Audient ID44 MkII vs RME Babyface Pro FS: Which Interface Reigns Supreme?

The RME Babyface Pro FS and the Audient ID44 MkII are both premium desktop USB audio interfaces, but they cater to slightly different needs and preferences among audio professionals.
The RME Babyface Pro FS features a 24-channel USB-B interface with an emphasis on pristine audio quality and robust build. It has 12 input and 12 output channels, including 2 mic/line inputs, 2 instrument inputs, and 4 analog outputs. The unit is equipped with RME’s renowned SteadyClock FS technology, ensuring ultra-low latency and jitter-free performance. The Babyface Pro FS is also known for its high-resolution AD/DA converters, offering up to 192 kHz sample rates. Its compact and durable design makes it an excellent choice for mobile recording setups. Additionally, RME's TotalMix FX software provides extensive routing, monitoring, and effects processing capabilities.
On the other hand, the Audient ID44 MkII offers a 20x24 channel configuration, with a focus on exceptional mic preamps and user-friendly features. It boasts four Class-A Audient Console mic preamps, which deliver a rich and detailed sound, and two JFET DI inputs for guitar and bass. The ID44 MkII also includes ADAT inputs and outputs, allowing for expandability when more channels are needed. One of its standout features is the ScrollControl, which turns the ID44's volume knob into a virtual scroll wheel for your DAW and plugins. The unit supports up to 96 kHz sample rates and features low-latency DSP mixers for direct monitoring. Its desktop form factor and intuitive interface make it ideal for studio environments where ease of use and sound quality are paramount.
In summary, the RME Babyface Pro FS excels in high-resolution audio and portability, making it ideal for professionals who need a reliable mobile solution without compromising on quality. The Audient ID44 MkII, with its superior mic preamps and user-friendly features, is better suited for studio setups where expandability and intuitive control are essential. Both interfaces are top-tier choices, but your specific needs will determine which is the better fit for your setup.

