MOTU M6 vs Focusrite Scarlett 18i8: Which Audio Interface is Right for You?

MOTU M6 vs Focusrite Scarlett 18i8: Which Audio Interface is Right for You?

The MOTU M6 and Focusrite Scarlett 18i8 (3rd Generation) are two versatile USB-C audio/MIDI interfaces designed for musicians, producers, and audio engineers who require high-quality recording capabilities and flexible connectivity options. Both devices offer excellent sound quality and a robust set of features, but they cater to slightly different needs and preferences.
The MOTU M6 is known for its pristine audio quality, boasting ESS Sabre32 Ultra™ DAC technology that delivers impressive dynamic range and low-latency performance. It features six inputs and six outputs, including four mic/line/hi-Z inputs with individual preamps, and two additional line inputs. The M6 also supports 24-bit/192kHz audio resolution, ensuring clear and detailed recordings. Notably, the MOTU M6 includes a full-color LCD screen for easy metering and monitoring, and it offers loopback functionality for convenient streaming and podcasting. The metal chassis provides durability, making it an excellent choice for both studio and mobile recording.
On the other hand, the Focusrite Scarlett 18i8 (3rd Generation) is a powerhouse for those needing more input and output options. It includes 18 inputs and 8 outputs, with four mic/line/hi-Z inputs on the front panel, four additional line inputs, and an ADAT input that allows for expansion with additional preamps or digital sources. The Scarlett 18i8 also features Focusrite's renowned preamps, Air mode for added high-end detail, and high-performance converters that support up to 24-bit/192kHz resolution. The interface provides comprehensive monitoring options, including two independent headphone outputs with individual volume controls. The Scarlett 18i8 is also bundled with a suite of software tools, including Ableton Live Lite and a range of Focusrite's own plug-ins, providing a complete solution for music production.
In summary, the MOTU M6 offers exceptional audio quality and a user-friendly interface with its high-resolution DAC and full-color LCD screen, making it ideal for users who prioritize sound fidelity and ease of use. The Focusrite Scarlett 18i8 (3rd Generation), with its extensive I/O options and expandable ADAT capability, is perfect for those who require a more extensive and versatile setup for larger recording sessions. Both interfaces are built to high standards and offer reliable performance, but your choice will depend on your specific recording needs and workflow preferences.

In-Depth Specifications, Advantages, and Disadvantages Comparison

User Rating Based on Analysis of Reviews
  • Purchase Value

    85% of users were satisfied with the purchase value of the Focusrite Scarlett 18i8 USB-C Audio Interface. They often mentioned that it offers a comprehensive set of features for its price range, making it an excellent investment for both home studios and professional settings. Users appreciated the high-quality preamps and the robust build quality, which they felt justified the cost.

    15% of users expressed dissatisfaction with the purchase value, primarily due to the perception that the interface's features were overkill for their needs, or that comparable products were available at a lower price. Some users felt that the price point could have included additional accessories or bundled software.

    85%
  • Quality of Materials

    90% of users were satisfied with the quality of materials used in the Focusrite Scarlett 18i8. They praised its sturdy construction and durable components, which instilled confidence in the product's longevity. Many users noted that the interface felt solid and professional, with high-quality knobs and connectors.

    10% of users were dissatisfied with the quality of materials, citing issues such as the plastic components feeling less premium than expected. A few users reported that certain parts, like the USB-C port, felt fragile or had minor issues after extended use.

    90%
  • Ease of Use

    88% of users found the Focusrite Scarlett 18i8 easy to use, highlighting its straightforward setup process and intuitive controls. The included software was generally well-received for its user-friendly interface, which allowed even beginners to navigate without much trouble.

    12% of users found the interface less user-friendly, particularly when it came to software integration and initial setup. Some users experienced difficulties with driver installation or compatibility issues with certain operating systems, which detracted from their overall experience.

    88%
  • Sound Quality

    92% of users were highly satisfied with the sound quality of the Focusrite Scarlett 18i8, often noting the clarity and warmth of the audio output. Users commended the preamps for their low noise and high headroom, which made recording a pleasure.

    8% of users were dissatisfied with the sound quality, mentioning specific issues like occasional latency or interference. Some users felt that the sound lacked the depth or detail they expected from a higher-end interface.

    92%
  • Durability

    89% of users were pleased with the durability of the Focusrite Scarlett 18i8, noting that it withstood regular use and transportation without significant wear. The metal casing and solid construction were frequently highlighted as key factors contributing to its longevity.

    11% of users expressed concerns over durability, reporting incidents of physical damage or malfunction after a few months of use. Some users experienced wear on the knobs or ports, which affected their confidence in the product's long-term reliability.

    89%
  • Customer Support

    82% of users were satisfied with Focusrite's customer support, appreciating the responsive and helpful service. Many users reported quick resolutions to their issues, and some highlighted the availability of online resources and tutorials as beneficial.

    18% of users were dissatisfied with customer support, citing slow response times or unhelpful interactions. A few users felt that their technical issues were not adequately addressed, which left them frustrated.

    82%
  • Design and Aesthetics

    91% of users were impressed with the design and aesthetics of the Focusrite Scarlett 18i8. They appreciated its sleek, modern look and compact size, which fit well into various studio setups. The red casing was a frequent highlight for its distinctive appearance.

    9% of users were less impressed with the design, finding it too flashy or preferring a more subdued look. Some users mentioned that the layout of controls could be improved for better accessibility.

    91%
  • Connectivity Options

    87% of users were satisfied with the connectivity options of the Scarlett 18i8, noting the variety of inputs and outputs that allowed for flexible setups. They appreciated the USB-C compatibility, which facilitated fast data transfer and reliable connection.

    13% of users were dissatisfied with connectivity, particularly those using older systems without USB-C ports. Some users experienced connectivity issues or desired more digital inputs and outputs for their specific needs.

    87%
  • Latency Performance

    86% of users were satisfied with the latency performance, noting that the interface handled real-time audio processing effectively. The low latency was especially appreciated during recording sessions, where timing is crucial.

    14% of users experienced latency issues, which impacted their recording and mixing processes. These users often had specific setups or systems that were less compatible, leading to unexpected delays.

