outputs, making it an ideal choice for musicians or podcasters. In contrast, the Audient iD14 MKII is better suited for more complex audio production needs, offering greater output flexibility and digital input capabilities, making it a solid choice for audio engineers and studio setups.
General |
Channels of I/O |
Analog: 2 Inputs / 6 Outputs at 96 kHz Digital: 8 Input / 0 Output at 48 kHz |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
4 Preamps |
Input Level Adjustment |
2x Knob |
4x Automatic 1x Knob |
Expansion Slots |
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The Audient EVO 8 and Audient iD14 MKII are both high-quality USB Type-C audio interfaces that cater to different needs in the audio production realm.
The Audient EVO 8 offers a robust set of features, providing 4 analog inputs and 4 outputs at a maximum sampling rate of 96 kHz / 24-Bit. It is equipped with 4 microphone preamps, which is advantageous for recording multiple sources simultaneously. One of its standout features is the automatic input level adjustment for all four inputs, making it particularly user-friendly for those who may not have extensive audio engineering experience. However, the EVO 8 does not include any expansion slots, which may limit future upgrades or enhancements.
In contrast, the Audient iD14 MKII presents a more flexible routing option with 2 analog inputs and 6 outputs, alongside 8 digital inputs at a lower sampling rate of 48 kHz. It also supports a maximum sampling rate of 96 kHz / 24-Bit for its analog inputs. The iD14 MKII is equipped with 2 microphone preamps and utilizes 2 knobs for input level adjustment, which may appeal to those who prefer manual control over automatic settings. Similar to the EVO 8, the iD14 MKII does not have any expansion slots.
In summary, the choice between the Audient EVO 8 and the Audient iD14 MKII largely depends on the user's specific needs. The EVO 8 is ideal for those seeking multiple microphone inputs and automatic level control, while the iD14 MKII offers more output flexibility and digital input options, making it a suitable choice for users who need a combination of analog and digital recording capabilities.
Signal Processing |
Pad |
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Gain/Trim Range |
Mic/Hi-Z Inputs: 58 dB Hi-Z Inputs: 40 dB |
Mic/Line/Hi-Z Inputs: 58 dB |
High-Pass Filter |
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Solo/Mute |
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Mute per Input Channel, Master |
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces designed to cater to the needs of recording enthusiasts and professionals. However, they differ in certain specifications that may influence user preference.
In terms of input capabilities, the Audient EVO 8 is a 4x4 interface, allowing for four inputs and four outputs. It offers a gain/trim range of 58 dB for its mic, line, and Hi-Z inputs, providing flexibility for various recording situations. The EVO 8 features mute functionality per input channel as well as a master mute option, making it easier to manage audio during recording sessions. However, it does not include a high-pass filter, which could be a consideration for users looking for specific tonal adjustments.
Conversely, the Audient iD14 MKII provides a more extensive 10x6 configuration, allowing for ten inputs and six outputs. It also has a gain/trim range of 58 dB for mic and Hi-Z inputs, but the Hi-Z inputs have a slightly lower gain range of 40 dB. Unlike the EVO 8, the iD14 MKII does not feature a solo/mute function, which could limit its usability in certain scenarios. Additionally, similar to the EVO 8, it lacks a high-pass filter.
In summary, while both interfaces share some similarities in gain range and lack of pad and high-pass filter features, the Audient EVO 8 offers a simpler and more user-friendly design with its dedicated mute functions. On the other hand, the Audient iD14 MKII provides a greater number of inputs and outputs, making it ideal for more complex recording setups, albeit without the solo/mute capabilities found in the EVO 8.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line/Monitor Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel) |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Phantom Power |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
Phantom Power Current |
10 mA per Channel |
10 mA per Channel |
Digital Audio I/O |
1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) |
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Host Connection |
1x USB-C |
1x USB-C |
Host Connection Protocol |
USB 3.0 / 3.1/3.2 Gen 1 |
USB 2.0 |
USB (Non-Host) |
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Sync I/O |
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Network I/O |
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MIDI I/O |
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The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces, but they cater to different needs and functionalities.
