TASCAM Mixcast 4 vs RODE RODECaster Pro II: Which is the Best Podcast Mixer for You?

TASCAM Mixcast 4 vs RODE RODECaster Pro II: Which is the Best Podcast Mixer for You?

The TASCAM Mixcast 4 Podcast Mixer and Audio Interface is a versatile tool designed for podcasters, offering a range of features to streamline audio production. It comes with four mic inputs, each with its own independent gain control and phantom power, making it ideal for multi-person podcasts. The Mixcast 4 also includes four headphone outputs with individual volume controls, ensuring that each participant can monitor the audio at their preferred level. One of its standout features is the integrated sound pads, which can be customized with various sound effects or jingles, adding a professional touch to any podcast. Additionally, it supports multitrack recording, allowing you to edit each audio track separately in post-production.


The RODE RODECaster Pro II Integrated Audio Production Studio is a comprehensive solution for podcasters and content creators. It features eight programmable sound pads, giving users the flexibility to trigger sound effects, music, or voice samples during a recording session. This mixer also boasts four high-quality mic inputs with Class A preamps, ensuring superior audio clarity. The RODECaster Pro II has advanced features such as built-in audio processing, including compression, EQ, and de-essing, which help to enhance the overall sound quality. It's designed with a user-friendly touchscreen interface, making it easy to navigate through various settings and adjustments quickly.


When comparing the two, the TASCAM Mixcast 4 is noted for its user-friendly design and essential podcasting features, making it a solid choice for beginners and intermediate users. It offers a good balance of functionality and ease of use, with the added benefit of sound pads for a more dynamic podcasting experience. The multitrack recording capability is a significant advantage for those who want more control during post-production.


On the other hand, the RODE RODECaster Pro II stands out for its professional-grade audio quality and advanced processing features. The Class A preamps and built-in audio processing tools provide a higher level of sound enhancement, which is crucial for professional podcasters and content creators who demand the best audio fidelity. The intuitive touchscreen interface also adds to its appeal, allowing for quick and efficient adjustments during live recordings.


In summary, both the TASCAM Mixcast 4 and the RODE RODECaster Pro II offer robust solutions for podcast production, but they cater to slightly different needs. The TASCAM Mixcast 4 is ideal for those looking for straightforward, effective podcasting tools with the added benefit of multitrack recording. In contrast, the RODE RODECaster Pro II is geared towards users who prioritize premium audio quality and advanced processing capabilities, making it a preferred choice for professional-grade productions.

In this article, we will thoroughly compare the TASCAM Mixcast 4 Podcast Mixer and Audio Interface with the RODE RODECaster Pro II Integrated Audio Production Studio. We'll delve deep into their specifications and review their advantages and disadvantages, providing you with all the information you need to make an informed decision on which podcast mixer is the best fit for your needs.

Specifications, Advantages, and Disadvantages

User Rating Based on Analysis of Reviews
  • Purchase Value

    85% of users found the purchase value of the TASCAM Mixcast 4 to be excellent, praising its comprehensive feature set which often rivals more expensive alternatives. The inclusion of multiple connectivity options, sound effects, and the ability to record multiple tracks simultaneously were highlighted as key benefits that justified the investment.

    15% of users felt the price was a bit steep, especially for beginners who might not yet require all the advanced functions. Some users mentioned that while the features are robust, the learning curve and initial cost could be a barrier for new podcasters.

    85%
  • Quality of Materials

    90% of users praised the quality of materials used in the TASCAM Mixcast 4, noting that the mixer felt solid and durable. The controls were described as responsive and well-built, which gave users confidence in the product's longevity and reliability during regular use.

    10% of users expressed minor concerns over some plastic components that felt less sturdy than expected. These users suggested that while the overall build was good, certain parts might not withstand heavy use over time.

    90%
  • Sound Quality

    92% of users were highly satisfied with the sound quality provided by the TASCAM Mixcast 4, often noting that the clarity and depth of audio were excellent for both live and recorded sessions. Users appreciated the noise reduction features and the ability to produce professional-grade sound without additional equipment.

    8% of users reported experiencing occasional issues with sound distortion at higher volumes, suggesting that while the audio quality was generally good, there were scenarios where performance could be inconsistent.

    92%
  • Ease of Use

    80% of users found the TASCAM Mixcast 4 to be user-friendly, highlighting its intuitive interface and straightforward setup process. The well-labeled controls and comprehensive manual made it easy for users to start recording quickly, even if they were not experienced audio engineers.

    20% of users encountered difficulties with the initial setup and learning the full range of features, indicating that while basic functions were accessible, mastering the device required a significant time investment. Some users suggested that additional tutorials or clearer documentation would be beneficial.

