The MOTU M4 USB-C Audio-MIDI Interface and the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface are two robust options for musicians, producers, and audio engineers looking to enhance their recording setups. Each interface offers distinct features and capabilities, making them suitable for various audio production needs.
The MOTU M4 is renowned for its superb audio quality and ultra-low latency performance. It features ESS Sabre32 Ultra DAC technology, delivering a dynamic range of 120 dB on its main outputs. The M4 provides four inputs and four outputs, including two mic/line/instrument combo inputs with high-quality preamps, and two additional line-level inputs. It also features a full-color LCD screen that provides real-time metering for all inputs and outputs, which is a standout feature for monitoring levels. The M4 supports loopback functionality, making it an excellent choice for live streaming and podcasting.
On the other hand, the Arturia MiniFuse 4 also offers a compact and portable design with a 4x4 configuration, perfect for mobile recording setups. It includes two mic/line/instrument combo inputs and two additional line inputs, with professional-grade preamps to ensure pristine audio capture. The MiniFuse 4 stands out with its comprehensive software bundle, including Arturia’s Analog Lab Intro, Ableton Live Lite, and a selection of effects from Arturia’s FX Collection. This makes it an attractive option for users seeking a complete production package. The interface also features MIDI I/O and loopback functionality, catering to a wide range of recording and streaming needs.
Both interfaces utilize USB Type-C connectivity for fast data transfer and low latency. While the MOTU M4 excels in providing advanced metering and superior DAC performance, the Arturia MiniFuse 4 offers a more extensive software bundle, making it a versatile tool for beginners and seasoned producers alike. Ultimately, the choice between the two will depend on the specific requirements of the user, whether they prioritize hardware features and audio quality or a comprehensive software suite to complement their recording workflow.
User Rating Based on Analysis of Reviews |
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Pros: |
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Compact and portable design makes it easy to carry.
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High-quality audio performance with 24-bit/192kHz resolution.
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USB Type-C connectivity ensures fast and reliable data transfer.
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Multiple inputs and outputs (4x4) provide flexibility for various recording setups.
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Includes MIDI I/O for integrating external MIDI gear.
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Comes with a suite of bundled software for music production.
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High-quality audio performance with ESS Sabre32 Ultra DAC technology.
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Ultra-low latency performance, making it suitable for real-time monitoring.
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Comprehensive metering with full-color LCD display for precise level monitoring.
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USB-C connectivity ensures fast data transfer and compatibility with modern devices.
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Sturdy build quality and compact design, ideal for portable use.
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Loopback functionality for easy live streaming and podcasting.
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Cons: |
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Limited physical controls may not suit all users.
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No onboard DSP effects for real-time monitoring.
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Requires computer connection for power.
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May not be sufficient for larger, more complex recording setups.
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Limited to 4 inputs and 4 outputs, which may not be sufficient for larger setups.
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No built-in DSP effects, which could limit flexibility for some users.
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Only USB bus-powered, which might not be ideal for all scenarios.
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No ADAT or S/PDIF connectivity, limiting expansion options.
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Key Specs |
Channels of I/O |
Analog: 4 Input / 4 Output Digital: Digital I/O |
Analog: 4 Inputs / 4 Outputs |
Maximum Sampling Rate |
192 kHz / 24-Bit |
192 kHz / 24-Bit |
Number of Microphone Inputs |
2 |
2 Preamps |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced/Unbalanced Line Input 4x 1/4" TRS Balanced Line/Monitor Output 2x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2x 1/4" TRS Balanced Line Input 1x 1/4" TRS Unbalanced Headphone Output 4x 1/4" TRS Balanced Line Output (DC-Coupled) 4x RCA TS Unbalanced Line Output |
Host Connection |
1x USB-C |
1x USB-C |
OS Compatibility |
macOS 10.13 or Later (64-Bit Only) Windows 8.1 or Later (64-Bit Only) |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
Power Requirements |
USB Bus Power |
USB Bus Power |
When comparing the MOTU M4 USB-C Audio-MIDI Interface and the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface, several key features stand out, making each device suitable for different needs and preferences.
