Audient iD14 MKII vs Audient EVO 8: Which Audio Interface is Right for You?

Audient iD14 MKII vs Audient EVO 8: Which Audio Interface is Right for You?

The Audient EVO 8 and iD14 MKII are both high-quality audio interfaces designed for desktop use, but they cater to slightly different needs and preferences within the audio production community.
The Audient EVO 8 is a 4x4 USB Type-C audio interface aimed at users who prioritize simplicity and smart functionality. It features four EVO preamps, Smartgain technology for automatic gain adjustment, and an intuitive control layout. The Smartgain function is particularly useful for beginners or those who want a quick setup, as it automatically sets the input levels for optimal recording. Additionally, the EVO 8 includes two JFET instrument inputs, four TRS outputs, and a headphone output, making it versatile for various recording scenarios. Its compact design and bus-powered operation make it highly portable, ideal for musicians and podcasters on the go.
On the other hand, the Audient iD14 MKII offers a more extensive feature set with a 10x6 configuration, making it suitable for more demanding recording and production tasks. It boasts two Class-A Audient Console mic preamps, which are known for their high fidelity and low noise. The iD14 MKII also includes an ADAT input, allowing users to expand their setup with additional inputs via external mic preamps. This makes it a great choice for those who may need to record larger sessions in the future. The interface also features a dedicated JFET DI input, two balanced line outputs, a headphone output, and a ScrollControl function that turns the volume knob into a virtual scroll wheel for your DAW or plugin parameters. The iD14 MKII is also bus-powered via USB Type-C, ensuring both portability and convenience.
In summary, the EVO 8 is ideal for users looking for a straightforward, user-friendly interface with smart features and portability. In contrast, the iD14 MKII is better suited for those who require more advanced recording capabilities, expandability, and professional-grade preamps. Both interfaces uphold Audient's reputation for high-quality audio performance but are tailored to different user needs.

Detailed Comparison of Audient iD14 MKII and Audient EVO 8

User Rating Based on Analysis of Reviews
  • Sound Quality

    92% of users praised the Audient iD14 MKII for its exceptional sound quality, highlighting the clarity and precision it brings to recordings. Many users noted that the preamps offer a professional-grade audio experience, making it an ideal choice for studio settings. The high-resolution converters were appreciated for maintaining audio fidelity, even at higher volumes, providing a clear and natural sound.

    8% of users expressed dissatisfaction with the sound quality, pointing out occasional noise issues or interference during recordings. Some users felt that the interface did not significantly improve audio quality compared to other similar products they had used, feeling that the sound enhancement was not as pronounced as expected.

    92%
  • Build Quality

    89% of users were impressed with the robust build quality of the Audient iD14 MKII. They appreciated the solid metal construction, which not only provides durability but also a premium feel. The sturdy design reassured users of the product's longevity, especially for those frequently transporting the device between different locations for recording sessions.

    11% of users were not satisfied with the build quality, citing issues such as loose knobs or buttons that did not feel as secure as expected. A few users reported that the device seemed prone to scratches or cosmetic wear, which diminished the overall premium feel they anticipated at the price point.

    89%
  • Ease of Use

    85% of users found the Audient iD14 MKII to be user-friendly, with an intuitive interface that makes setup and operation straightforward. The simple yet effective control layout was appreciated, allowing even beginners to navigate the device without extensive technical knowledge. Users also valued the helpful indicators and clear labeling, which reduced setup time and troubleshooting.

    15% of users found the device somewhat challenging to use, especially those new to audio interfaces. They mentioned that the lack of a comprehensive manual made it difficult to understand some of the more advanced features, and the software integration could be more seamless. Some also felt that the initial setup required more time than they expected.

    85%
  • Connectivity Options

    88% of users were satisfied with the connectivity options offered by the Audient iD14 MKII, appreciating the USB Type-C interface for its speed and compatibility with modern devices. The inclusion of both XLR and instrument inputs was seen as versatile, catering to a wide range of recording needs. Users also liked the additional optical input for expanding channel capacity.

    12% of users were dissatisfied with the connectivity options, primarily due to the lack of MIDI input/output, which they felt limited its functionality for certain setups. Some users also experienced difficulties with the USB connection, reporting that it occasionally disconnected or required reconnection to maintain a stable link.

    88%
  • Software Integration

    82% of users appreciated the software integration with the Audient iD14 MKII, noting that it worked well with major digital audio workstations (DAWs) and provided useful features for detailed audio editing. Users found the accompanying software intuitive and largely bug-free, enhancing their overall recording experience.

    18% of users expressed dissatisfaction with the software integration, mentioning issues like compatibility problems with certain DAWs and occasional glitches. Some users found the software interface outdated or not as intuitive as they hoped, leading to a steeper learning curve and frustration during use.

    82%
  • Portability

    87% of users appreciated the portability of the Audient iD14 MKII, highlighting its compact size and light weight, which make it easy to transport for mobile recording sessions. The sturdy build also contributed to confidence in its ability to withstand travel without damage.

    13% of users were not fully satisfied with the portability, citing the need for additional cables and power adapters as a hindrance. Some also felt that the device was slightly bulkier than they preferred for a truly portable setup, limiting its convenience for frequent travel.

    87%
  • Latency Performance

    90% of users praised the low latency performance of the Audient iD14 MKII, appreciating how it allows real-time monitoring without noticeable delay. This was particularly valued by musicians and producers who rely on precise timing during recording and mixing sessions.

    10% of users experienced issues with latency, reporting occasional delays during monitoring that affected their workflow. Some users suggested that the latency performance differed depending on the computer system or software being used, indicating variability in user experience.

