Arturia MiniFuse 2 vs MOTU M2: Comprehensive Audio Interface Comparison

Arturia MiniFuse 2 vs MOTU M2: Comprehensive Audio Interface Comparison

The Arturia MiniFuse 2 and the MOTU M2 are both high-quality, portable USB Type-C audio/MIDI interfaces designed for musicians, producers, and podcasters who require reliable performance and high-fidelity audio in a compact form factor. While both devices offer similar core functionalities, they each have unique features that make them stand out.
The Arturia MiniFuse 2 is a 2-in/2-out interface that offers a clean, straightforward design with two combo XLR/TRS inputs that can handle both microphones and line-level instruments. It also includes a pair of balanced TRS outputs for studio monitors and a headphone output with an independent volume control. One of the highlights of the MiniFuse 2 is its comprehensive software bundle, which includes Arturia's Analog Lab Intro, Ableton Live Lite, and a selection of effects and instruments from Arturia's renowned software library. This makes it an excellent choice for users who are looking to expand their production toolkit right out of the box. The MiniFuse 2 also features MIDI I/O, which allows users to connect external MIDI gear, and it supports 24-bit/192kHz resolution for high-quality audio recording and playback.
The MOTU M2, on the other hand, is also a 2-in/2-out audio interface but is known for its ultra-low latency and superior audio performance, thanks to its ESS Sabre32 Ultra DAC technology, which delivers an impressive dynamic range and low distortion. The M2's front panel features two combo XLR/TRS inputs with individual gain controls and phantom power, as well as a large color LCD screen that provides detailed level meters for accurate monitoring. This is a standout feature that is particularly useful in a live recording environment or for those who need precise visual feedback. The M2 also features MIDI I/O, balanced TRS outputs, and an independent headphone output. It supports 24-bit/192kHz audio, ensuring professional-grade sound quality.
In summary, both the Arturia MiniFuse 2 and the MOTU M2 offer robust, portable solutions for high-quality audio recording and playback. The MiniFuse 2 stands out with its rich software bundle and user-friendly design, making it a great choice for beginners and those looking to enhance their production setup. The MOTU M2, with its superior audio performance and advanced metering capabilities, is ideal for users who prioritize audio fidelity and precise monitoring in their workflow. Both interfaces offer MIDI connectivity, ensuring compatibility with a wide range of external gear. Depending on your specific needs and preferences, either interface would be a valuable addition to your audio production toolkit.

Detailed Specifications, Advantages, and Disadvantages

User Rating Based on Analysis of Reviews
  • Purchase Value

    85% of users expressed satisfaction with the purchase value of the Arturia MiniFuse 2 Audio Interface. They appreciated the combination of price and features, highlighting it as an excellent entry-level interface that delivers professional quality sound without breaking the bank. Many users felt they received a lot of value for their money, especially with the included software package.

    15% of users were dissatisfied with the purchase value, mainly due to expectations of higher-end features that were not present. Some users felt that the pricing could be more competitive in comparison to similar products with slightly better specifications.

    85%
  • Quality of Materials

    80% of users were satisfied with the quality of materials used in the MiniFuse 2, noting that it felt sturdy and reliable. They praised its solid build and compact design, which made it suitable for both home studios and on-the-go recording setups.

    20% of users expressed dissatisfaction with the quality of materials, citing issues such as plastic components that felt less durable. A few users reported concerns about the longevity of the interface, feeling that it could be prone to wear and tear over time.

    80%
  • Ease of Use

    90% of users found the Arturia MiniFuse 2 to be very user-friendly. They appreciated its intuitive interface, straightforward controls, and easy setup process. Many users, especially beginners, praised its simplicity and the seamless integration with various DAWs, making it a great choice for those new to audio recording.

    10% of users were dissatisfied with the ease of use, often due to initial setup difficulties or issues with driver installation. Some users felt that the documentation did not provide enough guidance for troubleshooting common problems.

    90%
  • Sound Quality

    88% of users were highly satisfied with the sound quality of the MiniFuse 2. They appreciated the clear and crisp audio output, with many highlighting the low noise preamps and high headroom as standout features. Users noted that recordings maintained a professional quality, suitable for both voice and instrument inputs.

    12% of users expressed dissatisfaction with the sound quality, mentioning issues such as occasional audio glitches or interference. Some users felt that the output level was not as robust as expected, requiring additional gain adjustments during recordings.

    88%
  • Portability

    92% of users were satisfied with the portability of the MiniFuse 2, praising its compact size and lightweight design. Users found it easy to transport, making it ideal for mobile recording setups or small home studios. Many appreciated how it fit easily into backpacks or laptop bags.

    8% of users were less satisfied with the portability, mainly due to concerns about potential durability issues when transported frequently. Some felt that while it was small, additional protective casing was necessary to ensure it remained undamaged.

    92%
  • Software Compatibility

    87% of users were pleased with the software compatibility of the MiniFuse 2, noting that it worked well with multiple digital audio workstations (DAWs) across both Windows and Mac systems. Users appreciated the seamless integration and the included software suite, which enhanced their recording experience.