Starting with the channels of analog input and output, both interfaces offer 4 inputs and 4 outputs. The MOTU M4 provides 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, 2 additional 1/4" TRS balanced line inputs, 4x 1/4" TRS balanced line outputs (DC-coupled), and 4x RCA TS unbalanced line outputs. On the other hand, the Arturia MiniFuse 4 also offers 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs on the front panel, 2 additional 1/4" TRS balanced/unbalanced line inputs, and 4x 1/4" TRS balanced line/monitor outputs, but it differentiates itself by including 2x 1/4" TRS unbalanced headphone outputs on the front panel.
Both units are capable of achieving a maximum sampling rate of 192 kHz at 24-bit resolution, ensuring high-quality audio recording and playback. They each feature 2 microphone inputs with preamps, suitable for professional recording applications.
When it comes to host connection, both interfaces use USB-C, ensuring high-speed data transfer and compatibility with modern devices. However, their OS compatibility differs slightly. The MOTU M4 supports macOS 10.11 or later and Windows 7 or later, offering a broader range of compatibility. In contrast, the Arturia MiniFuse 4 is compatible with macOS 10.13 or later (64-bit only) and Windows 8.1 or later (64-bit only), which may limit its use with older operating systems.
Power requirements for both interfaces are met via USB bus power, meaning they do not require an additional power source and can be powered directly through the USB connection, which is convenient for portable setups.
In summary, while both the MOTU M4 and Arturia MiniFuse 4 offer similar core functionalities with high sampling rates and multiple I/O options, they differ in their specific configurations and OS compatibility. The MOTU M4 provides additional unbalanced line outputs (RCA) and broader OS compatibility, whereas the Arturia MiniFuse 4 features dual headphone outputs and slightly more recent OS requirements. Choosing between them will depend on specific needs such as the type of outputs required and the operating systems in use.
General |
Channels of I/O |
Analog: 4 Input / 4 Output Digital: Digital I/O |
Analog: 4 Inputs / 4 Outputs |
Maximum Sampling Rate |
192 kHz / 24-Bit |
192 kHz / 24-Bit |
Number of Microphone Inputs |
2 |
2 Preamps |
Input Level Adjustment |
2x Knob |
2x Knob |
Expansion Slots |
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When comparing the MOTU M4 USB-C Audio-MIDI Interface and the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface, several key features stand out for both devices.
Both interfaces offer 4 analog input and 4 analog output channels, providing ample connectivity for a range of recording and playback needs. Each device supports a maximum sampling rate of 192 kHz at 24-bit resolution, ensuring high-quality audio capture and playback.
The MOTU M4 includes 2 microphone preamps, each with its own input level adjustment knob, allowing for precise control over the input signal. Similarly, the Arturia MiniFuse 4 also features 2 microphone inputs with individual level adjustment knobs, offering comparable ease of use for managing input levels.
In terms of additional features, both interfaces lack built-in DSP and expansion slots, indicating a focus on core audio and MIDI functionality without additional processing or expansion capabilities. Neither interface includes a built-in microphone, keeping the design focused on external mic usage.
Overall, both the MOTU M4 and the Arturia MiniFuse 4 present similar specifications in terms of I/O channels, sampling rate, microphone inputs, and input level adjustment, making them both solid choices for users seeking a reliable and high-quality audio interface.
Signal Processing |
Pad |
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Gain/Trim Range |
Mic/Line/Hi-Z Inputs: 56 dB |
Mic Inputs: 0 dB to +60 dB Line/Hi-Z Inputs: 0 dB to +57 dB |
High-Pass Filter |
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Solo/Mute |
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When comparing the MOTU M4 USB-C Audio-MIDI Interface and the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface, several notable differences and similarities can be observed based on the specified features.
Both interfaces do not include a pad option, which is a feature often used to reduce the input level of a signal to prevent distortion. This means that users will have to rely on other methods to manage high input levels with both the MOTU M4 and the Arturia MiniFuse 4.
In terms of gain/trim range, the MOTU M4 offers a broader range for its mic inputs, adjustable from 0 dB to +60 dB, and for its line/Hi-Z inputs, adjustable from 0 dB to +57 dB. In contrast, the Arturia MiniFuse 4 provides a gain/trim range of 56 dB for its mic/line/Hi-Z inputs, which is slightly narrower compared to the MOTU M4. This difference in range might be significant for users who require more precise control over input levels, especially in varied recording scenarios.