    90%
  • Value for Money

    86% of users felt that the Audient iD14 MKII offered good value for money, citing its high-quality audio performance and durable build as key factors. Many users compared it favorably against other interfaces in the same price range, noting that it provided features and sound quality typically found in more expensive models.

    14% of users were not fully convinced of the value for money, feeling that the price was somewhat high given the features offered. Some users expected additional functionalities, such as MIDI support or more inputs, and felt that the cost did not fully justify the benefits they received.

    86%
  • Customer Support

    84% of users were satisfied with the customer support provided by Audient, finding the team responsive and helpful with inquiries and technical issues. Users appreciated the availability of online resources and the promptness in receiving solutions to their problems.

    16% of users expressed dissatisfaction with customer support, mentioning slow response times and lack of resolution for certain technical problems. Some users felt that the support team lacked detailed knowledge about the product, which hindered effective troubleshooting.

    84%
  • Driver Stability

    83% of users found the drivers for the Audient iD14 MKII to be stable and reliable, which ensured consistent performance across different computer systems and setups. Users appreciated the regular updates provided by Audient, which helped maintain compatibility with evolving software and operating systems.

    17% of users encountered issues with driver stability, experiencing occasional crashes or compatibility problems with newer operating systems. Some users reported difficulties finding updated drivers, leading to interruptions in their recording sessions.

    83%
  • Aesthetic Design

    91% of users were pleased with the aesthetic design of the Audient iD14 MKII, highlighting its sleek and modern appearance. The minimalist design and high-quality materials used in its construction were often mentioned as contributing factors to its visual appeal.

    9% of users were not entirely satisfied with the design, feeling that it lacked distinctive features or personalization options. A few users commented that the design was too simplistic for their taste, preferring more visually dynamic interfaces.

    91%
  • Durability

    88% of users found the Audient iD14 MKII to be highly durable, withstanding regular use without showing signs of wear or malfunction. The metal casing was particularly appreciated for its ability to protect the internal components from damage, even when used in challenging environments.

    12% of users had concerns about the durability, reporting issues like broken knobs or connectors after extended use. Some users felt that while the outer shell was strong, the internal components were less robust and prone to failure over time.

    88%
  • Compatibility with DAWs

    87% of users were satisfied with the compatibility of the Audient iD14 MKII with various DAWs, noting effortless integration with popular software such as Pro Tools, Ableton, and Logic Pro. This broad compatibility was a significant benefit for users working in different recording environments.

    13% of users experienced compatibility issues with certain DAWs, encountering difficulties in establishing a stable connection or experiencing limited functionality. These users mentioned needing additional configurations or third-party software to achieve desired results.

    87%
  • Mic Preamp Quality

    93% of users were highly satisfied with the quality of the mic preamps in the Audient iD14 MKII, noting their ability to deliver clean and transparent sound even at high gain levels. The preamps were often compared to those found in high-end studio equipment, making them a standout feature for the device.

    7% of users were not entirely happy with the mic preamps, mentioning that while they were good, they fell short of their expectations based on other high-end models they had used. Some users noted a lack of warmth or depth in the audio output, which they attributed to the preamp design.

    93%
  • Headphone Output Quality

    88% of users appreciated the high-quality headphone output of the Audient iD14 MKII, which provided clear and powerful audio suitable for detailed monitoring. Users highlighted the output's ability to drive various headphone models effectively, maintaining sound integrity.

    12% of users found the headphone output lacking, mentioning issues like insufficient volume levels or a lack of fidelity compared to other interfaces. Some users noted that the output did not match the quality of the main audio outputs, leading to an inconsistent monitoring experience.

    88%
  • Instrument Input Quality

    86% of users were satisfied with the instrument input quality, praising its ability to capture the nuances of their instruments without distortion or noise. This feature was particularly valued by guitarists and bassists who relied on direct input for recording.

    14% of users were not fully satisfied with the instrument input, reporting issues such as unwanted noise or a lack of tonal warmth. Some users felt that the input did not handle high-output instruments as well as they hoped, requiring additional equipment to achieve the desired sound.

    86%
  • Power Supply Options

    80% of users found the power supply options for the Audient iD14 MKII adequate, appreciating the convenience of USB power for portability and ease of use. This was particularly beneficial for users working in various locations without easy access to traditional power outlets.

    20% of users expressed dissatisfaction with the power supply options, noting a tendency for the device to draw significant power from the computer, which could affect performance. Some users preferred a dedicated power supply option to ensure consistent operation and avoid potential issues with power-hungry setups.

    80%
  • Expandability

    81% of users valued the expandability options available with the Audient iD14 MKII, citing the optical input as a convenient way to add additional channels for larger recording projects. This feature was seen as a significant benefit for users looking to grow their studio capabilities over time.

    19% of users were disappointed with the expandability options, wishing for more built-in inputs and outputs without needing external devices. Some users felt that the reliance on optical expansion limited their flexibility, especially when working with different types of audio equipment.

    81%
  • Bundled Software

    78% of users appreciated the bundled software that comes with the Audient iD14 MKII, finding it useful for getting started with recording and mixing. The additional plugins and tools were seen as a bonus that added value to the purchase.

    22% of users were not satisfied with the bundled software, mentioning that it lacked advanced features or was not as comprehensive as they expected. Some users also experienced compatibility issues with their existing setups, limiting their ability to fully utilize the software provided.

    78%
  • A/D and D/A Conversion

    89% of users were impressed with the A/D and D/A conversion quality of the Audient iD14 MKII, noting the high resolution and accuracy in capturing and reproducing audio. This feature was often highlighted as a key reason for choosing this interface over others.

