The MOTU M2 and M4 USB-C Audio/MIDI Interfaces are high-quality devices designed for musicians, podcasters, and audio engineers. Both interfaces offer exceptional sound quality, low latency, and robust build quality, making them ideal for various recording and playback needs. However, there are key differences between the two that cater to different user requirements.
MOTU M2:
The MOTU M2 is a 2-in/2-out USB-C audio interface designed for users who need a compact and straightforward recording solution. It features two combo XLR/TRS inputs with preamps, allowing you to connect microphones, instruments, or line-level sources. The M2 also includes two balanced 1/4" TRS outputs for studio monitors and a dedicated headphone output. It supports 24-bit/192 kHz audio resolution, ensuring pristine audio quality. The interface boasts ultra-low latency performance thanks to its ESS Sabre32 Ultra DAC technology. The front panel features an easy-to-read LCD screen that displays input and output levels, giving you instant visual feedback. Additionally, the M2 includes MIDI I/O for connecting MIDI controllers and other MIDI-enabled gear.
MOTU M4:
The MOTU M4 builds on the M2’s foundation by offering more input and output options, making it suitable for more complex recording setups. It is a 4-in/4-out USB-C audio interface, featuring four combo XLR/TRS inputs with preamps. This allows you to record multiple microphones or instruments simultaneously. Similar to the M2, the M4 supports 24-bit/192 kHz audio resolution and uses the same ESS Sabre32 Ultra DAC technology for superior sound quality and low latency. The M4 has four balanced 1/4" TRS outputs, providing greater flexibility for routing audio to external gear. It also includes a dedicated headphone output with an independent volume control. The front panel features an LCD screen displaying input and output levels, and like the M2, it offers MIDI I/O for seamless integration with MIDI hardware.
Conclusion:
Both the MOTU M2 and M4 offer excellent audio quality, low latency, and a user-friendly interface, making them suitable for a wide range of recording scenarios. The M2 is ideal for solo musicians, podcasters, and small home studios that require a simple and compact setup. In contrast, the M4 is better suited for users who need additional inputs and outputs, such as small bands, multi-instrumentalists, or those who require more routing options in their recording setup. Choosing between the two will depend on your specific needs and the complexity of your recording environment.
User Rating Based on Analysis of Reviews |
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Pros: |
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High-quality audio performance with ESS Sabre32 Ultra DAC technology.
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Ultra-low latency performance, making it suitable for real-time monitoring.
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Comprehensive metering with full-color LCD display for precise level monitoring.
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USB-C connectivity ensures fast data transfer and compatibility with modern devices.
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Sturdy build quality and compact design, ideal for portable use.
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Loopback functionality for easy live streaming and podcasting.
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Excellent sound quality with ESS Sabre32 Ultra DAC technology.
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Low latency performance for real-time monitoring.
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Sturdy and compact build, suitable for mobile use.
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USB-C connectivity ensures fast data transfer.
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Clear and detailed LCD metering.
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Cons: |
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Limited to 4 inputs and 4 outputs, which may not be sufficient for larger setups.
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No built-in DSP effects, which could limit flexibility for some users.
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Only USB bus-powered, which might not be ideal for all scenarios.
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No ADAT or S/PDIF connectivity, limiting expansion options.
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Limited to 2 inputs and 2 outputs.
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No onboard DSP effects.
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Some users may find the software bundle lacking.
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Requires a USB-C port for optimal performance, which may not be available on all computers.
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Key Specs |
Channels of I/O |
Analog: 4 Inputs / 4 Outputs |
Analog: 2 Inputs / 2 Outputs |
Maximum Sampling Rate |
192 kHz / 24-Bit |
192 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
2 Preamps |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2x 1/4" TRS Balanced Line Input 1x 1/4" TRS Unbalanced Headphone Output 4x 1/4" TRS Balanced Line Output (DC-Coupled) 4x RCA TS Unbalanced Line Output |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 1x 1/4" TRS Unbalanced Headphone Output 2x 1/4" TRS Balanced Line Output (DC-Coupled) 2x RCA TS Unbalanced Line Output |
Host Connection |
1x USB-C |
1x USB-C |
OS Compatibility |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
Power Requirements |
USB Bus Power |
USB Bus Power |
The MOTU M2 and MOTU M4 USB-C Audio/MIDI Interfaces are both high-quality products from MOTU, designed to cater to different user needs with slight variations in features.