Neither the MOTU M4 nor the Arturia MiniFuse 4 includes a high-pass filter. High-pass filters are typically used to eliminate low-frequency noise and rumble, so the absence of this feature means users will need to manage low-frequency content through their DAWs or external hardware.
Lastly, both interfaces lack solo/mute functionality, which is a feature used to isolate or mute specific channels during monitoring or recording. Users who rely on solo/mute options will need to utilize their DAWs or external mixing consoles to achieve similar control.
In summary, while both the MOTU M4 and Arturia MiniFuse 4 share similar limitations in terms of pad, high-pass filter, and solo/mute features, the key difference lies in the gain/trim range, where the MOTU M4 offers a slightly wider adjustment capability. This could make the MOTU M4 a more versatile option for users needing more extensive gain control.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced/Unbalanced Line Input 4x 1/4" TRS Balanced Line/Monitor Output 2x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2x 1/4" TRS Balanced Line Input 1x 1/4" TRS Unbalanced Headphone Output 4x 1/4" TRS Balanced Line Output (DC-Coupled) 4x RCA TS Unbalanced Line Output |
Phantom Power |
48 V, Selectable On/Off (Applied to All Inputs) |
48 V, Selectable On/Off (Selectable on Individual Inputs) |
Digital Audio I/O |
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Host Connection |
1x USB-C |
1x USB-C |
Host Connection Protocol |
USB 2.0 |
USB 2.0 |
USB (Non-Host) |
2x USB-A (USB 2.0, Device Connection) |
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Sync I/O |
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Network I/O |
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MIDI I/O |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
The MOTU M4 and Arturia MiniFuse 4 are both versatile USB-C audio/MIDI interfaces designed for high-quality audio recording and playback, but they offer different features that may cater to varying needs.
In terms of analog audio I/O, both interfaces come equipped with two combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, ensuring flexibility for different types of audio sources. The MOTU M4 includes two additional 1/4" TRS balanced line inputs and a single 1/4" TRS unbalanced headphone output. On the other hand, the Arturia MiniFuse 4 provides two 1/4" TRS balanced/unbalanced line inputs and two 1/4" TRS unbalanced headphone outputs, offering more headphone monitoring options.
For analog outputs, the MOTU M4 features four 1/4" TRS balanced line outputs (DC-coupled) and four RCA TS unbalanced line outputs, providing a broader range of connectivity options. The Arturia MiniFuse 4 includes four 1/4" TRS balanced line/monitor outputs, which ensures high-quality balanced connections but lacks the unbalanced RCA outputs found on the MOTU M4.
Both interfaces offer 48V phantom power for condenser microphones, but there is a distinction in how this is applied. The MOTU M4 allows for selectable phantom power on individual inputs, giving greater control over each input channel. The Arturia MiniFuse 4 applies phantom power to all inputs simultaneously, which might be less flexible in certain recording scenarios.
Neither interface offers digital audio I/O, sync I/O, or network I/O capabilities, keeping the focus on analog and USB connections. The host connection for both devices is a single USB-C port, adhering to the USB 2.0 protocol for reliable data transfer.
When it comes to additional USB connections, the MOTU M4 does not provide any, whereas the Arturia MiniFuse 4 includes two USB-A (USB 2.0) ports for device connections, adding extra versatility for connecting other USB peripherals.
For MIDI I/O, both interfaces are equipped with one DIN 5-pin input and one DIN 5-pin output, ensuring compatibility with various MIDI devices. Neither device includes wireless capabilities, maintaining a straightforward wired connection approach.
In summary, while both the MOTU M4 and Arturia MiniFuse 4 offer robust audio and MIDI interfacing capabilities, the choice between them may depend on specific needs such as output options, headphone connectivity, phantom power flexibility, and additional USB device connections.