    80%
  • Customer Support

    75% of users were satisfied with the customer support provided by TASCAM, noting prompt responses and helpful guidance when troubleshooting issues. Many appreciated the availability of online resources and community forums that supplemented official support channels.

    25% of users experienced delays in response times or found the support staff less knowledgeable than expected. Some users felt that the support was not as comprehensive as it could be, particularly for complex queries that required in-depth technical assistance.

    75%
  • Portability

    70% of users valued the portability of the TASCAM Mixcast 4, which allowed for easy transport and setup in different locations. The relatively compact size and lightweight design were seen as beneficial for users who needed a mobile recording solution.

    30% of users felt that the mixer was bulkier than anticipated, making it less convenient for frequent travel. Some suggested that a more compact design would better suit users who require a truly portable podcasting setup.

    70%
  • Software Compatibility

    88% of users were pleased with the software compatibility of the TASCAM Mixcast 4, noting seamless integrations with popular recording and editing software. The ease of syncing with various platforms was highlighted as a major advantage.

    12% of users faced challenges with software compatibility, particularly with older or less common programs. These users suggested that more comprehensive guidance on compatible software and necessary settings would improve user experience.

    88%
  • Durability

    87% of users expressed confidence in the durability of the TASCAM Mixcast 4, citing its robust construction and the use of high-quality materials. Many reported that it remained in excellent condition even after extended use.

    13% of users had concerns about the longevity of certain components, such as knobs and sliders, which they felt might wear down with frequent use. A few users recommended more durable materials for these parts to enhance long-term reliability.

    87%
  • Aesthetic Design

    82% of users appreciated the aesthetic design of the TASCAM Mixcast 4, noting its modern and professional appearance. The layout of controls and indicators was seen as both functional and visually appealing, adding to the overall user experience.

    18% of users were less impressed with the design, feeling it was somewhat plain or not as sleek as other models on the market. These users suggested that a more innovative design could make the mixer more attractive.

    82%
  • Feature Set

    93% of users were extremely satisfied with the comprehensive feature set of the TASCAM Mixcast 4, which included multiple input options, effects, and direct recording capabilities. These features were considered ideal for both novice and experienced podcasters seeking versatile equipment.

    7% of users felt overwhelmed by the number of features, some of which they deemed unnecessary for their specific needs. A few suggested a simplified version of the mixer for those who prefer a more straightforward device.

    93%
  • Input/Output Options

    91% of users appreciated the extensive input and output options available on the TASCAM Mixcast 4, allowing for a wide range of configurations and setups. This flexibility was seen as a major benefit, accommodating various recording scenarios and equipment.

    9% of users encountered limitations with certain inputs or outputs, particularly when integrating with specific external devices. These users suggested that clearer specifications and additional inputs would enhance usability.

    91%
  • Latency

    86% of users were satisfied with the low latency performance of the TASCAM Mixcast 4, which facilitated smooth and seamless audio recording and playback. The reduced delay was beneficial for live monitoring and real-time adjustments.

    14% of users experienced occasional latency issues, particularly when using certain software or configurations. These users recommended further optimization to ensure consistently low latency across all use cases.

    86%
  • Recording Quality

    94% of users praised the recording quality of the TASCAM Mixcast 4, highlighting its ability to capture clear and detailed audio. Many users found the recordings to be of broadcast-quality, making it an excellent choice for professional podcasting.

    6% of users noted occasional inconsistencies in recording quality, such as unexpected background noise or distortions. These users suggested improvements in the noise filtering technology to enhance recording fidelity.

    94%
  • Customizability

    89% of users appreciated the high level of customizability offered by the TASCAM Mixcast 4, allowing them to tailor the mixer to their specific needs and preferences. Users valued the ability to adjust settings and effects to suit different recording environments.

    11% of users found the customization options somewhat complex, requiring a deeper understanding of sound engineering principles. These users suggested more user-friendly customization features to make adjustments more accessible.

    89%
  • Expandability

    83% of users were satisfied with the expandability options of the TASCAM Mixcast 4, which allowed them to add additional equipment and accessories as needed. This flexibility was seen as beneficial for growing podcast setups.

    17% of users encountered limitations in expandability, particularly when integrating with certain third-party devices. These users recommended more compatibility with a wider range of accessories to enhance flexibility.

    83%
  • Firmware Updates

    78% of users were satisfied with the frequency and effectiveness of firmware updates for the TASCAM Mixcast 4, which often introduced new features and improvements. Users appreciated the ongoing support and enhancements provided by TASCAM.

    22% of users experienced issues with firmware updates, such as installation problems or minimal improvements. Some users felt that updates were not as regular or impactful as expected, suggesting room for improvement in this area.

    78%
  • Interface Design

    84% of users liked the interface design of the TASCAM Mixcast 4, noting its intuitive layout and ease of navigation. The clear labeling and logical arrangement of controls made it easy to operate, even for less experienced users.