    13% of users were dissatisfied with software compatibility, often due to issues with specific DAW integration or driver conflicts. Some users experienced difficulties in accessing the full range of features or encountered bugs with certain software updates.

    87%
  • Customer Support

    75% of users reported positive experiences with Arturia's customer support. They found the support team responsive and helpful in resolving technical issues or providing guidance on product use. Several users highlighted quick turnaround times for queries.

    25% of users were dissatisfied with customer support, citing delays in response times or lack of resolution for complex issues. Some users felt that the support resources were limited, particularly for less common technical problems.

    75%
  • Design

    83% of users were satisfied with the design of the MiniFuse 2, appreciating its sleek and modern aesthetic. Users liked the layout and accessibility of controls, as well as the visual design which complemented their studio setups.

    17% of users expressed dissatisfaction with the design, often due to personal preferences for different control layouts or aesthetic choices. Some users felt that certain design elements, like LED indicators, could be improved for better visibility.

    83%
  • Durability

    78% of users were satisfied with the durability of the MiniFuse 2, stating that it withstood regular use without significant wear. Many users felt confident in the build quality, trusting it to handle minor knocks and bumps.

    22% of users expressed concerns about durability, mentioning issues like loose knobs or connections after extended use. Some users felt that certain components were not robust enough for frequent transportation or heavy use.

    78%
  • Latency

    86% of users were satisfied with the low latency performance of the MiniFuse 2. They noted minimal delay when monitoring recordings, which was crucial for real-time audio production. Users appreciated the smooth operation even with complex setups.

    14% of users experienced dissatisfaction with latency, citing occasional lag in specific DAW environments or with certain software plugins. Some users required additional adjustments to optimize performance, which they found cumbersome.

    86%
  • Input/Output Options

    82% of users were content with the input/output options available on the MiniFuse 2. They appreciated the flexibility provided by the multiple ports, which accommodated various recording needs from microphones to instruments.

    18% of users were dissatisfied with the input/output options, feeling that additional ports or expanded functionality would be beneficial. Some users needed more connectivity for complex setups, which the interface did not provide.

    82%
  • Driver Stability

    84% of users were satisfied with the stability of the MiniFuse 2 drivers, noting consistent performance with few to no crashes. Users appreciated the reliability of the drivers, which allowed for uninterrupted recording sessions.

    16% of users experienced dissatisfaction with driver stability, often encountering occasional crashes or compatibility issues with certain operating systems. Some users expressed frustration at needing frequent driver updates to maintain stability.

    84%
  • Installation Process

    88% of users had a positive experience with the installation process of the MiniFuse 2. They found it straightforward and quick, with clear instructions that guided them through setup efficiently. Many users appreciated the plug-and-play capability.

    12% of users were dissatisfied with the installation process, citing challenges with downloading necessary drivers or software. Some encountered issues that required additional technical support, which complicated the initial setup.

    88%
  • Aesthetic Appeal

    85% of users appreciated the aesthetic appeal of the MiniFuse 2, noting its modern and attractive design. Users felt that it complemented their studio setups and added a professional touch to their recording environment.

    15% of users were less impressed with the aesthetic appeal, with personal preferences differing in terms of design style. Some users desired a more traditional or minimalistic look, which the MiniFuse 2 did not provide.

    85%
  • Connectivity

    83% of users were satisfied with the connectivity options of the MiniFuse 2. They appreciated the USB-C connection, which provided fast data transfer speeds and compatibility with modern devices. Users found it easy to integrate into their existing setups.

    17% of users expressed dissatisfaction with connectivity, particularly those who experienced compatibility issues with older hardware. Some users felt that additional connection options would enhance flexibility in different recording environments.

    83%
  • Compatibility with Instruments

    87% of users were pleased with the MiniFuse 2's compatibility with various instruments. They noted that the preamps handled different input types well, delivering clear and balanced sound for both electric instruments and microphones.

    13% of users were dissatisfied with instrument compatibility, mentioning specific issues with particular instrument types or brands. Some users required additional adjustments or settings to achieve optimal sound, which they found inconvenient.

    87%
  • Preamp Quality

    89% of users were satisfied with the quality of the preamps in the MiniFuse 2. They highlighted the low-noise performance and how it enhanced the clarity and detail of their recordings. Users found the preamps to be a strong feature of the interface.

    11% of users expressed dissatisfaction with preamp quality, citing specific instances of noise or distortion at higher gain levels. Some users felt that while adequate, the preamps could benefit from additional refinement for critical recording applications.

    89%
  • Headphone Output

    80% of users were satisfied with the headphone output quality of the MiniFuse 2, noting clear and powerful sound suitable for monitoring recordings. Users appreciated the dedicated volume control, which allowed for precise adjustments.

    20% of users expressed dissatisfaction with the headphone output, often due to insufficient volume or perceived lack of clarity. Some users required more power for high-impedance headphones, which the interface struggled to provide.