Performance |
Frequency Response |
Mic Inputs: 20 Hz to 20 kHz ±0.06 dB (Min Gain) Hi-Z Inputs: 20 Hz to 20 kHz ±0.06 dB (Min Gain) Line Inputs: 20 Hz to 20 kHz ±0.05 dB (Min Gain) Line Outputs: 20 Hz to 20 kHz ±0.09 dB Headphone Outputs: 20 Hz to 20 kHz ±0.09 dB |
Mic Inputs: 20 Hz to 20 kHz +0/-0.1 dB Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.15 dB Line Inputs: 20 Hz to 20 kHz ±0.07 dB Line Outputs: 20 Hz to 20 kHz +0/-0.1 dB |
Maximum Input Level |
Mic Inputs: +9 dBu Hi-Z Inputs: +11.5 dBu Line Inputs: +22 dBu |
Mic Inputs: +10 dBu (Min Gain) Line/Hi-Z Inputs: +16 dBu (Min Gain) Line Inputs: +18 dBu (Min Gain) |
Maximum Output Level |
Line Outputs: +12 dBu Headphone Outputs: +11.4 dBu |
Line Outputs: +16 dBu (Balanced) Line Outputs: +9.5 dBu (Unbalanced) Headphone Outputs: +12.5 dBu |
Impedance |
Mic Inputs: 2.5 Kilohms Hi-Z Inputs: 1 Megohm Line Inputs: 16 Kilohms Line Outputs: 94 Ohms Headphone Outputs: 10 Ohms |
Mic Inputs: 2.65 Kilohms Line Inputs: 2 Megohms Hi-Z Inputs: 1 Megohm Line Outputs: 100 Ohms |
Dynamic Range |
Mic/Line/Hi-Z Inputs: 110 dB (A-Weighted) Line Outputs: 107.5 dB (A-Weighted) Headphone Outputs: 104 dB (A-Weighted) |
Mic Inputs: 115 dBA Line/Hi-Z Inputs: 114 dBA Line Inputs: 115 dBA Line/Monitor Outputs: 120 dBA RCA Outputs: 119 dBA Headphone Outputs: 115 dBA |
THD+N |
Mic Inputs: -100 dB (Unweighted, 1 kHz, Typical) Hi-Z Inputs: -91 dB (Unweighted, 1 kHz, Typical) Line Inputs: -100 dB (Unweighted, 1 kHz, Typical) Line Outputs: -101 dB (Unweighted, 1 kHz, Typical) |
Mic Inputs: < -97 dB / < 0.0014% Line/Hi-Z Inputs: < -100 dB / < 0.001% Line Inputs: < -106 dB / < 0.0005% Line/Monitor Outputs: < -110 dB / < 0.00032% RCA Outputs: < -105 dB / < 0.00056% Headphone Outputs: < -110 dB / < 0.0003% |
EIN |
Mic Inputs: -129 dB A-Weighted |
Mic Inputs: -129 dB A-Weighted (150-Ohm Source, Max Gain) |
When comparing the MOTU M4 USB-C Audio-MIDI Interface with the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface, several key features stand out, which can help users decide which device better suits their needs.
In terms of frequency response, the MOTU M4 offers a very flat response across its various input and output types, with a range of 20 Hz to 20 kHz and minimal deviation. Specifically, the mic inputs have a response of +0/-0.1 dB, while the line outputs also maintain a +0/-0.1 dB variance. The Arturia MiniFuse 4 also provides a flat frequency response across the same range, but with a slightly higher variance, such as ±0.06 dB for mic and Hi-Z inputs and ±0.09 dB for headphone outputs.
When it comes to maximum input levels, the Arturia MiniFuse 4 stands out with its line inputs supporting up to +22 dBu, which is higher compared to the MOTU M4's +18 dBu for line inputs. For mic inputs, the MOTU M4 can handle +10 dBu, while the MiniFuse 4 supports up to +9 dBu. For Hi-Z inputs, the M4 tops at +16 dBu, whereas the MiniFuse 4 can handle +11.5 dBu.
The maximum output level of the MOTU M4 is higher for balanced line outputs at +16 dBu, compared to the MiniFuse 4's +12 dBu. The M4's headphone outputs can deliver up to +12.5 dBu, which is slightly higher than the MiniFuse 4’s +11.4 dBu. Additionally, the MiniFuse 4's headphone output power is 137 mW into 33 Ohms, a specification not provided by the M4.