In terms of analog audio I/O, the Audient EVO 8 offers a comprehensive 4x combo XLR-1/4" TRS balanced mic/line inputs, along with an additional 1/4" TS unbalanced Hi-Z input on the front panel. It also features 4x 1/4" TRS balanced line outputs and 2 unbalanced headphone outputs. On the other hand, the Audient iD14 MKII provides a more limited configuration with 2x combo XLR-1/4" TRS balanced mic/line inputs and the same 1/4" TRS unbalanced Hi-Z input. It supports 4x balanced line/monitor outputs and features two unbalanced headphone outputs, one being a standard 1/4" TRS and the other a 1/8" TRS output.
Both devices support 48 V phantom power with a selectable on/off function for individual inputs, providing 10 mA of current per channel. However, the iD14 MKII stands out with its digital audio I/O capabilities, as it includes a TOSLINK optical ADAT/S/PDIF input with S/MUX support, allowing for the expansion of input channels, which is absent in the EVO 8.
When it comes to host connection, the EVO 8 utilizes USB 2.0, while the iD14 MKII is more advanced with USB 3.0 / 3.1/3.2 Gen 1 support, enabling faster data transfer rates. Both devices lack MIDI I/O and have no sync or network I/O capabilities, keeping their designs streamlined for specific audio recording tasks.
In summary, the Audient EVO 8 is tailored for users needing multiple analog inputs for straightforward recording, while the Audient iD14 MKII, with its digital I/O capabilities and faster USB connection, is ideal for those seeking more versatility in their audio setup.
Performance |
Frequency Response |
A/D Converters: 10 Hz to 40 kHz ±0.5 dB D/A Converters: 10 Hz to 40 kHz ±0.1 dB Headphone Outputs: 10 Hz to 40 kHz ±0.25 dB Mic, Line Inputs: 10 Hz to 40 kHz ±0.5 dB (Min Gain) 20 Hz to 22 kHz ±1 dB (Max Gain) Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB |
Mic, Line Inputs: 10 Hz to 40 kHz ±0.5 dB Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB A/D Converters: 10 Hz to fs/2 ±0.5 dB D/A Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB |
Maximum Input Level |
Mic Inputs: +12 dBu Line Inputs: +21 dBu Hi-Z Inputs: +10 dBu |
Mic/Line Inputs: +16 dBu Hi-Z Inputs: +10 dBu |
Maximum Output Level |
Headphone Outputs: +5.46 Vrms (600-Ohm Load) |
D/A Converters: +11 dBu Headphone Outputs: +10.1 dBu (600-Ohm Load) |
Headphone Output Power |
223 mW into 30 Ohms (Max) 280 mW into 62 Ohms (Max) 100 mW into 600 Ohms (Max) |
45 mW into 30 Ohms (Max) 52 mW into 60 Ohms (Max) 20 mW into 600 Ohms (Max) |
Impedance |
Mic Inputs: 2.8 Kilohms (Balanced) Line Inputs: > 8 Kilohms (Balanced) |
Mic Inputs: > 3 Kilohms (Balanced) Line Inputs: > 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) Line Outputs: < 100 Ohms (Balanced) Headphone Outputs: < 50 Ohms (Unbalanced) |
Dynamic Range |
A/D Converters: 120 dB (A-Weighted) D/A Converters: 125.5 dB (A-Weighted) Headphone Outputs: 125.5 dB (A-Weighted) |
AD/DA Converters: 113 dBA Headphone Outputs: 113 dBA |
SNR |
Mic/Line Inputs: 101 dBu (A-Weighted) Hi-Z Inputs: 100 dBu (A-Weighted) |
Mic/Line/Hi-Z Inputs: 100 dB |
THD+N |
Mic/Line Inputs: 0.0017% (at 0 dBu) Hi-Z Inputs: 0.1% (at 0 dBu) A/D Converters: < 0.001% (at -1 dBFS) D/A Converters: < 0.0006% (at -1 dBFS) Headphone Outputs: < 0.0009% (at -1 dBFS) |
Mic/Line Inputs: < 0.0015% (1 kHz) Hi-Z Inputs: < 0.3% (1 kHz) D/A Converters: < 0.0015% (1 kHz, at -1 dBFS) Headphone Outputs: < 0.0015% (1 kHz, at -1 dBFS) |
EIN |
Mic/Line Inputs: -129 dBu A-Weighted |
Mic/Line Inputs: < -128 dBu |
CMRR |
Mic/Line Inputs: > -75 dB (1 kHz) |
Mic/Line Inputs: > 85 dB (1 kHz) |
When comparing the Audient EVO 8 and Audient iD14 MKII, both audio interfaces showcase impressive specifications tailored for different user needs.
