The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface are both high-quality audio interfaces designed to cater to the needs of musicians, producers, and content creators. However, they offer distinct features that may appeal to different users based on their specific requirements.
The Audient EVO 8 is a compact and user-friendly audio interface that features four EVO preamps, class-leading converters, and Smartgain technology, which automatically sets the input levels for optimal recording. It offers a 4-in/4-out configuration, making it versatile for small to medium-sized recording setups. The EVO 8 features a sleek, modern design with an intuitive control layout, including a large central knob for easy level adjustments. It also provides loopback functionality, which is highly beneficial for podcasters and streamers. One of the standout features of the EVO 8 is its excellent audio quality, thanks to its 24-bit/96kHz resolution, delivering clear and detailed recordings.
On the other hand, the MOTU M4 USB-C Audio-MIDI Interface is known for its impressive performance and robust feature set. The M4 offers a 4-in/4-out configuration with ESS Sabre32 Ultra DAC technology, ensuring high-quality audio conversion and low-latency performance. It includes both audio and MIDI connectivity, making it a versatile choice for users who need to integrate MIDI equipment into their setup. The M4 features a full-color LCD screen that provides real-time metering for all inputs and outputs, giving users precise visual feedback. Additionally, the M4 supports loopback functionality, which is ideal for live streaming and podcasting.
Both interfaces are bus-powered via USB-C, promoting portability and ease of use. While the Audient EVO 8 emphasizes simplicity and automatic gain setting with its Smartgain feature, the MOTU M4 offers more advanced metering and the inclusion of MIDI capabilities. Ultimately, the choice between the two will depend on the user’s specific needs—whether they prioritize the intuitive, automatic setup of the EVO 8 or the comprehensive metering and MIDI integration of the M4. Both interfaces provide exceptional audio quality and are excellent choices for enhancing any recording setup.
User Rating Based on Analysis of Reviews |
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Pros: |
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High-quality audio performance with ESS Sabre32 Ultra DAC technology.
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Ultra-low latency performance, making it suitable for real-time monitoring.
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Comprehensive metering with full-color LCD display for precise level monitoring.
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USB-C connectivity ensures fast data transfer and compatibility with modern devices.
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Sturdy build quality and compact design, ideal for portable use.
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Loopback functionality for easy live streaming and podcasting.
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High-quality preamps with 58dB gain range for clean recordings.
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Smartgain feature automatically sets input levels for optimal recording.
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USB Type-C connectivity for fast and reliable data transfer.
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Compact and portable design, ideal for mobile recording setups.
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User-friendly interface with easy-to-use controls.
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Cons: |
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Limited to 4 inputs and 4 outputs, which may not be sufficient for larger setups.
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No built-in DSP effects, which could limit flexibility for some users.
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Only USB bus-powered, which might not be ideal for all scenarios.
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No ADAT or S/PDIF connectivity, limiting expansion options.
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Limited to 4 inputs and 4 outputs, which might not be enough for larger setups.
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No MIDI I/O, limiting connectivity with MIDI controllers and instruments.
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Plastic construction might not be as durable as metal alternatives.
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No onboard DSP for real-time effects processing.
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Requires external power supply, which can limit portability.
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Key Specs |
Channels of I/O |
Analog: 4 Inputs / 4 Outputs |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate |
192 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
4 Preamps |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2x 1/4" TRS Balanced Line Input 1x 1/4" TRS Unbalanced Headphone Output 4x 1/4" TRS Balanced Line Output (DC-Coupled) 4x RCA TS Unbalanced Line Output |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Host Connection |
1x USB-C |
1x USB-C |
OS Compatibility |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Power Requirements |
USB Bus Power |
USB Bus Power |
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface, several key specifications highlight their differences and strengths.
The Audient EVO 8 offers a robust analog I/O configuration with 4 inputs and 4 outputs, featuring 4 microphone preamps, which is beneficial for users needing multiple mic connections. It supports a maximum sampling rate of 96 kHz at 24-bit resolution, providing high-quality audio capture. The interface includes 4 combo XLR-1/4" TRS balanced mic/line inputs, a 1/4" TS unbalanced Hi-Z input on the front panel, and 4 balanced line outputs, along with 2 unbalanced headphone outputs. It connects via USB-C and is compatible with macOS (10.7.5 or later) and Windows (7 or later, 32-/64-bit), drawing power through USB bus.