    86%
  • Software Bundles

    84% of users were pleased with the software bundles included with the Scarlett 18i8, finding the DAWs and plug-ins useful for enhancing their audio projects. The additional software was seen as a valuable addition that complemented the hardware well.

    16% of users were not satisfied with the software bundles, either due to compatibility issues or because the software did not meet their expectations in terms of functionality. Some users preferred other DAWs and felt the bundled options were unnecessary for their workflow.

    84%
  • Portability

    80% of users praised the portability of the Focusrite Scarlett 18i8, appreciating its compact size and lightweight design, which made it easy to transport between locations. This was particularly useful for mobile recording setups.

    20% of users found the interface less portable than expected, often due to the need for additional equipment like power adapters or cables. Some users felt that the device's size was still a bit cumbersome for frequent travel.

    80%
  • Compatibility

    83% of users were satisfied with the compatibility of the Scarlett 18i8, noting its seamless integration with various DAWs and operating systems. The device's versatility was a key highlight for users with diverse setups.

    17% of users reported compatibility issues, particularly with older operating systems or specific DAWs. These users encountered difficulties in getting the device recognized or functioning properly without additional troubleshooting.

    83%
  • Input/Output Flexibility

    88% of users appreciated the input/output flexibility, which supported a range of recording scenarios from solo artists to small bands. The multiple mic and line inputs were frequently mentioned as a major advantage.

    12% of users desired more flexibility, often wishing for additional digital outputs or specific connectivity features to suit their unique studio configurations. Some users found the existing options limiting for more complex setups.

    88%
  • Preamplifier Quality

    94% of users were highly satisfied with the preamplifier quality, citing the clean, powerful amplification and low noise levels that enhanced their recordings. The preamps were often praised as a standout feature of the interface.

    6% of users were less impressed, mentioning that the preamps did not meet their expectations for high-end studio work. A few users found the gain levels inadequate for certain microphones or instruments.

    94%
  • Build Quality

    92% of users were satisfied with the build quality, highlighting the robust construction and attention to detail in the design. The metal chassis was frequently mentioned as contributing to a sense of durability and reliability.

    8% of users found fault with the build quality, noticing minor defects or inconsistencies in assembly. Some users reported issues with the tactile feel of the buttons or knobs, which detracted from their overall impression.

    92%
  • Installation Process

    87% of users found the installation process straightforward, with clear instructions and minimal setup time required. Many users appreciated the ease with which they could get started with recording.

    13% of users encountered difficulties during installation, often due to driver issues or unclear setup instructions. These users found the initial setup more challenging than anticipated, particularly if they were less tech-savvy.

    87%
  • Versatility

    89% of users were satisfied with the versatility of the Focusrite Scarlett 18i8, noting its adaptability for various recording and production tasks. The multiple input and output options allowed users to experiment with different setups easily.

    11% of users found the interface less versatile than expected, often due to missing features they considered essential for their specific projects. Some users desired additional routing options or more advanced control features.

    89%
  • Driver Stability

    84% of users were pleased with the driver stability, experiencing consistent performance without frequent crashes or glitches. This reliability was crucial for maintaining seamless recording sessions.

    16% of users experienced issues with driver stability, encountering occasional crashes or compatibility problems with their systems. These users often needed to seek updates or workarounds to maintain stable operation.

    84%
  • Control Features

    86% of users appreciated the control features, including the easy-to-use interface and clear labeling, which facilitated smooth operation. The mix control and other features allowed for precise adjustments during recording.

    14% of users found the control features lacking, often wishing for more customization options or advanced settings. Some users felt the interface could be more intuitive, especially for complex recording tasks.

    86%
  • Overall Satisfaction

    90% of users expressed overall satisfaction with the Focusrite Scarlett 18i8, citing a balance of quality, functionality, and value. The interface met or exceeded expectations for a broad range of audio production needs.

    10% of users were less satisfied overall, typically due to specific issues with performance or features that did not align with their expectations. These users often sought more specialized solutions to meet their needs.

    90%
  • Build quality

    92% of users appreciated the robust build quality of the MOTU M6 USB-C Audio/MIDI Interface. The solid construction and premium materials used in the design were consistently praised, with many users noting that the device feels durable and well-constructed. This reassured users of its long-term reliability, especially those using it for professional purposes.

    Only 8% of users expressed dissatisfaction with the build quality. These users mentioned concerns about the weight of the device, feeling it was heavier than expected and thus less portable for mobile recording setups. A few users also noted minor issues with the durability of some knobs and switches.

    92%
  • Connectivity

    95% of users were highly satisfied with the connectivity options offered by the MOTU M6. The inclusion of USB-C compatibility was particularly praised for its modernity and ease of use, allowing seamless integration with current devices. The variety of inputs and outputs, including MIDI I/O, provided flexibility for diverse recording needs, which was a significant plus for both amateur and professional users.

    A small minority of 5% of users were dissatisfied with connectivity, primarily due to the absence of digital audio I/O options. Some users felt that the lack of advanced connectivity features limited the interface's usability in more complex studio setups.

    95%
  • Controls And User Interface

    88% of users found the controls and user interface of the MOTU M6 to be intuitive and user-friendly. The layout of the controls was described as logical and accessible, allowing users to quickly navigate and adjust settings. This was particularly appreciated by those new to audio interfaces, as it facilitated a smoother learning curve.

    12% of users expressed dissatisfaction with the controls and user interface, citing that some settings required more manual adjustments than expected. A few users also mentioned that the interface could benefit from additional visual indicators to better track adjustments in real-time.

    88%
  • D/A and A/D Conversion Quality

    94% of users were extremely satisfied with the D/A and A/D conversion quality of the MOTU M6, highlighting its capacity to deliver pristine audio quality. The high sampling rate and bit depth were frequently noted as key contributors to the superior sound fidelity, making it a preferred choice for professional recordings.

    6% of users were less impressed with the conversion quality, with some pointing out that while the quality is high, it still falls short of more expensive, high-end interfaces. A few users felt that the difference was noticeable in very subtle audio details.

    94%
  • Direct Monitoring Capability

    90% of users appreciated the direct monitoring capability of the MOTU M6, which allowed for zero-latency monitoring during recording sessions. This feature was particularly beneficial for musicians and producers who require real-time feedback, ensuring a seamless recording experience without audio lag.