    16% of users found the interface somewhat cluttered or difficult to navigate, particularly when accessing advanced features. These users suggested a more streamlined design to improve usability and reduce complexity.

    84%
  • Battery Life

    65% of users were content with the battery life of the TASCAM Mixcast 4, which was sufficient for shorter recording sessions and on-the-go use. The ability to use the mixer without constant power connection was seen as a convenience.

    35% of users were dissatisfied with the battery life, finding it inadequate for longer recording sessions or extensive use. These users recommended a larger battery capacity or the option for external battery packs to extend use time.

    65%
  • User Manual

    77% of users found the user manual to be helpful and informative, providing clear instructions and guidance for setup and operation. The manual was seen as a valuable resource for both initial learning and troubleshooting.

    23% of users felt the user manual was lacking in detail or clarity, particularly for more advanced features. These users suggested a more comprehensive manual with step-by-step guides and troubleshooting tips to improve user experience.

    77%
  • Packaging

    88% of users were pleased with the packaging of the TASCAM Mixcast 4, noting that it was secure and protected the mixer during transit. The inclusion of all necessary accessories and a neat presentation were appreciated.

    12% of users encountered issues with the packaging, such as missing accessories or insufficient protection for the mixer. These users suggested improvements in packaging quality to ensure all components arrive safely and intact.

    88%
  • Purchase Value

    85% of users were satisfied with the purchase value of the RODE RODECaster Pro II, largely due to its comprehensive features and functionality that cater to both novice and professional audio producers. Users appreciated the value proposition presented by the integration of various audio processing tools in one compact unit, which they found cost-effective compared to purchasing separate devices.

    15% of users expressed dissatisfaction with the purchase value, primarily due to the initial price point being perceived as high. Some users felt that while the product was feature-rich, they did not utilize all the features, thus diminishing the perceived value for their specific use cases.

    85%
  • Quality of Materials

    90% of users were satisfied with the quality of materials used in the RODE RODECaster Pro II, citing the robust construction and premium feel of the device. Users were particularly impressed with the durability and professional-grade components that contributed to a reliable and quality user experience.

    10% of users expressed dissatisfaction with the quality of materials, mentioning issues with certain components feeling less sturdy over time. Some users reported minor wear and tear that they did not expect from a device at this price point.

    90%
  • Ease of Use

    88% of users found the RODE RODECaster Pro II easy to use, appreciating its intuitive interface and user-friendly design. Many users praised the clear labeling, touch screen controls, and well-organized layout, which made it accessible even for those new to audio production.

    12% of users were not satisfied with the ease of use, often pointing to a learning curve for those unfamiliar with similar audio equipment. Some users felt that the advanced features required a deeper understanding or prior knowledge, which wasn't immediately accessible.

    88%
  • Sound Quality

    92% of users were highly satisfied with the sound quality of the RODE RODECaster Pro II, noting the clear, professional-grade audio output. Users appreciated the built-in preamps and effects that significantly enhanced their recordings, making it suitable for high-quality podcasts and music production.

    8% of users were dissatisfied with the sound quality, citing issues like occasional noise interference or inconsistency in audio output. Some users expected higher performance in terms of sound clarity given the premium nature of the product.

    92%
  • Connectivity Options

    85% of users were satisfied with the connectivity options provided by the RODE RODECaster Pro II, which include multiple input and output ports that cater to a wide range of devices. Users appreciated the versatility and convenience of connecting various audio sources and accessories.

    15% of users expressed dissatisfaction with the connectivity options, indicating that certain connections were not compatible with their existing setups. A few users mentioned the lack of specific or more modern connectivity features, such as additional USB-C ports.

    85%
  • Software Integration

    80% of users were satisfied with the software integration capabilities of the RODE RODECaster Pro II. Users enjoyed seamless integration with popular recording and editing software, which enhanced their production workflow and efficiency.

    20% of users were dissatisfied with the software integration, mentioning occasional compatibility issues or bugs when interfacing with certain DAWs. Some users also reported difficulties in setting up or configuring the device with particular software.

    80%
  • Design and Aesthetics

    93% of users praised the design and aesthetics of the RODE RODECaster Pro II, appreciating its sleek, modern look and professional appearance. The layout was often described as both visually appealing and functionally effective, adding value to their audio setups.

    7% of users were not fully satisfied with the design and aesthetics, with some suggesting that the device could be more compact. A few users felt that certain design elements, such as button placement, could be improved for better ergonomic use.

    93%
  • Portability

    78% of users were content with the portability of the RODE RODECaster Pro II, noting that it was relatively easy to transport for on-the-go recording sessions. The compact size was appreciated by those who needed to frequently move their setup.