On the other hand, the MOTU M4 presents a slightly different configuration, with 4 inputs and 4 outputs, but only 2 microphone preamps. Its maximum sampling rate is higher at 192 kHz, allowing for even greater audio fidelity. The M4 features 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, 2 balanced line inputs, a single unbalanced headphone output, and 4 balanced line outputs, which include DC-coupled connections. Like the EVO 8, it uses a USB-C connection and is compatible with newer versions of macOS (10.11 or later) and Windows (7 or 9 or later), also powered through USB bus.
In summary, the choice between the Audient EVO 8 and the MOTU M4 largely depends on a user's specific needs. The EVO 8 is ideal for those requiring more microphone inputs and a simpler setup, while the M4 excels in audio fidelity with its higher sampling rate and offers slightly more versatile input options.
General |
Channels of I/O |
Analog: 4 Inputs / 4 Outputs |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate |
192 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
4 Preamps |
Input Level Adjustment |
2x Knob |
4x Automatic 1x Knob |
Expansion Slots |
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The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface both offer robust features for audio recording and production, yet they cater to different needs and preferences.
In terms of Channels of I/O, both interfaces provide 4 inputs and 4 outputs, allowing for a versatile setup for various audio applications. The Audient EVO 8 supports a maximum sampling rate of 96 kHz / 24-Bit, while the MOTU M4 outperforms it with a higher maximum sampling rate of 192 kHz / 24-Bit. This makes the MOTU M4 a better option for those seeking higher audio fidelity and detail in their recordings.
Regarding Number of Microphone Inputs, the Audient EVO 8 features 4 microphone preamps, which is advantageous for users who need multiple mic channels for recording instruments or ensembles simultaneously. In contrast, the MOTU M4 comes equipped with 2 microphone preamps, making it more suitable for simpler setups or solo recordings.
Both interfaces include Input Level Adjustment, but the Audient EVO 8 offers a more automated approach with 4 automatic input level adjustments alongside a single knob for manual control. The MOTU M4 features 2 input level knobs, providing straightforward manual adjustment for its microphone inputs, but lacks the automated functionality found in the EVO 8.
Lastly, both devices do not have Expansion Slots, indicating that neither supports additional hardware expansions for further enhancement of their capabilities.
In summary, the choice between the Audient EVO 8 and the MOTU M4 ultimately depends on specific user requirements. The EVO 8 is ideal for those needing multiple microphone inputs and automated level adjustments, while the MOTU M4 is better suited for users looking for higher sampling rates and more straightforward manual controls.
Signal Processing |
Pad |
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Gain/Trim Range |
Mic Inputs: 0 dB to +60 dB Line/Hi-Z Inputs: 0 dB to +57 dB |
Mic/Line/Hi-Z Inputs: 58 dB |
High-Pass Filter |
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Solo/Mute |
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Mute per Input Channel, Master |
The Audient EVO 8 and MOTU M4 are both robust USB-C audio interfaces, but they differ notably in their specifications.
In terms of gain and trim range, the Audient EVO 8 offers a mic/line/Hi-Z input range of up to 58 dB, providing a solid level of amplification suitable for various recording needs. On the other hand, the MOTU M4 features a slightly broader gain range for its mic inputs, from 0 dB to +60 dB, and for line/Hi-Z inputs, it ranges from 0 dB to +57 dB. This allows for greater flexibility in adjusting levels, particularly for mic inputs on the MOTU M4, which may be beneficial for different recording scenarios.
Neither interface includes a high-pass filter, which means that users will need to manage low-frequency handling through other means. When it comes to solo/mute functionality, the Audient EVO 8 provides mute options per input channel as well as a master mute, allowing for more control during live monitoring or playback. In contrast, the MOTU M4 does not offer solo or mute features, which may limit some users' ability to isolate or silence tracks during the mixing process.