The MOTU M2 features 2 channels of analog input and output, supporting a maximum sampling rate of 192 kHz at 24-bit resolution. It includes 2 microphone preamps, with analog audio I/O comprising 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, 1 unbalanced 1/4" TRS headphone output, 2 balanced line outputs via 1/4" TRS (DC-coupled), and 2 unbalanced line outputs via RCA TS. The interface connects to the host via a USB-C port and is compatible with macOS 10.11 or later, Windows 7 or later. It is powered directly via USB bus power.
In comparison, the MOTU M4 offers an expanded set of features with 4 channels of analog input and output, while maintaining the same maximum sampling rate of 192 kHz at 24-bit resolution. Similar to the M2, it includes 2 microphone preamps. However, the analog audio I/O in the M4 includes 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, 2 additional balanced line inputs via 1/4" TRS, 1 unbalanced 1/4" TRS headphone output, 4 balanced line outputs via 1/4" TRS (DC-coupled), and 4 unbalanced line outputs via RCA TS. The host connection is also via USB-C, with compatibility for macOS 10.11 or later, Windows 7 or later. The power requirements are met through USB bus power, similar to the M2.
In summary, while both the MOTU M2 and M4 offer high-resolution audio recording and playback with USB-C connectivity and USB bus power, the M4 provides additional input and output channels, making it a more versatile option for users needing more extensive I/O capabilities.
General |
Channels of I/O |
Analog: 4 Inputs / 4 Outputs |
Analog: 2 Inputs / 2 Outputs |
Maximum Sampling Rate |
192 kHz / 24-Bit |
192 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
2 Preamps |
Input Level Adjustment |
2x Knob |
2x Knob |
Expansion Slots |
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The MOTU M2 and MOTU M4 USB-C Audio/MIDI Interfaces are both high-quality devices designed for audio recording and MIDI interfacing, but they differ primarily in their input and output capabilities.
The MOTU M2 offers 2 analog inputs and 2 analog outputs. This setup is ideal for solo musicians or podcasters who require a straightforward, reliable interface with high-quality audio conversion. It supports a maximum sampling rate of 192 kHz at 24-bit depth, ensuring professional-grade audio fidelity. The M2 features 2 microphone preamps, each with an individual input level adjustment knob, allowing for precise control over input levels. However, it does not include a built-in microphone or expansion slots, focusing on simplicity and ease of use.
On the other hand, the MOTU M4 extends the functionality by providing 4 analog inputs and 4 analog outputs, catering to users who need additional I/O capabilities, such as small bands or more complex recording setups. Like the M2, the M4 supports a maximum sampling rate of 192 kHz at 24-bit depth, maintaining the same high standard of audio quality. It also includes 2 microphone preamps with dedicated input level adjustment knobs for each channel. Similar to the M2, the M4 does not feature a built-in microphone or expansion slots, keeping the focus on core audio and MIDI interfacing capabilities.
In summary, while both the MOTU M2 and MOTU M4 share similarities in audio quality, microphone preamps, and input level adjustments, the key difference lies in the number of analog inputs and outputs. The M2 is best suited for users with minimal I/O needs, while the M4 is ideal for those requiring additional inputs and outputs for more complex recording situations.
Signal Processing |
Pad |
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Gain/Trim Range |
Mic Inputs: 0 dB to +60 dB Line/Hi-Z Inputs: 0 dB to +57 dB |
Mic Inputs: 0 dB to +60 dB Line/Hi-Z Inputs: 0 dB to +57 dB |
High-Pass Filter |
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Solo/Mute |
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The MOTU M2 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface share several similar features. Both devices do not include a pad, which means they lack the ability to attenuate the signal level for very loud sources directly on the interface. This can be important for users who need to manage high input levels directly at the interface.
