The Zoom R20 Portable Multitrack Recorder is a versatile and compact device designed for musicians and audio enthusiasts who need a portable solution for recording and mixing. It offers up to eight simultaneous recording tracks, allowing users to capture complex arrangements with ease. The R20 is equipped with a color touchscreen interface, making navigation and operation intuitive and user-friendly. Its portability is enhanced by battery operation capability, which is perfect for on-the-go recording. Additionally, the R20 supports SD card storage, providing ample space for audio files and making it easy to transfer recordings to other devices for further editing or sharing.
In contrast, the TASCAM Model 12 Mixer Interface is a more comprehensive solution for those looking to integrate recording, mixing, and live sound capabilities into one robust unit. It features a combination of analog and digital functionalities, including a 12-channel mixer, USB audio interface, and multitrack recorder. The Model 12 is particularly suitable for home studios or live performance settings where a more extensive setup is required. It provides various inputs and outputs, including XLR and line-level options, catering to a wide range of audio sources. The built-in digital effects and EQ provide additional flexibility for sound shaping, making it an all-in-one solution for audio production and live sound management.
Both the Zoom R20 and TASCAM Model 12 offer unique advantages depending on the user's needs. The Zoom R20 is ideal for those who prioritize portability and ease of use, especially for smaller projects or mobile recording sessions. Its compact design and battery operation allow for recording in various environments without the need for extensive equipment. On the other hand, the TASCAM Model 12 is best suited for users who need a more comprehensive setup that integrates multiple audio functions. Its robust feature set supports more complex projects and live performances, making it a valuable tool for serious musicians and sound engineers.
In the following sections, we delve into a detailed comparison of the Zoom R20 Portable Multitrack Recorder and the TASCAM Model 12 Mixer Interface. This article examines their specifications thoroughly and reviews their respective advantages and disadvantages, providing you with all the information needed to make an informed decision.
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General | |
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Form Factor | |
Desktop | Desktop |
Number of Tracks | |
WAV: 8 |
12 (10 Inputs + Stereo Mix) |
Maximum Simultaneous Tracks | |
8x Recording / 16x Playback (at 44.1 kHz) | 10x Recording |
Maximum Sampling Rate | |
44.1 kHz / 24-Bit | 48 kHz / 24-Bit |
The Zoom R20 Portable Multitrack Recorder is designed as a compact desktop unit that offers a total of 8 tracks for WAV recording, with a maximum of 8 simultaneous tracks during recording and 16 tracks for playback at a sampling rate of 44.1 kHz. It features a 4.3" color LCD touchscreen for easy navigation and control. The device provides 8 microphone inputs but does not come with a built-in microphone. Input levels can be adjusted using 8 individual knobs, while the headphone output includes 1 master mix.Show More
On the other hand, the TASCAM Model 12 Mixer Interface also has a desktop form factor but offers a higher total of 12 tracks with 10 inputs plus a stereo mix. It allows for a maximum of 10 simultaneous tracks to be recorded and supports a slightly higher maximum sampling rate of 48 kHz at 24-bit resolution. This mixer interface is well-suited for more complex audio setups, providing versatility for multiple input sources.
In summary, while both devices serve the purpose of multi-track recording, the Zoom R20 is ideal for users who need a straightforward multitrack recorder with a touchscreen interface, whereas the TASCAM Model 12 caters to those requiring additional input options and a higher track count for more intricate audio projects. Each device brings unique strengths suited to different recording needs.