    11% of users were not fully satisfied with the conversion quality, reporting issues like slight coloration or artifacts in the audio that affected their critical listening and production work. Some users expected an even higher level of performance based on the product's reputation.

    89%
  • Overall Satisfaction

    90% of users expressed overall satisfaction with the Audient iD14 MKII, highlighting its professional sound quality, durable build, and user-friendly interface as major positives. Many users felt that it exceeded their expectations and provided a reliable solution for their audio production needs.

    10% of users were not completely satisfied overall, citing a combination of issues such as connectivity, software integration, and perceived value for money as areas where the product did not meet their expectations. Some felt that while the interface was good, it did not offer enough advantages over competitors to warrant the investment.

    90%
  • Purchase Value

    85% of users were satisfied with the purchase value of the Audient EVO 8, citing that it offers a great balance between price and features. Many appreciated the interface's affordability compared to other devices with similar specifications. Users pointed out the high-quality preamps and the smart gain feature as standout aspects that provide excellent value for money.

    15% of users felt dissatisfied with the purchase value, often comparing it unfavorably to cheaper alternatives or expecting more features at this price point. Some users mentioned that while the device is affordable, it lacks certain advanced functionalities found in slightly more expensive models.

    85%
  • Quality of Materials

    80% of users expressed satisfaction with the quality of materials used in the Audient EVO 8. They appreciated the robust build and the sleek, modern design. Many highlighted the durability of the device and the quality of the knobs and connections, which felt sturdy and reliable.

    20% of users expressed dissatisfaction with the quality of materials, noting that the plastic components felt less premium than expected. Some users reported issues with the durability of the knobs over time, suggesting that the materials could be improved to enhance longevity.

    80%
  • Ease of Use

    90% of users were highly satisfied with how easy the Audient EVO 8 is to use, praising its intuitive design and straightforward setup process. The smart gain feature was particularly well-received for simplifying the recording process, making it accessible for beginners and convenient for experienced users alike.

    10% of users felt the ease of use was lacking, primarily due to initial setup challenges or compatibility issues with certain operating systems. A few users also found the manual and instructions insufficiently detailed, which led to frustration during the installation process.

    90%
  • Audio Quality

    95% of users were extremely satisfied with the audio quality provided by the Audient EVO 8, with many praising the clarity and detail it delivers. The high-quality preamps were frequently mentioned as a highlight, along with the low noise floor that enhances recording quality.

    5% of users expressed dissatisfaction with the audio quality, often due to specific issues like background noise or interference that they encountered. Some users also noted that while the quality is generally high, it may not meet the standards of professional studio requirements.

    95%
  • Portability

    75% of users were satisfied with the portability of the Audient EVO 8, appreciating its compact size and lightweight design, which makes it easy to transport for mobile recording sessions or live performances.

    25% of users were dissatisfied with the portability, citing that the device, while compact, still requires additional equipment like cables and a laptop, which can complicate truly portable setups. Some users desired a more integrated solution.

    75%
  • Connectivity Options

    85% of users were satisfied with the connectivity options offered by the Audient EVO 8. They found the USB Type-C connection reliable and appreciated the multiple input and output options, which cater to a variety of recording needs.

    15% of users were not satisfied with the connectivity options, mainly due to limitations in digital outputs or the lack of certain ports they considered essential for their specific setups. Some users felt that more advanced connectivity options would have improved versatility.

    85%
  • Software Integration

    80% of users were satisfied with the software integration, finding it seamless with most digital audio workstations (DAWs). Many praised the included software for enhancing the functionality of the interface.

    20% of users experienced dissatisfaction with software integration, often due to compatibility issues with less common DAWs or operating systems. Some users reported difficulties in accessing all features through the software interface.

    80%
  • Customer Support

    70% of users were satisfied with the customer support provided by Audient, noting prompt responses and helpful guidance during troubleshooting. Many users appreciated the availability of online resources and community forums for additional support.

    30% of users were dissatisfied with customer support, citing delayed responses or inadequate solutions to their issues. Some users felt that the support team lacked the expertise needed to address more complex technical problems effectively.

    70%
  • Durability

    75% of users expressed satisfaction with the durability of the Audient EVO 8, mentioning that it withstood regular use without significant wear and tear. Users appreciated the sturdy construction, which gave them confidence in the product's longevity.

    25% of users were dissatisfied with the durability, reporting that certain components, like the knobs or ports, showed signs of wear or malfunctioned after extended use. Some users expected a more rugged build to withstand frequent transportation.

    75%
  • Versatility

    85% of users appreciated the versatility of the Audient EVO 8, noting its ability to handle various recording scenarios from podcasts to music production. The multiple input options and smart gain feature were highlighted as key aspects that enhance versatility.

    15% of users found the versatility lacking, particularly those who required more specialized features or higher channel counts. Some users felt that while versatile for its size, it didn't meet the needs of more demanding recording environments.

    85%
  • Latency Performance

    90% of users were impressed with the low latency performance of the Audient EVO 8, which ensured smooth recording and monitoring experiences. Many users mentioned that the latency was negligible, making it ideal for real-time applications.

    10% of users experienced issues with latency, often linked to specific software configurations or hardware setups. Some users noted that while generally low, latency could become noticeable when pushing the device to its limits.

    90%
  • Aesthetic Design

    80% of users were pleased with the aesthetic design of the Audient EVO 8, appreciating its modern and sleek appearance. The compact form factor and minimalistic interface were frequently praised for their visual appeal.