In terms of gain/trim range, both the M2 and M4 offer identical specifications. The mic inputs on both interfaces provide a gain range from 0 dB to +60 dB, while the line/Hi-Z inputs offer a gain range from 0 dB to +57 dB. This range is sufficient for capturing a wide variety of sound sources, from quiet vocals to louder instruments, ensuring flexibility in different recording scenarios.
Neither the MOTU M2 nor the MOTU M4 includes a high-pass filter, meaning users will need to apply any desired low-frequency filtering within their recording software or through external hardware. This may be a consideration for those looking to manage low-end rumble or proximity effect directly at the interface level.
Additionally, both interfaces lack solo and mute functions. This means that users cannot isolate individual channels or mute them directly on the interface, potentially requiring these controls to be handled within the recording software or via an external mixing console.
Overall, the MOTU M2 and M4 are nearly identical in these specific features, offering the same gain/trim range and lacking in pads, high-pass filters, and solo/mute functions. The choice between the two would likely come down to other factors not covered in this comparison, such as the number of inputs/outputs, additional software, or overall user experience.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2x 1/4" TRS Balanced Line Input 1x 1/4" TRS Unbalanced Headphone Output 4x 1/4" TRS Balanced Line Output (DC-Coupled) 4x RCA TS Unbalanced Line Output |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 1x 1/4" TRS Unbalanced Headphone Output 2x 1/4" TRS Balanced Line Output (DC-Coupled) 2x RCA TS Unbalanced Line Output |
Phantom Power |
48 V, Selectable On/Off (Selectable on Individual Inputs) |
48 V, Selectable On/Off (Selectable on Individual Inputs) |
Digital Audio I/O |
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Host Connection |
1x USB-C |
1x USB-C |
Host Connection Protocol |
USB 2.0 |
USB 2.0 |
USB (Non-Host) |
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Sync I/O |
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Network I/O |
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MIDI I/O |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
The MOTU M2 and M4 USB-C Audio/MIDI Interfaces both offer robust features tailored for high-quality audio recording and playback, but they differ in several key areas that may influence a user's choice depending on their specific needs.
In terms of analog audio I/O, the MOTU M2 provides 2x combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z inputs, which are versatile for different types of microphones and instruments. Additionally, it includes 1x 1/4" TRS unbalanced headphone output, 2x 1/4" TRS balanced line outputs (DC-coupled), and 2x RCA TS unbalanced line outputs. This configuration is suitable for users who need a straightforward setup with essential input and output options.
The MOTU M4, on the other hand, expands on this by offering 2x combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z inputs as well, but it adds 2x 1/4" TRS balanced line inputs, bringing more flexibility for connecting additional line-level devices. Furthermore, it includes the same 1x 1/4" TRS unbalanced headphone output but doubles the line outputs to 4x 1/4" TRS balanced line outputs (DC-coupled) and 4x RCA TS unbalanced line outputs. This makes the M4 more suitable for users needing more extensive output options, such as connecting to multiple monitors or external gear.
Both interfaces offer 48V phantom power, selectable on individual inputs, ensuring compatibility with condenser microphones that require external power. Neither interface provides digital audio I/O, sync I/O, or network I/O, focusing instead on analog and MIDI connections.
For host connection, both the M2 and M4 use a single USB-C port, adhering to the USB 2.0 protocol, which offers sufficient bandwidth for the audio channels they handle. They do not support USB (non-host) connections, which means they are designed primarily for use with computers rather than standalone or mobile devices.
Finally, in terms of MIDI I/O, both interfaces include 1x DIN 5-pin MIDI input and 1x DIN 5-pin MIDI output, allowing for integration with MIDI controllers, keyboards, and other MIDI-capable devices.
In summary, while both the MOTU M2 and M4 share many similarities in terms of core functionality and connectivity, the M4 stands out with additional line inputs and outputs, making it a more versatile choice for users with more complex setup requirements. The M2, however, remains a solid option for those needing a simpler, yet still high-quality, audio interface.