Overall, while both audio interfaces lack a pad and high-pass filter, the differences in gain range and mute functionality can influence a user's choice based on their specific recording and mixing needs. The Audient EVO 8 may appeal more to those who require more control over input levels and track management, while the MOTU M4's gain flexibility can be advantageous for varied recording setups.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 2x 1/4" TRS Balanced Line Input 1x 1/4" TRS Unbalanced Headphone Output 4x 1/4" TRS Balanced Line Output (DC-Coupled) 4x RCA TS Unbalanced Line Output |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Phantom Power |
48 V, Selectable On/Off (Selectable on Individual Inputs) |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
Digital Audio I/O |
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Host Connection |
1x USB-C |
1x USB-C |
Host Connection Protocol |
USB 2.0 |
USB 2.0 |
USB (Non-Host) |
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Sync I/O |
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Network I/O |
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MIDI I/O |
1x DIN 5-Pin Input 1x DIN 5-Pin Output |
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The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface offer distinct features tailored for different audio production needs.
Starting with the Audient EVO 8, it includes a total of 4 combo XLR-1/4" TRS balanced mic/line inputs, along with an additional 1/4" TS unbalanced Hi-Z input located on the front panel. The interface also provides 4 balanced line outputs and two unbalanced headphone outputs. One of the standout features of the EVO 8 is its selectable 48V phantom power available for each input, making it versatile for various recording scenarios. However, this interface does not support digital audio I/O, MIDI connectivity, or any sync/network I/O, focusing purely on analog audio routing.
In contrast, the MOTU M4 features a more versatile connectivity setup with 2 combo XLR-1/4" TRS inputs that can accommodate mic, line, or Hi-Z signals, alongside 2 additional balanced line inputs. It offers a single unbalanced headphone output and 4 balanced line outputs, which includes DC-coupled functionality. Like the EVO 8, the M4 also provides selectable 48V phantom power on individual inputs. A key advantage of the MOTU M4 is its MIDI I/O, featuring both a DIN 5-pin input and output, which makes it suitable for connecting MIDI devices. However, the M4, similar to the EVO 8, does not include digital audio I/O or sync/network I/O.
In summary, while both interfaces have robust analog capabilities and phantom power options, the choice between the Audient EVO 8 and the MOTU M4 ultimately depends on the user's need for MIDI connectivity. The EVO 8 is ideal for users focused solely on analog recordings, whereas the MOTU M4 caters to those who require MIDI integration in their setup.
Performance |
Frequency Response |
Mic Inputs: 20 Hz to 20 kHz +0/-0.1 dB Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.15 dB Line Inputs: 20 Hz to 20 kHz ±0.07 dB Line Outputs: 20 Hz to 20 kHz +0/-0.1 dB |
Mic, Line Inputs: 10 Hz to 40 kHz ±0.5 dB Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB A/D Converters: 10 Hz to fs/2 ±0.5 dB D/A Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB |
Maximum Input Level |
Mic Inputs: +10 dBu (Min Gain) Line/Hi-Z Inputs: +16 dBu (Min Gain) Line Inputs: +18 dBu (Min Gain) |
Mic/Line Inputs: +16 dBu Hi-Z Inputs: +10 dBu |
Maximum Output Level |
Line Outputs: +16 dBu (Balanced) Line Outputs: +9.5 dBu (Unbalanced) Headphone Outputs: +12.5 dBu |
D/A Converters: +11 dBu Headphone Outputs: +10.1 dBu (600-Ohm Load) |
Impedance |
Mic Inputs: 2.65 Kilohms Line Inputs: 2 Megohms Hi-Z Inputs: 1 Megohm Line Outputs: 100 Ohms |
Mic Inputs: > 3 Kilohms (Balanced) Line Inputs: > 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) Line Outputs: < 100 Ohms (Balanced) Headphone Outputs: < 50 Ohms (Unbalanced) |
Dynamic Range |
Mic Inputs: 115 dBA Line/Hi-Z Inputs: 114 dBA Line Inputs: 115 dBA Line/Monitor Outputs: 120 dBA RCA Outputs: 119 dBA Headphone Outputs: 115 dBA |
AD/DA Converters: 113 dBA Headphone Outputs: 113 dBA |
THD+N |
Mic Inputs: < -97 dB / < 0.0014% Line/Hi-Z Inputs: < -100 dB / < 0.001% Line Inputs: < -106 dB / < 0.0005% Line/Monitor Outputs: < -110 dB / < 0.00032% RCA Outputs: < -105 dB / < 0.00056% Headphone Outputs: < -110 dB / < 0.0003% |
Mic/Line Inputs: < 0.0015% (1 kHz) Hi-Z Inputs: < 0.3% (1 kHz) D/A Converters: < 0.0015% (1 kHz, at -1 dBFS) Headphone Outputs: < 0.0015% (1 kHz, at -1 dBFS) |
EIN |
Mic Inputs: -129 dB A-Weighted (150-Ohm Source, Max Gain) |
Mic/Line Inputs: < -128 dBu |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface both offer robust specifications, but they differ in several key areas.