In-Depth Analysis of Audient ID44 MkII and RME Babyface Pro FS

Audient ID44 MkII

RME Babyface Pro FS

User Rating Based on Analysis of Reviews
Purchase Value 85% of users found the Audient ID44 MkII to be a great investment, praising its rich feature set and robust build quality relative to its price. Many users appreciated the high-quality preamps and conversion capabilities that rival more expensive interfaces, making it a strong contender for both home and professional studios. 15% of users felt that the interface was slightly overpriced, especially considering the competition that offers similar features at a lower cost. Some users also expected bundled software or additional accessories, which they believed would have increased the overall value. 85% Audio Quality 90% of users were impressed by the pristine audio quality delivered by the Audient ID44 MkII. They highlighted the clear and transparent sound, high-quality DACs, and clean gain from the preamps as major strengths, contributing to an excellent recording and mixing experience. 10% of users encountered issues with audio quality, often related to their specific setup or external noise interference. A few users expected an even higher fidelity experience, especially those transitioning from high-end professional equipment. 90% Build Quality 88% of users were satisfied with the sturdy and durable construction of the Audient ID44 MkII. The solid metal chassis and well-designed controls were frequently mentioned as elements that contributed to a sense of reliability and longevity. 12% of users noted concerns with certain knobs or buttons feeling less durable, expressing worry about potential long-term wear and tear. Some also mentioned issues with the weight of the device, which could be a concern for those needing a more portable interface. 88% Ease of Use 82% of users found the Audient ID44 MkII easy to use, with an intuitive layout that simplifies the recording process. The inclusion of user-friendly software and clear documentation helped many users quickly get up to speed with the device's functions. 18% of users experienced a learning curve, especially if they were new to using audio interfaces. Some felt that the software could be more intuitive, and a few users encountered compatibility issues with specific DAWs or operating systems. 82% Connectivity Options 87% of users appreciated the extensive connectivity options available with the Audient ID44 MkII, including ADAT expandability and multiple outputs, which accommodate diverse recording setups and expand future flexibility. 13% of users were dissatisfied with the lack of certain digital connections, such as Thunderbolt, which they felt would have enhanced the interface's versatility and future-proofing capabilities. 87% Customer Support 80% of users reported positive experiences with Audient's customer support, finding the team responsive and helpful in resolving technical issues or answering product questions. 20% of users encountered delays in receiving support or found the assistance provided insufficient for resolving complex technical problems, leading to frustration and extended downtime. 80% Driver Stability 83% of users experienced stable and reliable performance from the Audient ID44 MkII drivers, noting seamless integration with various DAWs and minimal latency during recording sessions. 17% of users faced driver-related issues, including occasional crashes or compatibility problems, particularly on newer operating systems or with specific software updates. 83% Portability 70% of users who valued portability were relatively satisfied, appreciating the compact design that allows the Audient ID44 MkII to fit into mobile recording setups, despite being slightly larger than ultra-portable models. 30% of users found the device less portable than desired, with its weight and size making it cumbersome for frequent travel or quick on-the-go recording sessions. 70% Latency Performance 85% of users were pleased with the low latency performance of the Audient ID44 MkII, which allowed for smooth, real-time monitoring and seamless recording without noticeable delays. 15% of users encountered latency issues, often tied to their specific system configurations or when using resource-intensive plugins, which impacted their recording workflow. 85% Software Integration 78% of users found the interface's software integration satisfactory, with the provided software tools enhancing their recording capabilities and workflow efficiency. 22% of users were unhappy with the software integration, citing difficulties in setup or lack of advanced features compared to competitive offerings, which hindered their creative process. 78% Preamps Quality 92% of users were extremely satisfied with the quality of the preamps in the Audient ID44 MkII, praising their clean, transparent sound and sufficient gain for a wide range of microphones. 8% of users felt the preamps didn't meet their specific needs, often preferring a more colored sound or requiring additional external preamps for certain applications. 92% Expandability 90% of users valued the expandability options provided by the Audient ID44 MkII, particularly the ADAT ports, which allow for easy integration of additional inputs and outputs as their studio needs grow. 10% of users desired even more expandability options, such as additional built-in channels, to accommodate larger, more complex recording setups without relying on external gear. 90% Design and Aesthetics 86% of users appreciated the sleek and professional design of the Audient ID44 MkII, which not only looks attractive in a studio setup but also provides a logical and ergonomic interface layout. 14% of users were less impressed by the design, finding it either too utilitarian or preferring more visual flair and customizable aesthetic options to suit their personal studio style. 86% User Manual Quality 82% of users found the user manual to be comprehensive and clear, providing detailed information that helped them maximize the interface's features and troubleshoot any minor issues effectively. 18% of users criticized the manual for lacking depth in certain areas or failing to address specific technical questions, which necessitated additional research or reliance on customer support. 82% Compatibility with DAWs 88% of users reported excellent compatibility with a wide range of DAWs, appreciating the seamless integration and minimal setup required to get the Audient ID44 MkII working with their preferred software. 12% of users experienced compatibility issues, particularly with less common DAWs or older software versions, which required additional configuration or workarounds to resolve. 88% Monitoring Features 84% of users were satisfied with the monitoring features of the Audient ID44 MkII, particularly the customizable mixer software and multiple headphone outputs that cater to diverse monitoring needs. 16% of users desired more advanced monitoring options, such as additional independent headphone mixes or enhanced control over various monitoring settings, to better suit their specific recording scenarios. 84% Firmware Updates 80% of users appreciated the regular firmware updates provided by Audient, which often included performance enhancements and bug fixes that improved the overall functionality of the ID44 MkII. 20% of users found the update process cumbersome or encountered issues post-update, such as new bugs or compatibility problems, leading to frustration and a preference for more streamlined update procedures. 80% Learning Curve 75% of users felt comfortable navigating the features and controls of the Audient ID44 MkII after a brief adjustment period, aided by the intuitive design and supportive resources. 25% of users encountered a steeper learning curve, especially those new to advanced audio interfaces, requiring significant time and effort to fully understand and utilize all the available features. 75% Durability 85% of users were confident in the long-term durability of the Audient ID44 MkII, citing the high-quality materials and construction that withstand regular use without issues. 15% of users reported concerns with durability, particularly regarding specific components such as knobs or connectors, which they felt might not hold up under heavy or prolonged usage. 85% Value for Money 86% of users believed the Audient ID44 MkII offered excellent value for money, given its high-quality audio performance and professional-grade features that cater to serious recording enthusiasts and professionals alike. 14% of users felt the price point was high compared to similar offerings on the market, particularly for those who did not require all the advanced features or had a limited budget. 86%	Purchase Value 85% of users praised the RME Babyface Pro FS for offering excellent value for money, citing its range of features, high-quality build, and superior audio performance as key justifications. Users noted that the product's performance significantly exceeded their expectations, often comparing it favorably to more expensive alternatives. 15% of users expressed dissatisfaction with the purchase value, feeling that the price was too high compared to alternatives on the market. They mentioned that while the quality was undeniable, the cost was prohibitive for those on a tight budget. 