Signal Processing | |
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Gain/Trim Range | |
+6 to +50 dB |
-10 dB to +40 dB (Channels 1 to 6) -20 dB to +30 dB (Channels 7 to 10) Mic Inputs: Up to 50 dB Mic Inputs: Up to 79 dB USB, SD: 24 dB |
High-Pass Filter | |
100 Hz, 12 dB/Octave | |
EQ Parameters | |
High: ±12 dB at 10 kHz Mid: ±12 dB at 2.5 kHz Low: ±12 dB at 100 Hz |
Mono Channels: High: ±15 dB at 10 kHz (Shelving) Mid: ±15 dB at 100 Hz, 0.5 Q (Semi-Parametric) Low: ±15 dB at 80 Hz (Shelving) Stereo Channels: High: ±15 dB at 10 kHz (Shelving) Mid: ±15 dB at 600 Hz, 0.5 Q (Notch/Peak) Low: ±15 dB at 80 Hz (Shelving) Master: High: ±15 dB at 10 kHz (Shelving) Mid: ±15 dB at 100 Hz to 8 kHz, 0.5 to 5 Q (Parametric) Low: ±15 dB at 60 Hz (Shelving) |
Built-In Effects | |
Distortion Auto-Wah Chorus Chorus+Reverb ADT Delay Reverb |
7x Reverb 2x Mono Delay 1x Stereo Delay Chorus Flanger 2x Delay+Reverb 2x Chorus+Reverb |
The Zoom R20 Portable Multitrack Recorder features a gain/trim range of +6 to +50 dB, allowing for a wide range of microphone input levels. However, it does not include a high-pass filter, which may limit its ability to reduce low-frequency noise. The input channels are equipped with a 3-Band EQ with parameters of ±12 dB at 10 kHz for high, 2.5 kHz for mid, and 100 Hz for low. Additionally, dynamic processing options such as Compressor, Limiter, and Gate are available, along with built-in effects that include Distortion, Auto-Wah, Chorus, Delay, and Reverb.Show More
In contrast, the TASCAM Model 12 Mixer Interface has a more versatile gain/trim range, offering -10 dB to +40 dB for channels 1 to 6 and -20 dB to +30 dB for channels 7 to 10, with mic inputs reaching up to 79 dB. It includes a 100 Hz high-pass filter with a slope of 12 dB/Octave, which helps eliminate unwanted low-frequency noise effectively. The EQ on the mono channels offers a greater range with ±15 dB adjustments at various frequencies, including a semi-parametric mid option. Stereo channels also receive similar EQ adjustments, enhancing the mixing capabilities.
Both products feature built-in effects, but the TASCAM Model 12 offers a broader range, including 7 types of Reverb, 2 Mono Delays, 1 Stereo Delay, Chorus, Flanger, and combinations such as Delay+Reverb and Chorus+Reverb. This extensive range of effects allows for more creative sound manipulation compared to the Zoom R20. Overall, while both devices serve distinct purposes, the TASCAM Model 12 provides more extensive features in terms of EQ and effects, making it a robust option for detailed mixing and production tasks.
Connectivity | |
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Analog Audio I/O | |
1x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 1x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input 6x XLR 3-Pin Balanced Mic/Line Input 2x 1/4" TRS Balanced Line Output 1x 1/4" TRS Unbalanced Headphone Output |
8x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 1x 1/8" / 3.5 mm TRRS Unbalanced Stereo Input 2x 1/4" TRS Headphone Output 2x 1/4" TRS Subgroup/Bus Output 2x 1/4" TRS Aux Output 1x 1/4" TRS Click Input 2x 1/4" TRS Unbalanced Insert In/Out 2x XLR 3-Pin Balanced Main Output 1x 1/4" TRS Click Input |
Phantom Power | |
48 V, Selectable On/Off (on 4 Channels) | 48 V |
Host Connection | |
1x USB-C | 1x USB-C (Class-Compliant) |
Host Connection Protocol | |
USB 2.0 | USB 2.0 |
MIDI I/O | |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
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Wireless | |
Bluetooth *Via Optional Adapter |
Bluetooth |
The Zoom R20 Portable Multitrack Recorder features a versatile analog audio input configuration with 1x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input, 1x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line Input, and 6x XLR 3-Pin Balanced Mic/Line Inputs. It is equipped with 2x 1/4" TRS Balanced Line Outputs and 1x 1/4" TRS Unbalanced Headphone Output. The recorder offers 48 V Phantom Power that is selectable on four channels, but it does not include digital audio I/O or sync/network connectivity. It supports a host connection via 1x USB-C with USB 2.0 protocol and has a USB-A port for remote connection. Additionally, it features optional Bluetooth wireless connectivity through an adapter.Show More
In contrast, the TASCAM Model 12 Mixer Interface provides a more extensive analog audio input setup, including 8x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Inputs and 1x 1/8" / 3.5 mm TRRS Unbalanced Stereo Input. It offers multiple output options, such as 2x 1/4" TRS Headphone Outputs, 2x 1/4" TRS Subgroup/Bus Outputs, 2x 1/4" TRS Aux Outputs, and 2x XLR 3-Pin Balanced Main Outputs. The Model 12 also supports 48 V Phantom Power and includes a MIDI I/O with 1x DIN 5-Pin Input and 1x DIN 5-Pin Output, enhancing its versatility for various recording setups. It connects via 1x USB-C (Class-Compliant) with USB 2.0 protocol and also supports Bluetooth wireless connectivity.