Starting with frequency response, the EVO 8 excels in its broader range, particularly for mic and line inputs, spanning from 10 Hz to 40 kHz with a tolerance of ±0.5 dB. In contrast, the MOTU M4 has a more limited frequency response of 20 Hz to 20 kHz for its mic inputs, with slightly wider ranges for line and Hi-Z inputs, but still not matching the EVO 8's capabilities. This makes the EVO 8 potentially more suitable for high-fidelity recordings that require extended frequency response.
When it comes to dynamic range, the MOTU M4 edges out slightly with a dynamic range of 115 dBA for mic inputs compared to the EVO 8's 113 dBA. However, both interfaces provide impressive performance for professional audio applications. The maximum input levels also vary, with the EVO 8 offering +16 dBu for mic/line inputs and +10 dBu for Hi-Z inputs, while the MOTU M4 allows for +10 dBu for mic inputs and +16 dBu for line/Hi-Z inputs, indicating a slight advantage in handling signal levels for the MOTU M4.
In terms of THD+N (Total Harmonic Distortion plus Noise), the MOTU M4 again performs better across the board, with its mic inputs showing a THD+N of < 0.0014% and line inputs as low as < 0.0005%. The EVO 8, while still impressive, has higher figures in comparison, particularly for Hi-Z inputs at < 0.3%.
The headphone output power of the EVO 8 is rated at a maximum of 52 mW into 60 Ohms, whereas the MOTU M4 provides a maximum output of 12.5 dBu, suggesting the EVO 8 may be preferable for users requiring powerful headphone output. Additionally, the EVO 8's EIN (Equivalent Input Noise) for mic inputs is -128 dBu, while the MOTU M4 offers an impressive -129 dB A-Weighted, indicating a slightly quieter performance for the MOTU under maximum gain conditions.
In summary, while both audio interfaces deliver high-quality specifications, the Audient EVO 8 provides a broader frequency response and strong headphone output capabilities, making it ideal for detailed recordings and monitoring. On the other hand, the MOTU M4 boasts superior dynamic range, lower THD+N, and slightly better EIN performance, positioning it as an excellent choice for those prioritizing minimal distortion and noise in their audio setups.
Digital Audio |
Sample Rates |
Up to 192 kHz |
44.1 / 48 / 88.2 / 96 kHz |
Sample Rate Conversion |
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Bit Depths |
24-Bit |
Up to 24-Bit |
Latency |
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
5 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 4.1 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Sync Sources |
Internal |
Internal |
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface, several key specifications stand out.
The Audient EVO 8 supports sample rates of 44.1, 48, 88.2, and 96 kHz, while the MOTU M4 offers a broader range, with sample rates up to 192 kHz. This advantage in sample rate capability allows the MOTU M4 to capture higher audio fidelity, making it a better choice for users who require superior sound quality in their recordings.