    80%
  • Overall Performance

    86% of users were satisfied with the overall performance of the MiniFuse 2, considering it a reliable and efficient audio interface for various recording needs. Users praised its consistent operation and the quality of recordings it produced.

    14% of users experienced dissatisfaction with overall performance, often due to sporadic technical issues or limitations in specific recording scenarios. Some users felt that while generally good, certain features could be enhanced for superior performance.

    86%
  • Purchase Value

    85% of users expressed satisfaction with the purchase value of the MOTU M2 Audio Interface, highlighting its competitive pricing compared to other interfaces with similar features. Many users appreciated the combination of high-quality sound and functionality at a reasonable cost, making it an attractive choice for both amateur and professional musicians.

    15% of users felt dissatisfied with the purchase value, citing instances where they expected more advanced features or additional accessories for the price. Some users compared it unfavorably to cheaper alternatives that offered similar performance, which led to disappointment with the perceived value.

    85%
  • Sound Quality

    90% of users praised the sound quality of the MOTU M2, noting its clear and crisp audio output and excellent preamps. Users frequently mentioned the superior quality of both the input and output, which they felt enhanced their recording and listening experiences significantly.

    10% of users expressed dissatisfaction with the sound quality, often due to specific technical issues or personal preferences for different audio signatures. Some users experienced noise interference or felt that the sound output did not meet their high expectations, particularly in professional settings.

    90%
  • Build Quality

    88% of users were satisfied with the build quality of the MOTU M2, appreciating its sturdy construction and durable materials. Many users mentioned the robust design, which they felt was reliable for both studio and mobile use, instilling confidence in its longevity.

    12% of users were dissatisfied with the build quality, citing issues such as loose knobs or connectors. Some users found the materials used to be less premium than expected, leading to concerns about potential wear and tear over time.

    88%
  • Ease of Use

    83% of users found the MOTU M2 easy to use, highlighting its straightforward setup process and intuitive interface. Users appreciated the simple layout, which allowed even beginners to quickly understand and operate the device without extensive technical knowledge.

    17% of users experienced difficulties with ease of use, often due to software compatibility issues or a lack of clear instructions. Some users reported a steep learning curve for specific functions, which affected their overall user experience.

    83%
  • Driver Stability

    80% of users were satisfied with the stability of the MOTU M2 drivers, noting few crashes or disconnections during use. This reliability was particularly valued by users who required consistent performance for professional recording sessions.

    20% of users encountered driver stability issues, including occasional crashes or lag, affecting their workflow. These users often experienced frustration when the interface did not perform consistently, particularly during critical recording tasks.

    80%
  • Customer Support

    75% of users had positive experiences with MOTU's customer support, appreciating the responsiveness and helpfulness of the support team. Users who required assistance found the customer service to be knowledgeable and capable of resolving issues promptly.

    25% of users were dissatisfied with customer support, citing delays in response times or unhelpful interactions. Some users felt that their concerns were not adequately addressed, which led to frustration with the level of service provided.

    75%
  • Portability

    85% of users praised the portability of the MOTU M2, mentioning its compact size and lightweight design as ideal for on-the-go recording. Users found it easy to transport and use in different environments, making it a versatile choice for mobile musicians.

    15% of users found the portability lacking, often due to the need for additional accessories or concerns about durability during transport. Some users desired a more compact form factor or integrated protective features for easier travel.

    85%
  • Latency Performance

    87% of users were satisfied with the latency performance of the MOTU M2, noting minimal delay during recording and playback. This low latency was particularly appreciated by musicians who required real-time monitoring without noticeable lag.

    13% of users experienced latency issues, which affected their recording sessions. Some users found the latency to be higher than expected, especially when using specific software or settings, leading to dissatisfaction with the interface's performance.

    87%
  • Compatibility

    82% of users highlighted the compatibility of the MOTU M2 with various operating systems and digital audio workstations, allowing seamless integration into existing setups. The device's versatility in working with Mac and Windows platforms was a significant advantage for many.

    18% of users faced compatibility challenges, often related to specific software or hardware configurations. These users experienced difficulties in integrating the interface with their preferred setups, which led to dissatisfaction with the overall compatibility.

    82%
  • Input/Output Options

    80% of users were satisfied with the input and output options offered by the MOTU M2, appreciating the variety and quality of connections available. Users valued the balanced input and output ports, which provided flexibility for different recording needs.

    20% of users found the input/output options lacking, desiring more channels or specific types of connections. Some users required additional ports for complex setups, which the M2 did not accommodate, leading to disappointment.

    80%
  • Aesthetics

    88% of users found the aesthetics of the MOTU M2 appealing, praising its sleek design and professional look. The interface's modern appearance was often noted as a positive feature that complemented their studio setups.

    12% of users were dissatisfied with the aesthetics, often preferring a different style or color scheme. Some users felt the design was too simplistic or did not match their personal taste, which affected their overall impression of the device.

    88%
  • Installation Process

    84% of users found the installation process for the MOTU M2 straightforward and hassle-free, with clear instructions and minimal setup time. This ease of installation was especially appreciated by users who wanted to start using the device quickly.

