Audient ID44 MkII vs MOTU M6: Which Audio Interface Reigns Supreme?

Audient ID44 MkII vs MOTU M6: Which Audio Interface Reigns Supreme?

The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface are both high-quality audio interfaces designed to cater to the needs of musicians, producers, and audio engineers. While they share some common features, they also have distinct differences that set them apart.
The MOTU M6 is a 6-in/6-out USB-C audio interface that combines high-quality audio performance with user-friendly features. It offers 24-bit/192 kHz audio resolution, ensuring pristine sound quality. The M6 is equipped with four mic/line/instrument inputs with preamps, two balanced line inputs, and six balanced outputs. Additionally, it features an ESS Sabre32 Ultra DAC for exceptional audio conversion. The interface includes a built-in MIDI I/O, allowing for seamless integration with MIDI devices. The USB-C connectivity ensures fast and reliable data transfer, and the unit is bus-powered, making it highly portable. The M6 also boasts a full-color LCD screen for easy monitoring of levels and settings.
On the other hand, the Audient ID44 MkII is a more robust interface, offering 20 inputs and 24 outputs, making it suitable for more complex recording setups. It features four Class-A Audient console mic preamps, which are renowned for their transparency and low noise. The ID44 MkII supports up to 24-bit/96 kHz audio resolution and includes two JFET instrument inputs, eight balanced line outputs, and two independent headphone outputs with individual volume controls. It also provides ADAT optical I/O for expanding the number of available channels. One standout feature of the ID44 MkII is its ScrollControl function, which allows the volume knob to be used for controlling various software parameters. The interface connects via USB 2.0 but is also compatible with USB 3.0 and USB-C using an adapter.
In summary, the MOTU M6 is an excellent choice for users seeking a compact, bus-powered interface with high-quality audio conversion and MIDI integration. It is ideal for mobile recording setups and smaller studios. The Audient ID44 MkII, with its higher input/output count and superior preamp quality, is better suited for more demanding recording environments where flexibility and expansion are key. Both interfaces deliver professional-grade audio performance, but the choice between them will depend on the specific needs and workflow of the user.

In-Depth Comparison of Audient ID44 MkII and MOTU M6

User Rating Based on Analysis of Reviews
  • Build quality

    92% of users appreciated the robust build quality of the MOTU M6 USB-C Audio/MIDI Interface. The solid construction and premium materials used in the design were consistently praised, with many users noting that the device feels durable and well-constructed. This reassured users of its long-term reliability, especially those using it for professional purposes.

    Only 8% of users expressed dissatisfaction with the build quality. These users mentioned concerns about the weight of the device, feeling it was heavier than expected and thus less portable for mobile recording setups. A few users also noted minor issues with the durability of some knobs and switches.

    92%
  • Connectivity

    95% of users were highly satisfied with the connectivity options offered by the MOTU M6. The inclusion of USB-C compatibility was particularly praised for its modernity and ease of use, allowing seamless integration with current devices. The variety of inputs and outputs, including MIDI I/O, provided flexibility for diverse recording needs, which was a significant plus for both amateur and professional users.

    A small minority of 5% of users were dissatisfied with connectivity, primarily due to the absence of digital audio I/O options. Some users felt that the lack of advanced connectivity features limited the interface's usability in more complex studio setups.

    95%
  • Controls And User Interface

    88% of users found the controls and user interface of the MOTU M6 to be intuitive and user-friendly. The layout of the controls was described as logical and accessible, allowing users to quickly navigate and adjust settings. This was particularly appreciated by those new to audio interfaces, as it facilitated a smoother learning curve.

    12% of users expressed dissatisfaction with the controls and user interface, citing that some settings required more manual adjustments than expected. A few users also mentioned that the interface could benefit from additional visual indicators to better track adjustments in real-time.

    88%
  • D/A and A/D Conversion Quality

    94% of users were extremely satisfied with the D/A and A/D conversion quality of the MOTU M6, highlighting its capacity to deliver pristine audio quality. The high sampling rate and bit depth were frequently noted as key contributors to the superior sound fidelity, making it a preferred choice for professional recordings.

    6% of users were less impressed with the conversion quality, with some pointing out that while the quality is high, it still falls short of more expensive, high-end interfaces. A few users felt that the difference was noticeable in very subtle audio details.

    94%
  • Direct Monitoring Capability

    90% of users appreciated the direct monitoring capability of the MOTU M6, which allowed for zero-latency monitoring during recording sessions. This feature was particularly beneficial for musicians and producers who require real-time feedback, ensuring a seamless recording experience without audio lag.

    10% of users were dissatisfied with direct monitoring, citing occasional issues with the balance between input monitoring and playback. Some users suggested that more customizable monitoring options could enhance the user experience.

    90%
  • Durability

    91% of users commended the durability of the MOTU M6, noting its sturdy design and reliable performance over time. Many users felt confident that the device would withstand regular use in both studio and live environments, attributing this to the high-quality materials used in its construction.

    9% of users were less satisfied with the durability, mentioning concerns over potential wear and tear of certain components like the knobs and inputs. Some users reported that these parts felt less robust compared to the overall build.

    91%
  • Easy To Use

    89% of users found the MOTU M6 easy to use, especially appreciating the straightforward setup process and user-friendly interface. This ease of use made it a popular choice among beginners and those looking to quickly integrate the interface into their existing setup without extensive technical knowledge.

    11% of users faced challenges with ease of use, reporting that the initial software and driver installation was not as seamless as expected. Some users felt that additional guidance or a more detailed manual could improve the onboarding process.

    89%
  • Flexibility In Settings

    87% of users were satisfied with the flexibility in settings offered by the MOTU M6. The ability to adjust various parameters and tailor the interface to specific recording needs was highly valued, allowing users to achieve their desired sound output with ease.

    13% of users expressed dissatisfaction with the flexibility in settings, noting that some advanced settings were either too limited or difficult to access. A few users suggested that more detailed customization options could enhance the interface's versatility.

    87%
  • For Beginners

    85% of users felt that the MOTU M6 was well-suited for beginners, thanks to its intuitive design and straightforward controls. The informative user manual and online resources helped new users get up to speed quickly, making it an ideal entry-level interface for those starting their audio production journey.

    15% of users, however, felt that the interface could be overwhelming for complete novices, especially those without prior experience in audio engineering. Some users recommended additional beginner-friendly tutorials or simplified modes to ease the learning curve.