Regarding impedance, the MOTU M4 has mic inputs with an impedance of 2.65 Kilohms, line inputs at 2 Megohms, and Hi-Z inputs at 1 Megohm. The Arturia MiniFuse 4 shows similar values with mic inputs at 2.5 Kilohms and Hi-Z inputs at 1 Megohm, but it differs significantly for line inputs with 16 Kilohms, and its headphone outputs are at 10 Ohms compared to the M4’s unspecified value.
In terms of dynamic range, the MOTU M4 outperforms the MiniFuse 4 across most categories. For instance, the M4's line/monitor outputs offer a dynamic range of 120 dBA, while the MiniFuse 4's line outputs provide 107.5 dB (A-Weighted). The M4 also offers a higher dynamic range for headphone outputs at 115 dBA compared to the MiniFuse 4’s 104 dB (A-Weighted).
THD+N (Total Harmonic Distortion plus Noise) values also indicate a performance edge for the MOTU M4. The M4's mic inputs have a THD+N of < -97 dB / < 0.0014%, whereas the MiniFuse 4's mic inputs are rated at -100 dB (Unweighted, 1 kHz, Typical). The M4’s line/monitor outputs achieve < -110 dB / < 0.00032%, compared to the MiniFuse 4’s -101 dB (Unweighted, 1 kHz, Typical) for line outputs.
Both interfaces feature an Equivalent Input Noise (EIN) for mic inputs at -129 dB A-Weighted, ensuring low noise performance.
In summary, while both the MOTU M4 and Arturia MiniFuse 4 provide excellent audio interfaces with flat frequency responses and robust specifications, the MOTU M4 generally offers superior performance in terms of higher dynamic range, lower THD+N values, and higher maximum output levels, making it a more powerful choice for professional audio applications. The Arturia MiniFuse 4, on the other hand, provides higher maximum input levels for line inputs and a very competitive overall performance for a portable and versatile option.
Digital Audio |
Sample Rates |
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz |
Up to 192 kHz |
Sample Rate Conversion |
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Bit Depths |
24-Bit |
24-Bit |
Sync Sources |
Internal |
Internal |
The MOTU M4 USB-C Audio-MIDI Interface and the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface both offer high-quality audio performance, but they have some differences in their specifications.
Both interfaces support sample rates up to 192 kHz and offer 24-bit depth, ensuring high-resolution audio recording and playback. Neither device features sample rate conversion, meaning they both rely on the internal sample rates set by the user.
The MOTU M4 has a notable feature in zero-latency direct monitoring, which reduces latency to an imperceptible level, allowing for real-time audio monitoring without delay. It also mentions achieving a latency of 2.5 ms at 96 kHz, which is dependent on the buffer size and input-to-output settings. This could be particularly advantageous for musicians and producers who require immediate feedback during recording sessions.
In comparison, while the Arturia MiniFuse 4 also features internal sync sources, it does not explicitly state its latency performance or if it includes zero-latency direct monitoring. This might suggest that while it supports high sample rates and bit depths, potential users might need to delve deeper into user reviews or additional documentation to fully understand its real-time monitoring capabilities.
In summary, both interfaces promise high-resolution audio with up to 192 kHz sample rates and 24-bit depth. The MOTU M4's clear emphasis on zero-latency direct monitoring and specific latency figures at different sample rates could provide a significant advantage for users requiring precise and immediate audio feedback. The Arturia MiniFuse 4, while similarly equipped in terms of fundamental audio specifications, does not provide as much detailed information regarding latency and monitoring capabilities.
Compatibility |
OS Compatibility |
macOS 10.13 or Later (64-Bit Only) Windows 8.1 or Later (64-Bit Only) |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
Processor Requirement |
Intel Core i5 or Better (64-Bit) AMD Core i5 or Better (64-Bit) |
Mac: 1 GHz Intel PC: 1 GHz Intel Pentium |
RAM Requirements |
4 GB, 8 GB Recommended (64-Bit) |
2 GB, 4 GB Recommended |
Required Hardware |
Available USB 2.0 Port USB Cable (Included) |
Available USB 2.0 Port USB Cable (Included) |
The MOTU M4 USB-C Audio-MIDI Interface and the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface are both robust solutions for audio and MIDI interfacing, but they have distinct specifications that cater to different user requirements.