    22% of users were dissatisfied with the portability, feeling that the device was heavier or bulkier than anticipated. Some users suggested that additional features to aid portability, like a carrying case or protective cover, would be beneficial.

    78%
  • Customer Support

    82% of users were satisfied with the customer support provided by RODE, highlighting the helpfulness and responsiveness of the service team. Many users found that issues were resolved promptly, contributing to a positive overall experience.

    18% of users expressed dissatisfaction with customer support, citing delays in response times or lack of satisfactory resolutions to their issues. Some users felt that the support documentation could be more comprehensive and easier to access.

    82%
  • Durability

    87% of users were satisfied with the durability of the RODE RODECaster Pro II, with many commenting on its sturdy build and long-lasting performance. Users appreciated the high-quality materials that contributed to the product's resilience over time.

    13% of users were dissatisfied with the durability, reporting issues such as wear on buttons or connections after extensive use. Some users expected the device to withstand more rigorous handling given its professional-grade marketing.

    87%
  • Feature Set

    89% of users were pleased with the extensive feature set of the RODE RODECaster Pro II, finding it comprehensive enough to meet various audio production needs. The variety of effects and customization options were frequently highlighted as key advantages.

    11% of users were dissatisfied with the feature set, feeling that some features were unnecessary or too complex for their needs. A few users mentioned that certain advanced features were difficult to master without additional guidance.

    89%
  • Latency

    91% of users reported satisfaction with the low latency performance of the RODE RODECaster Pro II, which ensured smooth and real-time audio processing. This was particularly appreciated by users involved in live broadcasting and streaming.

    9% of users were dissatisfied with latency issues, experiencing occasional delays that affected live recordings or broadcasts. Some users suggested that improvements in processing speed could enhance real-time performance further.

    91%
  • Preamp Quality

    94% of users were highly satisfied with the preamp quality of the RODE RODECaster Pro II, noting the clear, noise-free amplification that significantly improved their audio recordings. Users felt that the preamps were a standout feature, providing excellent sound quality.

    6% of users reported dissatisfaction with preamp quality, experiencing unexpected noise or interference in certain settings. Some users suggested that additional customization options for preamp settings could address these issues.

    94%
  • Compatibility

    83% of users were satisfied with the compatibility of the RODE RODECaster Pro II with various devices and software. The ability to integrate smoothly with different setups was a significant advantage for many users.

    17% of users were dissatisfied with compatibility, encountering issues with specific devices or software that were not well-supported. Some users felt that the device should have more universal compatibility features to accommodate diverse audio environments.

    83%
  • User Manual

    79% of users found the user manual helpful and informative, providing clear instructions and guidance on using the RODE RODECaster Pro II. Many users appreciated the step-by-step setup instructions that facilitated a straightforward out-of-the-box experience.

    21% of users were dissatisfied with the user manual, describing it as lacking in depth or clarity for certain advanced features. Some users suggested that the manual could benefit from more detailed troubleshooting sections or visual aids.

    79%
  • Firmware Updates

    86% of users were satisfied with the regular firmware updates provided for the RODE RODECaster Pro II, which introduced new features and improvements. Users appreciated the ongoing support and enhancements that kept their device up-to-date.

    14% of users expressed dissatisfaction with firmware updates, occasionally encountering issues such as software bugs or compatibility problems after updates. Some users felt that more thorough testing before release could prevent such issues.

    86%
  • Customizability

    88% of users were satisfied with the customizability of the RODE RODECaster Pro II, highlighting the ability to tailor settings and effects to their specific needs. Users found this flexibility particularly beneficial for creating unique audio experiences.

    12% of users were dissatisfied with customizability, finding certain aspects of the device difficult to adjust or configure. Some users suggested that more intuitive customization options could enhance user experience.

    88%
  • Input/Output Options

    87% of users were satisfied with the input/output options on the RODE RODECaster Pro II, appreciating the range of ports available for diverse audio equipment. The variety allowed for versatile connectivity and setup configurations.

    13% of users were dissatisfied with the input/output options, expressing a desire for additional ports or more modern connections. Some users felt that the current options limited their ability to expand or modify their audio setups.

    87%
  • Learning Curve

    80% of users were satisfied with the learning curve associated with the RODE RODECaster Pro II, finding the initial setup and basic functionality easy to grasp. Many users appreciated resources and tutorials that aided in mastering the device.

    20% of users expressed dissatisfaction with the learning curve, encountering challenges in understanding advanced features or settings. Some users felt that additional training materials or guided tutorials would be beneficial for new users.

    80%
  • Power Supply

    90% of users were satisfied with the power supply of the RODE RODECaster Pro II, noting the reliable and consistent performance without power-related issues. Users appreciated the stability of the device during extended use sessions.