In terms of bit depth, both interfaces provide up to 24-Bit depth, ensuring high-quality audio capture for professional applications. However, the latency performance differs between the two devices. The Audient EVO 8 has a latency of 5 ms at 44.1 kHz and 4.1 ms at 96 kHz, which is relatively low but not the lowest in its class. The MOTU M4, on the other hand, features zero-latency direct monitoring and an impressive 2.5 ms latency at 96 kHz, making it ideal for real-time audio processing without noticeable delay.
Both interfaces utilize internal sync sources, making them reliable for synchronized recording environments. However, the enhanced performance metrics of the MOTU M4, especially regarding sample rate and latency, position it as a more advanced option for users requiring high-quality audio capture and monitoring.
Audio Storage & Playback |
Memory Card Slot |
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When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface, both products share the feature of not having a memory card slot. This means that users will need to rely on other storage options for their recordings and projects.
The Audient EVO 8 is designed with a focus on user-friendly features and high-quality audio performance. It features four inputs and four outputs, providing ample connectivity for various recording setups. The interface also includes smart gain functionality, which automatically sets input levels, making it an excellent choice for beginners or those who want to streamline their recording process.
On the other hand, the MOTU M4 offers a slightly different approach with its 4x4 configuration and a more extensive set of monitoring features. It boasts high-performance AD/DA converters and a loopback feature that is ideal for live streaming and podcasting. Additionally, the MOTU M4 is known for its low latency and robust build quality, making it a solid choice for both studio and mobile recording environments.
In summary, while both the Audient EVO 8 and MOTU M4 do not include a memory card slot, they cater to different user needs and preferences. The EVO 8 emphasizes ease of use and smart technology, while the MOTU M4 focuses on professional-grade audio quality and versatile monitoring options. Ultimately, the choice between the two will depend on individual requirements and the specific features that resonate most with the user.
Compatibility |
OS Compatibility |
macOS 10.11 or Later Windows 7 or Later 9 or Later |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Processor Requirement |
Mac: 1 GHz Intel PC: 1 GHz Intel Pentium |
Mac: Intel PC: 1.6 GHz Intel Core 2 |
RAM Requirements |
2 GB, 4 GB Recommended |
1 GB |
Required Hardware |
Available USB 2.0 Port USB Cable (Included) |
Available USB 2.0 Port USB Cable (Included) |
Internet Connection |
Required for Software/Driver Download |
Required for Software/Driver Download |
The Audient EVO 8 and the MOTU M4 are both robust audio interfaces designed to meet the needs of musicians, producers, and content creators, but they exhibit notable differences in their specifications and requirements.
Starting with the OS Compatibility, the Audient EVO 8 supports macOS 10.7.5 or later and Windows 7 or later, offering flexibility for users of older systems. In contrast, the MOTU M4 requires macOS 10.11 or later and supports Windows 7 or later, but also includes compatibility for Windows 9, making it slightly more versatile for Windows users.
When it comes to Processor Requirements, the Audient EVO 8 demands a Mac with an Intel processor at 1.6 GHz and a PC with a similar Intel Core 2 requirement. The MOTU M4, however, requires only a 1 GHz Intel processor for both Mac and PC, which could make it more accessible for users with lower-spec machines.
In terms of RAM Requirements, the Audient EVO 8 only needs 1 GB of RAM, while the MOTU M4 necessitates a minimum of 2 GB, with 4 GB recommended. This means that the EVO 8 may be a better option for users with limited system resources.
Both interfaces require an Available USB 2.0 Port and include a USB cable in the package. An Internet Connection is necessary for software and driver downloads for both devices, ensuring that users can easily access the latest updates.
In summary, the Audient EVO 8 offers compatibility with older operating systems and lower RAM requirements, making it ideal for users with less demanding setups. On the other hand, the MOTU M4 provides greater versatility with its processor specifications and supports a broader range of Windows versions, although it demands more RAM. Depending on the user's existing equipment and needs, either interface could serve as an excellent choice for enhancing audio production capabilities.
Power |
Power Requirements |
USB Bus Power |
USB Bus Power |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface both utilize USB bus power for their operation, ensuring a streamlined setup without the need for an external power supply. This feature is particularly beneficial for users who prioritize portability and convenience, as both interfaces can be easily powered through a connected computer or laptop.