The frequency response for both interfaces is commendable, with the EVO 8 offering a range of 10 Hz to 40 kHz for Mic and Line Inputs, while the iD14 MKII provides a similar frequency response of 10 Hz to 40 kHz for its A/D and D/A Converters. However, the iD14 MKII excels in accuracy, with a tighter ±0.1 dB tolerance for its D/A converters and ±0.25 dB for headphone outputs, compared to the EVO 8's broader tolerances.
In terms of maximum input levels, the EVO 8 supports higher levels for Mic/Line inputs at +16 dBu, while the iD14 MKII has slightly lower levels for Mic inputs at +12 dBu and higher for Line inputs at +21 dBu. The headphone output power is significantly greater in the iD14 MKII, providing up to 280 mW into 62 Ohms, compared to the EVO 8's maximum of 52 mW into 60 Ohms. This makes the iD14 MKII a better choice for those requiring powerful headphone amplification.
Dynamic range is another area where the iD14 MKII stands out, boasting 120 dB for A/D converters and 125.5 dB for D/A converters, compared to the EVO 8's 113 dBA for both AD/DA converters. The signal-to-noise ratio (SNR) also favors the iD14 MKII, with 101 dBu for Mic/Line inputs, versus the EVO 8's 100 dB. Additionally, the iD14 MKII exhibits lower Total Harmonic Distortion plus Noise (THD+N) values, especially in its A/D converters, which are rated at < 0.001% compared to the EVO 8's < 0.0015%.
Overall, while both the Audient EVO 8 and iD14 MKII offer robust performance, the iD14 MKII presents superior specifications in dynamic range, headphone output power, and lower distortion, making it a more suitable option for professional audio applications. The EVO 8, however, remains a strong contender for those who may prioritize a more compact and user-friendly interface without sacrificing essential quality.
Digital Audio |
Sample Rates |
44.1 / 48 / 88.2 / 96 kHz |
44.1 / 48 / 88.2 / 96 kHz |
Sample Rate Conversion |
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Bit Depths |
24-Bit |
Up to 24-Bit |
Latency |
0.65 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 0.31 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
5 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 4.1 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Sync Sources |
ADAT, Internal, S/PDIF |
Internal |
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces, but they differ significantly in their specifications and performance capabilities.
Starting with sample rates, both interfaces support a range of sample frequencies including 44.1, 48, 88.2, and 96 kHz. However, the Audient iD14 MKII offers superior latency performance, achieving a remarkable 0.65 ms at 44.1 kHz and 0.31 ms at 96 kHz, while the EVO 8 has latencies of 5 ms and 4.1 ms respectively at the same sample rates. This makes the iD14 MKII a better choice for users who require real-time processing with minimal delay.
In terms of bit depth, both audio interfaces support up to 24-bit recording. However, the EVO 8 lacks advanced sample rate conversion capabilities, which is also true for the iD14 MKII. The iD14 MKII, on the other hand, offers more flexible sync options, including ADAT, Internal, and S/PDIF sync sources, compared to the EVO 8's single internal sync source. This feature enables the iD14 MKII to integrate more seamlessly into complex audio setups.