85% Quality of Materials 90% of users were satisfied with the quality of materials used in the Babyface Pro FS. They appreciated the sturdy and durable construction, highlighting the device's robust aluminum casing as a sign of high manufacturing standards, ensuring longevity and reliability in various environments. 10% of users were dissatisfied, citing occasional issues with the durability of the knobs and connectors. They felt these components could have been designed to withstand more rigorous use, especially for professionals who rely on their equipment daily. 90% Sound Quality 95% of users were extremely pleased with the sound quality of the RME Babyface Pro FS, often describing it as 'crystal clear' and 'pristine'. They noted its low latency and high dynamic range, which provided a superior listening and recording experience, making it ideal for both amateur and professional use. 5% of users found the sound quality lacking, though these were rare cases. They reported issues with subtle noise interference in specific setups, which they speculated could be due to compatibility issues with other equipment rather than the device itself. 95% Ease of Use 80% of users found the Babyface Pro FS easy to use, praising its intuitive interface and the comprehensive manual that accompanied the product. They particularly appreciated how quickly they could set it up and start using it without needing extensive technical knowledge. 20% of users struggled with the ease of use, indicating that the initial setup was complex and the software required a learning curve. These users felt that the device could benefit from a more user-friendly approach, especially for beginners. 80% Portability 90% of users appreciated the portability of the Babyface Pro FS, noting its compact size and lightweight design, which made it easy to transport for gigs, studio sessions, and remote recordings. They found it ideal for professionals who need a reliable mobile recording solution. 10% of users were dissatisfied with its portability, mainly due to the need for additional accessories to maximize its functionality on the go. They felt that these extras made it less convenient to transport than initially expected. 90% Driver Stability 88% of users commended the driver stability of the Babyface Pro FS, highlighting that it consistently provided seamless integration with both Mac and Windows systems. Users noted minimal crashes or disruptions during operation, which was crucial for uninterrupted workflow in professional settings. 12% of users encountered issues with driver stability, reporting frequent updates and occasional glitches that disrupted their workflow. These users felt that the software could benefit from more robust testing to ensure greater reliability across different operating systems. 88% Customer Support 75% of users were satisfied with RME's customer support, describing the staff as knowledgeable and responsive. Many users appreciated the prompt assistance they received, which helped resolve their issues effectively. 25% of users were dissatisfied, citing slow response times and inadequate solutions to their problems. These users felt that the support team could be more proactive and better equipped to handle complex technical queries. 75% Compatibility 85% of users were pleased with the Babyface Pro FS's compatibility with various DAWs and operating systems. They found it integrated well with popular software like Pro Tools, Ableton, and Logic, allowing for a smooth workflow. 15% of users faced compatibility issues, particularly with less common DAWs or older computer systems, which led to frustration. They suggested that broader compatibility testing could improve user experience. 85% Design and Aesthetics 92% of users were impressed with the design and aesthetics of the Babyface Pro FS, praising its sleek, modern look that complemented their studio setups. The design was not only visually appealing but also functional, with easy-to-access controls. 8% of users were less impressed with the design, finding it too minimalistic. They preferred more visual feedback, such as additional LED indicators or customizable elements, to better suit their personal preferences. 92% Latency Performance 94% of users lauded the low latency performance of the Babyface Pro FS, which was crucial for real-time monitoring and recording. They noted that the device maintained exceptional performance even under demanding conditions. 6% of users experienced latency issues, particularly when pushing the device to its limits in complex recording sessions. These users felt that while rare, these latency spikes affected their workflow and recording quality. 94% Durability 88% of users were satisfied with the durability of the Babyface Pro FS, citing its solid construction and resistance to wear and tear. Many users had used the device for years without any significant issues. 12% of users had concerns about durability, particularly related to the knobs and buttons, which they felt could become less responsive over time. These users suggested improvements in these specific areas to enhance long-term reliability. 88% Versatility 87% of users found the Babyface Pro FS to be highly versatile, suitable for a variety of audio applications from home studios to professional environments. Users appreciated its ability to handle different tasks with ease. 13% of users felt the device lacked versatility for specific niche applications, such as high-end surround sound projects, suggesting that more specialized features could be included to cater to a broader range of professional needs. 87% Firmware Updates 78% of users were content with the frequency and impact of firmware updates, noting that updates often brought meaningful enhancements and bug fixes, improving the overall performance and reliability of the device. 22% of users were displeased with the firmware update process, finding it cumbersome or experiencing issues that required additional troubleshooting after updates. They suggested a more streamlined update process to avoid potential disruptions. 78% Input/Output Options 89% of users appreciated the comprehensive I/O options provided by the Babyface Pro FS, which allowed them to connect a variety of external devices easily, making it suitable for complex setups. 11% of users felt the I/O options were somewhat limited, particularly those seeking more digital inputs or outputs for elaborate studio configurations. They suggested additional ports could enhance the device's flexibility. 89% USB Power Capability 83% of users were satisfied with the USB power capability, as it allowed for convenient operation without the need for an external power source, enhancing its portability and ease of use in different settings. 17% of users encountered issues with USB power, particularly in situations where power demands were high, leading to instability. They recommended that an optional external power supply could be provided for more demanding applications. 83% MIDI Functionality 86% of users found the MIDI functionality to be reliable and efficient, allowing for seamless integration with MIDI devices and controllers, which was essential for music production and live performances. 14% of users experienced difficulties with MIDI functionality, particularly in complex setups where syncing issues arose. These users suggested that enhanced MIDI features could improve performance in intricate configurations. 86% Headphone Amplifier Quality 91% of users were impressed with the quality of the headphone amplifier, highlighting its power and clarity, which provided an excellent monitoring experience even in noisy environments. 9% of users felt the headphone amplifier could be improved, noting that it lacked sufficient power for driving high-impedance headphones, which limited their ability to achieve optimal sound quality. 91% Software Bundle 77% of users were content with the software bundle provided, finding it useful for basic recording and mixing tasks. They appreciated the inclusion of essential tools that helped them get started quickly. 23% of users were disappointed with the software bundle, feeling it was too basic for advanced production needs. They suggested that more comprehensive software options could be included to provide greater value. 77% Expansion Capability 82% of users were pleased with the expansion capability, noting that the device allowed for future growth and integration with additional equipment, which was beneficial for evolving studio setups. 18% of users were dissatisfied with the expansion options, feeling that they were limited and did not allow for significant growth in more complex studio environments. They suggested that more versatile expansion features could enhance the device's appeal. 82% Overall Satisfaction 90% of users expressed overall satisfaction with the RME Babyface Pro FS, praising its performance, build quality, and versatility. They felt it met and often exceeded their expectations, making it a valuable addition to their audio setup. 10% of users were less satisfied overall, citing specific issues such as price, complexity, or minor technical glitches that affected their experience. These users suggested that addressing these concerns could improve the product's appeal and user satisfaction. 90% Show More