Overall, while the Zoom R20 is a portable multitrack recorder ideal for straightforward recording tasks, the TASCAM Model 12 offers a more comprehensive mixing interface with additional audio inputs and outputs, along with MIDI capabilities, making it suitable for more complex audio productions and live settings.
Performance | |
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Frequency Response | |
Mic, Line Inputs: 20 Hz to 20 kHz -1 dB |
20 Hz to 20 kHz ±0.5 dB |
Maximum Input Level | |
Mic/Line Inputs: +4 dBu for 0 dBFS |
1/8" / 3.5 mm Inputs: +8 dBV (Stereo) Hi-Z Inputs: +19.8 dBu Insert Return: +18 dBu Line Inputs: +22 dBu Mic Inputs: +10 dBu |
Maximum Output Level | |
Line Outputs: +14 dBu |
Aux/Click/Subgroup Outputs: +16 dBu XLR Main Outputs: +22 dBu |
Headphone Output Power | |
20 mW per Channel into 32 Ohms | 45 mW per Channel into 32 Ohms |
Impedance | |
XLR Mic Inputs: 3.9 Kilohms 1/4" Line Inputs: 5.3 Kilohms Line Outputs: 200 Ohms Hi-Z Inputs: 1 Megohm Headphone Outputs: 33 Ohms |
1/8" / 3.5 mm Inputs: 10 Kilohms Hi-Z Inputs: 1 Megohm Insert Return: 5 Kilohms Insert Send: 100 Ohms Line Inputs: 22 Kilohms (Balanced) Mic Inputs: 1.8 Kilohms Aux/Click/Subgroup Outputs: 200 Ohms XLR Main Outputs: 200 Ohms |
EIN | |
Mic Inputs: ≤ -121 dBu A-Weighted (150-Ohm Source, +40 dB Gain) |
-128 dBu (150-Ohm Source, Max Gain) |
The Zoom R20 Portable Multitrack Recorder offers a frequency response of 20 Hz to 20 kHz at -1 dB, which provides a broad audio range suitable for various applications. The maximum input level for mic/line inputs is +4 dBu for 0 dBFS, while the maximum output level for line outputs reaches +14 dBu. Its headphone output power is 20 mW per channel into 32 Ohms, which may be lower compared to competitors. The impedance specifications reveal that the XLR mic inputs have an impedance of 3.9 Kilohms, and the Hi-Z inputs are rated at 1 Megohm. The equivalent input noise (EIN) for mic inputs is ≤ -121 dBu A-Weighted at +40 dB gain.Show More
In contrast, the TASCAM Model 12 Mixer Interface provides a frequency response of 20 Hz to 20 kHz ±0.5 dB, indicating a slightly tighter tolerance. Its maximum input levels vary significantly, with 1/8" inputs at +8 dBV, Hi-Z inputs at +19.8 dBu, and mic inputs at +10 dBu. The maximum output levels are higher than the Zoom, achieving +22 dBu for XLR main outputs and +16 dBu for Aux/Click/Subgroup outputs. The headphone output power is more robust at 45 mW per channel into 32 Ohms, offering a louder listening experience. The mic inputs have a lower impedance of 1.8 Kilohms, while the EIN sits at a competitive -128 dBu for a 150-Ohm source at maximum gain.
When it comes to distortion and noise levels, the TASCAM Model 12 exhibits a total harmonic distortion (THD) of 0.004% at minimum gain with a +2 dBu input at 1 kHz, which is quite low. The crosstalk is rated at -95 dB at 1 kHz, ensuring minimal interference between channels. On the other hand, the Zoom R20 lacks explicit specifications for THD and crosstalk but does provide a solid EIN rating, making it suitable for clean audio capture in various settings.