Overall, while both the Audient EVO 8 and iD14 MKII serve as excellent audio interfaces, the iD14 MKII stands out with its lower latency, broader sync capabilities, and higher input/output configuration (10x6) compared to the EVO 8's 4x4 configuration, making it a more versatile option for professional audio applications.
Audio Storage & Playback |
Memory Card Slot |
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The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces designed for musicians and audio professionals, but they cater to different needs and setups.
Starting with the Audient EVO 8, this interface offers a compact 4x4 configuration, making it ideal for smaller recording setups or mobile use. With its intuitive Smartgain feature, it simplifies the gain staging process, allowing users to automatically set optimal input levels. The EVO 8 is designed for ease of use, featuring a straightforward interface that appeals to beginners and those looking for a hassle-free recording experience. Additionally, it includes a headphone output with independent volume control, which is essential for monitoring during recordings.
On the other hand, the Audient iD14 MKII stands out with its more extensive 10x6 configuration, providing greater flexibility for larger projects and more complex setups. It features high-quality mic preamps and a JFET instrument input that can capture sound with exceptional clarity and detail. The iD14 MKII also incorporates advanced monitoring capabilities, including a dedicated monitor mix control, which is beneficial for users who require precise control over their monitoring environment. Furthermore, its robust build and premium components make it suitable for professional studio settings.
Both interfaces lack a memory card slot, ensuring that users must rely on their computer for recording and playback. Ultimately, the choice between the Audient EVO 8 and the Audient iD14 MKII will depend on the specific needs of the user, with the EVO 8 being more suited for those who prioritize portability and simplicity, while the iD14 MKII caters to users who demand higher input counts and professional-grade features.
Compatibility |
OS Compatibility |
macOS 10.11.6 or Later macOS 11.1 or Later Windows 7 or Later |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Processor Requirement |
Mac: Intel Apple M1 PC: 1.6 GHz Intel Core 2 |
Mac: Intel PC: 1.6 GHz Intel Core 2 |
RAM Requirements |
1 GB |
1 GB |
Mobile Device Compatibility |
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Required Hardware |
Available USB-C Port USB Cable (Included) |
Available USB 2.0 Port USB Cable (Included) |
Internet Connection |
Required for Registration, Software/Driver Download |
Required for Software/Driver Download |
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface, several key specifications emerge that highlight their differences and similarities.
In terms of OS Compatibility, the EVO 8 supports macOS 10.7.5 or later and Windows 7 or later (32-/64-Bit), making it a versatile option for various users. The iD14 MKII, on the other hand, has a slightly more advanced requirement, compatible with macOS 10.11.6 or later, including macOS 11.1 or later, and also supports Windows 7 or later. This makes the iD14 MKII a better choice for users on newer operating systems.
Looking at the Processor Requirement, both interfaces require a minimum of a 1.6 GHz Intel Core 2 processor for PCs, while the EVO 8 is restricted to Intel processors on Mac, whereas the iD14 MKII expands compatibility to include Apple M1 processors. This makes the iD14 MKII more future-proof for users who may upgrade to Apple’s newer hardware.
Both interfaces have the same RAM Requirements of 1 GB, ensuring they are relatively lightweight on system resources. Neither device offers Mobile Device Compatibility, which means they are intended for desktop use rather than mobile recording setups.
In terms of Required Hardware, the EVO 8 requires an available USB 2.0 port, while the iD14 MKII requires a USB-C port, reflecting a more modern connectivity standard. Both devices come with a USB cable included and necessitate an Internet Connection for software and driver downloads. However, the iD14 MKII also requires registration, which could be an additional step for users to consider.
In conclusion, while both audio interfaces provide solid performance and similar base requirements, the Audient iD14 MKII distinguishes itself with broader OS support, compatibility with Apple M1 processors, and a more advanced USB-C connection, making it a more suitable option for those seeking longevity and compatibility with modern systems.