The MOTU M4 is compatible with macOS 10.11 or later and Windows 7 or later, making it versatile for users with older systems. It requires a minimum of a 1 GHz Intel processor on both Mac and PC platforms, with 2 GB of RAM as a baseline, although 4 GB is recommended for optimal performance. The interface also necessitates an available USB 2.0 port and includes a USB cable for connectivity. An internet connection is required for downloading necessary software and drivers.
On the other hand, the Arturia MiniFuse 4 is compatible with macOS 10.13 or later and Windows 8.1 or later, but only operates on 64-bit systems. This interface demands a more powerful Intel Core i5 or AMD Core i5 processor or better, reflecting its need for more recent computing power. The RAM requirement starts at 4 GB, with 8 GB recommended, emphasizing its design for more intensive tasks. Similar to the MOTU M4, it also requires an available USB 2.0 port and comes with a USB cable.
In summary, the MOTU M4 offers broader OS compatibility and lower system requirements, making it suitable for users with older or less powerful computers. The Arturia MiniFuse 4, with its higher system requirements and 64-bit-only operation, is geared towards users with more recent and powerful hardware, ensuring enhanced performance for more demanding audio tasks. Both interfaces include the necessary USB cable and require an internet connection for software and driver installation.
Power |
Power Requirements |
USB Bus Power |
USB Bus Power |
When comparing the MOTU M4 USB-C Audio-MIDI Interface and the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface, both devices have a common feature in terms of power requirements, as both interfaces are powered via USB bus power. This means that neither device requires an additional power supply, making them highly portable and convenient for users who need to record or produce music on the go. This feature simplifies setup and reduces the number of cables needed, contributing to a cleaner and more efficient workspace.
The MOTU M4 is a highly regarded interface known for its exceptional audio quality and low latency performance. It features ESS Sabre32 Ultra DAC technology, which provides high dynamic range and low distortion, ensuring clear and detailed audio playback. The M4 offers 4-in/4-out audio channels, including two mic/line/guitar inputs with individual preamps and phantom power, as well as two additional balanced line inputs. It also includes loopback functionality for live streaming and podcasting, along with a full-color LCD screen that provides detailed metering for all inputs and outputs.
On the other hand, the Arturia MiniFuse 4 also offers a 4-in/4-out configuration but places a strong emphasis on its compact and portable design. It includes four mic/line/instrument inputs with high-quality preamps and 48V phantom power, as well as four balanced line outputs. The MiniFuse 4 also features a USB hub, allowing users to connect additional USB devices directly to the interface, which can be particularly useful for users with limited USB ports on their computers. Arturia includes a suite of software with the MiniFuse 4, providing users with a comprehensive package for music production, including DAWs and virtual instruments.
In summary, both the MOTU M4 and the Arturia MiniFuse 4 are powered via USB bus power, ensuring ease of use and portability. The MOTU M4 excels in audio quality and detailed metering, while the Arturia MiniFuse 4 offers additional USB connectivity and a robust software bundle, catering to different user preferences and workflows.
Packaging Info |
Package Weight |
2.015 lb |
2.15 lb |
Box Dimensions (LxWxH) |
11.1 x 7.4 x 2" |
10.6 x 7.3 x 2.8" |
When comparing the MOTU M4 USB-C Audio-MIDI Interface and the Arturia MiniFuse 4 Portable 4x4 USB Type-C Audio/MIDI Interface, several distinct differences and similarities in their physical specifications are noteworthy.
The MOTU M4 has a package weight of 2.15 pounds and comes in a box with dimensions of 10.6 x 7.3 x 2.8 inches. In comparison, the Arturia MiniFuse 4 is slightly lighter with a package weight of 2.015 pounds and is packaged in a slightly larger box measuring 11.1 x 7.4 x 2 inches.
Both interfaces are designed to be portable and user-friendly, with the MOTU M4 being marginally heavier and more compact in its packaging, while the Arturia MiniFuse 4, though lighter, comes in a slightly larger box. These differences in weight and dimensions may influence user preferences based on portability and storage needs.