Performance |
Frequency Response |
Mic Inputs: 20 Hz to 20 kHz +0/-0.1 dB Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.15 dB Line Inputs: 20 Hz to 20 kHz ±0.07 dB Line Outputs: 20 Hz to 20 kHz +0/-0.1 dB |
Mic Inputs: 20 Hz to 20 kHz +0/-0.1 dB Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.15 dB Line Outputs: 20 Hz to 20 kHz +0/-0.1 dB |
Maximum Input Level |
Mic Inputs: +10 dBu (Min Gain) Line/Hi-Z Inputs: +16 dBu (Min Gain) Line Inputs: +18 dBu (Min Gain) |
Mic Inputs: +10 dBu (Min Gain) Line/Hi-Z Inputs: +16 dBu (Min Gain) |
Maximum Output Level |
Line Outputs: +16 dBu (Balanced) Line Outputs: +9.5 dBu (Unbalanced) Headphone Outputs: +12.5 dBu |
Line Outputs: +16 dBu (Balanced) Line Outputs: +9.5 dBu (Unbalanced) Headphone Outputs: +12.5 dBu |
Impedance |
Mic Inputs: 2.65 Kilohms Line Inputs: 2 Megohms Hi-Z Inputs: 1 Megohm Line Outputs: 100 Ohms |
Mic Inputs: 2.65 Kilohms Line Inputs: 2 Megohms Hi-Z Inputs: 1 Megohm Line Outputs: 100 Ohms |
Dynamic Range |
Mic Inputs: 115 dBA Line/Hi-Z Inputs: 114 dBA Line Inputs: 115 dBA Line/Monitor Outputs: 120 dBA RCA Outputs: 119 dBA Headphone Outputs: 115 dBA |
Mic Inputs: 115 dBA Line/Hi-Z Inputs: 114 dBA 1/4" Line/Monitor Outputs: 120 dBA RCA Line Outputs: 119 dBA Headphone Outputs: 115 dBA |
THD+N |
Mic Inputs: < -97 dB / < 0.0014% Line/Hi-Z Inputs: < -100 dB / < 0.001% Line Inputs: < -106 dB / < 0.0005% Line/Monitor Outputs: < -110 dB / < 0.00032% RCA Outputs: < -105 dB / < 0.00056% Headphone Outputs: < -110 dB / < 0.0003% |
Mic Inputs: < -97 dB / < 0.0014% Line/Hi-Z Inputs: < -100 dB / < 0.001% 1/4" Line/Monitor Outputs: < -110 dB / < 0.00032% RCA Line Outputs: < -105 dB / < 0.00056% Headphone Outputs: < -110 dB / < 0.0003% |
EIN |
Mic Inputs: -129 dB A-Weighted (150-Ohm Source, Max Gain) |
Mic Inputs: -129 dB A-Weighted (150-Ohm Source, Max Gain) |
The MOTU M2 and MOTU M4 USB-C Audio/MIDI Interfaces share many similarities but also have distinct differences in their specifications. Both interfaces offer high-quality audio performance, but the M4 provides additional features that may be beneficial for specific users.
Frequency Response:
Both the MOTU M2 and M4 have a frequency response for mic inputs of 20 Hz to 20 kHz with a tolerance of +0/-0.1 dB. For line and Hi-Z inputs, both maintain a response of 20 Hz to 20 kHz ±0.15 dB. However, the M4 offers a slightly better tolerance for line inputs at ±0.07 dB. Both models offer line outputs with a frequency response of 20 Hz to 20 kHz +0/-0.1 dB.
Maximum Input Level:
In terms of maximum input levels, both the M2 and M4 offer +10 dBu for mic inputs and +16 dBu for line/Hi-Z inputs at minimum gain. The M4, however, includes an additional specification for line inputs at +18 dBu, providing a higher input level capacity.
Maximum Output Level:
The maximum output levels are identical for both interfaces. Line outputs can reach +16 dBu when balanced and +9.5 dBu when unbalanced. Headphone outputs on both interfaces can reach +12.5 dBu.
Impedance:
The impedance specifications for mic inputs, line inputs, Hi-Z inputs, and line outputs are the same for both models. Mic inputs have an impedance of 2.65 Kilohms, line inputs 2 Megohms, Hi-Z inputs 1 Megohm, and line outputs 100 Ohms.