    16% of users encountered challenges during the installation process, including difficulties with software installation or required updates. These issues led to frustration, particularly for users who expected a more seamless setup experience.

    84%
  • Software Features

    78% of users were satisfied with the software features included with the MOTU M2, appreciating the basic tools and functionality provided for recording and editing. Users found the software adequate for most of their needs, especially when starting out.

    22% of users found the software features lacking, desiring more advanced options or additional plug-ins. Some users felt the software was limited compared to other interfaces, which affected their ability to fully utilize the device's potential.

    78%
  • Durability

    86% of users were satisfied with the durability of the MOTU M2, noting its solid construction and resistance to wear over time. Users appreciated the robust materials that provided confidence in the device's long-term reliability.

    14% of users were concerned about the durability, often due to issues with specific components like knobs or buttons. Some users experienced wear and tear sooner than expected, which raised doubts about the interface's longevity.

    86%
  • Versatility

    83% of users praised the versatility of the MOTU M2, citing its ability to handle various recording scenarios and environments. Users valued its adaptability for different music genres and recording setups, making it a flexible choice for many applications.

    17% of users found the versatility limited, often due to specific requirements that the M2 could not meet. Some users needed more features or customization options for particular projects, which the device did not provide, leading to dissatisfaction.

    83%
  • Control Features

    79% of users were satisfied with the control features of the MOTU M2, appreciating the accessible and functional design of the controls. Users found the controls intuitive and effective for managing their audio settings during use.

    21% of users were dissatisfied with the control features, often finding them too basic or lacking in advanced options. Some users desired more precise or customizable controls to better suit their specific audio needs.

    79%
  • Power Options

    82% of users appreciated the power options of the MOTU M2, noting the convenience of USB power for portability and ease of use. Users valued the ability to operate the device without the need for additional power sources, enhancing its mobility.

    18% of users found the power options limiting, often preferring alternative power solutions for specific setups. Some users experienced issues with power stability, particularly when using the interface in environments with variable power availability.

    82%
  • Expandability

    77% of users were satisfied with the expandability of the MOTU M2, finding it sufficient for basic studio setups and small-scale projects. Users appreciated the ability to connect additional devices as needed within its scope.

    23% of users found the expandability insufficient, particularly for larger or more complex audio setups. Some users desired more connectivity options or the ability to chain multiple interfaces together, which the M2 did not support.

    77%
  • Pedal Integration

    70% of users appreciated the basic pedal integration capabilities of the MOTU M2, finding it suitable for simple setups and straightforward use. Users valued the available connections for integrating pedals into their signal chain.

    30% of users were dissatisfied with the pedal integration options, often requiring more advanced features or specific connections. Some users found the integration limited for complex pedal setups, which affected their ability to use the interface effectively.

    70%
  • Visual Display

    89% of users were highly satisfied with the visual display of the MOTU M2, praising its clear and informative readouts. Users found the display helpful for monitoring levels and making quick adjustments during recording sessions.

    11% of users found the visual display lacking, often desiring more detailed information or customizable display options. Some users felt the display could be improved for better visibility in different lighting conditions.

    89%
  • Overall Satisfaction

    87% of users reported overall satisfaction with the MOTU M2, citing its combination of high-quality sound, build, and functionality as major strengths. Users appreciated its value for money and suitability for a wide range of applications, making it a popular choice among audio enthusiasts.

    13% of users expressed overall dissatisfaction, often due to specific unmet expectations or technical issues. Some users encountered compatibility or performance problems that detracted from their experience, leading to disappointment with the interface.