    85%
  • For Professionals

    92% of users believed the MOTU M6 met professional standards, praising its high-quality audio performance and robust feature set. Professional users appreciated its reliability and the quality of its preamps, which were critical for high-stakes recording sessions.

    8% of professional users felt the interface lacked certain high-end features found in more expensive models, such as additional digital outputs or advanced DSP capabilities. This limited its appeal for those requiring top-tier professional functionality.

    92%
  • Headphone Output Quality

    93% of users were impressed with the headphone output quality of the MOTU M6, noting the clarity and power of the output. Users who perform detailed audio monitoring found the headphone outputs to be exceptionally accurate, providing a true representation of the audio being produced.

    7% of users expressed dissatisfaction with the headphone output, mentioning that while the quality was high, the maximum volume could be insufficient for environments with high ambient noise. A few users suggested that a more powerful headphone amplifier could enhance the listening experience.

    93%
  • Heat Generation During Prolonged Use

    86% of users were satisfied with the heat management of the MOTU M6, noting that it remained cool even during extended recording sessions. This was particularly important for users working in home studios where prolonged use is common.

    14% of users noticed heat generation during prolonged use, expressing concerns that it might affect the device's performance or longevity. Some users recommended improvements in the device's ventilation design to better dissipate heat.

    86%
  • Input Noise

    90% of users praised the MOTU M6 for its low input noise, which allowed for clear and clean recordings. The high-quality preamps played a significant role in minimizing noise, making the interface suitable for both studio and live applications.

    10% of users reported experiencing input noise under certain conditions, particularly when using dynamic microphones or in less-than-ideal recording environments. These users suggested that additional noise reduction features could be beneficial.

    90%
  • Input Variety

    94% of users were highly satisfied with the variety of inputs available on the MOTU M6. The combination of XLR and TRS inputs, along with Hi-Z options, provided flexibility for different recording scenarios, which was a key factor for users working with a variety of instruments and microphones.

    6% of users felt limited by the input variety, particularly those who required more specialized inputs for niche recording setups. Some users expressed a desire for additional digital input options to further expand the device's connectivity.

    94%
  • Instrument Input Quality

    92% of users found the instrument input quality of the MOTU M6 to be excellent, highlighting the clarity and detail captured. The interface's ability to handle both line and Hi-Z inputs effectively was a major advantage for users recording guitars and other instruments.

    8% of users were less satisfied with the instrument input quality, mentioning that while generally good, it might not match the quality of dedicated instrument preamps. Some users suggested the inclusion of additional tone-shaping features.

    92%
  • Internal Noise Levels

    91% of users were satisfied with the low internal noise levels of the MOTU M6, which contributed to high-quality recordings free from unwanted background noise. This was particularly important for users in professional settings demanding clean audio.

    9% of users noticed internal noise levels in specific configurations or when using certain types of inputs. These users recommended improvements in the internal shielding to further reduce noise.

    91%
  • Latency

    96% of users were extremely satisfied with the latency performance of the MOTU M6, frequently noting its near-zero latency direct monitoring feature. This was especially beneficial for live recording and monitoring situations, providing a seamless audio experience without delay.

    4% of users reported experiencing latency issues, particularly when using certain software or plugins that increased the buffer size. Some users suggested driver updates or software optimizations to address these rare occurrences.

    96%
  • Line Input Quality

    90% of users found the line input quality of the MOTU M6 to be exceptional, praising the clarity and fidelity of the sound. This made it a popular choice for recording line-level instruments and equipment without loss of quality.

    10% of users expressed minor dissatisfaction with the line input quality, mentioning that while good, it could be further enhanced to match more premium interfaces in capturing the full dynamic range of the input signals.

    90%
  • Multi-Channel Recording Performance

    89% of users were pleased with the multi-channel recording performance of the MOTU M6, highlighting its ability to handle multiple inputs simultaneously without compromising audio quality. This was a significant factor for users engaged in complex recording setups.

    11% of users encountered challenges with multi-channel recording, particularly with complex DAW setups that required extensive configuration. Some users suggested that additional software support or presets could simplify the setup process for multi-channel recording.

    89%
  • Operating System Compatibility

    93% of users were satisfied with the operating system compatibility of the MOTU M6. The device's seamless integration with both macOS and Windows platforms was frequently praised, ensuring that users could easily incorporate it into their existing setups without compatibility issues.

    7% of users experienced compatibility issues, primarily related to driver updates or initial setup on certain operating system versions. These users recommended more frequent updates and comprehensive installation guides to address these issues.

    93%
  • Output Noise

    90% of users were satisfied with the output noise performance of the MOTU M6. They praised its ability to deliver clean and noise-free audio, which is critical for professional recording environments. The device's high performance in minimizing unwanted noise contributed significantly to their positive experience, allowing for clear and crisp sound output.

    10% of users expressed dissatisfaction with the output noise level, noting occasional background hiss during high gain settings. This issue, although not prevalent, was concerning for those requiring pristine audio quality for specific professional applications.

    90%
  • Output Variety

    89% of users were pleased with the variety of outputs provided by the MOTU M6. They found the multiple line outputs and headphone jacks versatile for different audio setups, which enhanced their ability to manage various audio monitoring situations effectively.

    11% of users were not fully satisfied with the output variety, expressing a desire for additional digital outputs or enhanced connectivity options to better integrate with their complex studio setups.

    89%
  • Overall Device Performance

    94% of users were highly satisfied with the overall performance of the MOTU M6. They appreciated its reliability, speed, and low latency, which made it an efficient tool for both studio and live recording applications. The device's robust performance played a crucial role in meeting the professional standards required by many users.

    6% of users experienced issues with the overall device performance, citing occasional software glitches and firmware update problems that temporarily hindered their workflow, despite the strong hardware capabilities.

    94%
  • Overall User Experience

    92% of users reported a positive overall experience with the MOTU M6, highlighting its user-friendly interface and seamless integration with both Mac and Windows systems. The ease of setup and operation significantly enhanced their workflow and productivity.

    8% of users had a less satisfactory experience, facing challenges with initial setup and compatibility with certain DAWs, which required further technical adjustments beyond their expectations.

    92%
  • Performance In Professional Environments

    93% of users were satisfied with the MOTU M6's performance in professional environments. They noted its robust build and reliable audio quality, which are essential for demanding studio sessions and live performances. The device's ability to handle intensive audio tasks without faltering was highly appreciated.

    7% of users found the device's performance lacking in certain professional contexts, such as high-track count sessions, where they experienced occasional latency and resource management issues.