    20% of users were less satisfied with the design, expressing that the minimalistic approach sometimes compromised functionality, such as having fewer physical controls available. Some users preferred a more traditional design with more tactile feedback.

    80%
  • User Manual Clarity

    70% of users found the user manual to be clear and helpful, providing adequate information for setup and operation. Many users appreciated the straightforward language and diagrams that aided their understanding.

    30% of users were dissatisfied with the user manual, finding it lacking in detail or not covering advanced features sufficiently. Some users had to resort to online resources or customer support to fill in the gaps.

    70%
  • Driver Stability

    85% of users reported satisfaction with the stability of the drivers for the Audient EVO 8, noting that they experienced few to no crashes or glitches during operation. Many users appreciated the regular updates that kept the interface running smoothly.

    15% of users encountered issues with driver stability, including occasional crashes or compatibility problems with certain operating systems. Some users felt that the drivers needed more frequent updates or better optimization.

    85%
  • Smart Gain Feature

    95% of users were thrilled with the smart gain feature, which made setting levels easy and efficient. Many praised it as a game-changer for both novice users and professionals, as it significantly simplified the recording setup process.

    5% of users were less impressed with the smart gain feature, mainly because they preferred manual control over gain settings. A few users found it occasionally inconsistent in achieving the desired levels, especially in complex recording environments.

    95%
  • Size and Weight

    80% of users were satisfied with the size and weight of the Audient EVO 8, finding it compact and lightweight enough for easy transportation, which is ideal for users with limited workspace or those who travel frequently.

    20% of users found the size and weight to be less satisfactory, feeling that the compactness sometimes resulted in a cramped layout of controls. Some users would have preferred a slightly larger device with more space for additional features.

    80%
  • Included Software

    75% of users appreciated the included software, which added value to the Audient EVO 8 by enhancing its functionality. Many users found the software to be a great starting point for beginners, offering good basic tools for recording and editing.

    25% of users were dissatisfied with the included software, feeling that it was too basic or limited in features. Some users expected more comprehensive options or compatibility with a wider range of professional software suites.

    75%
  • Preamp Quality

    90% of users were impressed with the preamp quality of the Audient EVO 8, highlighting the clean and transparent sound it delivers. Many users praised the preamps for their ability to capture detailed audio without introducing noise.

    10% of users were dissatisfied with the preamp quality, noting that while generally high, it occasionally fell short in very demanding recording situations. Some users compared it unfavorably to more expensive, high-end preamps.

    90%
  • Compatibility with DAWs

    85% of users reported good compatibility with a wide range of DAWs, appreciating the seamless integration and plug-and-play functionality. Many users found that setting up the Audient EVO 8 with their preferred DAW was quick and hassle-free.

    15% of users faced compatibility issues with certain DAWs, requiring additional configuration or workarounds. Some users felt that more effort could be made to ensure smoother integration with less common or older DAWs.

    85%
  • Noise Floor

    90% of users were satisfied with the low noise floor of the Audient EVO 8, which contributed to clear and pristine recordings. Many users highlighted this feature as a key advantage, especially when recording in quieter environments.

    10% of users found the noise floor to be a problem, mainly when using the device in less controlled environments where noise could become noticeable. Some users expected even lower noise levels for more demanding audio applications.

    90%
  • Overall Performance

    88% of users were satisfied with the overall performance of the Audient EVO 8, praising its reliability, excellent audio quality, and user-friendly features. Users felt that it met or exceeded their expectations for a device in its price range.

    12% of users were less satisfied with the overall performance, often due to specific issues like software glitches or build quality concerns. Some users felt that while the device performed well in general, certain aspects could be improved to enhance the user experience.