Digital Audio | |
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Audio File Formats | |
BWF |
Recording: BWF, WAV Playback: BWF, WAV |
Sample Rates | |
44.1 kHz (BWF) | 44.1 / 48 kHz |
Bit Depths | |
16 / 24-Bit | 16 / 24-Bit |
The Zoom R20 Portable Multitrack Recorder and the TASCAM Model 12 Mixer Interface are both versatile audio recording devices, but they cater to different needs and applications. The Zoom R20 supports audio file formats such as BWF and operates at a sample rate of 44.1 kHz. It offers a bit depth of 16 / 24-Bit, making it suitable for high-quality audio capture. Additionally, the Zoom R20 features internal sync sources, which can simplify the recording process in various settings.Show More
On the other hand, the TASCAM Model 12 also supports BWF and WAV audio file formats for both recording and playback. It has a slightly more flexible sample rate capability, operating at 44.1 / 48 kHz, which can be beneficial for different audio projects. Like the Zoom R20, it also offers a bit depth of 16 / 24-Bit, ensuring high fidelity in audio recordings. However, the TASCAM Model 12 does not specify sync sources, which may impact its usability in complex recording scenarios.
In summary, while both the Zoom R20 and TASCAM Model 12 provide essential features for recording high-quality audio, the choice between them may depend on specific needs. The Zoom R20's internal sync source offers an advantage for portable use, while the TASCAM Model 12's additional sample rate options may suit various recording environments better. Ultimately, both devices deliver robust audio recording capabilities with comparable file formats and bit depths.
Audio Storage & Playback | |
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Supported Media | |
SDHC Card, SDXC Card | SD Card |
Supported Media Capacity | |
SDHC: 4 GB Minimum to 32 GB Maximum SDXC: 64 GB Minimum to 1 TB Maximum |
SD: 512 MB Minimum to 2 GB Maximum SDHC: 4 GB Minimum to 32 GB Maximum SDXC: 64 GB Minimum to 512 GB Maximum |
The Zoom R20 Portable Multitrack Recorder is designed for robust recording capabilities, supporting a wide range of media types with its single slot for SD, SDHC, and SDXC cards. It can handle a variety of media capacities, ranging from 4 GB to 32 GB for SDHC and 64 GB to 1 TB for SDXC. This versatility makes it suitable for larger projects and extended recording sessions, appealing to musicians and sound engineers who need flexibility in their storage options.Show More
In contrast, the TASCAM Model 12 Mixer Interface also features a single slot for SDXC cards but has some limitations in terms of supported media capacities. While it can accommodate 512 MB to 2 GB for SD cards and 4 GB to 32 GB for SDHC, its maximum capacity for SDXC is capped at 512 GB. Additionally, it supports various file systems including FAT16 for SD, FAT32 for SDHC, and exFAT for SDXC, which may be beneficial for users looking for specific file format compatibility.
Overall, the Zoom R20 offers greater storage capacity and versatility with its media support, making it a more suitable choice for users with extensive recording needs. In comparison, the TASCAM Model 12 provides solid features but with more limited media capacity, catering to users who may not require as much storage for their projects.
Compatibility | |
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OS Compatibility | |
macOS / Windows |
macOS 10.12 macOS 10.13 macOS 10.14 macOS 10.15 Windows 7 Windows 8.1 Windows 10 |
The Zoom R20 Portable Multitrack Recorder is designed with a focus on portability and ease of use, making it ideal for musicians and content creators on the go. It offers comprehensive compatibility with macOS and Windows operating systems, along with support for iPad devices, thus broadening its usability across different platforms. The requirement for a simple USB-A port further enhances its accessibility, allowing users to connect it easily to various devices.Show More
In contrast, the TASCAM Model 12 Mixer Interface provides a more robust feature set aimed at professional audio production. It supports a wider range of macOS versions (10.12 to 10.15) and several versions of Windows (7, 8.1, and 10), ensuring compatibility with older systems. The mixer interface has more stringent processor and RAM requirements, specifying a 2 GHz or better processor and 2 GB of RAM, which indicates it is designed for more demanding audio tasks. Additionally, it requires a minimum display resolution of 1280 x 800, which suggests a focus on visual clarity for more complex mixing and editing operations.