    87%
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Pros:
  • Compact and portable design, ideal for mobile recording.
  • High-quality preamps with low noise and high headroom.
  • USB Type-C connectivity for faster data transfer and reliable connection.
  • Includes a suite of software and virtual instruments for added value.
  • MIDI I/O allows for integration with other MIDI gear.
  • Direct monitoring with no latency.
  • Excellent sound quality with ESS Sabre32 Ultra DAC technology.
  • Low latency performance for real-time monitoring.
  • Sturdy and compact build, suitable for mobile use.
  • USB-C connectivity ensures fast data transfer.
  • Clear and detailed LCD metering.
Cons:
  • Limited to 2 inputs and 2 outputs, which may not be sufficient for larger recording setups.
  • USB Type-C cable not included, which may require additional purchase.
  • No dedicated power supply option, relies solely on USB power.
  • Plastic construction may not be as durable as metal alternatives.
  • Some users may find the included software bundle unnecessary if they already own similar tools.
  • Limited to 2 inputs and 2 outputs.
  • No onboard DSP effects.
  • Some users may find the software bundle lacking.
  • Requires a USB-C port for optimal performance, which may not be available on all computers.
Key Specs
Channels of I/O
Analog:
2 Inputs / 2 Outputs
Analog:
2 Inputs / 2 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit 192 kHz / 24-Bit
Number of Microphone Inputs
2 Preamps 2 Preamps
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel)
2x 1/4" TRS Balanced Line Output
1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
1x 1/4" TRS Unbalanced Headphone Output
2x 1/4" TRS Balanced Line Output (DC-Coupled)
2x RCA TS Unbalanced Line Output
Host Connection
1x USB-C 1x USB-C
OS Compatibility
macOS
Windows
macOS 10.11 or Later
Windows 7 or Later
9 or Later
Power Requirements
USB Bus Power USB Bus Power
The Arturia MiniFuse 2 and the MOTU M2 are both 2x2 USB-C audio/MIDI interfaces that offer similar core features, but they have some differences in their specifications and capabilities.
Both interfaces provide 2 analog inputs and 2 analog outputs, with a maximum sampling rate of 192 kHz at 24-bit resolution. They each feature 2 microphone preamps and 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs on the front panel, ensuring high-quality audio capture for various sources. Additionally, they each have a single 1/4" TRS unbalanced headphone output on the front panel.
One area of distinction is in the analog audio I/O. The Arturia MiniFuse 2 includes 2x 1/4" TRS balanced line outputs, whereas the MOTU M2 provides additional flexibility with its 2x 1/4" TRS balanced line outputs (DC-coupled) and 2x RCA TS unbalanced line outputs. This makes the MOTU M2 more versatile in terms of connectivity options for different audio setups.
In terms of host connection, both interfaces use a USB-C port, which ensures fast data transfer and compatibility with modern computers.
Regarding OS compatibility, the Arturia MiniFuse 2 supports both macOS and Windows systems without specifying versions, providing broad compatibility. The MOTU M2 specifies compatibility with macOS 10.11 or later and Windows 7 or later, ensuring it works with a wide range of operating systems but requiring slightly more recent OS versions for optimal performance.
Both interfaces are USB bus-powered, meaning they draw power directly from the connected computer, which is convenient for portable and compact setups.
Overall, while both the Arturia MiniFuse 2 and MOTU M2 offer high-quality audio performance with similar core features, the MOTU M2 stands out with its additional RCA outputs and specified OS compatibility, potentially offering more flexibility for users with diverse audio equipment and operating systems.
General
Channels of I/O
Analog:
2 Inputs / 2 Outputs
Analog:
2 Inputs / 2 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit 192 kHz / 24-Bit
Number of Microphone Inputs
2 Preamps 2 Preamps
Input Level Adjustment
2x Knob 2x Knob
Expansion Slots
The Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface and the MOTU M2 USB-C Audio/MIDI Interface share several key features, making them comparable options for audio recording and production. Both interfaces offer 2 channels of analog inputs and outputs, allowing for simultaneous recording and playback of two separate audio signals. They also both support a maximum sampling rate of 192 kHz at a 24-bit resolution, ensuring high-quality audio capture.
In terms of microphone inputs, both the Arturia MiniFuse 2 and the MOTU M2 come equipped with 2 preamps. This allows users to connect and power two microphones directly to the interface, suitable for tasks like podcasting, vocal recording, or instrument miking. Both devices feature input level adjustment via two knobs, enabling users to control the gain for each of the two inputs independently.
One notable similarity between these interfaces is their lack of expansion slots, which means users cannot add additional inputs or outputs beyond what is initially available. However, this limitation is typical for compact, portable interfaces designed for basic recording needs.
Overall, the Arturia MiniFuse 2 and the MOTU M2 are remarkably similar in their core specifications, including their I/O channels, sampling rate, microphone inputs, and input adjustment controls. Both interfaces are designed to cater to users who need a straightforward, high-quality audio interface for small-scale recording setups.