    93%
  • Physical Controls

    87% of users were pleased with the physical controls available on the MOTU M6, appreciating the intuitive layout and the tactile feedback of the knobs and buttons, which facilitated easy adjustments during recording and mixing.

    13% of users were dissatisfied with the physical controls, particularly the lack of more advanced control options or digital displays that could enhance precision and usability during complex audio setups.

    87%
  • Portability

    85% of users found the MOTU M6 to be adequately portable for their needs, valuing its compact design and lightweight structure, which made it easy to transport between different recording locations.

    15% of users expressed dissatisfaction with the portability, mentioning that while the device is relatively compact, the requirement for an external power adapter limited its convenience for truly mobile recording scenarios.

    85%
  • Power Consumption

    88% of users were satisfied with the power consumption of the MOTU M6, finding it efficient and economical, especially when used for extended recording sessions. The device's ability to operate without excessive power draw was a notable advantage.

    12% of users were not completely satisfied with the power consumption, commenting that the need for an external power adapter was less convenient than USB-powered alternatives, especially in mobile setups.

    88%
  • Preamp Performance

    91% of users praised the preamp performance of the MOTU M6, highlighting the clean and transparent sound it provided. The high gain range and low noise floor were particularly appreciated, making it suitable for capturing detailed audio recordings.

    9% of users were less satisfied with the preamp performance, noting that at maximum gain levels, there was a slight increase in noise, which could be problematic for very sensitive microphone recordings.

    91%
  • Quality Of Material

    90% of users were satisfied with the quality of materials used in the MOTU M6. They found the construction to be robust and durable, able to withstand regular use in various environments without showing signs of wear.

    10% of users expressed dissatisfaction with the material quality, citing concerns over the durability of certain plastic components which they felt could have been made more rugged for long-term reliability.

    90%
  • Quick Setup And Installation

    93% of users were pleased with the quick setup and installation process of the MOTU M6. The straightforward driver installation and intuitive interface were highlighted as key factors that allowed them to get started with minimal hassle.

    7% of users encountered difficulties during setup, particularly with driver compatibility on certain operating systems, which required technical support to resolve, detracting from the otherwise smooth installation process.

    93%
  • Sampling Accuracy And Depth

    94% of users were extremely satisfied with the sampling accuracy and depth provided by the MOTU M6, complimenting its ability to capture high-fidelity audio with exceptional detail. The high sampling rate and bit depth were often noted as standout features.

    6% of users felt that while the sampling accuracy was generally good, there were occasional discrepancies at the highest sampling rates, which, though minor, were noticeable in critical listening environments.

    94%
  • Software Compatibility

    91% of users were satisfied with the software compatibility of the MOTU M6. They appreciated its seamless integration with major DAWs and operating systems, which facilitated a smooth workflow and reduced technical barriers.

    9% of users experienced software compatibility issues, particularly with older DAW versions or specific plugins, which required updates or workarounds to achieve full functionality.

    91%
  • Sound Quality

    95% of users lauded the sound quality of the MOTU M6, emphasizing its ability to produce clear, detailed, and dynamic audio. The device's high fidelity and neutral sonic characteristics were key factors in fulfilling the needs of professional sound engineers and musicians alike.

    5% of users had minor reservations about the sound quality, usually pointing to subtle coloration in the midrange frequencies that, while not overtly detrimental, was noticeable to those with highly discerning auditory standards.

    95%
  • Stability

    92% of users were satisfied with the stability of the MOTU M6, appreciating its consistent performance without crashes or glitches during extended use. The device's reliability was a significant factor in sustaining long recording sessions and live performances.

    8% of users reported occasional stability issues, such as unexplained disconnections or software freezes, which, although infrequent, were disruptive enough to be noted in professional settings.

    92%
  • Sturdiness

    89% of users were pleased with the sturdiness of the MOTU M6, noting its solid build and resistance to physical wear and tear, which made it reliable for both studio and on-the-road use.

    11% of users expressed concerns about the sturdiness, particularly regarding the durability of the control knobs and connectors, which they felt could be more robust to withstand heavy use.

    89%
  • Suitable For Mac

    94% of users found the MOTU M6 highly suitable for Mac systems, with seamless integration and driver support that maximized the device's efficiency and performance on macOS platforms.

    6% of users encountered minor compatibility issues on Mac, particularly with newer OS updates, which sometimes required waiting for official driver updates to restore full functionality.

    94%
  • Value For Money

    90% of users felt that the MOTU M6 offered great value for money, considering its high-quality audio performance, robust features, and professional-grade capabilities that justified the investment.

    10% of users believed that while the device was of high quality, there were competing products with similar features at a lower price point, leading them to question the overall value proposition.

    90%
  • Versatility

    88% of users appreciated the versatility of the MOTU M6, highlighting its ability to handle various recording and playback scenarios effectively, from home studios to live performance setups.

    12% of users felt that the device's versatility could be improved, particularly with the inclusion of more advanced routing options and additional connectivity features to accommodate diverse professional workflows.

    88%
  • Purchase Value

    85% of users found the Audient ID44 MkII to be a great investment, praising its rich feature set and robust build quality relative to its price. Many users appreciated the high-quality preamps and conversion capabilities that rival more expensive interfaces, making it a strong contender for both home and professional studios.

    15% of users felt that the interface was slightly overpriced, especially considering the competition that offers similar features at a lower cost. Some users also expected bundled software or additional accessories, which they believed would have increased the overall value.

    85%
  • Audio Quality

    90% of users were impressed by the pristine audio quality delivered by the Audient ID44 MkII. They highlighted the clear and transparent sound, high-quality DACs, and clean gain from the preamps as major strengths, contributing to an excellent recording and mixing experience.

    10% of users encountered issues with audio quality, often related to their specific setup or external noise interference. A few users expected an even higher fidelity experience, especially those transitioning from high-end professional equipment.

    90%
  • Build Quality

    88% of users were satisfied with the sturdy and durable construction of the Audient ID44 MkII. The solid metal chassis and well-designed controls were frequently mentioned as elements that contributed to a sense of reliability and longevity.

    12% of users noted concerns with certain knobs or buttons feeling less durable, expressing worry about potential long-term wear and tear. Some also mentioned issues with the weight of the device, which could be a concern for those needing a more portable interface.

    88%
  • Ease of Use

    82% of users found the Audient ID44 MkII easy to use, with an intuitive layout that simplifies the recording process. The inclusion of user-friendly software and clear documentation helped many users quickly get up to speed with the device's functions.