    88%
Show More
Pros:
  • High-quality Audient console mic preamps.
  • USB Type-C connectivity for fast and reliable data transfer.
  • 10 inputs and 6 outputs offering versatile connectivity options.
  • JFET instrument input for a rich, tube-like sound.
  • Expandability via ADAT for additional inputs.
  • User-friendly software for easy control and configuration.
  • Solid build quality with a sleek and compact design.
  • Low-latency DSP mixer for real-time monitoring.
  • High-quality preamps with 58dB gain range for clean recordings.
  • Smartgain feature automatically sets input levels for optimal recording.
  • USB Type-C connectivity for fast and reliable data transfer.
  • Compact and portable design, ideal for mobile recording setups.
  • User-friendly interface with easy-to-use controls.
Cons:
  • No MIDI I/O which limits its use with MIDI controllers.
  • External power supply needed for maximum performance.
  • Limited onboard effects compared to some competitors.
  • Higher price point may be a barrier for beginners.
  • No dedicated line outputs, which might limit routing options.
  • Limited to 4 inputs and 4 outputs, which might not be enough for larger setups.
  • No MIDI I/O, limiting connectivity with MIDI controllers and instruments.
  • Plastic construction might not be as durable as metal alternatives.
  • No onboard DSP for real-time effects processing.
  • Requires external power supply, which can limit portability.
Key Specs
Channels of I/O
Analog:
2 Inputs / 6 Outputs at 96 kHz
Digital:
8 Input / 0 Output at 48 kHz
Analog:
4 Inputs / 4 Outputs at 96 kHz
Maximum Sampling Rate
96 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
2 Preamps 4 Preamps
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced Mic/Line Input
1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line/Monitor Output
1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel)
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot)
1x 1/4" TS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line Output (Tip Hot)
2x 1/4" TRS Unbalanced Headphone Output
Host Connection
1x USB-C 1x USB-C
OS Compatibility
macOS 10.11.6 or Later
macOS 11.1 or Later
Windows 7 or Later
macOS 10.7.5 or Later
Windows 7 or Later (32-/64-Bit)
Power Requirements
USB Bus Power USB Bus Power
The Audient EVO 8 and Audient iD14 MKII are both high-quality USB Type-C audio interfaces, but they cater to different needs and workflows, particularly in terms of their input and output capabilities.
The Audient EVO 8 features a 4x4 channel configuration, offering 4 analog inputs and 4 outputs at a maximum sampling rate of 96 kHz and a bit depth of 24-bit. It includes 4 microphone preamps, which provide flexibility for recording multiple sources simultaneously. The interface is designed with 4 combo XLR-1/4" TRS balanced mic/line inputs, along with a front panel 1/4" TS unbalanced Hi-Z input, making it suitable for a variety of recording scenarios. Additionally, it has two 1/4" TRS unbalanced headphone outputs, allowing for easy monitoring options. The EVO 8 is powered via USB bus and is compatible with macOS versions 10.7.5 or later and Windows 7 or later.
On the other hand, the Audient iD14 MKII offers a more extensive 10x6 channel configuration, with 2 analog inputs and 6 outputs, also at a maximum sampling rate of 96 kHz and 24-bit depth. It features 2 microphone preamps and a similar combination of inputs as the EVO 8, including 2 combo XLR-1/4" TRS balanced mic/line inputs and a front panel 1/4" TRS unbalanced Hi-Z input. However, it also provides an additional digital audio interface capability through its TOSLINK optical ADAT/S/PDIF input, allowing for expanded input options when needed. The iD14 MKII includes 4 balanced line/monitor outputs and two headphone outputs — one 1/4" TRS and one 1/8" TRS — which adds to its versatility. It is also powered via USB bus and requires macOS 10.11.6 or later or Windows 7 or later for operation.
In summary, while both interfaces are robust and offer similar sampling rates and bit depths, the Audient EVO 8 is tailored for simpler recording setups with a higher number of inputs relative to outputs, making it an ideal choice for musicians or podcasters. In contrast, the Audient iD14 MKII is better suited for more complex audio production needs, offering greater output flexibility and digital input capabilities, making it a solid choice for audio engineers and studio setups.
General
Channels of I/O
Analog:
2 Inputs / 6 Outputs at 96 kHz
Digital:
8 Input / 0 Output at 48 kHz
Analog:
4 Inputs / 4 Outputs at 96 kHz
Maximum Sampling Rate
96 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
2 Preamps 4 Preamps
Input Level Adjustment
2x Knob 4x Automatic
1x Knob
Expansion Slots
The Audient EVO 8 and Audient iD14 MKII are both high-quality USB Type-C audio interfaces that cater to different needs in the audio production realm.
The Audient EVO 8 offers a robust set of features, providing 4 analog inputs and 4 outputs at a maximum sampling rate of 96 kHz / 24-Bit. It is equipped with 4 microphone preamps, which is advantageous for recording multiple sources simultaneously. One of its standout features is the automatic input level adjustment for all four inputs, making it particularly user-friendly for those who may not have extensive audio engineering experience. However, the EVO 8 does not include any expansion slots, which may limit future upgrades or enhancements.
In contrast, the Audient iD14 MKII presents a more flexible routing option with 2 analog inputs and 6 outputs, alongside 8 digital inputs at a lower sampling rate of 48 kHz. It also supports a maximum sampling rate of 96 kHz / 24-Bit for its analog inputs. The iD14 MKII is equipped with 2 microphone preamps and utilizes 2 knobs for input level adjustment, which may appeal to those who prefer manual control over automatic settings. Similar to the EVO 8, the iD14 MKII does not have any expansion slots.
In summary, the choice between the Audient EVO 8 and the Audient iD14 MKII largely depends on the user's specific needs. The EVO 8 is ideal for those seeking multiple microphone inputs and automatic level control, while the iD14 MKII offers more output flexibility and digital input options, making it a suitable choice for users who need a combination of analog and digital recording capabilities.