Signal Processing
Pad
Gain/Trim Range
Mic/Line/Hi-Z Inputs:
56 dB
Mic Inputs:
0 dB to +60 dB
Line/Hi-Z Inputs:
0 dB to +57 dB
High-Pass Filter
Solo/Mute
When comparing the Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface and the MOTU M2 USB-C Audio/MIDI Interface, both units share some common features but also have distinct differences.
The Arturia MiniFuse 2 does not include a pad feature and offers a gain/trim range of 56 dB on its mic/line/Hi-Z inputs. It lacks a high-pass filter and does not provide solo or mute capabilities.
On the other hand, the MOTU M2 also lacks a pad feature but offers a more detailed gain/trim range: 0 dB to +60 dB for mic inputs and 0 dB to +57 dB for line/Hi-Z inputs. Similar to the Arturia MiniFuse 2, the MOTU M2 does not include a high-pass filter or solo/mute functionalities.
In summary, while both interfaces lack pad, high-pass filter, and solo/mute features, the MOTU M2 provides a slightly broader gain/trim range for its mic inputs compared to the Arturia MiniFuse 2. However, both interfaces are quite comparable in terms of their basic functionalities, making them both suitable choices depending on the specific needs and preferences of the user.
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel)
2x 1/4" TRS Balanced Line Output
1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
1x 1/4" TRS Unbalanced Headphone Output
2x 1/4" TRS Balanced Line Output (DC-Coupled)
2x RCA TS Unbalanced Line Output
Phantom Power
48 V, Selectable On/Off (Applied to All Inputs) 48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
Host Connection
1x USB-C 1x USB-C
Host Connection Protocol
USB 2.0 USB 2.0
USB (Non-Host)
1x USB-A (USB 2.0, Device Connection)
Sync I/O
Network I/O
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
1x DIN 5-Pin Input
1x DIN 5-Pin Output
When comparing the Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface and the MOTU M2 USB-C Audio/MIDI Interface, several key features stand out across both devices.
Both interfaces offer 2x combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, allowing musicians and audio engineers to connect microphones, instruments, and line-level sources. Each device is equipped with 1x 1/4" TRS unbalanced headphone output on the front panel for monitoring. Both units also feature 2x 1/4" TRS balanced line outputs, although the MOTU M2 uniquely offers these outputs as DC-coupled, providing additional flexibility for certain applications such as CV control in modular synthesizer setups. Additionally, the MOTU M2 includes 2x RCA TS unbalanced line outputs, which offers more output options compared to the Arturia MiniFuse 2.
Phantom power capabilities are similar in both interfaces, with each providing 48 V phantom power that can be selected on or off. However, a notable difference is that the MOTU M2 allows phantom power selection on individual inputs, whereas the Arturia MiniFuse 2 applies phantom power to all inputs simultaneously.
For host connection, both interfaces utilize a USB-C connection, adhering to the USB 2.0 protocol. This ensures compatibility with modern computer systems while maintaining reliable data transfer rates. However, a distinguishing feature of the Arturia MiniFuse 2 is its inclusion of an additional USB-A (USB 2.0) device connection, which can be useful for connecting other USB devices directly to the interface, such as MIDI controllers or storage devices.
Neither interface includes digital audio I/O, sync I/O, or network I/O capabilities, focusing instead on robust analog and MIDI connectivity. Both devices offer MIDI I/O through 1x DIN 5-pin input and 1x DIN 5-pin output, facilitating the integration of MIDI hardware into the recording setup.
In summary, while both the Arturia MiniFuse 2 and MOTU M2 provide similar core functionalities, including high-quality analog I/O and MIDI connectivity, they differ in certain areas such as output options and phantom power control. The additional RCA outputs and individually selectable phantom power on the MOTU M2 may appeal to users needing more output flexibility and control. In contrast, the Arturia MiniFuse 2's extra USB-A port can be advantageous for users requiring additional device connectivity.
Performance
Frequency Response
Mic Inputs:
20 Hz to 20 kHz ±0.06 dB (Min Gain)
Hi-Z Inputs:
20 Hz to 20 kHz ±0.06 dB (Min Gain)
Line Inputs:
20 Hz to 20 kHz ±0.05 dB (Min Gain)
Line Outputs:
20 Hz to 20 kHz ±0.09 dB
Headphone Outputs:
20 Hz to 20 kHz ±0.09 dB
Mic Inputs:
20 Hz to 20 kHz +0/-0.1 dB
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.15 dB
Line Outputs:
20 Hz to 20 kHz +0/-0.1 dB
Maximum Input Level
Mic Inputs:
+9 dBu
Hi-Z Inputs:
+11.5 dBu
Line Inputs:
+22 dBu
Mic Inputs:
+10 dBu (Min Gain)
Line/Hi-Z Inputs:
+16 dBu (Min Gain)
Maximum Output Level
Line Outputs:
+12 dBu
Headphone Outputs:
+11.4 dBu
Line Outputs:
+16 dBu (Balanced)
Line Outputs:
+9.5 dBu (Unbalanced)
Headphone Outputs:
+12.5 dBu
Impedance
Mic Inputs:
2.5 Kilohms
Hi-Z Inputs:
1 Megohm
Line Inputs:
16 Kilohms
Line Outputs:
94 Ohms
Headphone Outputs:
10 Ohms
Mic Inputs:
2.65 Kilohms
Line Inputs:
2 Megohms
Hi-Z Inputs:
1 Megohm
Line Outputs:
100 Ohms
Dynamic Range
Mic/Line/Hi-Z Inputs:
110 dB (A-Weighted)
Line Outputs:
107.5 dB (A-Weighted)
Headphone Outputs:
104 dB (A-Weighted)
Mic Inputs:
115 dBA
Line/Hi-Z Inputs:
114 dBA
1/4" Line/Monitor Outputs:
120 dBA
RCA Line Outputs:
119 dBA
Headphone Outputs:
115 dBA
THD+N
Mic Inputs:
-100 dB (Unweighted, 1 kHz, Typical)