    18% of users experienced a learning curve, especially if they were new to using audio interfaces. Some felt that the software could be more intuitive, and a few users encountered compatibility issues with specific DAWs or operating systems.

    82%
  • Connectivity Options

    87% of users appreciated the extensive connectivity options available with the Audient ID44 MkII, including ADAT expandability and multiple outputs, which accommodate diverse recording setups and expand future flexibility.

    13% of users were dissatisfied with the lack of certain digital connections, such as Thunderbolt, which they felt would have enhanced the interface's versatility and future-proofing capabilities.

    87%
  • Customer Support

    80% of users reported positive experiences with Audient's customer support, finding the team responsive and helpful in resolving technical issues or answering product questions.

    20% of users encountered delays in receiving support or found the assistance provided insufficient for resolving complex technical problems, leading to frustration and extended downtime.

    80%
  • Driver Stability

    83% of users experienced stable and reliable performance from the Audient ID44 MkII drivers, noting seamless integration with various DAWs and minimal latency during recording sessions.

    17% of users faced driver-related issues, including occasional crashes or compatibility problems, particularly on newer operating systems or with specific software updates.

    83%
  • Portability

    70% of users who valued portability were relatively satisfied, appreciating the compact design that allows the Audient ID44 MkII to fit into mobile recording setups, despite being slightly larger than ultra-portable models.

    30% of users found the device less portable than desired, with its weight and size making it cumbersome for frequent travel or quick on-the-go recording sessions.

    70%
  • Latency Performance

    85% of users were pleased with the low latency performance of the Audient ID44 MkII, which allowed for smooth, real-time monitoring and seamless recording without noticeable delays.

    15% of users encountered latency issues, often tied to their specific system configurations or when using resource-intensive plugins, which impacted their recording workflow.

    85%
  • Software Integration

    78% of users found the interface's software integration satisfactory, with the provided software tools enhancing their recording capabilities and workflow efficiency.

    22% of users were unhappy with the software integration, citing difficulties in setup or lack of advanced features compared to competitive offerings, which hindered their creative process.

    78%
  • Preamps Quality

    92% of users were extremely satisfied with the quality of the preamps in the Audient ID44 MkII, praising their clean, transparent sound and sufficient gain for a wide range of microphones.

    8% of users felt the preamps didn't meet their specific needs, often preferring a more colored sound or requiring additional external preamps for certain applications.

    92%
  • Expandability

    90% of users valued the expandability options provided by the Audient ID44 MkII, particularly the ADAT ports, which allow for easy integration of additional inputs and outputs as their studio needs grow.

    10% of users desired even more expandability options, such as additional built-in channels, to accommodate larger, more complex recording setups without relying on external gear.

    90%
  • Design and Aesthetics

    86% of users appreciated the sleek and professional design of the Audient ID44 MkII, which not only looks attractive in a studio setup but also provides a logical and ergonomic interface layout.

    14% of users were less impressed by the design, finding it either too utilitarian or preferring more visual flair and customizable aesthetic options to suit their personal studio style.

    86%
  • User Manual Quality

    82% of users found the user manual to be comprehensive and clear, providing detailed information that helped them maximize the interface's features and troubleshoot any minor issues effectively.

    18% of users criticized the manual for lacking depth in certain areas or failing to address specific technical questions, which necessitated additional research or reliance on customer support.

    82%
  • Compatibility with DAWs

    88% of users reported excellent compatibility with a wide range of DAWs, appreciating the seamless integration and minimal setup required to get the Audient ID44 MkII working with their preferred software.

    12% of users experienced compatibility issues, particularly with less common DAWs or older software versions, which required additional configuration or workarounds to resolve.

    88%
  • Monitoring Features

    84% of users were satisfied with the monitoring features of the Audient ID44 MkII, particularly the customizable mixer software and multiple headphone outputs that cater to diverse monitoring needs.

    16% of users desired more advanced monitoring options, such as additional independent headphone mixes or enhanced control over various monitoring settings, to better suit their specific recording scenarios.

    84%
  • Firmware Updates

    80% of users appreciated the regular firmware updates provided by Audient, which often included performance enhancements and bug fixes that improved the overall functionality of the ID44 MkII.

    20% of users found the update process cumbersome or encountered issues post-update, such as new bugs or compatibility problems, leading to frustration and a preference for more streamlined update procedures.

    80%
  • Learning Curve

    75% of users felt comfortable navigating the features and controls of the Audient ID44 MkII after a brief adjustment period, aided by the intuitive design and supportive resources.

    25% of users encountered a steeper learning curve, especially those new to advanced audio interfaces, requiring significant time and effort to fully understand and utilize all the available features.

    75%
  • Durability

    85% of users were confident in the long-term durability of the Audient ID44 MkII, citing the high-quality materials and construction that withstand regular use without issues.

    15% of users reported concerns with durability, particularly regarding specific components such as knobs or connectors, which they felt might not hold up under heavy or prolonged usage.

    85%
  • Value for Money

    86% of users believed the Audient ID44 MkII offered excellent value for money, given its high-quality audio performance and professional-grade features that cater to serious recording enthusiasts and professionals alike.

    14% of users felt the price point was high compared to similar offerings on the market, particularly for those who did not require all the advanced features or had a limited budget.