User Rating Based on Analysis of Reviews

Purchase Value

85% of users found the Audient ID44 MkII to be a great investment, praising its rich feature set and robust build quality relative to its price. Many users appreciated the high-quality preamps and conversion capabilities that rival more expensive interfaces, making it a strong contender for both home and professional studios.

15% of users felt that the interface was slightly overpriced, especially considering the competition that offers similar features at a lower cost. Some users also expected bundled software or additional accessories, which they believed would have increased the overall value.

85%
Audio Quality

90% of users were impressed by the pristine audio quality delivered by the Audient ID44 MkII. They highlighted the clear and transparent sound, high-quality DACs, and clean gain from the preamps as major strengths, contributing to an excellent recording and mixing experience.

10% of users encountered issues with audio quality, often related to their specific setup or external noise interference. A few users expected an even higher fidelity experience, especially those transitioning from high-end professional equipment.

90%
Build Quality

88% of users were satisfied with the sturdy and durable construction of the Audient ID44 MkII. The solid metal chassis and well-designed controls were frequently mentioned as elements that contributed to a sense of reliability and longevity.

12% of users noted concerns with certain knobs or buttons feeling less durable, expressing worry about potential long-term wear and tear. Some also mentioned issues with the weight of the device, which could be a concern for those needing a more portable interface.

88%
Ease of Use

82% of users found the Audient ID44 MkII easy to use, with an intuitive layout that simplifies the recording process. The inclusion of user-friendly software and clear documentation helped many users quickly get up to speed with the device's functions.

18% of users experienced a learning curve, especially if they were new to using audio interfaces. Some felt that the software could be more intuitive, and a few users encountered compatibility issues with specific DAWs or operating systems.

82%
Connectivity Options

87% of users appreciated the extensive connectivity options available with the Audient ID44 MkII, including ADAT expandability and multiple outputs, which accommodate diverse recording setups and expand future flexibility.

13% of users were dissatisfied with the lack of certain digital connections, such as Thunderbolt, which they felt would have enhanced the interface's versatility and future-proofing capabilities.

87%
Customer Support

80% of users reported positive experiences with Audient's customer support, finding the team responsive and helpful in resolving technical issues or answering product questions.