Power |
Power Requirements |
USB Bus Power |
USB Bus Power |
When comparing the Audient EVO 8 and the Audient iD14 MKII audio interfaces, both devices share the same power requirement, relying on USB bus power for operation. This feature allows for easy setup without the need for an external power source, making them ideal for mobile recording environments or compact studio setups.
In terms of audio capabilities, the Audient EVO 8 offers a simpler 4x4 configuration, providing four inputs and four outputs, which suits basic recording needs and smaller setups. On the other hand, the Audient iD14 MKII boasts a more advanced 10x6 configuration, allowing for greater flexibility with ten inputs and six outputs. This makes the iD14 MKII a more suitable option for users who require additional input options or those who work with larger recording sessions.
Another notable difference is in the preamp quality and conversion. Both devices are equipped with Audient's renowned console mic preamps, but the iD14 MKII is designed to deliver a higher level of audio fidelity, making it a better choice for professional applications where sound quality is paramount. The iD14 MKII also offers advanced features like the JFET instrument input and a more extensive monitoring system, catering to a wider range of audio production needs.
In summary, while both the Audient EVO 8 and the Audient iD14 MKII share the same power requirements and provide reliable USB bus-powered operation, the iD14 MKII stands out with its superior input/output options and enhanced audio quality. This makes the iD14 MKII more suitable for professional use, while the EVO 8 remains an excellent choice for simpler applications and portability.
Physical |
Dimensions |
6.8 x 4.7 x 2.4" / 17.3 x 12 x 6.2 cm (Including Controls and Protrusions) |
7.48 x 2.76 x 2.76" / 19 x 7 x 7 cm |
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces designed for desktop use, but they cater to different needs and specifications.
In terms of dimensions, the Audient EVO 8 measures 7.48 x 2.76 x 2.76 inches (19 x 7 x 7 cm) and weighs 1.0 lb (0.5 kg), making it a compact and lightweight option suitable for mobile setups or smaller studio spaces. On the other hand, the Audient iD14 MKII has slightly more substantial dimensions at 6.8 x 4.7 x 2.4 inches (17.3 x 12 x 6.2 cm, including controls and protrusions). Despite being a bit larger, it remains portable, but its weight is not specified in the provided details.
One notable feature of the iD14 MKII is its anti-theft capability, as it comes equipped with a Kensington Security Slot, offering additional security for users who may need to use their interface in public or shared spaces. The EVO 8 does not mention any anti-theft features, which might be a consideration for those concerned about security.
Ultimately, while both interfaces share the USB Type-C connection and aim to provide high-quality audio performance, the Audient EVO 8 is more focused on portability and simplicity, ideal for beginners or those with limited space. In contrast, the Audient iD14 MKII presents a more robust feature set, including security options, appealing to professionals who require more versatility and protection for their gear.
Packaging Info |
Package Weight |
2.33 lb |
1.79 lb |
Box Dimensions (LxWxH) |
9 x 6 x 3.6" |
9.1 x 4.2 x 3.6" |
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces, but they cater to different user needs and preferences. In terms of package weight, the EVO 8 is lighter at 1.79 lb, while the iD14 MKII weighs 2.33 lb. This difference in weight may make the EVO 8 a more portable option for users who prioritize mobility in their setup.
When comparing box dimensions, the EVO 8 measures 9.1 x 4.2 x 3.6", slightly larger in length but narrower in width compared to the iD14 MKII, which measures 9 x 6 x 3.6". The slightly bulkier width of the iD14 MKII may provide a more stable base when placed on a desk, yet the overall height remains the same for both models.
In summary, while the Audient EVO 8 offers a more compact and lightweight design suitable for on-the-go recording, the Audient iD14 MKII provides a sturdier and heavier option with additional input/output capabilities. Users should consider their specific needs, such as portability versus extra features, when choosing between these two audio interfaces.