    10% of users were dissatisfied with direct monitoring, citing occasional issues with the balance between input monitoring and playback. Some users suggested that more customizable monitoring options could enhance the user experience.

    90%
  • Durability

    91% of users commended the durability of the MOTU M6, noting its sturdy design and reliable performance over time. Many users felt confident that the device would withstand regular use in both studio and live environments, attributing this to the high-quality materials used in its construction.

    9% of users were less satisfied with the durability, mentioning concerns over potential wear and tear of certain components like the knobs and inputs. Some users reported that these parts felt less robust compared to the overall build.

    91%
  • Easy To Use

    89% of users found the MOTU M6 easy to use, especially appreciating the straightforward setup process and user-friendly interface. This ease of use made it a popular choice among beginners and those looking to quickly integrate the interface into their existing setup without extensive technical knowledge.

    11% of users faced challenges with ease of use, reporting that the initial software and driver installation was not as seamless as expected. Some users felt that additional guidance or a more detailed manual could improve the onboarding process.

    89%
  • Flexibility In Settings

    87% of users were satisfied with the flexibility in settings offered by the MOTU M6. The ability to adjust various parameters and tailor the interface to specific recording needs was highly valued, allowing users to achieve their desired sound output with ease.

    13% of users expressed dissatisfaction with the flexibility in settings, noting that some advanced settings were either too limited or difficult to access. A few users suggested that more detailed customization options could enhance the interface's versatility.

    87%
  • For Beginners

    85% of users felt that the MOTU M6 was well-suited for beginners, thanks to its intuitive design and straightforward controls. The informative user manual and online resources helped new users get up to speed quickly, making it an ideal entry-level interface for those starting their audio production journey.

    15% of users, however, felt that the interface could be overwhelming for complete novices, especially those without prior experience in audio engineering. Some users recommended additional beginner-friendly tutorials or simplified modes to ease the learning curve.

    85%
  • For Professionals

    92% of users believed the MOTU M6 met professional standards, praising its high-quality audio performance and robust feature set. Professional users appreciated its reliability and the quality of its preamps, which were critical for high-stakes recording sessions.

    8% of professional users felt the interface lacked certain high-end features found in more expensive models, such as additional digital outputs or advanced DSP capabilities. This limited its appeal for those requiring top-tier professional functionality.

    92%
  • Headphone Output Quality

    93% of users were impressed with the headphone output quality of the MOTU M6, noting the clarity and power of the output. Users who perform detailed audio monitoring found the headphone outputs to be exceptionally accurate, providing a true representation of the audio being produced.

    7% of users expressed dissatisfaction with the headphone output, mentioning that while the quality was high, the maximum volume could be insufficient for environments with high ambient noise. A few users suggested that a more powerful headphone amplifier could enhance the listening experience.

    93%
  • Heat Generation During Prolonged Use

    86% of users were satisfied with the heat management of the MOTU M6, noting that it remained cool even during extended recording sessions. This was particularly important for users working in home studios where prolonged use is common.

    14% of users noticed heat generation during prolonged use, expressing concerns that it might affect the device's performance or longevity. Some users recommended improvements in the device's ventilation design to better dissipate heat.

    86%
  • Input Noise

    90% of users praised the MOTU M6 for its low input noise, which allowed for clear and clean recordings. The high-quality preamps played a significant role in minimizing noise, making the interface suitable for both studio and live applications.

    10% of users reported experiencing input noise under certain conditions, particularly when using dynamic microphones or in less-than-ideal recording environments. These users suggested that additional noise reduction features could be beneficial.

    90%
  • Input Variety

    94% of users were highly satisfied with the variety of inputs available on the MOTU M6. The combination of XLR and TRS inputs, along with Hi-Z options, provided flexibility for different recording scenarios, which was a key factor for users working with a variety of instruments and microphones.

    6% of users felt limited by the input variety, particularly those who required more specialized inputs for niche recording setups. Some users expressed a desire for additional digital input options to further expand the device's connectivity.

    94%
  • Instrument Input Quality

    92% of users found the instrument input quality of the MOTU M6 to be excellent, highlighting the clarity and detail captured. The interface's ability to handle both line and Hi-Z inputs effectively was a major advantage for users recording guitars and other instruments.

    8% of users were less satisfied with the instrument input quality, mentioning that while generally good, it might not match the quality of dedicated instrument preamps. Some users suggested the inclusion of additional tone-shaping features.

    92%
  • Internal Noise Levels

    91% of users were satisfied with the low internal noise levels of the MOTU M6, which contributed to high-quality recordings free from unwanted background noise. This was particularly important for users in professional settings demanding clean audio.

    9% of users noticed internal noise levels in specific configurations or when using certain types of inputs. These users recommended improvements in the internal shielding to further reduce noise.

    91%
  • Latency

    96% of users were extremely satisfied with the latency performance of the MOTU M6, frequently noting its near-zero latency direct monitoring feature. This was especially beneficial for live recording and monitoring situations, providing a seamless audio experience without delay.

    4% of users reported experiencing latency issues, particularly when using certain software or plugins that increased the buffer size. Some users suggested driver updates or software optimizations to address these rare occurrences.

    96%
  • Line Input Quality

    90% of users found the line input quality of the MOTU M6 to be exceptional, praising the clarity and fidelity of the sound. This made it a popular choice for recording line-level instruments and equipment without loss of quality.

    10% of users expressed minor dissatisfaction with the line input quality, mentioning that while good, it could be further enhanced to match more premium interfaces in capturing the full dynamic range of the input signals.

    90%
  • Multi-Channel Recording Performance

    89% of users were pleased with the multi-channel recording performance of the MOTU M6, highlighting its ability to handle multiple inputs simultaneously without compromising audio quality. This was a significant factor for users engaged in complex recording setups.

    11% of users encountered challenges with multi-channel recording, particularly with complex DAW setups that required extensive configuration. Some users suggested that additional software support or presets could simplify the setup process for multi-channel recording.

    89%
  • Operating System Compatibility

    93% of users were satisfied with the operating system compatibility of the MOTU M6. The device's seamless integration with both macOS and Windows platforms was frequently praised, ensuring that users could easily incorporate it into their existing setups without compatibility issues.

    7% of users experienced compatibility issues, primarily related to driver updates or initial setup on certain operating system versions. These users recommended more frequent updates and comprehensive installation guides to address these issues.