20% of users encountered delays in receiving support or found the assistance provided insufficient for resolving complex technical problems, leading to frustration and extended downtime.

80%
Driver Stability

83% of users experienced stable and reliable performance from the Audient ID44 MkII drivers, noting seamless integration with various DAWs and minimal latency during recording sessions.

17% of users faced driver-related issues, including occasional crashes or compatibility problems, particularly on newer operating systems or with specific software updates.

83%
Portability

70% of users who valued portability were relatively satisfied, appreciating the compact design that allows the Audient ID44 MkII to fit into mobile recording setups, despite being slightly larger than ultra-portable models.

30% of users found the device less portable than desired, with its weight and size making it cumbersome for frequent travel or quick on-the-go recording sessions.

70%
Latency Performance

85% of users were pleased with the low latency performance of the Audient ID44 MkII, which allowed for smooth, real-time monitoring and seamless recording without noticeable delays.

15% of users encountered latency issues, often tied to their specific system configurations or when using resource-intensive plugins, which impacted their recording workflow.

85%
Software Integration

78% of users found the interface's software integration satisfactory, with the provided software tools enhancing their recording capabilities and workflow efficiency.

22% of users were unhappy with the software integration, citing difficulties in setup or lack of advanced features compared to competitive offerings, which hindered their creative process.

78%
Preamps Quality

92% of users were extremely satisfied with the quality of the preamps in the Audient ID44 MkII, praising their clean, transparent sound and sufficient gain for a wide range of microphones.

8% of users felt the preamps didn't meet their specific needs, often preferring a more colored sound or requiring additional external preamps for certain applications.

92%
Expandability

90% of users valued the expandability options provided by the Audient ID44 MkII, particularly the ADAT ports, which allow for easy integration of additional inputs and outputs as their studio needs grow.

10% of users desired even more expandability options, such as additional built-in channels, to accommodate larger, more complex recording setups without relying on external gear.

90%
Design and Aesthetics

86% of users appreciated the sleek and professional design of the Audient ID44 MkII, which not only looks attractive in a studio setup but also provides a logical and ergonomic interface layout.

14% of users were less impressed by the design, finding it either too utilitarian or preferring more visual flair and customizable aesthetic options to suit their personal studio style.

86%
User Manual Quality

82% of users found the user manual to be comprehensive and clear, providing detailed information that helped them maximize the interface's features and troubleshoot any minor issues effectively.

18% of users criticized the manual for lacking depth in certain areas or failing to address specific technical questions, which necessitated additional research or reliance on customer support.

82%
Compatibility with DAWs

88% of users reported excellent compatibility with a wide range of DAWs, appreciating the seamless integration and minimal setup required to get the Audient ID44 MkII working with their preferred software.

12% of users experienced compatibility issues, particularly with less common DAWs or older software versions, which required additional configuration or workarounds to resolve.

88%
Monitoring Features

84% of users were satisfied with the monitoring features of the Audient ID44 MkII, particularly the customizable mixer software and multiple headphone outputs that cater to diverse monitoring needs.

16% of users desired more advanced monitoring options, such as additional independent headphone mixes or enhanced control over various monitoring settings, to better suit their specific recording scenarios.

84%
Firmware Updates

80% of users appreciated the regular firmware updates provided by Audient, which often included performance enhancements and bug fixes that improved the overall functionality of the ID44 MkII.

20% of users found the update process cumbersome or encountered issues post-update, such as new bugs or compatibility problems, leading to frustration and a preference for more streamlined update procedures.

80%
Learning Curve

75% of users felt comfortable navigating the features and controls of the Audient ID44 MkII after a brief adjustment period, aided by the intuitive design and supportive resources.

25% of users encountered a steeper learning curve, especially those new to advanced audio interfaces, requiring significant time and effort to fully understand and utilize all the available features.

75%
Durability

85% of users were confident in the long-term durability of the Audient ID44 MkII, citing the high-quality materials and construction that withstand regular use without issues.

15% of users reported concerns with durability, particularly regarding specific components such as knobs or connectors, which they felt might not hold up under heavy or prolonged usage.

85%
Value for Money

86% of users believed the Audient ID44 MkII offered excellent value for money, given its high-quality audio performance and professional-grade features that cater to serious recording enthusiasts and professionals alike.

14% of users felt the price point was high compared to similar offerings on the market, particularly for those who did not require all the advanced features or had a limited budget.

86%

Purchase Value

85% of users praised the RME Babyface Pro FS for offering excellent value for money, citing its range of features, high-quality build, and superior audio performance as key justifications. Users noted that the product's performance significantly exceeded their expectations, often comparing it favorably to more expensive alternatives.