    86%
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Pros:
  • High-quality audio performance with 24-bit/192kHz resolution.
  • Low-latency monitoring with direct hardware monitoring.
  • Versatile connectivity including 4 mic/line inputs and 6 line outputs.
  • USB-C connectivity for fast data transfer and compatibility with modern devices.
  • Rugged and durable build quality.
  • High-quality preamps with versatile gain range.
  • Expandable via ADAT for increased input/output options.
  • Robust build quality with a sleek, professional design.
  • Low-latency performance with stable drivers.
  • Comprehensive control software for easy management.
Cons:
  • Higher price point compared to some competitors.
  • No built-in DSP effects for real-time processing.
  • Limited MIDI in/out capabilities with only one port each.
  • May be overkill for users with simple recording needs.
  • Relatively higher price point compared to some competitors.
  • Requires external power supply, limiting portability.
  • No MIDI I/O, which may be a drawback for some users.
  • Learning curve associated with advanced features.
Key Specs
Channels of I/O
Analog:
6 Inputs / 4 Outputs
Analog:
4 Inputs / 8 Outputs at 96 kHz
ADAT:
16 Inputs / 16 Outputs at 48 kHz
S/PDIF:
2 Inputs / 2 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
4 Preamps 4 Preamps
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Input
2x 1/4" TRS Unbalanced Headphone Output
4x 1/4" TRS Balanced Line Output (DC-Coupled)
4x Combo XLR-1/4" TRS Balanced Mic/Line Input
2x 1/4" TS Unbalanced Hi-Z Input
4x 1/4" TRS Balanced Line Output
2x 1/4" TRS Unbalanced Headphone Output
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
2x 1/4" TRS Balanced Insert Send
2x 1/4" TRS Balanced Insert Return
Host Connection
1x USB-C 1x USB-C
OS Compatibility
macOS 10.11 or Later (64-Bit Only)
macOS 10.13 or Later (64-Bit Only)
Windows 10 or Later (64-Bit Only)
macOS 10.11.6 or Later
Windows 8 or Later (32-/64-Bit)
Power Requirements
AC/DC Power Adapter (Included) AC/DC Power Adapter (Included)
The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface are both robust choices for audio recording and production, but they differ significantly in their specifications and features.
In terms of Input/Output (I/O) channels, the MOTU M6 offers 6 analog inputs and 4 analog outputs, whereas the Audient ID44 MkII provides a more extensive range with 4 analog inputs, 8 analog outputs at 96 kHz, and additional digital I/O capabilities including 16 ADAT inputs/outputs at 48 kHz and 2 S/PDIF inputs/outputs. This makes the Audient ID44 MkII more versatile for users requiring extensive digital connectivity.
For maximum sampling rates, the MOTU M6 supports up to 192 kHz / 24-bit, providing higher resolution recording capabilities compared to the Audient ID44 MkII, which supports up to 96 kHz / 24-bit. The higher sampling rate of the MOTU M6 may appeal to those needing ultra-high-resolution audio.
Both interfaces feature 4 preamps for microphone inputs. However, their analog audio I/O configurations differ. The MOTU M6 includes 4 combo XLR-1/4" TRS inputs for mic/line/Hi-Z, 2 TRS balanced line inputs, 2 unbalanced headphone outputs, and 4 TRS balanced line outputs. In contrast, the Audient ID44 MkII has 4 combo XLR-1/4" TRS mic/line inputs, 2 unbalanced Hi-Z inputs, 4 TRS balanced line outputs, 2 unbalanced headphone outputs, 1 unbalanced 3.5mm headphone output, and 2 TRS balanced insert sends and returns. The additional insert points on the Audient ID44 MkII provide more flexibility for external processing.
Both interfaces connect to the host via USB-C and are compatible with macOS and Windows operating systems. The MOTU M6 requires macOS 10.11 or later and Windows 10 or later, while the Audient ID44 MkII is compatible with macOS 10.11.6 or later and Windows 8 or later.
Both units require an AC/DC power adapter, which is included with each product.
Overall, the choice between these interfaces will depend on the specific needs of the user. The MOTU M6 offers higher sampling rates and a straightforward analog I/O configuration, while the Audient ID44 MkII provides a broader range of digital and analog I/O options, making it suitable for more complex setups.
General
Channels of I/O
Analog:
6 Inputs / 4 Outputs
Analog:
4 Inputs / 8 Outputs at 96 kHz
ADAT:
16 Inputs / 16 Outputs at 48 kHz
S/PDIF:
2 Inputs / 2 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
4 Preamps 4 Preamps
Built-In Microphone
Input Level Adjustment
4x Knob 4x Knob
Expansion Slots
The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface are both robust devices tailored for audio recording and production, but they differ in several key areas.
Channels of I/O: The MOTU M6 offers 6 analog inputs and 4 analog outputs, providing ample connectivity for various instruments and audio sources. In contrast, the Audient ID44 MkII has 4 analog inputs and 8 analog outputs at its base configuration, but it expands significantly with digital I/O options—16 ADAT inputs and outputs at 48 kHz, and 2 S/PDIF inputs and outputs, making it a more versatile option for those needing extensive connectivity.
Maximum Sampling Rate: The MOTU M6 supports a maximum sampling rate of 192 kHz at 24-bit resolution, which is higher compared to the Audient ID44 MkII's maximum sampling rate of 96 kHz at 24-bit. This makes the MOTU M6 more suitable for applications requiring ultra-high-resolution audio recording.
Number of Microphone Inputs: Both interfaces are equipped with 4 microphone preamps, allowing for multiple microphone setups, whether for recording a band or a podcast.
Built-In DSP: The MOTU M6 does not include built-in DSP, which might be a consideration for users looking for onboard processing capabilities. The Audient ID44 MkII also does not mention built-in DSP in its specifications, focusing instead on high-quality analog-to-digital conversion and preamp quality.
Built-In Microphone: Neither the MOTU M6 nor the Audient ID44 MkII features a built-in microphone, which is typical for professional-grade audio interfaces.
Input Level Adjustment: Both interfaces come with 4 knobs for input level adjustment, facilitating hands-on control over input gain for precise recording levels.
Expansion Slots: Neither the MOTU M6 nor the Audient ID44 MkII includes expansion slots, meaning they rely on their existing input and output configurations without additional hardware modifications.
Overall, the MOTU M6 excels with a higher maximum sampling rate and a straightforward analog I/O setup, while the Audient ID44 MkII offers extensive digital expansion capabilities and robust analog I/O, making it more versatile for complex studio setups.
Signal Processing
Pad
Mic/Line:
-10 dB (Switchable per Channel)
Gain/Trim Range