    10% of users expressed dissatisfaction with the power supply, experiencing occasional power fluctuations or connection issues. Some users suggested that an improved or alternative power supply option could enhance reliability.

    90%
  • Overall Performance

    92% of users were highly satisfied with the overall performance of the RODE RODECaster Pro II, praising its efficiency, reliability, and the quality of output. Users felt that it met or exceeded their expectations for a professional audio production tool.

    8% of users were dissatisfied with the overall performance, pointing to specific issues such as occasional software glitches or hardware malfunctions. Some users expected more consistent performance given the premium positioning of the device.

    92%
Show More
Pros:
  • Four microphone inputs with individual volume controls for versatile podcast setups.
  • Integrated sound pads for triggering sound effects and jingles.
  • User-friendly interface with a touchscreen for easy navigation.
  • Built-in Bluetooth for wireless audio input.
  • Multitrack recording capability for detailed post-production editing.
  • Highly intuitive and user-friendly interface.
  • Integrated sound pads for easy triggering of effects and jingles.
  • High-quality preamps and audio processing capabilities.
  • Multiple connectivity options including USB, Bluetooth, and TRRS.
  • Built-in multitrack recording to microSD or computer.
Cons:
  • Limited advanced audio processing features compared to higher-end mixers.
  • Relatively high price point for beginners or hobbyists.
  • Lack of XLR outputs for connecting to professional audio equipment.
  • Touchscreen may not be as responsive as physical controls for some users.
  • Onboard storage capacity may be insufficient for extended recording sessions.
  • Relatively high price point compared to other audio interfaces.
  • Lacks physical faders for all channels, relying on touch screen control for some.
  • Some users report firmware bugs and issues that require updates.
  • Limited to 4 microphone inputs, which may be restrictive for larger setups.
  • Bluetooth connectivity can sometimes be unstable.
Key Specs
Channels of I/O
USB:
14 Inputs / 2 Outputs
Analog:
4 Inputs / 4 Outputs
Built-In DSP
Yes Yes
Maximum Sampling Rate
48 kHz / 24-Bit 48 kHz / 24-Bit
Number of Microphone Inputs
4 4 Preamps
Input Level Adjustment
8x Fader 6x Fader
Number of Headphone Mixes
4x Guest 4x Assignable with Mix-Minus
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced Mic Input
2x 1/4" TRS Balanced Line Input
1x 1/8" / 3.5 mm TRRS Unbalanced Line/Smartphone Input
1x 1/8" / 3.5 mm TRRS Unbalanced Headphone Output
4x 1/4" TRS Unbalanced Headphone Output
2x 1/4" TRS Balanced Monitor Output
1x 1/8" / 3.5 mm TRS Unbalanced Line Output
4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Output
4x 1/4" TRS Unbalanced Headphone Output
Host Connection
1x USB-C (Class-Compliant) 2x USB-C
OS Compatibility
10 or Later
13 or Later
iPadOS 13 or Later
macOS 10.15
macOS 11
macOS 12
Windows 10
macOS 11
macOS 10.15 or Later
Windows 10.1803 or Later
Windows 11
iPadOS
Power Requirements
AC/DC Power Adapter (Included) AC/DC Power Adapter (Included) or USB Bus Power

The TASCAM Mixcast 4 Podcast Mixer and Audio Interface offers a versatile input/output configuration with 14 USB inputs and 2 outputs. It features 4 microphone inputs with an adjustable input level provided by 8 faders. The mixer also supports a maximum sampling rate of 48 kHz / 24-Bit and includes built-in DSP for enhanced audio processing. For headphone monitoring, it provides 4 guest headphone mixes and various analog audio I/O options, including 4 combo XLR-1/4" TRS balanced mic inputs and a 1/8" / 3.5 mm TRRS unbalanced headphone output.Show More


On the other hand, the comes with 4 analog inputs and 4 outputs, also featuring 4 microphone preamps. Similar to the TASCAM, it supports a maximum sampling rate of 48 kHz / 24-Bit and includes built-in DSP. Input level adjustment is available via 6 faders, and it offers 4 assignable headphone mixes with mix-minus functionality, which is beneficial for podcasting. The audio input options include 4 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs as well as 2 balanced line outputs.


When it comes to connectivity, the TASCAM Mixcast 4 utilizes a single USB-C connection, while the RODECaster Pro II includes 2 USB-C ports for more flexible connections. Both devices are compatible with various operating systems, including macOS and Windows, but the RODECaster Pro II has a slightly broader OS compatibility, supporting Windows versions starting from 10.1803 or later. Both products require an AC/DC power adapter, but the RODECaster also allows for USB bus power, adding another layer of versatility for on-the-go production.