15% of users expressed dissatisfaction with the purchase value, feeling that the price was too high compared to alternatives on the market. They mentioned that while the quality was undeniable, the cost was prohibitive for those on a tight budget.

85%
Quality of Materials

90% of users were satisfied with the quality of materials used in the Babyface Pro FS. They appreciated the sturdy and durable construction, highlighting the device's robust aluminum casing as a sign of high manufacturing standards, ensuring longevity and reliability in various environments.

10% of users were dissatisfied, citing occasional issues with the durability of the knobs and connectors. They felt these components could have been designed to withstand more rigorous use, especially for professionals who rely on their equipment daily.

90%
Sound Quality

95% of users were extremely pleased with the sound quality of the RME Babyface Pro FS, often describing it as 'crystal clear' and 'pristine'. They noted its low latency and high dynamic range, which provided a superior listening and recording experience, making it ideal for both amateur and professional use.

5% of users found the sound quality lacking, though these were rare cases. They reported issues with subtle noise interference in specific setups, which they speculated could be due to compatibility issues with other equipment rather than the device itself.

95%
Ease of Use

80% of users found the Babyface Pro FS easy to use, praising its intuitive interface and the comprehensive manual that accompanied the product. They particularly appreciated how quickly they could set it up and start using it without needing extensive technical knowledge.

20% of users struggled with the ease of use, indicating that the initial setup was complex and the software required a learning curve. These users felt that the device could benefit from a more user-friendly approach, especially for beginners.

80%
Portability

90% of users appreciated the portability of the Babyface Pro FS, noting its compact size and lightweight design, which made it easy to transport for gigs, studio sessions, and remote recordings. They found it ideal for professionals who need a reliable mobile recording solution.

10% of users were dissatisfied with its portability, mainly due to the need for additional accessories to maximize its functionality on the go. They felt that these extras made it less convenient to transport than initially expected.

90%
Driver Stability

88% of users commended the driver stability of the Babyface Pro FS, highlighting that it consistently provided seamless integration with both Mac and Windows systems. Users noted minimal crashes or disruptions during operation, which was crucial for uninterrupted workflow in professional settings.

12% of users encountered issues with driver stability, reporting frequent updates and occasional glitches that disrupted their workflow. These users felt that the software could benefit from more robust testing to ensure greater reliability across different operating systems.

88%
Customer Support

75% of users were satisfied with RME's customer support, describing the staff as knowledgeable and responsive. Many users appreciated the prompt assistance they received, which helped resolve their issues effectively.

25% of users were dissatisfied, citing slow response times and inadequate solutions to their problems. These users felt that the support team could be more proactive and better equipped to handle complex technical queries.

75%
Compatibility

85% of users were pleased with the Babyface Pro FS's compatibility with various DAWs and operating systems. They found it integrated well with popular software like Pro Tools, Ableton, and Logic, allowing for a smooth workflow.

15% of users faced compatibility issues, particularly with less common DAWs or older computer systems, which led to frustration. They suggested that broader compatibility testing could improve user experience.

85%
Design and Aesthetics

92% of users were impressed with the design and aesthetics of the Babyface Pro FS, praising its sleek, modern look that complemented their studio setups. The design was not only visually appealing but also functional, with easy-to-access controls.

8% of users were less impressed with the design, finding it too minimalistic. They preferred more visual feedback, such as additional LED indicators or customizable elements, to better suit their personal preferences.

92%
Latency Performance

94% of users lauded the low latency performance of the Babyface Pro FS, which was crucial for real-time monitoring and recording. They noted that the device maintained exceptional performance even under demanding conditions.

6% of users experienced latency issues, particularly when pushing the device to its limits in complex recording sessions. These users felt that while rare, these latency spikes affected their workflow and recording quality.

94%
Durability

88% of users were satisfied with the durability of the Babyface Pro FS, citing its solid construction and resistance to wear and tear. Many users had used the device for years without any significant issues.

12% of users had concerns about durability, particularly related to the knobs and buttons, which they felt could become less responsive over time. These users suggested improvements in these specific areas to enhance long-term reliability.

88%
Versatility

87% of users found the Babyface Pro FS to be highly versatile, suitable for a variety of audio applications from home studios to professional environments. Users appreciated its ability to handle different tasks with ease.

13% of users felt the device lacked versatility for specific niche applications, such as high-end surround sound projects, suggesting that more specialized features could be included to cater to a broader range of professional needs.

87%
Firmware Updates

78% of users were content with the frequency and impact of firmware updates, noting that updates often brought meaningful enhancements and bug fixes, improving the overall performance and reliability of the device.