Signal Processing
Pad
Gain/Trim Range
Mic/Hi-Z Inputs:
58 dB
Hi-Z Inputs:
40 dB
Mic/Line/Hi-Z Inputs:
58 dB
High-Pass Filter
Solo/Mute
Mute per Input Channel, Master
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces designed to cater to the needs of recording enthusiasts and professionals. However, they differ in certain specifications that may influence user preference.
In terms of input capabilities, the Audient EVO 8 is a 4x4 interface, allowing for four inputs and four outputs. It offers a gain/trim range of 58 dB for its mic, line, and Hi-Z inputs, providing flexibility for various recording situations. The EVO 8 features mute functionality per input channel as well as a master mute option, making it easier to manage audio during recording sessions. However, it does not include a high-pass filter, which could be a consideration for users looking for specific tonal adjustments.
Conversely, the Audient iD14 MKII provides a more extensive 10x6 configuration, allowing for ten inputs and six outputs. It also has a gain/trim range of 58 dB for mic and Hi-Z inputs, but the Hi-Z inputs have a slightly lower gain range of 40 dB. Unlike the EVO 8, the iD14 MKII does not feature a solo/mute function, which could limit its usability in certain scenarios. Additionally, similar to the EVO 8, it lacks a high-pass filter.
In summary, while both interfaces share some similarities in gain range and lack of pad and high-pass filter features, the Audient EVO 8 offers a simpler and more user-friendly design with its dedicated mute functions. On the other hand, the Audient iD14 MKII provides a greater number of inputs and outputs, making it ideal for more complex recording setups, albeit without the solo/mute capabilities found in the EVO 8.
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced Mic/Line Input
1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line/Monitor Output
1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel)
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot)
1x 1/4" TS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line Output (Tip Hot)
2x 1/4" TRS Unbalanced Headphone Output
Phantom Power
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) 48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs)
Phantom Power Current
10 mA per Channel 10 mA per Channel
Digital Audio I/O
1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support)
Host Connection
1x USB-C 1x USB-C
Host Connection Protocol
USB 3.0 / 3.1/3.2 Gen 1 USB 2.0
USB (Non-Host)
Sync I/O
Network I/O
MIDI I/O
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces, but they cater to different needs and functionalities.
In terms of analog audio I/O, the Audient EVO 8 offers a comprehensive 4x combo XLR-1/4" TRS balanced mic/line inputs, along with an additional 1/4" TS unbalanced Hi-Z input on the front panel. It also features 4x 1/4" TRS balanced line outputs and 2 unbalanced headphone outputs. On the other hand, the Audient iD14 MKII provides a more limited configuration with 2x combo XLR-1/4" TRS balanced mic/line inputs and the same 1/4" TRS unbalanced Hi-Z input. It supports 4x balanced line/monitor outputs and features two unbalanced headphone outputs, one being a standard 1/4" TRS and the other a 1/8" TRS output.
Both devices support 48 V phantom power with a selectable on/off function for individual inputs, providing 10 mA of current per channel. However, the iD14 MKII stands out with its digital audio I/O capabilities, as it includes a TOSLINK optical ADAT/S/PDIF input with S/MUX support, allowing for the expansion of input channels, which is absent in the EVO 8.
When it comes to host connection, the EVO 8 utilizes USB 2.0, while the iD14 MKII is more advanced with USB 3.0 / 3.1/3.2 Gen 1 support, enabling faster data transfer rates. Both devices lack MIDI I/O and have no sync or network I/O capabilities, keeping their designs streamlined for specific audio recording tasks.
In summary, the Audient EVO 8 is tailored for users needing multiple analog inputs for straightforward recording, while the Audient iD14 MKII, with its digital I/O capabilities and faster USB connection, is ideal for those seeking more versatility in their audio setup.
Performance
Frequency Response
A/D Converters:
10 Hz to 40 kHz ±0.5 dB
D/A Converters:
10 Hz to 40 kHz ±0.1 dB
Headphone Outputs:
10 Hz to 40 kHz ±0.25 dB
Mic, Line Inputs:
10 Hz to 40 kHz ±0.5 dB (Min Gain)
20 Hz to 22 kHz ±1 dB (Max Gain)
Hi-Z Inputs:
10 Hz to 20 kHz ±0.5 dB
Mic, Line Inputs:
10 Hz to 40 kHz ±0.5 dB
Hi-Z Inputs:
10 Hz to 20 kHz ±0.5 dB
A/D Converters:
10 Hz to fs/2 ±0.5 dB
D/A Converters:
10 Hz to fs/2 ±0.5 dB
Headphone Outputs:
10 Hz to fs/2 ±0.5 dB
Maximum Input Level
Mic Inputs:
+12 dBu
Line Inputs:
+21 dBu
Hi-Z Inputs:
+10 dBu
Mic/Line Inputs:
+16 dBu
Hi-Z Inputs:
+10 dBu
Maximum Output Level
Headphone Outputs:
+5.46 Vrms (600-Ohm Load)
D/A Converters:
+11 dBu
Headphone Outputs:
+10.1 dBu (600-Ohm Load)
Headphone Output Power
223 mW into 30 Ohms (Max)
280 mW into 62 Ohms (Max)
100 mW into 600 Ohms (Max)
45 mW into 30 Ohms (Max)
52 mW into 60 Ohms (Max)
20 mW into 600 Ohms (Max)
Impedance
Mic Inputs:
2.8 Kilohms (Balanced)
Line Inputs:
> 8 Kilohms (Balanced)
Mic Inputs:
> 3 Kilohms (Balanced)
Line Inputs:
> 10 Kilohms (Balanced)
Hi-Z Inputs:
1 Megohm (Unbalanced)
Line Outputs:
< 100 Ohms (Balanced)
Headphone Outputs:
< 50 Ohms (Unbalanced)
Dynamic Range
A/D Converters:
120 dB (A-Weighted)
D/A Converters:
125.5 dB (A-Weighted)
Headphone Outputs:
125.5 dB (A-Weighted)
AD/DA Converters:
113 dBA
Headphone Outputs:
113 dBA
SNR
Mic/Line Inputs:
101 dBu (A-Weighted)
Hi-Z Inputs:
100 dBu (A-Weighted)
Mic/Line/Hi-Z Inputs:
100 dB
THD+N
Mic/Line Inputs:
0.0017% (at 0 dBu)
Hi-Z Inputs:
0.1% (at 0 dBu)
A/D Converters:
< 0.001% (at -1 dBFS)
D/A Converters:
< 0.0006% (at -1 dBFS)
Headphone Outputs:
< 0.0009% (at -1 dBFS)
Mic/Line Inputs:
< 0.0015% (1 kHz)
Hi-Z Inputs:
< 0.3% (1 kHz)
D/A Converters:
< 0.0015% (1 kHz, at -1 dBFS)
Headphone Outputs:
< 0.0015% (1 kHz, at -1 dBFS)
EIN
Mic/Line Inputs:
-129 dBu A-Weighted
Mic/Line Inputs:
< -128 dBu