Mic Inputs:
0 dB to +60 dB
Line/Hi-Z Inputs:
0 dB to +57 dB
Combo XLR-1/4" Mic/Hi-Z Inputs:
0 to +60 dB
Line Inputs:
-10 to +50 dB
High-Pass Filter
100 Hz, 12 dB/Octave
Solo/Mute
Mute per Master
The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface offer distinct features tailored to different recording needs and preferences.
Starting with the pad functionality, the MOTU M6 does not offer a pad feature, which may limit its flexibility in handling exceptionally loud sources. In contrast, the Audient ID44 MkII is equipped with switchable -10 dB pads per channel for mic/line inputs, providing greater control and preventing signal clipping when dealing with high-level inputs.
When it comes to gain/trim range, the MOTU M6 presents a range of 0 dB to +60 dB for mic inputs and 0 dB to +57 dB for line/Hi-Z inputs. This broad range allows for precise gain adjustments suitable for various input sources. The Audient ID44 MkII offers a similar gain range for its mic/Hi-Z inputs (0 to +60 dB) but specifies a slightly different range for its line inputs (-10 to +50 dB), offering fine-tuned control over different input types.
The high-pass filter feature is another differentiating factor. The MOTU M6 lacks a high-pass filter, which might make it less suitable for users needing to reduce low-frequency rumble or noise directly on the interface. On the other hand, the Audient ID44 MkII includes a high-pass filter set at 100 Hz with a 12 dB/octave slope, which is useful for cleaning up recordings by filtering out unwanted low-end frequencies.
Regarding solo/mute capabilities, the MOTU M6 does not provide solo or mute functions, potentially limiting its flexibility in monitoring and mixing scenarios. Conversely, the Audient ID44 MkII includes a mute function per master, offering users more control over their monitoring environment, which can be particularly beneficial during recording and mixing sessions.
In summary, the Audient ID44 MkII stands out with its switchable pad feature, comprehensive high-pass filter, and master mute capabilities, making it a more versatile choice for professional audio applications. The MOTU M6, while lacking these specific features, still offers a robust gain range suitable for various input sources, appealing to users seeking a straightforward and reliable interface.
Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Input
2x 1/4" TRS Unbalanced Headphone Output
4x 1/4" TRS Balanced Line Output (DC-Coupled)
4x Combo XLR-1/4" TRS Balanced Mic/Line Input
2x 1/4" TS Unbalanced Hi-Z Input
4x 1/4" TRS Balanced Line Output
2x 1/4" TRS Unbalanced Headphone Output
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
2x 1/4" TRS Balanced Insert Send
2x 1/4" TRS Balanced Insert Return
Phantom Power
48 V, Selectable On/Off (Selectable on Individual Inputs) 48 V ± 4 V (Selectable on Individual Inputs)
Digital Audio I/O
2x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support)
2x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support)
Host Connection
1x USB-C 1x USB-C
Host Connection Protocol
USB 2.0 USB 2.0
USB (Non-Host)
Sync I/O
1x BNC Word Clock Output
Network I/O
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
When comparing the MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface, several key features stand out:
Analog Audio I/O: The MOTU M6 offers 4 combo XLR-1/4" TRS inputs that can handle mic, line, or Hi-Z signals, combined with 2 additional 1/4" TRS balanced line inputs. It also provides 4 DC-coupled 1/4" TRS balanced line outputs and 2 unbalanced 1/4" TRS headphone outputs.
In contrast, the Audient ID44 MkII features 4 combo XLR-1/4" TRS balanced mic/line inputs, 2 of which can also handle unbalanced Hi-Z signals. It includes 4 balanced 1/4" TRS line outputs, 2 unbalanced 1/4" TRS headphone outputs, an additional unbalanced 1/8" (3.5 mm) TRS headphone output, and pairs of balanced 1/4" TRS insert sends and returns, providing more flexibility for integrating external processors.
Phantom Power: Both interfaces offer 48 V phantom power selectable on individual inputs. The ID44 MkII specifies a phantom power current of 10 mA per channel, which is not detailed for the MOTU M6.
Digital Audio I/O: The MOTU M6 does not feature any digital audio I/O. On the other hand, the Audient ID44 MkII provides 2 TOSLINK optical ADAT/S/PDIF inputs and outputs with S/MUX support, significantly expanding its connectivity options for digital audio.
Host Connection: Both interfaces use a single USB-C connection with USB 2.0 protocol to connect to the host computer. Neither interface supports additional USB (non-host) connections.
Sync I/O: The MOTU M6 lacks any synchronization I/O capabilities, while the Audient ID44 MkII includes a BNC word clock output, allowing it to synchronize with other digital audio equipment.
Network I/O: Neither the MOTU M6 nor the Audient ID44 MkII includes network I/O functionality.
MIDI I/O: The MOTU M6 includes MIDI I/O with one DIN 5-pin input and one DIN 5-pin output. The Audient ID44 MkII does not offer any MIDI I/O capabilities.
In summary, the MOTU M6 provides robust analog I/O options and MIDI capabilities, whereas the Audient ID44 MkII stands out with its additional headphone output, insert options, digital audio I/O, and synchronization capabilities. The choice between them would depend on the specific needs of the user, such as the importance of digital connectivity, synchronization, and MIDI functionality.
Performance
Frequency Response
Mic Inputs:
20 Hz to 20 kHz +0/-0.1 dB
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.15 dB
Line Inputs:
20 Hz to 20 kHz ±0.07 dB
Line Outputs:
20 Hz to 20 kHz +0/-0.1 dB
Mic, Line Inputs:
10 Hz to 65 kHz ±0.5 dB
Hi-Z Inputs:
10 Hz to 50 kHz ±0.5 dB
AD/DA Converters:
10 Hz to fs/2 ±0.5 dB
Headphone Outputs:
10 Hz to fs/2 ±0.5 dB
Maximum Input Level
Mic Inputs:
+10 dBu (Max Level In)
Line Inputs:
+16 dBu (Max Level In)
Mic Inputs:
+18 dBu
+28 dBu (with Pad)
Line Inputs:
28 dBu
Hi-Z Inputs:
+10 dBu
Insert Return:
+18 dBu
Maximum Output Level
Line Outputs:
+18 dBu (Balanced)
Line Outputs:
+16 dBu (Unbalanced)
Headphone Outputs:
+12.5 dBu
Line Outputs:
+18 dBu
Insert Send:
+22 dBu
Headphone Outputs:
+14 dBu
Impedance
Mic Inputs:
2.65 Kilohms
Line Inputs:
2 Megohms
Hi-Z Inputs:
1 Megohm
Line Outputs:
100 Ohms
Mic Inputs:
3 Kilohms (Balanced)
Line Inputs:
10 Kilohms (Balanced)
Hi-Z Inputs:
1 Megohm (Unbalanced)
Insert Return:
> 10 Kilohms (Balanced)
Insert Send:
< 100 Ohms (Balanced)
D/A Converters:
< 100 Ohms (Balanced)
Headphone Outputs:
< 50 Ohms (Balanced)
Dynamic Range
Mic Inputs:
115 dBA
Line Inputs:
114 dBA
Line/Monitor Outputs:
120 dBA
Headphone Outputs:
115 dBA
A/D Converters:
120 dB (A-Weighted)
D/A Converters:
126 dB (A-Weighted)
Headphone Outputs:
124 dB (A-Weighted)