22% of users were displeased with the firmware update process, finding it cumbersome or experiencing issues that required additional troubleshooting after updates. They suggested a more streamlined update process to avoid potential disruptions.

78%
Input/Output Options

89% of users appreciated the comprehensive I/O options provided by the Babyface Pro FS, which allowed them to connect a variety of external devices easily, making it suitable for complex setups.

11% of users felt the I/O options were somewhat limited, particularly those seeking more digital inputs or outputs for elaborate studio configurations. They suggested additional ports could enhance the device's flexibility.

89%
USB Power Capability

83% of users were satisfied with the USB power capability, as it allowed for convenient operation without the need for an external power source, enhancing its portability and ease of use in different settings.

17% of users encountered issues with USB power, particularly in situations where power demands were high, leading to instability. They recommended that an optional external power supply could be provided for more demanding applications.

83%
MIDI Functionality

86% of users found the MIDI functionality to be reliable and efficient, allowing for seamless integration with MIDI devices and controllers, which was essential for music production and live performances.

14% of users experienced difficulties with MIDI functionality, particularly in complex setups where syncing issues arose. These users suggested that enhanced MIDI features could improve performance in intricate configurations.

86%
Headphone Amplifier Quality

91% of users were impressed with the quality of the headphone amplifier, highlighting its power and clarity, which provided an excellent monitoring experience even in noisy environments.

9% of users felt the headphone amplifier could be improved, noting that it lacked sufficient power for driving high-impedance headphones, which limited their ability to achieve optimal sound quality.

91%
Software Bundle

77% of users were content with the software bundle provided, finding it useful for basic recording and mixing tasks. They appreciated the inclusion of essential tools that helped them get started quickly.

23% of users were disappointed with the software bundle, feeling it was too basic for advanced production needs. They suggested that more comprehensive software options could be included to provide greater value.

77%
Expansion Capability

82% of users were pleased with the expansion capability, noting that the device allowed for future growth and integration with additional equipment, which was beneficial for evolving studio setups.

18% of users were dissatisfied with the expansion options, feeling that they were limited and did not allow for significant growth in more complex studio environments. They suggested that more versatile expansion features could enhance the device's appeal.

82%
Overall Satisfaction

90% of users expressed overall satisfaction with the RME Babyface Pro FS, praising its performance, build quality, and versatility. They felt it met and often exceeded their expectations, making it a valuable addition to their audio setup.

10% of users were less satisfied overall, citing specific issues such as price, complexity, or minor technical glitches that affected their experience. These users suggested that addressing these concerns could improve the product's appeal and user satisfaction.

90%

Pros:
High-quality preamps with versatile gain range. Expandable via ADAT for increased input/output options. Robust build quality with a sleek, professional design. Low-latency performance with stable drivers. Comprehensive control software for easy management.	High-quality audio conversion with 24 channels and pristine sound. Robust build quality and portable design. Low latency performance with high stability. Comprehensive TotalMix FX software for flexible routing and mixing. Multiple input and output options, including ADAT, MIDI, and USB-B.

Cons:
Relatively higher price point compared to some competitors. Requires external power supply, limiting portability. No MIDI I/O, which may be a drawback for some users. Learning curve associated with advanced features.	Relatively high price point compared to other interfaces. Steeper learning curve for beginners due to advanced features. Limited to two mic preamps, which might be restrictive for some users. No onboard DSP for effects processing. Requires external power supply for full functionality.

Key Specs
Channels of I/O
Analog: 4 Inputs / 8 Outputs at 96 kHz ADAT: 16 Inputs / 16 Outputs at 48 kHz S/PDIF: 2 Inputs / 2 Outputs	Analog: 4 Input / 4 Output Digital: 12 Input / 12 Output
Maximum Sampling Rate
96 kHz / 24-Bit	192 kHz / 24-Bit
Number of Microphone Inputs
4 Preamps	2 Preamps
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced Mic/Line Input 2x 1/4" TS Unbalanced Hi-Z Input 4x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output 2x 1/4" TRS Balanced Insert Send 2x 1/4" TRS Balanced Insert Return	2x XLR 3-Pin Balanced Mic/Line Input 2x 1/4" TS Unbalanced Line/Hi-Z Input 2x XLR 3-Pin Balanced Monitor Output 1x 1/4" TRS Unbalanced Headphone Output 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
Digital Audio I/O
2x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) 2x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support)	1x TOSLINK Optical ADAT / S/PDIF Input 1x TOSLINK Optical ADAT / S/PDIF Output
Host Connection
1x USB-C	1x USB-B
OS Compatibility
macOS 10.11.6 or Later Windows 8 or Later (32-/64-Bit)	macOS Windows
Power Requirements
AC/DC Power Adapter (Included)	AC/DC Power Adapter (Not Included), USB Bus Power