CMRR
Mic/Line Inputs:
> -75 dB (1 kHz)
Mic/Line Inputs:
> 85 dB (1 kHz)
When comparing the Audient EVO 8 and Audient iD14 MKII, both audio interfaces showcase impressive specifications tailored for different user needs.
The frequency response for both interfaces is commendable, with the EVO 8 offering a range of 10 Hz to 40 kHz for Mic and Line Inputs, while the iD14 MKII provides a similar frequency response of 10 Hz to 40 kHz for its A/D and D/A Converters. However, the iD14 MKII excels in accuracy, with a tighter ±0.1 dB tolerance for its D/A converters and ±0.25 dB for headphone outputs, compared to the EVO 8's broader tolerances.
In terms of maximum input levels, the EVO 8 supports higher levels for Mic/Line inputs at +16 dBu, while the iD14 MKII has slightly lower levels for Mic inputs at +12 dBu and higher for Line inputs at +21 dBu. The headphone output power is significantly greater in the iD14 MKII, providing up to 280 mW into 62 Ohms, compared to the EVO 8's maximum of 52 mW into 60 Ohms. This makes the iD14 MKII a better choice for those requiring powerful headphone amplification.
Dynamic range is another area where the iD14 MKII stands out, boasting 120 dB for A/D converters and 125.5 dB for D/A converters, compared to the EVO 8's 113 dBA for both AD/DA converters. The signal-to-noise ratio (SNR) also favors the iD14 MKII, with 101 dBu for Mic/Line inputs, versus the EVO 8's 100 dB. Additionally, the iD14 MKII exhibits lower Total Harmonic Distortion plus Noise (THD+N) values, especially in its A/D converters, which are rated at < 0.001% compared to the EVO 8's < 0.0015%.
Overall, while both the Audient EVO 8 and iD14 MKII offer robust performance, the iD14 MKII presents superior specifications in dynamic range, headphone output power, and lower distortion, making it a more suitable option for professional audio applications. The EVO 8, however, remains a strong contender for those who may prioritize a more compact and user-friendly interface without sacrificing essential quality.
Digital Audio
Sample Rates
44.1 / 48 / 88.2 / 96 kHz 44.1 / 48 / 88.2 / 96 kHz
Sample Rate Conversion
Bit Depths
24-Bit Up to 24-Bit
Latency
0.65 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output)
0.31 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
5 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output)
4.1 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
Sync Sources
ADAT, Internal, S/PDIF Internal
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces, but they differ significantly in their specifications and performance capabilities.
Starting with sample rates, both interfaces support a range of sample frequencies including 44.1, 48, 88.2, and 96 kHz. However, the Audient iD14 MKII offers superior latency performance, achieving a remarkable 0.65 ms at 44.1 kHz and 0.31 ms at 96 kHz, while the EVO 8 has latencies of 5 ms and 4.1 ms respectively at the same sample rates. This makes the iD14 MKII a better choice for users who require real-time processing with minimal delay.
In terms of bit depth, both audio interfaces support up to 24-bit recording. However, the EVO 8 lacks advanced sample rate conversion capabilities, which is also true for the iD14 MKII. The iD14 MKII, on the other hand, offers more flexible sync options, including ADAT, Internal, and S/PDIF sync sources, compared to the EVO 8's single internal sync source. This feature enables the iD14 MKII to integrate more seamlessly into complex audio setups.
Overall, while both the Audient EVO 8 and iD14 MKII serve as excellent audio interfaces, the iD14 MKII stands out with its lower latency, broader sync capabilities, and higher input/output configuration (10x6) compared to the EVO 8's 4x4 configuration, making it a more versatile option for professional audio applications.
Audio Storage & Playback
Memory Card Slot
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces designed for musicians and audio professionals, but they cater to different needs and setups.
Starting with the Audient EVO 8, this interface offers a compact 4x4 configuration, making it ideal for smaller recording setups or mobile use. With its intuitive Smartgain feature, it simplifies the gain staging process, allowing users to automatically set optimal input levels. The EVO 8 is designed for ease of use, featuring a straightforward interface that appeals to beginners and those looking for a hassle-free recording experience. Additionally, it includes a headphone output with independent volume control, which is essential for monitoring during recordings.
On the other hand, the Audient iD14 MKII stands out with its more extensive 10x6 configuration, providing greater flexibility for larger projects and more complex setups. It features high-quality mic preamps and a JFET instrument input that can capture sound with exceptional clarity and detail. The iD14 MKII also incorporates advanced monitoring capabilities, including a dedicated monitor mix control, which is beneficial for users who require precise control over their monitoring environment. Furthermore, its robust build and premium components make it suitable for professional studio settings.
Both interfaces lack a memory card slot, ensuring that users must rely on their computer for recording and playback. Ultimately, the choice between the Audient EVO 8 and the Audient iD14 MKII will depend on the specific needs of the user, with the EVO 8 being more suited for those who prioritize portability and simplicity, while the iD14 MKII caters to users who demand higher input counts and professional-grade features.
Compatibility
OS Compatibility
macOS 10.11.6 or Later
macOS 11.1 or Later
Windows 7 or Later
macOS 10.7.5 or Later
Windows 7 or Later (32-/64-Bit)
Processor Requirement
Mac:
Intel
Apple M1
PC:
1.6 GHz Intel Core 2
Mac:
Intel
PC:
1.6 GHz Intel Core 2
RAM Requirements
1 GB 1 GB
Mobile Device Compatibility
Required Hardware
Available USB-C Port
USB Cable (Included)
Available USB 2.0 Port
USB Cable (Included)
Internet Connection
Required for Registration, Software/Driver Download Required for Software/Driver Download
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient iD14 MKII Desktop 10x6 USB Type-C Audio Interface, several key specifications emerge that highlight their differences and similarities.