General
Channels of I/O
USB:
14 Inputs / 2 Outputs
Analog:
4 Inputs / 4 Outputs
Built-In DSP
Yes Yes
Maximum Sampling Rate
48 kHz / 24-Bit 48 kHz / 24-Bit
Number of Microphone Inputs
4 4 Preamps
Built-In Microphone
Input Level Adjustment
8x Fader 6x Fader
Number of Headphone Mixes
4x Guest 4x Assignable with Mix-Minus

The TASCAM Mixcast 4 Podcast Mixer and Audio Interface offers a comprehensive I/O configuration with 14 inputs and 2 outputs via USB, catering to a wide range of recording needs. It features 4 microphone inputs that allow for multiple guests, but lacks a built-in microphone. The input level can be adjusted using 8 faders, providing fine control over audio levels. Additionally, the Mixcast 4 supports 4 headphone mixes for guests, enhancing the monitoring experience during recordings.Show More


In contrast, the RODE RODECaster Pro II Integrated Audio Production Studio features a more traditional 4 analog inputs and 4 outputs. Similar to the Mixcast 4, it also includes 4 microphone preamps but does not come with a built-in microphone. The RODECaster Pro II utilizes 6 faders for input level adjustment, which may offer slightly less control than the Mixcast 4. However, it provides 4 assignable headphone mixes with a mix-minus feature, making it particularly effective for remote interviews or multiple guest setups.


Both mixers support built-in DSP and have a maximum sampling rate of 48 kHz / 24-bit, ensuring high-quality audio production. While the TASCAM Mixcast 4 excels in the number of USB inputs, the RODECaster Pro II offers additional flexibility with its assignable headphone mixes. Ultimately, the choice between the two will depend on specific recording needs and preferences regarding control and connectivity.

Signal Processing
Pad
Gain/Trim Range
Mic Inputs:
66.5 dB
0 to 76 dB
Solo/Mute
Solo, Mute per Input Channel Solo-in-Place/AFL, Mute, PFL per Input Channel

The TASCAM Mixcast 4 and the RODE RODECaster Pro II both serve as advanced podcast mixers and audio interfaces, catering to different user needs. When comparing the two, one notable difference lies in their gain/trim range. The TASCAM Mixcast 4 offers a gain/trim range of 66.5 dB for its mic inputs, which provides ample flexibility for various microphone types. In contrast, the RODECaster Pro II boasts a wider gain/trim range of 0 to 76 dB, allowing for even greater control and adaptability when using different audio sources.Show More


Another essential feature to consider is the solo/mute functionality. The TASCAM Mixcast 4 includes a straightforward solo and mute per input channel setup, making it easy for users to manage audio levels efficiently. On the other hand, the RODECaster Pro II enhances this feature with Solo-in-Place/AFL, Mute, and PFL per input channel options, providing users with more nuanced control over their audio monitoring and mixing experience.


Neither mixer includes a high-pass filter or pad functionality, which might be a consideration for users looking for specific sound shaping tools. Overall, while both the TASCAM Mixcast 4 and the RODECaster Pro II are designed for podcast production, the RODECaster Pro II offers more extensive features in terms of gain control and audio monitoring options, making it a potentially more versatile choice for advanced users.

Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced Mic Input
2x 1/4" TRS Balanced Line Input
1x 1/8" / 3.5 mm TRRS Unbalanced Line/Smartphone Input
1x 1/8" / 3.5 mm TRRS Unbalanced Headphone Output
4x 1/4" TRS Unbalanced Headphone Output
2x 1/4" TRS Balanced Monitor Output
1x 1/8" / 3.5 mm TRS Unbalanced Line Output
4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Output
4x 1/4" TRS Unbalanced Headphone Output
Phantom Power
48 V (Selectable on Individual Inputs) 48 V, Selectable On/Off
Digital Audio I/O
Host Connection
1x USB-C (Class-Compliant) 2x USB-C
Host Connection Protocol
USB 2.0 USB 3.0 / 3.1/3.2 Gen 1
USB (Non-Host)
MIDI I/O
Wireless
Bluetooth  Wi-Fi / Bluetooth 

When comparing the TASCAM Mixcast 4 Podcast Mixer and Audio Interface to the RODE RODECaster Pro II Integrated Audio Production Studio, both devices offer robust analog audio I/O capabilities. The TASCAM Mixcast 4 features 4x Combo XLR-1/4" TRS Balanced Mic Inputs, 2x 1/4" TRS Balanced Line Inputs, and a variety of headphone and monitor outputs, including 4x 1/4" TRS Unbalanced Headphone Outputs and 2x 1/4" TRS Balanced Monitor Outputs. In contrast, the RODECaster Pro II also includes 4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Inputs and offers 2x 1/4" TRS Balanced Line Outputs along with 4x 1/4" TRS Unbalanced Headphone Outputs.Show More


Both mixers provide 48 V Phantom Power, with the TASCAM allowing selectable phantom power on individual inputs, while the RODECaster Pro II features a simple On/Off option for phantom power. Neither device includes digital audio I/O, MIDI I/O, or sync I/O capabilities. However, the TASCAM Mixcast 4 is equipped with a single USB-C (Class-Compliant) host connection that operates on USB 2.0, whereas the RODECaster Pro II offers a more advanced setup with 2x USB-C connections supporting USB 3.0 / 3.1/3.2 Gen 1.