Ultimately, both devices cater to different needs within the audio production landscape. The Zoom R20 excels in portability and ease of setup, making it perfect for on-the-go applications, while the TASCAM Model 12 focuses on providing a professional-grade mixing interface with more comprehensive system requirements for serious audio production tasks.
Power | |
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Power Requirements | |
AC/DC Power Adapter (Included) | AC/DC Power Adapter (Included) |
AC Input Power | |
Not Specified by Manufacturer | 100 to 240 VAC, 50 / 60 Hz |
Power Consumption | |
11 W (Maximum) | 16 W |
The Zoom R20 Portable Multitrack Recorder operates using an AC/DC Power Adapter that is included in the package. It requires an input of 12 VDC at 2 A with a center-positive configuration. The maximum power consumption of this device is 11 W, making it a relatively efficient option for portable recording needs.Show More
In contrast, the TASCAM Model 12 Mixer Interface also comes with an AC/DC Power Adapter included. However, it has a broader AC input power range of 100 to 240 VAC at 50 / 60 Hz, which allows for greater flexibility in various environments. The power consumption for this device is slightly higher at 16 W, indicating it may require more energy during operation compared to the Zoom R20.
In summary, the Zoom R20 is optimized for low power consumption and portability with its 11 W maximum usage, while the TASCAM Model 12 offers versatility in power input but at a higher consumption rate of 16 W. Users should consider their specific power requirements and usage scenarios when choosing between these two devices.
Physical | |
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Dimensions | |
14.9 x 8.1 x 2.3" / 37.8 x 20.6 x 5.8 cm | 13.5 x 14.2 x 3.96" / 343 x 360 x 98.5 mm (Including Controls and Protrusions) |
Weight | |
2.9 lb / 1.3 kg | 9.5 lb / 4.3 kg |
The Zoom R20 Portable Multitrack Recorder measures 14.9 x 8.1 x 2.3 inches (37.8 x 20.6 x 5.8 cm) and weighs 2.9 lb (1.3 kg), making it a compact and lightweight option for musicians and content creators on the go. Its design is optimized for portability, allowing for easy transport and use in various settings, whether in a studio or out in the field.Show More
In contrast, the TASCAM Model 12 Mixer Interface has dimensions of 13.5 x 14.2 x 3.96 inches (343 x 360 x 98.5 mm) and a weight of 9.5 lb (4.3 kg), making it significantly bulkier and heavier than the Zoom R20. This larger form factor reflects its more comprehensive functionality, including multiple inputs and outputs that cater to more complex audio setups.
When considering operating temperature, the TASCAM Model 12 is designed to function within a range of 41 to 95°F (5 to 35°C), which is relatively standard for audio equipment. However, the Zoom R20 does not specify an operating temperature, which could be a consideration for users in extreme environments.
Overall, the choice between the Zoom R20 and the TASCAM Model 12 largely depends on the user's needs for portability versus functionality. The Zoom R20 excels in portability and ease of use for quick recordings, while the TASCAM Model 12 offers a more robust feature set suitable for detailed mixing and production in a stationary environment.
Packaging Info | |
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Package Weight | |
4.505 lb | 13.45 lb |
Box Dimensions (LxWxH) | |
19.7 x 9.4 x 3" | 19 x 16.5 x 13" |
The Zoom R20 Portable Multitrack Recorder is designed with portability in mind, weighing only 4.505 lb. This lightweight design makes it easy to carry for recording on the go, appealing to musicians and podcasters who require flexibility. The dimensions of the box, measuring 19.7 x 9.4 x 3", further emphasize its compact nature, allowing users to fit it into smaller spaces or bags without hassle.Show More
In contrast, the TASCAM Model 12 Mixer Interface is significantly heavier, with a package weight of 13.45 lb. This added weight is likely due to its more robust construction and additional features meant for studio and live settings. The box dimensions of the TASCAM, at 19 x 16.5 x 13", indicate a bulkier profile, suggesting that it is designed for more stationary use rather than portability.
Overall, the choice between the Zoom R20 and the TASCAM Model 12 will largely depend on the user's needs. The R20 excels in portability and ease of transport, while the TASCAM offers a heavier, more feature-rich option for those who prioritize a comprehensive mixing interface over mobility.
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