THD+N
Mic Inputs:
-97 dB
Line Inputs:
< -100 dB / < 0.001% (@ 14 dBu)
Line/Monitor Outputs:
< -110 dB / < 0.00032% (@ -1 dBFS, Unweighted, 1 kHz)
Headphone Outputs:
< -110 dB
Mic Inputs:
-96 dBu / < 0.003% (1 kHz)
Hi-Z Inputs:
< 0.3% (1 kHz)
A/D Converters:
-112 dB / < 0.0003% (1 kHz, at -1 dBFS)
D/A Converters:
-104 dB / < 0.0006% (1 kHz, at -1 dBFS)
Headphone Outputs:
-103 dB / < 0.0008% (1 kHz, at -1 dBFS)
EIN
Mic Inputs:
-129 dBu A-Weighted (@ Max Gain, 150 Ohms)
Mic Inputs:
-126 dBu
The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface present distinct specifications and features, catering to different needs in the audio recording and production landscape.
The MOTU M6 boasts a frequency response for mic inputs of 20 Hz to 20 kHz with an impressive +0/-0.1 dB accuracy. Line and Hi-Z inputs offer a similar range with a ±0.15 dB and ±0.07 dB deviation, respectively. For outputs, the line outputs maintain a 20 Hz to 20 kHz range with +0/-0.1 dB accuracy. Maximum input levels for mic and line inputs are +10 dBu and +16 dbu, respectively, while the maximum output levels reach +18 dBu for balanced line outputs, +16 dBu for unbalanced line outputs, and +12.5 dBu for headphone outputs. Impedance ratings are 2.65 kΩ for mic inputs, 2 MΩ for line inputs, and 1 MΩ for Hi-Z inputs, with line outputs rated at 100 Ω. The dynamic range is noteworthy: 115 dBA for mic inputs, 114 dBA for line inputs, 120 dBA for line/monitor outputs, and 115 dBA for headphone outputs. THD+N values are very low, with mic inputs at -97 dB, line inputs at < -100 dB (< 0.001% @ 14 dBu), line/monitor outputs at < -110 dB (< 0.00032% @ -1 dBFS), and headphone outputs at < -110 dB. The EIN for mic inputs stands at -129 dBu A-Weighted (@ Max Gain, 150 Ohms).
In comparison, the Audient ID44 MkII offers a wider frequency response range for mic and line inputs from 10 Hz to 65 kHz ±0.5 dB and Hi-Z inputs from 10 Hz to 50 kHz ±0.5 dB. The AD/DA converters and headphone outputs extend to 10 Hz to fs/2 ±0.5 dB. The maximum input levels are higher, with mic inputs at +18 dBu (+28 dBu with pad), line inputs at +28 dBu, Hi-Z inputs at +10 dBu, and insert return at +18 dBu. Maximum output levels are +18 dBu for line outputs, +22 dBu for insert send, and +14 dBu for headphone outputs. The headphone output power is robust, delivering 225 mW into 30 Ohms, 210 mW into 60 Ohms, and 54 mW into 600 Ohms. Impedance values are 3 kΩ for mic inputs, 10 kΩ for line inputs, and 1 MΩ for Hi-Z inputs, with insert return at > 10 kΩ, insert send and D/A converters at < 100 Ω, and headphone outputs at < 50 Ω. The dynamic range is higher, with A/D converters at 120 dB (A-Weighted), D/A converters at 126 dB (A-Weighted), and headphone outputs at 124 dB (A-Weighted). SNR for mic/line inputs is 96 dB and Hi-Z inputs are 95 dB (A-Weighted). THD+N values are -96 dBu (< 0.003%) for mic inputs, < 0.3% for Hi-Z inputs, -112 dB (< 0.0003%) for A/D converters, -104 dB (< 0.0006%) for D/A converters, and -103 dB (< 0.0008%) for headphone outputs. The EIN for mic inputs is -126 dBu, and the CMRR for mic inputs is > 80 dB (1 kHz).
In summary, the MOTU M6 offers a balanced performance with excellent dynamic range and low THD+N values, suitable for users seeking precise and clean audio capture. The Audient ID44 MkII, while providing broader frequency response and higher dynamic range, also supports higher input and output levels, making it ideal for professionals demanding extensive headroom and flexibility in their audio interface.
Digital Audio
Sample Rates
Up to 192 kHz Up to 96 kHz
Sample Rate Conversion
Bit Depths
24-Bit 24-Bit
Latency
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output) 0.677 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output)
0.625 ms
0.354 ms at 88.2 kHz
0.323 ms at 96 kHz (Input to Output)
Sync Sources
Internal ADAT, Internal, S/PDIF
The MOTU M6 USB-C Audio/MIDI Interface offers sample rates up to 192 kHz and supports 24-bit depth, ensuring high-quality audio capture and playback. It lacks sample rate conversion and relies solely on an internal sync source. In terms of latency, the MOTU M6 provides zero-latency direct monitoring and offers a latency of 2.5 ms at 96 kHz, which is dependent on buffer size and the input to output path.
In comparison, the Audient ID44 MkII 20x24 Desktop USB Audio Interface supports sample rates up to 96 kHz, also with 24-bit depth, and does not feature sample rate conversion. The device has a more versatile sync source system, supporting ADAT, internal, and S/PDIF synchronization. The Audient ID44 MkII excels in latency performance, with latencies of 0.677 ms at 44.1 kHz, 0.625 ms, 0.354 ms at 88.2 kHz, and as low as 0.323 ms at 96 kHz, depending on the buffer size and the input to output configuration.
In summary, the MOTU M6 stands out with its higher maximum sample rate of 192 kHz, while the Audient ID44 MkII offers superior latency performance and more flexible sync source options. Both interfaces provide 24-bit audio resolution and do not include sample rate conversion.
Audio Storage & Playback
Memory Card Slot
When comparing the MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface, both units share a common feature in that neither includes a memory card slot. This aspect highlights that both interfaces are designed primarily for direct computer connectivity and real-time audio processing, rather than standalone recording or storage.
The MOTU M6 offers a robust set of features aimed at providing high-quality audio and MIDI interfacing through its USB-C connection. It is known for its low latency performance, high-quality preamps, and convenient front-panel metering. The USB-C connectivity ensures fast data transfer rates, making it suitable for modern recording setups. Additionally, it includes MIDI in/out ports, which are essential for integrating with various MIDI controllers and instruments.
On the other hand, the Audient ID44 MkII is a more advanced desktop USB audio interface, providing a higher number of inputs and outputs, with a total of 20x24 I/O. This makes it ideal for more complex recording environments that require multiple microphones and instruments to be connected simultaneously. The ID44 MkII is renowned for its high-quality AD/DA conversion, pristine preamps derived from Audient's console heritage, and its innovative ScrollControl feature, which allows any rotary control to be used as a virtual scroll wheel. Like the MOTU M6, it also connects via USB, ensuring reliable and high-speed communication with your computer.
In summary, while both the MOTU M6 and the Audient ID44 MkII lack memory card slots, they cater to different needs within the audio interface market. The MOTU M6 is well-suited for users seeking a high-quality, low-latency interface with essential MIDI functionality, whereas the Audient ID44 MkII offers a broader range of I/O options and advanced features for more complex recording requirements.