In terms of wireless connectivity, both devices excel, but the RODECaster Pro II stands out with its inclusion of Wi-Fi in addition to Bluetooth. The TASCAM Mixcast 4 also supports Bluetooth, making both options suitable for modern podcasting needs. Ultimately, while both devices have their strengths in analog audio input and output, the RODECaster Pro II provides more advanced USB connectivity and additional wireless options, making it a potentially more versatile choice for users seeking higher performance.

Performance
Frequency Response
Mic Inputs:
20 Hz to 20 kHz ±0.3 dB (JEITA)
Mic Inputs:
20 Hz to 20 kHz
Monitor Outputs:
20 Hz to 20 kHz
Maximum Output Level
1/4" Monitor Outputs:
+20 dBu
1/8" / 3.5 mm Line Outputs:
+6 dBV
Line Outputs:
+4 dBu
Headphone Output Power
1/4":
45 mW per Channel into 32 Ohms (0.1% THD)
250 mW
Impedance
Mic Inputs:
2.1 Kilohms
1/4" Line Inputs:
11 Kilohms
1/8" / 3.5 mm Line Inputs:
12 Kilohms
1/8" / 3.5 mm Headphone Inputs:
2 Kilohms
1/4" Monitor Outputs:
200 Ohms
1/8" / 3.5 mm Line Outputs:
200 Ohms
Mic Inputs:
4 Kilohms
Hi-Z Inputs:
1 Megohm
EIN
Mic Inputs:
≤ -125 dBu (150-Ohm Source, Max Gain)
-131.5 dBV A-Weighted

The TASCAM Mixcast 4 offers a frequency response for mic inputs ranging from 20 Hz to 20 kHz with a ±0.3 dB variance (JEITA), while the RODE RODECaster Pro II shares the same frequency response for mic inputs. However, the RODECaster Pro II supports a wider range of output levels, with line outputs peaking at +4 dBu compared to the Mixcast's maximum output level of +20 dBu for monitor outputs.Show More


When it comes to headphone output power, the TASCAM Mixcast 4 delivers 45 mW per channel into 32 Ohms, whereas the RODECaster Pro II significantly outperforms it with a headphone output power of 250 mW. This difference can provide a clearer and more powerful audio experience for users utilizing headphones during production.


In terms of impedance, the TASCAM Mixcast 4 features mic inputs with an impedance of 2.1 Kilohms and a higher impedance for its line inputs, compared to the RODE RODECaster Pro II, which has mic inputs with an impedance of 4 Kilohms and Hi-Z inputs at 1 Megohm. This difference may affect compatibility with various microphones and instruments.


Both mixers boast impressive signal-to-noise ratios (SNR), with the TASCAM Mixcast 4 achieving an SNR of 101 dB (A-Weighted). The RODECaster Pro II, while not specified for SNR, has an equivalent input noise (EIN) at -131.5 dBV A-Weighted, indicating a quieter operation. Additionally, the TASCAM Mixcast 4 has a total harmonic distortion (THD) rating of 0.003% (A-Weighted), which is very low and indicative of clean audio performance.


In summary, both the TASCAM Mixcast 4 and RODE RODECaster Pro II are equipped with high-quality features for podcast production, but they cater to slightly different needs. The TASCAM Mixcast 4 excels in output levels and THD, while the RODECaster Pro II stands out in headphone power and lower EIN, making it suitable for users seeking robust headphone performance and ultra-quiet operation.

Digital Audio
Sample Rates
48 kHz 48 kHz
Bit Depths
24-Bit 24-Bit

The TASCAM Mixcast 4 and the RODE RODECaster Pro II both boast an impressive sample rate of 48 kHz and a bit depth of 24-Bit, making them suitable for high-quality audio production. This ensures that both mixers can deliver professional-grade sound that is essential for podcasting and other audio applications.Show More


One distinction between the two products lies in their handling of sample rate conversion. The TASCAM Mixcast 4 does not feature sample rate conversion, which may limit flexibility in certain setups. In contrast, the RODE RODECaster Pro II does not specify sample rate conversion, indicating that it may also not include this feature, but it does not impact the core performance for podcasting purposes.


Both devices do not provide sync sources, which means they are geared more toward straightforward audio recording without the need for complex synchronization with other devices. This makes both the TASCAM Mixcast 4 and the RODE RODECaster Pro II user-friendly options for podcasters who want simplicity combined with quality.