Dynamic Range:
The dynamic range for mic inputs is 115 dBA on both models. For line/Hi-Z inputs, both interfaces offer a dynamic range of 114 dBA. The line/monitor outputs have a dynamic range of 120 dBA, and RCA outputs are 119 dBA on both models. Headphone outputs on both interfaces have a dynamic range of 115 dBA.
THD+N:
Total Harmonic Distortion plus Noise (THD+N) values are remarkably close between the two models. For mic inputs, both have a THD+N of < -97 dB / < 0.0014%. The line/Hi-Z inputs are < -100 dB / < 0.001% for both models. However, the M4 offers an additional THD+N specification for line inputs at < -106 dB / < 0.0005%. For line/monitor outputs, both have a THD+N of < -110 dB / < 0.00032%, and RCA outputs are < -105 dB / < 0.00056%. Headphone outputs on both models have a THD+N of < -110 dB / < 0.0003%.
EIN:
The Equivalent Input Noise (EIN) for mic inputs is identical in both models, measured at -129 dB A-Weighted with a 150-Ohm source at maximum gain.
In summary, while the MOTU M2 and M4 share many core specifications, the M4 offers slightly better line input tolerance and an additional maximum input level specification, making it a more versatile choice for users requiring these features.
Digital Audio |
Sample Rates |
Up to 192 kHz |
Up to 192 kHz |
Sample Rate Conversion |
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Bit Depths |
24-Bit |
24-Bit |
Latency |
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Sync Sources |
Internal |
Internal |
The MOTU M2 and MOTU M4 USB-C Audio/MIDI Interfaces share several key specifications, making them quite similar in many respects. Both interfaces support sample rates up to 192 kHz and a bit depth of 24-bit, ensuring high-quality audio recording and playback. Neither interface features sample rate conversion, which means they rely on the sample rates set within your recording software for optimal performance.
In terms of latency, both the MOTU M2 and M4 offer zero-latency direct monitoring, with a latency of approximately 2.5 ms at 96 kHz, though this can vary depending on the buffer size and the input-to-output configuration. This low latency is beneficial for real-time audio monitoring during recording sessions. Additionally, both units utilize internal sync sources, which helps maintain stable and reliable audio synchronization during operation.
Overall, the MOTU M2 and M4 exhibit very similar specifications in terms of sample rates, bit depth, latency, and sync sources, providing high-quality audio performance suited for professional and home studio environments.
Audio Storage & Playback |
Memory Card Slot |
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When comparing the MOTU M2 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface, one notable similarity is that both devices lack a memory card slot. This absence indicates that neither interface supports direct recording or playback from memory cards, necessitating the use of connected computers or other external storage solutions for managing audio files.
Both the MOTU M2 and M4 are designed to provide high-quality audio and MIDI interfacing through USB-C connectivity, ensuring fast data transfer and low latency performance. Despite this shared feature set, the omission of a memory card slot in both models means that users must rely on their connected devices for storage capabilities, rather than having the convenience of onboard memory card support.
In summary, the MOTU M2 and M4 both deliver robust audio and MIDI interfacing capabilities through USB-C but do not include a memory card slot, which might be a consideration for users who prioritize direct storage options in their audio workflows.
Compatibility |
OS Compatibility |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
Processor Requirement |
Mac: 1 GHz Intel PC: 1 GHz Intel Pentium |
Mac: 1 GHz Intel PC: 1 GHz Intel Pentium |
RAM Requirements |
2 GB, 4 GB Recommended |
2 GB, 4 GB Recommended |
Required Hardware |
Available USB 2.0 Port USB Cable (Included) |
Available USB 2.0 Port USB Cable (Included) |
Internet Connection |
Required for Software/Driver Download |
Required for Software/Driver Download |
The MOTU M2 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface share many similarities in their specifications, making them both suitable for a wide range of professional audio applications. Both interfaces are compatible with macOS 10.11 or later and Windows 7 or later, ensuring they can be integrated into most modern computer systems. They also both support iOS 9 or later, making them versatile options for users who need to interface with mobile devices.