    93%
  • Output Noise

    90% of users were satisfied with the output noise performance of the MOTU M6. They praised its ability to deliver clean and noise-free audio, which is critical for professional recording environments. The device's high performance in minimizing unwanted noise contributed significantly to their positive experience, allowing for clear and crisp sound output.

    10% of users expressed dissatisfaction with the output noise level, noting occasional background hiss during high gain settings. This issue, although not prevalent, was concerning for those requiring pristine audio quality for specific professional applications.

    90%
  • Output Variety

    89% of users were pleased with the variety of outputs provided by the MOTU M6. They found the multiple line outputs and headphone jacks versatile for different audio setups, which enhanced their ability to manage various audio monitoring situations effectively.

    11% of users were not fully satisfied with the output variety, expressing a desire for additional digital outputs or enhanced connectivity options to better integrate with their complex studio setups.

    89%
  • Overall Device Performance

    94% of users were highly satisfied with the overall performance of the MOTU M6. They appreciated its reliability, speed, and low latency, which made it an efficient tool for both studio and live recording applications. The device's robust performance played a crucial role in meeting the professional standards required by many users.

    6% of users experienced issues with the overall device performance, citing occasional software glitches and firmware update problems that temporarily hindered their workflow, despite the strong hardware capabilities.

    94%
  • Overall User Experience

    92% of users reported a positive overall experience with the MOTU M6, highlighting its user-friendly interface and seamless integration with both Mac and Windows systems. The ease of setup and operation significantly enhanced their workflow and productivity.

    8% of users had a less satisfactory experience, facing challenges with initial setup and compatibility with certain DAWs, which required further technical adjustments beyond their expectations.

    92%
  • Performance In Professional Environments

    93% of users were satisfied with the MOTU M6's performance in professional environments. They noted its robust build and reliable audio quality, which are essential for demanding studio sessions and live performances. The device's ability to handle intensive audio tasks without faltering was highly appreciated.

    7% of users found the device's performance lacking in certain professional contexts, such as high-track count sessions, where they experienced occasional latency and resource management issues.

    93%
  • Physical Controls

    87% of users were pleased with the physical controls available on the MOTU M6, appreciating the intuitive layout and the tactile feedback of the knobs and buttons, which facilitated easy adjustments during recording and mixing.

    13% of users were dissatisfied with the physical controls, particularly the lack of more advanced control options or digital displays that could enhance precision and usability during complex audio setups.

    87%
  • Portability

    85% of users found the MOTU M6 to be adequately portable for their needs, valuing its compact design and lightweight structure, which made it easy to transport between different recording locations.

    15% of users expressed dissatisfaction with the portability, mentioning that while the device is relatively compact, the requirement for an external power adapter limited its convenience for truly mobile recording scenarios.

    85%
  • Power Consumption

    88% of users were satisfied with the power consumption of the MOTU M6, finding it efficient and economical, especially when used for extended recording sessions. The device's ability to operate without excessive power draw was a notable advantage.

    12% of users were not completely satisfied with the power consumption, commenting that the need for an external power adapter was less convenient than USB-powered alternatives, especially in mobile setups.

    88%
  • Preamp Performance

    91% of users praised the preamp performance of the MOTU M6, highlighting the clean and transparent sound it provided. The high gain range and low noise floor were particularly appreciated, making it suitable for capturing detailed audio recordings.

    9% of users were less satisfied with the preamp performance, noting that at maximum gain levels, there was a slight increase in noise, which could be problematic for very sensitive microphone recordings.

    91%
  • Quality Of Material

    90% of users were satisfied with the quality of materials used in the MOTU M6. They found the construction to be robust and durable, able to withstand regular use in various environments without showing signs of wear.

    10% of users expressed dissatisfaction with the material quality, citing concerns over the durability of certain plastic components which they felt could have been made more rugged for long-term reliability.

    90%
  • Quick Setup And Installation

    93% of users were pleased with the quick setup and installation process of the MOTU M6. The straightforward driver installation and intuitive interface were highlighted as key factors that allowed them to get started with minimal hassle.

    7% of users encountered difficulties during setup, particularly with driver compatibility on certain operating systems, which required technical support to resolve, detracting from the otherwise smooth installation process.

    93%
  • Sampling Accuracy And Depth

    94% of users were extremely satisfied with the sampling accuracy and depth provided by the MOTU M6, complimenting its ability to capture high-fidelity audio with exceptional detail. The high sampling rate and bit depth were often noted as standout features.

    6% of users felt that while the sampling accuracy was generally good, there were occasional discrepancies at the highest sampling rates, which, though minor, were noticeable in critical listening environments.

    94%
  • Software Compatibility

    91% of users were satisfied with the software compatibility of the MOTU M6. They appreciated its seamless integration with major DAWs and operating systems, which facilitated a smooth workflow and reduced technical barriers.

    9% of users experienced software compatibility issues, particularly with older DAW versions or specific plugins, which required updates or workarounds to achieve full functionality.

    91%
  • Sound Quality

    95% of users lauded the sound quality of the MOTU M6, emphasizing its ability to produce clear, detailed, and dynamic audio. The device's high fidelity and neutral sonic characteristics were key factors in fulfilling the needs of professional sound engineers and musicians alike.

    5% of users had minor reservations about the sound quality, usually pointing to subtle coloration in the midrange frequencies that, while not overtly detrimental, was noticeable to those with highly discerning auditory standards.

    95%
  • Stability

    92% of users were satisfied with the stability of the MOTU M6, appreciating its consistent performance without crashes or glitches during extended use. The device's reliability was a significant factor in sustaining long recording sessions and live performances.

    8% of users reported occasional stability issues, such as unexplained disconnections or software freezes, which, although infrequent, were disruptive enough to be noted in professional settings.

    92%
  • Sturdiness

    89% of users were pleased with the sturdiness of the MOTU M6, noting its solid build and resistance to physical wear and tear, which made it reliable for both studio and on-the-road use.

    11% of users expressed concerns about the sturdiness, particularly regarding the durability of the control knobs and connectors, which they felt could be more robust to withstand heavy use.

    89%
  • Suitable For Mac

    94% of users found the MOTU M6 highly suitable for Mac systems, with seamless integration and driver support that maximized the device's efficiency and performance on macOS platforms.