In terms of OS Compatibility, the EVO 8 supports macOS 10.7.5 or later and Windows 7 or later (32-/64-Bit), making it a versatile option for various users. The iD14 MKII, on the other hand, has a slightly more advanced requirement, compatible with macOS 10.11.6 or later, including macOS 11.1 or later, and also supports Windows 7 or later. This makes the iD14 MKII a better choice for users on newer operating systems.
Looking at the Processor Requirement, both interfaces require a minimum of a 1.6 GHz Intel Core 2 processor for PCs, while the EVO 8 is restricted to Intel processors on Mac, whereas the iD14 MKII expands compatibility to include Apple M1 processors. This makes the iD14 MKII more future-proof for users who may upgrade to Apple’s newer hardware.
Both interfaces have the same RAM Requirements of 1 GB, ensuring they are relatively lightweight on system resources. Neither device offers Mobile Device Compatibility, which means they are intended for desktop use rather than mobile recording setups.
In terms of Required Hardware, the EVO 8 requires an available USB 2.0 port, while the iD14 MKII requires a USB-C port, reflecting a more modern connectivity standard. Both devices come with a USB cable included and necessitate an Internet Connection for software and driver downloads. However, the iD14 MKII also requires registration, which could be an additional step for users to consider.
In conclusion, while both audio interfaces provide solid performance and similar base requirements, the Audient iD14 MKII distinguishes itself with broader OS support, compatibility with Apple M1 processors, and a more advanced USB-C connection, making it a more suitable option for those seeking longevity and compatibility with modern systems.
Power
Power Requirements
USB Bus Power USB Bus Power
When comparing the Audient EVO 8 and the Audient iD14 MKII audio interfaces, both devices share the same power requirement, relying on USB bus power for operation. This feature allows for easy setup without the need for an external power source, making them ideal for mobile recording environments or compact studio setups.
In terms of audio capabilities, the Audient EVO 8 offers a simpler 4x4 configuration, providing four inputs and four outputs, which suits basic recording needs and smaller setups. On the other hand, the Audient iD14 MKII boasts a more advanced 10x6 configuration, allowing for greater flexibility with ten inputs and six outputs. This makes the iD14 MKII a more suitable option for users who require additional input options or those who work with larger recording sessions.
Another notable difference is in the preamp quality and conversion. Both devices are equipped with Audient's renowned console mic preamps, but the iD14 MKII is designed to deliver a higher level of audio fidelity, making it a better choice for professional applications where sound quality is paramount. The iD14 MKII also offers advanced features like the JFET instrument input and a more extensive monitoring system, catering to a wider range of audio production needs.
In summary, while both the Audient EVO 8 and the Audient iD14 MKII share the same power requirements and provide reliable USB bus-powered operation, the iD14 MKII stands out with its superior input/output options and enhanced audio quality. This makes the iD14 MKII more suitable for professional use, while the EVO 8 remains an excellent choice for simpler applications and portability.
Physical
Dimensions
6.8 x 4.7 x 2.4" / 17.3 x 12 x 6.2 cm (Including Controls and Protrusions) 7.48 x 2.76 x 2.76" / 19 x 7 x 7 cm
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces designed for desktop use, but they cater to different needs and specifications.
In terms of dimensions, the Audient EVO 8 measures 7.48 x 2.76 x 2.76 inches (19 x 7 x 7 cm) and weighs 1.0 lb (0.5 kg), making it a compact and lightweight option suitable for mobile setups or smaller studio spaces. On the other hand, the Audient iD14 MKII has slightly more substantial dimensions at 6.8 x 4.7 x 2.4 inches (17.3 x 12 x 6.2 cm, including controls and protrusions). Despite being a bit larger, it remains portable, but its weight is not specified in the provided details.
One notable feature of the iD14 MKII is its anti-theft capability, as it comes equipped with a Kensington Security Slot, offering additional security for users who may need to use their interface in public or shared spaces. The EVO 8 does not mention any anti-theft features, which might be a consideration for those concerned about security.
Ultimately, while both interfaces share the USB Type-C connection and aim to provide high-quality audio performance, the Audient EVO 8 is more focused on portability and simplicity, ideal for beginners or those with limited space. In contrast, the Audient iD14 MKII presents a more robust feature set, including security options, appealing to professionals who require more versatility and protection for their gear.
Packaging Info
Package Weight
2.33 lb 1.79 lb
Box Dimensions (LxWxH)
9 x 6 x 3.6" 9.1 x 4.2 x 3.6"
The Audient EVO 8 and the Audient iD14 MKII are both high-quality USB Type-C audio interfaces, but they cater to different user needs and preferences. In terms of package weight, the EVO 8 is lighter at 1.79 lb, while the iD14 MKII weighs 2.33 lb. This difference in weight may make the EVO 8 a more portable option for users who prioritize mobility in their setup.
When comparing box dimensions, the EVO 8 measures 9.1 x 4.2 x 3.6", slightly larger in length but narrower in width compared to the iD14 MKII, which measures 9 x 6 x 3.6". The slightly bulkier width of the iD14 MKII may provide a more stable base when placed on a desk, yet the overall height remains the same for both models.
In summary, while the Audient EVO 8 offers a more compact and lightweight design suitable for on-the-go recording, the Audient iD14 MKII provides a sturdier and heavier option with additional input/output capabilities. Users should consider their specific needs, such as portability versus extra features, when choosing between these two audio interfaces.
Customer Images
Videos