In terms of processor requirements, both the MOTU M2 and the MOTU M4 require a minimum of a 1 GHz Intel processor, whether on a Mac or a PC. This makes them accessible even for users with older or less powerful machines. For optimal performance, both interfaces recommend having 4 GB of RAM, although they will function with a minimum of 2 GB.
The hardware requirements for the MOTU M2 and M4 are identical as well. Both units require an available USB 2.0 port, and they come with a USB cable included, simplifying the setup process. An internet connection is required for downloading the necessary software and drivers for both interfaces, ensuring users have access to the latest updates and features.
Although these two interfaces share nearly identical specifications in terms of OS compatibility, processor and RAM requirements, hardware needs, and internet connectivity, they may differ in other areas such as the number of inputs and outputs, additional features, or price points. However, based on the provided specifications, the MOTU M2 and MOTU M4 offer the same foundational capabilities and system requirements, making either a solid choice depending on additional user needs.
Power |
Power Requirements |
USB Bus Power |
USB Bus Power |
The MOTU M2 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface both share a common feature in terms of their power requirements, as both interfaces are powered via USB bus power. This means that neither device requires an external power supply and can operate efficiently by drawing power directly from the connected USB port, making them highly portable and convenient for mobile recording setups.
The USB bus power feature in both the MOTU M2 and MOTU M4 simplifies the setup process, reducing the number of necessary cables and making these interfaces ideal for musicians, podcasters, and producers who need a reliable and easy-to-use audio interface on the go. This attribute enhances their usability in various environments, whether in a home studio, on the road, or during live performances.
Overall, in terms of power requirements, the MOTU M2 and MOTU M4 are identical, providing users with the same convenience and portability through USB bus power.
Physical |
Anti-Theft Features |
Kensington Security Slot |
Kensington Security Slot |
Dimensions |
8.25 x 4.25 x 1.75" / 20.96 x 10.79 x 4.45 cm (Chassis Only) |
7.5 x 4.25 x 1.75" / 19.1 x 10.79 x 4.45 cm (Chassis Only) |
Weight |
1.6 lb / 0.7 kg |
1.4 lb / 0.6 kg |
When comparing the MOTU M2 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface, several key features stand out. Both devices include anti-theft features such as a Kensington Security Slot, ensuring that they can be securely fastened to prevent unauthorized removal.
In terms of dimensions, the MOTU M2 measures 7.5 x 4.25 x 1.75 inches (19.1 x 10.79 x 4.45 cm), making it slightly more compact than the MOTU M4, which has dimensions of 8.25 x 4.25 x 1.75 inches (20.96 x 10.79 x 4.45 cm). This difference in size might be a consideration for users with limited desk space or those who require a more portable solution.
When it comes to weight, the MOTU M2 weighs 1.4 lb (0.6 kg), whereas the MOTU M4 is slightly heavier at 1.6 lb (0.7 kg). This minor weight difference may not be significant for most users but could be a factor for those who prioritize lightweight devices for mobility.
Overall, both the MOTU M2 and M4 provide similar anti-theft security with the Kensington Security Slot, but they differ in size and weight, with the M2 being more compact and lighter compared to the M4.
Packaging Info |
Package Weight |
2.15 lb |
1.8 lb |
Box Dimensions (LxWxH) |
10.6 x 7.3 x 2.8" |
10 x 7.45 x 2.75" |
The MOTU M2 USB-C Audio/MIDI Interface and the MOTU M4 USB-C Audio-MIDI Interface differ slightly in their physical specifications. The MOTU M2 has a package weight of 1.8 lb and box dimensions of 10 x 7.45 x 2.75 inches. In contrast, the MOTU M4 is slightly heavier with a package weight of 2.15 lb and slightly larger with box dimensions of 10.6 x 7.3 x 2.8 inches.
These differences suggest that the MOTU M4 is marginally bulkier and heavier compared to the MOTU M2. This could be due to additional features or components housed within the M4, potentially offering more functionality or robustness. However, the differences in size and weight are relatively minor and might not significantly impact portability or ease of handling for most users.