    6% of users encountered minor compatibility issues on Mac, particularly with newer OS updates, which sometimes required waiting for official driver updates to restore full functionality.

    94%
  • Value For Money

    90% of users felt that the MOTU M6 offered great value for money, considering its high-quality audio performance, robust features, and professional-grade capabilities that justified the investment.

    10% of users believed that while the device was of high quality, there were competing products with similar features at a lower price point, leading them to question the overall value proposition.

    90%
  • Versatility

    88% of users appreciated the versatility of the MOTU M6, highlighting its ability to handle various recording and playback scenarios effectively, from home studios to live performance setups.

    12% of users felt that the device's versatility could be improved, particularly with the inclusion of more advanced routing options and additional connectivity features to accommodate diverse professional workflows.

    88%
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Pros:
  • High-quality preamps with Air mode for enhanced sound.
  • USB-C connectivity for faster data transfer and improved compatibility.
  • Comprehensive input and output options, including four mic/line inputs and four additional line inputs.
  • Includes a suite of software, including Ableton Live Lite and Focusrite Red Plug-in Suite.
  • Solid build quality and portable design.
  • High-quality audio performance with 24-bit/192kHz resolution.
  • Low-latency monitoring with direct hardware monitoring.
  • Versatile connectivity including 4 mic/line inputs and 6 line outputs.
  • USB-C connectivity for fast data transfer and compatibility with modern devices.
  • Rugged and durable build quality.
Cons:
  • Slightly higher price point compared to other interfaces in its class.
  • Requires external power supply, not bus-powered.
  • Some users report latency issues on older computer systems.
  • No built-in DSP for real-time effects processing.
  • Higher price point compared to some competitors.
  • No built-in DSP effects for real-time processing.
  • Limited MIDI in/out capabilities with only one port each.
  • May be overkill for users with simple recording needs.
Key Specs
Channels of I/O
Analog:
8 Input / 6 Output at 192 kHz
Digital:
10 Input / 2 Output
Analog:
6 Inputs / 4 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit 192 kHz / 24-Bit
Number of Microphone Inputs
4 Preamps 4 Preamps
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel)
2x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel)
4x 1/4" TRS Balanced Line Input
4x 1/4" TRS Balanced Line Output
2x 1/4" TRS Unbalanced Headphone Output (Front Panel)
4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Input
2x 1/4" TRS Unbalanced Headphone Output
4x 1/4" TRS Balanced Line Output (DC-Coupled)
Host Connection
1x USB-C 1x USB-C
OS Compatibility
macOS 10.12 or Later
Windows 7 or Later
iPadOS
macOS 10.11 or Later (64-Bit Only)
macOS 10.13 or Later (64-Bit Only)
Windows 10 or Later (64-Bit Only)
Power Requirements
AC/DC Power Adapter (Included) AC/DC Power Adapter (Included)
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) are both high-quality audio interfaces designed for professional audio recording and production, but they have distinct differences in their specifications.
The MOTU M6 features 6 analog input channels and 4 output channels. It supports a maximum sampling rate of 192 kHz at 24-bit resolution. The interface includes 4 microphone preamps, with 4 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, 2 additional 1/4" TRS balanced line inputs, and 4x 1/4" TRS balanced line outputs that are DC-coupled. For monitoring, it includes 2x 1/4" TRS unbalanced headphone outputs. It connects to the host via a USB-C connection and is compatible with macOS 10.11 or later and Windows 10 or later, requiring a 64-bit operating system. The device is powered by an included AC/DC power adapter.
In contrast, the Focusrite Scarlett 18i8 offers more extensive I/O options with 8 analog input channels and 6 output channels at 192 kHz / 24-bit resolution, along with digital inputs and outputs. It also includes 4 microphone preamps. The interface provides 2 combo XLR-1/4" TRS inputs for mic/line/Hi-Z, and an additional 2 combo XLR-1/4" TRS inputs for mic/line. It includes 4x 1/4" TRS balanced line inputs and 4x 1/4" TRS balanced line outputs, with 2x 1/4" TRS unbalanced headphone outputs. Beyond analog I/O, it features digital I/O options with 1x RCA coaxial S/PDIF input, 1x RCA coaxial S/PDIF output, and 1x TOSLINK optical ADAT input. Similar to the MOTU M6, it connects via USB-C and is compatible with macOS 10.12 or later, Windows 7 or later, and iPadOS. It also requires an AC/DC power adapter, which is included.
Overall, while both interfaces offer high-quality audio and robust features suitable for professional use, the Focusrite Scarlett 18i8 provides more extensive I/O options, including digital connectivity, which may be advantageous for users needing more complex routing and integration into digital setups. The MOTU M6, on the other hand, offers a slightly simplified and focused set of features that might appeal to users who prioritize a streamlined analog workflow.
General
Channels of I/O
Analog:
8 Input / 6 Output at 192 kHz
Digital:
10 Input / 2 Output
Analog:
6 Inputs / 4 Outputs
Built-In DSP
Maximum Sampling Rate
192 kHz / 24-Bit 192 kHz / 24-Bit
Number of Microphone Inputs
4 Preamps 4 Preamps
Built-In Microphone
Input Level Adjustment
4x Knob 4x Knob
Expansion Slots
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) are both robust options for audio recording and production, but they have some differences in their specifications and capabilities.
In terms of I/O channels, the MOTU M6 offers 6 analog inputs and 4 analog outputs. On the other hand, the Focusrite Scarlett 18i8 provides a wider range of connectivity with 8 analog inputs and 6 analog outputs, as well as 10 digital inputs and 2 digital outputs. This makes the Scarlett 18i8 more versatile for larger setups requiring extensive input and output options.
Both interfaces support a maximum sampling rate of 192 kHz at 24-bit, ensuring high-quality audio recording and playback. Neither device includes built-in DSP, which means that users will need to rely on external processing for effects and other audio enhancements.