Compatibility
OS Compatibility
macOS 10.11 or Later (64-Bit Only)
macOS 10.13 or Later (64-Bit Only)
Windows 10 or Later (64-Bit Only)
macOS 10.11.6 or Later
Windows 8 or Later (32-/64-Bit)
Processor Requirement
Mac:
1 GHz Intel Core i3 (64-Bit)
PC:
1 GHz Intel Pentium
Mac:
Intel
Apple
PC:
1.6 GHz Intel Core 2
AMD
RAM Requirements
2 GB, 4 GB Recommended 1 GB
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
USB 2.0 Port
USB Cable (Included)
Internet Connection
Required for Software/Driver Download Required for Registration, Software/Driver Download
The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface offer distinct features catering to various user needs, especially in terms of OS compatibility, processor requirements, RAM requirements, and additional hardware specifications.
Starting with OS compatibility, the MOTU M6 supports macOS 10.11 or later (64-bit only) and macOS 10.13 or later (64-bit only) for Mac users, and Windows 10 or later (64-bit only) for PC users. In contrast, the Audient ID44 MkII is compatible with macOS 10.11.6 or later for Mac users, and offers broader compatibility with Windows 8 or later (both 32-bit and 64-bit) for PC users.
When it comes to processor requirements, the MOTU M6 necessitates a minimum of a 1 GHz Intel Core i3 for Mac users and a 1 GHz Intel Pentium for PC users. The Audient ID44 MkII, on the other hand, demands a more powerful setup with at least an Intel or Apple processor for Mac users and a 1.6 GHz Intel Core 2 or AMD processor for PC users.
For RAM requirements, the MOTU M6 requires a minimum of 2 GB, although 4 GB is recommended. Conversely, the Audient ID44 MkII has a lower minimum RAM requirement of just 1 GB, making it potentially more accessible for users with older or less powerful machines.
In terms of additional hardware requirements, both interfaces necessitate an available USB 2.0 port and include the necessary USB cable. For the MOTU M6, an internet connection is required for software and driver download, whereas the Audient ID44 MkII mandates an internet connection for registration as well as software/driver download.
Overall, while both the MOTU M6 and Audient ID44 MkII offer robust and high-quality audio interface solutions, they cater to slightly different user needs and hardware capabilities, making them suitable for different segments of the audio production market.
Power
Power Requirements
AC/DC Power Adapter (Included) AC/DC Power Adapter (Included)
The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both come with included AC/DC power adapters, ensuring that users can power up and use the devices right out of the box. However, the Audient ID44 MkII provides additional detailed specifications regarding its power requirements. It operates with an AC input power range of 90 to 264 VAC at 50/60 Hz, giving it a versatile range suitable for various global power standards. Additionally, the Audient ID44 MkII specifies the use of a 12 VAC at 2 A, center-positive power adapter, which indicates the specific voltage and current necessary for optimal performance.
In contrast, the MOTU M6 USB-C Audio/MIDI Interface simply states that it requires an AC/DC power adapter, without providing further details on voltage, current, or the type of AC input power it accepts. This could suggest that the MOTU M6 is designed for straightforward operation without the need for users to worry about matching specific power requirements. Both interfaces ensure reliable power delivery through their included adapters, but the Audient ID44 MkII offers more comprehensive power specifications, which may be beneficial for users needing to ensure compatibility with their local power supply.
Physical
Anti-Theft Features
Kensington Security Slot Kensington Security Slot
Dimensions
9.21 x 4.75 x 1.8" / 23.39 x 12.06 x 4.6 cm (Chassis Only) 10.9 x 7.5 x 2.7" / 27.6 x 19.1 x 6.9 cm (Including Controls and Protrusions)
The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both feature Kensington Security Slots, providing users with anti-theft security options. This is a critical feature for professional environments where equipment security is a concern.
In terms of dimensions, the MOTU M6 measures 9.21 x 4.75 x 1.8 inches (23.39 x 12.06 x 4.6 cm) for the chassis only. This compact size makes it a portable and space-saving option for users who need to transport their interface frequently or have limited desk space. The weight of the MOTU M6 is 2.2 lbs (1.0 kg), adding to its portability without compromising on stability.
On the other hand, the Audient ID44 MkII measures 10.9 x 7.5 x 2.7 inches (27.6 x 19.1 x 6.9 cm) including controls and protrusions. This larger footprint may require more desk space, but it also suggests a more extensive control surface, possibly offering more hands-on control and ease of use during audio production. The specifications provided do not include the weight of the Audient ID44 MkII, but its larger size implies it could be heavier than the MOTU M6.
In summary, both the MOTU M6 and the Audient ID44 MkII provide Kensington Security Slots for anti-theft protection. The MOTU M6 is more compact and lightweight, which enhances portability, while the Audient ID44 MkII has a larger physical presence, which may offer additional controls and a possibly more comprehensive interface.
Packaging Info
Package Weight
3.21 lb 5.74 lb
Box Dimensions (LxWxH)
13.9 x 7.8 x 3.2" 14.5 x 9.5 x 4.5"
The MOTU M6 USB-C Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface differ notably in their physical specifications. The MOTU M6 has a package weight of 3.21 pounds and comes in a box with dimensions of 13.9 x 7.8 x 3.2 inches. This makes it relatively lightweight and compact, which might be advantageous for users who prioritize portability and space efficiency.
On the other hand, the Audient ID44 MkII has a package weight of 5.74 pounds and is packaged in a box measuring 14.5 x 9.5 x 4.5 inches. This indicates that the Audient ID44 MkII is considerably heavier and slightly larger in its packaging dimensions compared to the MOTU M6. The increased weight and size may suggest a more robust build or additional components, which could appeal to users looking for a more substantial and potentially more feature-rich interface.
In summary, the MOTU M6 is lighter and more compact, making it an excellent choice for those needing a portable and space-saving solution. The Audient ID44 MkII, with its heavier weight and larger dimensions, may be preferable for users seeking a more robust interface with possibly more extensive features.
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