In terms of connectivity, both devices are equipped with USB Type-C ports, allowing for fast data transfer and compatibility with modern devices. The Audient EVO 8 offers four inputs and four outputs, making it suitable for multi-track recording scenarios. Its intuitive design and smart gain feature provide users with ease of use, especially for those new to audio interfaces. Conversely, the MOTU M4 also boasts four inputs and outputs, but it includes additional MIDI connectivity, catering to musicians and producers who require integration with MIDI devices.
When it comes to audio quality, both interfaces are designed to deliver high-resolution sound. The Audient EVO 8 is equipped with high-performance converters and preamps that enhance the overall audio experience. The MOTU M4, on the other hand, is known for its exceptional audio performance and ultra-low latency, making it an excellent choice for professional applications. Both interfaces come with software bundles, further enhancing their value for users seeking to create high-quality recordings.
Overall, while both the Audient EVO 8 and the MOTU M4 share the common feature of USB bus power, they cater to slightly different user needs. The EVO 8 is ideal for those looking for a straightforward, user-friendly interface, while the M4 offers advanced features such as MIDI connectivity and superior audio performance, making it suitable for more complex studio setups.
Physical |
Dimensions |
8.25 x 4.25 x 1.75" / 20.96 x 10.79 x 4.45 cm (Chassis Only) |
7.48 x 2.76 x 2.76" / 19 x 7 x 7 cm |
Weight |
1.6 lb / 0.7 kg |
1.0 lb / 0.5 kg |
The Audient EVO 8 and MOTU M4 are both excellent USB audio interfaces, but they cater to slightly different user needs with their unique specifications.
In terms of dimensions, the Audient EVO 8 is more compact, measuring 7.48 x 2.76 x 2.76 inches (19 x 7 x 7 cm), making it an ideal choice for those with limited desktop space. It weighs 1.0 lb (0.5 kg), which enhances its portability for traveling musicians or producers. On the other hand, the MOTU M4 is slightly larger and bulkier, with dimensions of 8.25 x 4.25 x 1.75 inches (20.96 x 10.79 x 4.45 cm) and a weight of 1.6 lb (0.7 kg). This additional weight and size may be a consideration for users who prioritize portability.
Another noteworthy feature of the MOTU M4 is its anti-theft capability, equipped with a Kensington Security Slot. This feature is particularly appealing for users who may be using the interface in public spaces or shared environments, providing an added layer of security that the Audient EVO 8 lacks.
In summary, if you require a more compact and lightweight audio interface, the Audient EVO 8 would be a suitable choice. However, if security is a priority along with slightly more robust dimensions, the MOTU M4 may be the better option. Both interfaces offer quality performance, but their specifications cater to different user preferences and situations.
Packaging Info |
Package Weight |
2.15 lb |
1.79 lb |
Box Dimensions (LxWxH) |
10.6 x 7.3 x 2.8" |
9.1 x 4.2 x 3.6" |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the MOTU M4 USB-C Audio-MIDI Interface present distinct features catering to different user needs in the realm of audio recording and production.
In terms of package weight, the Audient EVO 8 is lighter at 1.79 lb, making it a more portable option for musicians and audio engineers who are frequently on the move. Conversely, the MOTU M4 weighs 2.15 lb, which may be slightly bulkier but still manageable for transport. The difference in weight could influence the decision for users who prioritize portability versus those who may not mind a bit more heft in exchange for additional features.
When it comes to box dimensions, the Audient EVO 8 measures 9.1 x 4.2 x 3.6", which offers a compact design suitable for desktop setups with limited space. On the other hand, the MOTU M4 is larger, with dimensions of 10.6 x 7.3 x 2.8". The increased size of the MOTU M4 may suggest more extensive connectivity options or additional features, which could be appealing for users who require more than just basic functionality.
Overall, while the Audient EVO 8 provides a lightweight and compact solution for those on the go, the MOTU M4 offers a slightly bulkier option that may support a wider range of applications and connectivity. The choice between these two interfaces will largely depend on the specific needs and preferences of the user regarding portability and features.