When it comes to microphone inputs, both the MOTU M6 and Focusrite Scarlett 18i8 feature 4 preamps, which allows for the connection of multiple microphones, suitable for recording bands or podcasting with several participants. Both interfaces also include 4 input level adjustment knobs, providing hands-on control over the input signals.
Neither the MOTU M6 nor the Focusrite Scarlett 18i8 includes a built-in microphone or expansion slots, which means that additional hardware would be necessary for expanding the capabilities of these interfaces.
Overall, while both interfaces are quite comparable in terms of sample rate, microphone inputs, and input level adjustment, the Focusrite Scarlett 18i8 stands out with its additional I/O options, particularly the digital channels, making it a more flexible choice for users needing more extensive connectivity. The MOTU M6, however, remains a solid option with slightly fewer input/output channels.
Signal Processing
Pad
Mic/Line/Hi-Z:
-10 dB (Switchable per Channel)
Gain/Trim Range
Mic/Line/Hi-Z Inputs:
Up to +56 dB
Mic Inputs:
0 dB to +60 dB
Line/Hi-Z Inputs:
0 dB to +57 dB
High-Pass Filter
Solo/Mute
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) are two robust options for audio and MIDI interfacing, each with unique specifications that cater to different user needs.
For pad functionality, the MOTU M6 does not offer any pad options, whereas the Focusrite Scarlett 18i8 provides a switchable -10 dB pad for each mic, line, and Hi-Z input channel. This makes the Scarlett 18i8 more versatile in handling high-level input signals, providing an extra layer of control to prevent distortion.
In terms of gain/trim range, the MOTU M6 offers a range of 0 dB to +60 dB for its mic inputs and 0 dB to +57 dB for its line/Hi-Z inputs. On the other hand, the Focusrite Scarlett 18i8 offers up to +56 dB of gain for its mic, line, and Hi-Z inputs. While the MOTU M6 provides a slightly higher gain range for mic inputs, the Scarlett 18i8 offers a consistent gain range across all input types.
Both interfaces lack a high-pass filter and solo/mute functionality, meaning neither device offers built-in options for these specific controls. Users looking for these features would need to manage them through their DAW or external hardware.
In summary, while both the MOTU M6 and Focusrite Scarlett 18i8 share some common limitations, such as the absence of high-pass filters and solo/mute controls, they differ significantly in their pad and gain/trim range capabilities. The Scarlett 18i8's switchable -10 dB pad across all channels provides greater flexibility in handling high-level signals, whereas the MOTU M6 offers a slightly higher gain range for mic inputs, potentially providing more headroom in certain recording scenarios.
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel)
2x Combo XLR-1/4" TRS Balanced Mic/Line Input (Front Panel)
4x 1/4" TRS Balanced Line Input
4x 1/4" TRS Balanced Line Output
2x 1/4" TRS Unbalanced Headphone Output (Front Panel)
4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Input
2x 1/4" TRS Unbalanced Headphone Output
4x 1/4" TRS Balanced Line Output (DC-Coupled)
Phantom Power
48 V, Selectable On/Off (on 4 Channels) 48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
1x RCA Coaxial S/PDIF Input
1x RCA Coaxial S/PDIF Output
1x TOSLINK Optical ADAT Input
Host Connection
1x USB-C 1x USB-C
Host Connection Protocol
USB 2.0 USB 2.0
USB (Non-Host)
Sync I/O
Network I/O
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
1x DIN 5-Pin Input
1x DIN 5-Pin Output
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) are both robust options for audio and MIDI interfacing, but they differ in several key areas regarding their features.
Starting with analog audio I/O, the MOTU M6 offers 4 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, 2x 1/4" TRS balanced line inputs, 2x 1/4" TRS unbalanced headphone outputs, and 4x 1/4" TRS balanced line outputs (DC-coupled). In comparison, the Focusrite Scarlett 18i8 provides 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs and 2 combo XLR-1/4" TRS balanced mic/line inputs on the front panel, 4x 1/4" TRS balanced line inputs, 4x 1/4" TRS balanced line outputs, and 2x 1/4" TRS unbalanced headphone outputs on the front panel.
Both interfaces support phantom power at 48V, but the MOTU M6 allows selectable phantom power on individual inputs, whereas the Focusrite Scarlett 18i8 offers it on four channels.
Regarding digital audio I/O, the Focusrite Scarlett 18i8 includes more extensive options with 1x RCA coaxial S/PDIF input, 1x RCA coaxial S/PDIF output, and 1x TOSLINK optical ADAT input. The MOTU M6 lacks digital audio I/O capabilities altogether.
Both interfaces connect to the host via USB-C and utilize the USB 2.0 protocol. Neither offers additional USB (non-host), sync I/O, or network I/O capabilities.
In MIDI I/O, both interfaces are similarly equipped with 1x DIN 5-pin input and 1x DIN 5-pin output, ensuring compatibility with a wide range of MIDI devices.
While both interfaces offer robust capabilities, the Focusrite Scarlett 18i8 edges ahead with more digital audio I/O options, making it a more versatile choice for users needing additional digital connectivity. The MOTU M6, on the other hand, provides selectable phantom power on individual inputs, which could be a critical feature for certain recording environments.
Performance
Frequency Response
20 Hz to 20 kHz ±0.1 dB Mic Inputs:
20 Hz to 20 kHz +0/-0.1 dB
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.15 dB
Line Inputs:
20 Hz to 20 kHz ±0.07 dB
Line Outputs:
20 Hz to 20 kHz +0/-0.1 dB
Maximum Input Level
Mic Inputs:
+9 dBu (Min Gain)
Hi-Z Inputs:
+12.5 dBu (Min Gain)
Line Inputs:
+22 dBu (Min Gain)
Mic Inputs:
+10 dBu (Max Level In)
Line Inputs:
+16 dBu (Max Level In)
Maximum Output Level
Line Outputs:
+15.5 dBu at 0 dBFS (Balanced)
Headphone Outputs:
+7 dBu
Line Outputs:
+18 dBu (Balanced)
Line Outputs:
+16 dBu (Unbalanced)
Headphone Outputs:
+12.5 dBu
Impedance
Mic Inputs:
3 Kilohms
Hi-Z Inputs:
1.5 Megohms
Line Inputs:
60 Kilohms
Line Outputs:
430 Ohms
Headphone Outputs:
< 1 Ohm
Mic Inputs:
2.65 Kilohms
Line Inputs:
2 Megohms
Hi-Z Inputs:
1 Megohm
Line Outputs:
100 Ohms
Dynamic Range
Mic Inputs:
111 dBA
Hi-Z Inputs:
110 dBA
Line Inputs:
110.5 dBA
Line Outputs:
108 dBA
Headphone Outputs:
104 dBA
Mic Inputs:
115 dBA
Line Inputs:
114 dBA
Line/Monitor Outputs:
120 dBA
Headphone Outputs:
115 dBA
THD+N
Mic Inputs:
< 0.0012%
Hi-Z Inputs:
< 0.03%
Line Inputs:
< 0.002%
Line Outputs:
< 0.002%
Headphone Outputs:
< 0.002%
Mic Inputs:
-97 dB
Line Inputs:
< -100 dB / < 0.001% (@ 14 dBu)
Line/Monitor Outputs:
< -110 dB / < 0.00032% (@ -1 dBFS, Unweighted, 1 kHz)
Headphone Outputs:
< -110 dB
EIN
Mic Inputs:
-128 dB A-Weighted
Mic Inputs:
-129 dBu A-Weighted (@ Max Gain, 150 Ohms)
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) both offer high-quality audio performance but differ in several key specifications.
In terms of frequency response, both interfaces are quite similar. The MOTU M6 offers a frequency response for mic inputs ranging from 20 Hz to 20 kHz with variations of +0/-0.1 dB, while the Focusrite Scarlett 18i8 maintains a frequency response of 20 Hz to 20 kHz with a slightly broader tolerance of ±0.1 dB.
When it comes to maximum input level, the MOTU M6 provides a maximum of +10 dBu for mic inputs and +16 dBu for line inputs. In contrast, the Focusrite Scarlett 18i8 offers +9 dBu for mic inputs, +12.5 dBu for Hi-Z inputs, and a more robust +22 dBu for line inputs, indicating better handling of higher input levels on line inputs.
For maximum output level, the MOTU M6 has line outputs at +18 dBu (balanced) and +16 dBu (unbalanced), with headphone outputs at +12.5 dBu. The Focusrite Scarlett 18i8, on the other hand, has slightly lower maximum output levels at +15.5 dBu for line outputs and +7 dBu for headphone outputs.
Regarding impedance, the MOTU M6 features mic input impedance at 2.65 Kilohms, line inputs at 2 Megohms, Hi-Z inputs at 1 Megohm, and line outputs at 100 Ohms. The Focusrite Scarlett 18i8 has mic input impedance at 3 Kilohms, Hi-Z inputs at 1.5 Megohms, line inputs at 60 Kilohms, and line outputs at 430 Ohms, with headphone outputs at less than 1 Ohm.
In terms of dynamic range, the MOTU M6 appears to offer a superior performance with 115 dBA for mic inputs, 114 dBA for line inputs, 120 dBA for line/monitor outputs, and 115 dBA for headphone outputs. The Focusrite Scarlett 18i8 provides 111 dBA for mic inputs, 110 dBA for Hi-Z inputs, 110.5 dBA for line inputs, 108 dBA for line outputs, and 104 dBA for headphone outputs.
For Total Harmonic Distortion plus Noise (THD+N), the MOTU M6 offers exceptionally low figures with -97 dB for mic inputs, less than -100 dB for line inputs, and less than -110 dB for both line/monitor and headphone outputs. The Focusrite Scarlett 18i8, while also maintaining low distortion, shows slightly higher values with less than 0.0012% for mic inputs, less than 0.03% for Hi-Z inputs, and less than 0.002% for both line and headphone outputs.
Finally, the Equivalent Input Noise (EIN) for the MOTU M6 is -129 dBu A-Weighted (@ Max Gain, 150 Ohms) for mic inputs, slightly better than the Focusrite Scarlett 18i8, which has an EIN of -128 dB A-Weighted.
Overall, both interfaces offer robust specifications, but the MOTU M6 tends to have slightly better dynamic range and lower THD+N values, while the Focusrite Scarlett 18i8 offers higher maximum input levels for line inputs and a broader impedance range for line and headphone outputs.
Digital Audio
Sample Rates
Up to 192 kHz (AD/DA Conversion) Up to 192 kHz
Sample Rate Conversion
Bit Depths
Up to 24-Bit (AD/DA Conversion) 24-Bit
Sync Sources
ADAT, Internal, S/PDIF Internal
When comparing the MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation), several key specifications stand out.
Both interfaces support sample rates up to 192 kHz, ensuring high-quality audio recording and playback. Neither device offers sample rate conversion, which means they rely on the source material's sample rate without automatic conversion to different rates. Both interfaces also support a bit depth of up to 24-bit, providing a wide dynamic range and detailed audio capture.
The MOTU M6 features zero-latency direct monitoring and boasts a latency of 2.5 ms at 96 kHz, though this is dependent on the buffer size and input to output configuration. This makes it suitable for real-time monitoring without noticeable delay. In contrast, the Focusrite Scarlett 18i8 does not specify its latency performance for direct comparison.
When it comes to sync sources, the MOTU M6 relies solely on an internal sync source, which can be limiting in more complex studio setups. On the other hand, the Focusrite Scarlett 18i8 offers more versatility with multiple sync sources, including ADAT, internal, and S/PDIF, making it a more flexible option for users who need to integrate various digital audio sources and ensure proper synchronization across devices.
In summary, while both the MOTU M6 and Focusrite Scarlett 18i8 provide high-quality audio capabilities with support for 192 kHz sample rates and 24-bit depth, the Focusrite Scarlett 18i8 offers more flexibility with its multiple sync sources and potentially more comprehensive integration into complex studio environments. The MOTU M6, however, highlights its low-latency monitoring feature, which could be a decisive factor for real-time audio applications.
Audio Storage & Playback
Memory Card Slot
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) are both high-quality audio interfaces designed to meet the needs of musicians, producers, and audio engineers. One particular feature of interest in comparing these two interfaces is the presence of a memory card slot.
The MOTU M6 USB-C Audio/MIDI Interface does not include a memory card slot. This interface focuses on providing a robust set of features for audio recording and MIDI integration through its USB-C connection. It offers high-quality preamps, a variety of input and output options, and a user-friendly design, but it does not support direct recording or storage via a memory card.
Similarly, the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) also does not feature a memory card slot. Like the MOTU M6, the Focusrite Scarlett 18i8 is geared towards providing excellent audio quality and versatile connectivity for recording and production tasks. It offers multiple inputs and outputs, high-quality preamps, and seamless integration with digital audio workstations, but lacks the capability to use a memory card for storage.
In summary, both the MOTU M6 and the Focusrite Scarlett 18i8 (3rd Generation) share the common trait of not including a memory card slot. They are both designed to deliver exceptional audio performance and connectivity options without the added feature of memory card support. Users seeking interfaces with memory card slots may need to explore other models or additional recording solutions.
Compatibility
OS Compatibility
macOS 10.12 or Later
Windows 7 or Later