Audio Storage & Playback
Compatibility
OS Compatibility
10 or Later
13 or Later
iPadOS 13 or Later
macOS 10.15
macOS 11
macOS 12
Windows 10
macOS 11
macOS 10.15 or Later
Windows 10.1803 or Later
Windows 11
iPadOS
Mobile App Compatible

The TASCAM Mixcast 4 Podcast Mixer and Audio Interface offers a wide range of OS compatibility, supporting macOS 10.15, macOS 11, macOS 12, Windows 10, and iPadOS 13 or later. This flexibility allows users to integrate the mixer seamlessly into various setups. However, it requires an available USB-A port for functionality, which may limit compatibility with certain modern devices.Show More


On the other hand, the RODE RODECaster Pro II Integrated Audio Production Studio also boasts robust OS compatibility, functioning with macOS 10.15 or later, Windows 10.1803 or later, Windows 11, and iPadOS. This makes it versatile for users across different platforms, including mobile device integration with iPads, which is a significant advantage for portable setups.


Neither the TASCAM Mixcast 4 nor the RODE RODECaster Pro II comes with included software or mobile app compatibility, making them both reliant on external applications for enhanced functionality. However, the RODECaster Pro II's ability to integrate seamlessly with mobile devices like the iPad provides an edge in terms of versatility for on-the-go podcasting and production.

Power
Power Requirements
AC/DC Power Adapter (Included) AC/DC Power Adapter (Included) or USB Bus Power
AC/DC Power Adapter
12 VDC, Center-Positive (Included) 15 VDC at 2 A (Included)

The TASCAM Mixcast 4 Podcast Mixer and Audio Interface operates on an AC/DC Power Adapter which is included with the device. It requires a voltage of 12 VDC and has a maximum power consumption of 12.5 W. This makes it a relatively low-power device, suitable for users looking for efficient energy usage while delivering quality audio mixing capabilities.Show More


In contrast, the also utilizes an AC/DC Power Adapter, which is included as well. However, it has a slightly higher voltage requirement of 15 VDC at 2 A. Additionally, the RODECaster Pro II offers the flexibility of being powered via USB Bus Power, providing users with multiple options for power supply depending on their setup and needs.


Overall, while both devices include essential power adapters for operation, the TASCAM Mixcast 4 focuses on lower power consumption, whereas the RODECaster Pro II offers greater versatility in power options, accommodating various user preferences and environments.

Physical
Dimensions
14.8 x 10.4 x 2.2" / 37.5 x 26.4 x 5.7 cm
14.8 x 10.5 x 2.8" / 37.5 x 26.7 x 7.1 cm (Including Controls and Protrusions)
12.2 x 10.7 x 3.3" / 30.9 x 27.3 x 8.3 cm
Weight
5.7 lb / 2.6 kg 4.4 lb / 2.0 kg

The TASCAM Mixcast 4 Podcast Mixer and Audio Interface operates within a temperature range of 32 to 104°F / 0 to 40°C, making it suitable for various environments. In terms of dimensions, it measures 14.8 x 10.4 x 2.2 inches / 37.5 x 26.4 x 5.7 cm (excluding controls and protrusions), and its overall size including controls is 14.8 x 10.5 x 2.8 inches / 37.5 x 26.7 x 7.1 cm. The device weighs 5.7 lb / 2.6 kg, indicating a robust build.Show More


On the other hand, the has a more compact profile, with dimensions of 12.2 x 10.7 x 3.3 inches / 30.9 x 27.3 x 8.3 cm. This model is lighter, weighing 4.4 lb / 2.0 kg, which may enhance portability for users on the go. Although it has a smaller footprint, it still provides a comprehensive set of features for podcast production.

Packaging Info
Package Weight
7.8 lb 7.02 lb
Box Dimensions (LxWxH)
16 x 12 x 5" 12.9 x 11.9 x 5.6"

The TASCAM Mixcast 4 Podcast Mixer and Audio Interface has a package weight of 7.8 lb and dimensions of 16 x 12 x 5". This size and weight indicate a robust build, suitable for desktop use while providing ample functionality for podcasting and audio production.Show More


In contrast, the RODE RODECaster Pro II Integrated Audio Production Studio comes in at a slightly lighter package weight of 7.02 lb and has more compact dimensions of 12.9 x 11.9 x 5.6". This design may appeal to users looking for portability without compromising on features, making it easier to transport for remote recording sessions.


Overall, while both products are designed for podcasting and audio production, the TASCAM Mixcast 4 offers a larger footprint and slightly heavier weight, suggesting a more stationary setup, whereas the RODE RODECaster Pro II is designed for those who may prefer a more compact and lightweight option.

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