Hi-Z Inputs:
-91 dB (Unweighted, 1 kHz, Typical)
Line Inputs:
-100 dB (Unweighted, 1 kHz, Typical)
Line Outputs:
-101 dB (Unweighted, 1 kHz, Typical)
Mic Inputs:
< -97 dB / < 0.0014%
Line/Hi-Z Inputs:
< -100 dB / < 0.001%
1/4" Line/Monitor Outputs:
< -110 dB / < 0.00032%
RCA Line Outputs:
< -105 dB / < 0.00056%
Headphone Outputs:
< -110 dB / < 0.0003%
EIN
Mic Inputs:
-129 dB A-Weighted
Mic Inputs:
-129 dB A-Weighted (150-Ohm Source, Max Gain)
The Arturia MiniFuse 2 and the MOTU M2 USB-C audio interfaces each offer a range of features suited for different audio production needs, making them strong contenders in the portable audio interface market.
In terms of frequency response, the Arturia MiniFuse 2 provides a range from 20 Hz to 20 kHz across its mic, Hi-Z, line, and headphone inputs and outputs, with minimal deviation, maintaining ±0.06 dB to ±0.09 dB. The MOTU M2 also covers 20 Hz to 20 kHz, but with slightly more variation in its line and Hi-Z inputs (±0.15 dB) and a more precise range for mic inputs (+0/-0.1 dB).
The maximum input level for the MiniFuse 2 is +9 dBu for its mic inputs, +11.5 dBu for Hi-Z, and +22 dBu for line inputs. In contrast, the MOTU M2 offers a higher maximum input level with +10 dBu for mic inputs and +16 dBu for line/Hi-Z inputs. For output levels, the MiniFuse 2 features +12 dBu for line outputs and +11.4 dBu for headphone outputs, whereas the MOTU M2 provides +16 dBu for balanced line outputs, +9.5 dBu for unbalanced, and +12.5 dBu for headphone outputs.
Regarding impedance, the MiniFuse 2 has mic inputs at 2.5 Kilohms, Hi-Z at 1 Megohm, line inputs at 16 Kilohms, line outputs at 94 Ohms, and headphone outputs at 10 Ohms. The MOTU M2 has mic inputs with slightly higher impedance at 2.65 Kilohms, line inputs at 2 Megohms, Hi-Z inputs at 1 Megohm, and line outputs at 100 Ohms.
When it comes to dynamic range, the MiniFuse 2 offers 110 dB (A-Weighted) for its inputs, 107.5 dB for line outputs, and 104 dB for headphone outputs. The MOTU M2 boasts a superior dynamic range, with mic inputs at 115 dBA, line/Hi-Z inputs at 114 dBA, 120 dBA for 1/4" line/monitor outputs, and 115 dBA for headphone outputs.
In terms of THD+N, the MiniFuse 2 provides -100 dB (unweighted, 1 kHz, typical) for both mic and line inputs, -91 dB for Hi-Z inputs, and -101 dB for line outputs. The MOTU M2 shows less distortion across the board with mic inputs at < -97 dB / < 0.0014%, line/Hi-Z inputs at < -100 dB / < 0.001%, and headphone outputs at < -110 dB / < 0.0003%.
Both interfaces are comparable in their EIN ratings, with the MiniFuse 2 at -129 dB A-Weighted and the MOTU M2 at an identical -129 dB A-Weighted for mic inputs.
Overall, while both the Arturia MiniFuse 2 and MOTU M2 offer robust performance and high-quality specifications, the MOTU M2 generally provides superior dynamic range, lower distortion, and higher maximum input/output levels, making it a slightly more advanced option for professional audio work.
Digital Audio
Sample Rates
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz Up to 192 kHz
Sample Rate Conversion
Bit Depths
24-Bit 24-Bit
Latency
Zero-Latency Direct Monitoring Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
Sync Sources
Internal Internal
The Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface and the MOTU M2 USB-C Audio/MIDI Interface both offer high-quality audio performance but differ in a few key specifications.
The Arturia MiniFuse 2 supports a variety of sample rates, including 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, and 192 kHz, with a bit depth of 24-bit. It features zero-latency direct monitoring and relies on internal sync sources. However, it does not offer sample rate conversion.
The MOTU M2 also supports sample rates up to 192 kHz and maintains a 24-bit depth. It provides zero-latency direct monitoring as well, with a specific latency of 2.5 ms at 96 kHz, although this can vary depending on the buffer size from input to output. Like the Arturia MiniFuse 2, it uses internal sync sources and does not offer sample rate conversion.
Both interfaces are well-matched in terms of sample rate support and bit depth, ensuring high-resolution audio recording and playback. They both provide zero-latency direct monitoring, essential for real-time audio monitoring without delay. The primary differences lie in the specific latency performance and the detailed breakdown of sample rates supported. While Arturia lists each available sample rate, MOTU specifies its maximum and notable latency performance at a particular sample rate. Both products do not include sample rate conversion and use internal sync sources for clocking.
Audio Storage & Playback
Memory Card Slot
The Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface and the MOTU M2 USB-C Audio/MIDI Interface both lack memory card slots, indicating that neither device includes this feature for expanded storage or direct recording to a memory card. This similarity underscores that both interfaces are designed with the simplicity of direct USB connectivity in mind, focusing on delivering high-quality audio and MIDI interfacing without the added complexity or functionality of memory card support. This feature, or lack thereof, should be considered by users who may need to record directly to external storage or prefer the convenience of a memory card slot for certain workflows.
Compatibility
OS Compatibility
macOS
Windows
macOS 10.11 or Later
Windows 7 or Later
9 or Later
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