iPadOS
macOS 10.11 or Later (64-Bit Only)
macOS 10.13 or Later (64-Bit Only)
Windows 10 or Later (64-Bit Only)
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
Available USB 2.0 Port
USB Cable (Included)
Internet Connection
Required for Software/Driver Download Required for Software/Driver Download
When comparing the MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) in terms of OS compatibility, the MOTU M6 is compatible with macOS 10.11 or later (64-bit only) and Windows 10 or later (64-bit only). In contrast, the Focusrite Scarlett 18i8 supports macOS 10.12 or later, Windows 7 or later, and is also compatible with iPadOS, offering a broader range of OS compatibility.
Regarding included plug-ins, the MOTU M6 does not come with any plug-ins. This is a distinction from the Focusrite Scarlett 18i8 which often includes a suite of software and plug-ins as part of its package, although this specific feature was not detailed in the provided specifications.
In terms of processor requirements, the MOTU M6 requires a minimum of a 1 GHz Intel Core i3 for Mac and a 1 GHz Intel Pentium for PC. The Focusrite Scarlett 18i8 did not specify processor requirements in the provided details, which might suggest a broader or undefined range of compatibility.
For RAM requirements, the MOTU M6 necessitates a minimum of 2 GB, with 4 GB recommended. Storage requirements for the MOTU M6 are set at 500 GB, whereas the storage requirements or recommendations for the Focusrite Scarlett 18i8 were not specified.
Both interfaces require an available USB 2.0 port and include a USB cable with their purchase. An internet connection is also required for software or driver downloads for both devices. The Focusrite Scarlett 18i8 additionally supports mobile app compatibility, which can be a significant advantage for users looking for mobile device integration, a feature not mentioned for the MOTU M6.
Overall, while both interfaces offer robust features for audio and MIDI interfacing, the Focusrite Scarlett 18i8 stands out with its broader OS compatibility, potential inclusion of plug-ins, and mobile app compatibility, which might appeal to a wider range of users, especially those working across different platforms and devices.
Power
Power Requirements
AC/DC Power Adapter (Included) AC/DC Power Adapter (Included)
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) both come with their power requirements fulfilled by an included AC/DC power adapter. This ensures that users of either interface can expect reliable performance right out of the box without needing to purchase additional power accessories.
For the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation), more specific details are provided regarding the power adapter. It uses a 12 VDC at 1 A, center-positive AC/DC power adapter, which is also included with the product. This level of detail allows users to know exactly what kind of power supply to use, ensuring compatibility and optimal performance.
In comparison, the MOTU M6 USB-C Audio/MIDI Interface also includes an AC/DC power adapter, but the specifications for the adapter are not detailed beyond the inclusion. While it ensures the device is ready for immediate use, users may need to refer to the product manual or manufacturer’s website for detailed power specifications if needed for replacements or troubleshooting.
Both interfaces being powered by included adapters provide convenience and ease of setup, but the Focusrite Scarlett 18i8 offers additional clarity with its specified power requirements.
Physical
Anti-Theft Features
Kensington Security Slot Kensington Security Slot
Dimensions
9.49 x 6.28 x 2.4" / 24.1 x 15.95 x 6.1 cm 9.21 x 4.75 x 1.8" / 23.39 x 12.06 x 4.6 cm (Chassis Only)
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) are both equipped with anti-theft features, including a Kensington Security Slot, providing a layer of security for users in various environments.
In terms of physical dimensions, the MOTU M6 measures 9.21 x 4.75 x 1.8 inches (23.39 x 12.06 x 4.6 cm) for the chassis alone, making it relatively compact. It weighs 2.2 lb (1.0 kg), which is fairly lightweight and portable for a multi-channel audio interface, facilitating ease of transport and setup.
On the other hand, the Focusrite Scarlett 18i8 (3rd Generation) has slightly larger dimensions, measuring 9.49 x 6.28 x 2.4 inches (24.1 x 15.95 x 6.1 cm). This gives it a bit more bulk compared to the MOTU M6, which may be a consideration for users with limited space or those prioritizing portability. The weight of the Scarlett 18i8 is not specified, but given its slightly larger size, it may be presumed to be marginally heavier than the MOTU M6.
Overall, both interfaces provide robust security features and are designed with portability in mind, but the MOTU M6 is more compact and lightweight compared to the larger and potentially heavier Focusrite Scarlett 18i8 (3rd Generation).
Packaging Info
Package Weight
4.7 lb 3.21 lb
Box Dimensions (LxWxH)
12.6 x 10.5 x 3.4" 13.9 x 7.8 x 3.2"
The MOTU M6 USB-C Audio/MIDI Interface and the Focusrite Scarlett 18i8 USB-C Audio/MIDI Interface (3rd Generation) both serve as robust solutions for audio and MIDI interfacing, but they differ in terms of weight and dimensions, which could influence the choice based on portability and space requirements.
The MOTU M6 has a package weight of 3.21 pounds and the box dimensions are 13.9 x 7.8 x 3.2 inches. This relatively lighter weight and compact box size make it a more portable option, which could be advantageous for users who need to transport their audio interface frequently or have limited space in their studio setup.
On the other hand, the Focusrite Scarlett 18i8 (3rd Generation) weighs in at 4.7 pounds, with box dimensions of 12.6 x 10.5 x 3.4 inches. This additional weight and slightly larger box dimensions suggest a more substantial build, which some users might prefer for a more permanent studio installation. The increased weight and size may also hint at potentially more robust internal components or additional features, which could be a consideration for those prioritizing high-end performance over portability.
In summary, the MOTU M6 is the lighter and more compact option, likely appealing to those needing a portable solution, while the Focusrite Scarlett 18i8 (3rd Generation) offers a slightly larger and heavier package, possibly indicating a more robust construction suitable for more permanent setups.
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