Available USB 2.0 Port
USB Cable (Included)
Internet Connection
Required for Registration, Software/Driver Download Required for Software/Driver Download
The Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface is compatible with both macOS and Windows operating systems. It requires an available USB 2.0 port and includes a USB cable for connectivity. Additionally, an internet connection is necessary for registration and downloading the necessary software and drivers.
The MOTU M2 USB-C Audio/MIDI Interface also supports both macOS and Windows platforms, with specific compatibility for macOS 10.11 or later and Windows 7 or later. It has a more detailed processor requirement, specifying a minimum of a 1 GHz Intel processor for both Mac and PC. In terms of RAM, it requires at least 2 GB, though 4 GB is recommended for optimal performance. Similar to the Arturia interface, the MOTU M2 requires an available USB 2.0 port and includes a USB cable. An internet connection is also needed for downloading the software and drivers.
In summary, while both interfaces offer cross-platform compatibility and come with necessary hardware inclusions, the MOTU M2 provides more specific details regarding processor and RAM requirements, which could be crucial for users with varying system capabilities. Both devices require an internet connection for software and driver downloads, ensuring that users have access to the latest updates and features.
Power
Power Requirements
USB Bus Power USB Bus Power
Both the Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface and the MOTU M2 USB-C Audio/MIDI Interface share a key feature in terms of power requirements: they both rely on USB Bus Power. This means that neither device requires an external power supply, making them highly portable and convenient for mobile recording setups or for users who prefer streamlined equipment without additional power cables.
The Arturia MiniFuse 2 and the MOTU M2 are designed to be compact and user-friendly, catering to musicians, podcasters, and producers who need reliable interfaces that can be easily integrated into a variety of setups. The USB Type-C connectivity of both interfaces ensures fast data transfer rates and compatibility with modern computers and devices, enhancing their overall performance and usability.
In summary, the Arturia MiniFuse 2 and the MOTU M2 are both powered via USB Bus Power, eliminating the need for external power sources and contributing to their portability and ease of use. This makes them suitable for a wide range of audio applications, from home studios to on-the-go recording sessions.
Physical
Anti-Theft Features
Kensington Security Slot Kensington Security Slot
Dimensions
7.9 x 3.9 x 1.6" / 20.1 x 9.9 x 4.1 cm 7.5 x 4.25 x 1.75" / 19.1 x 10.79 x 4.45 cm (Chassis Only)
Weight
1.1 lb / 0.5 kg 1.4 lb / 0.6 kg
The Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface and the MOTU M2 USB-C Audio/MIDI Interface both come equipped with anti-theft features, specifically a Kensington Security Slot, which provides a means for securing the devices in public or shared spaces.
Regarding dimensions, the Arturia MiniFuse 2 measures 7.9 x 3.9 x 1.6 inches (20.1 x 9.9 x 4.1 cm), making it slightly longer but narrower and shorter in height compared to the MOTU M2, which has dimensions of 7.5 x 4.25 x 1.75 inches (19.1 x 10.79 x 4.45 cm). This makes the MiniFuse 2 a more compact choice in terms of width and height, while the MOTU M2 is slightly more compact in length.
In terms of weight, the Arturia MiniFuse 2 is lighter at 1.1 lb (0.5 kg) compared to the MOTU M2, which weighs 1.4 lb (0.6 kg). This makes the MiniFuse 2 a more portable option for users who prioritize lightweight gear.
In summary, both interfaces offer anti-theft security with the inclusion of a Kensington Security Slot. The Arturia MiniFuse 2 is slightly larger in length but narrower and shorter in height, and it is also lighter than the MOTU M2, which could make it a more appealing option for those prioritizing portability and compactness.
Packaging Info
Package Weight
1.29 lb 1.8 lb
Box Dimensions (LxWxH)
9 x 5.3 x 1.9" 10 x 7.45 x 2.75"
The Arturia MiniFuse 2 Portable 2x2 USB Type-C Audio/MIDI Interface is a compact and lightweight audio interface designed for portability and convenience. It comes with a package weight of 1.29 lb, making it easy to carry around for musicians and producers on the go. The box dimensions for the Arturia MiniFuse 2 are 9 x 5.3 x 1.9 inches, which further emphasizes its compact nature, allowing it to fit comfortably in a backpack or alongside other gear without taking up much space.
On the other hand, the MOTU M2 USB-C Audio/MIDI Interface, while still portable, is slightly heavier and larger in size. Its package weight is 1.8 lb, which is heavier than the Arturia MiniFuse 2 but still manageable for most users looking for a portable solution. The box dimensions of the MOTU M2 are 10 x 7.45 x 2.75 inches, indicating a larger form factor that may require a bit more space in a carrying case or on a desktop.
In summary, the Arturia MiniFuse 2 stands out for its lighter weight and more compact dimensions, making it particularly suitable for users seeking maximum portability. The MOTU M2, while still portable, offers a slightly larger and heavier alternative, which may better suit users who prioritize a more robust build and potentially additional features that come with a slightly larger interface.
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