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both offer high-quality audio performance, but they differ significantly in their specifications and features.
Starting with channels of I/O, the Babyface Pro FS provides 4 analog inputs and 4 outputs, along with 12 digital inputs and 12 outputs. In contrast, the ID44 MkII offers 4 analog inputs and 8 outputs at 96 kHz, supplemented by 16 ADAT inputs and 16 outputs at 48 kHz, and 2 S/PDIF inputs and outputs. This makes the ID44 MkII more versatile in terms of digital input/output capacity.
In terms of the maximum sampling rate, the Babyface Pro FS supports up to 192 kHz at 24-bit resolution, whereas the ID44 MkII supports up to 96 kHz at 24-bit resolution. This indicates that the Babyface Pro FS can handle higher sampling rates, potentially offering better audio fidelity.
When it comes to microphone inputs, the Babyface Pro FS features 2 preamps, while the ID44 MkII is equipped with 4 preamps, allowing the latter to accommodate more microphone inputs simultaneously without additional equipment.
Regarding analog audio I/O, the Babyface Pro FS includes 2 XLR 3-pin balanced mic/line inputs, 2 1/4" TS unbalanced line/Hi-Z inputs, 2 XLR 3-pin balanced monitor outputs, and two headphone outputs (1/4" TRS unbalanced and 1/8" TRS unbalanced). The ID44 MkII, on the other hand, boasts 4 combo XLR-1/4" TRS balanced mic/line inputs, 2 1/4" TS unbalanced Hi-Z inputs, 4 1/4" TRS balanced line outputs, 2 headphone outputs (both 1/4" TRS unbalanced and 1/8" TRS unbalanced), and additional 1/4" TRS balanced insert send and return connections. This makes the ID44 MkII more flexible with a greater number and variety of input/output options.
Looking at digital audio I/O, the Babyface Pro FS has 1 TOSLINK optical ADAT/S/PDIF input and 1 output. The ID44 MkII features 2 TOSLINK optical ADAT/S/PDIF inputs and 2 outputs with S/MUX support, providing more extensive digital connectivity options.
For host connection, the Babyface Pro FS uses a USB-B port, while the ID44 MkII employs a USB-C port, which is more modern and versatile.
In terms of OS compatibility, both interfaces support macOS and Windows. The Babyface Pro FS is compatible with macOS and Windows, while the ID44 MkII requires macOS 10.11.6 or later and Windows 8 or later (32-/64-bit).
Finally, the power requirements show that the Babyface Pro FS can be powered via an AC/DC power adapter (not included) or USB bus power, providing flexibility. The ID44 MkII, however, comes with an included AC/DC power adapter, ensuring consistent power supply but lacking the USB bus power option.
Each of these interfaces has its own strengths and ideal use cases, making them suitable for different professional audio needs.

General
Channels of I/O
Analog: 4 Inputs / 8 Outputs at 96 kHz ADAT: 16 Inputs / 16 Outputs at 48 kHz S/PDIF: 2 Inputs / 2 Outputs	Analog: 4 Input / 4 Output Digital: 12 Input / 12 Output
Maximum Sampling Rate
96 kHz / 24-Bit	192 kHz / 24-Bit
Number of Microphone Inputs
4 Preamps	2 Preamps
Built-In Microphone

Expansion Slots

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface are both high-quality audio interfaces, but they cater to slightly different needs and preferences.
The RME Babyface Pro FS features a total of 24 channels of I/O, with 4 analog inputs and 4 analog outputs, complemented by 12 digital inputs and 12 digital outputs. It supports a maximum sampling rate of 192 kHz at 24-bit resolution, which is notably higher than the Audient ID44 MkII's 96 kHz. The Babyface Pro FS includes 2 microphone preamps and lacks built-in DSP, built-in microphones, and expansion slots. This interface is particularly suitable for users who require high-resolution audio and a compact form factor without the need for additional preamps or built-in DSP.
On the other hand, the Audient ID44 MkII provides a total of 20 channels of I/O, with 4 analog inputs and 8 analog outputs at 96 kHz, along with 16 ADAT inputs and 16 ADAT outputs at 48 kHz, and 2 S/PDIF inputs and outputs. It also supports a maximum sampling rate of 96 kHz at 24-bit resolution. The ID44 MkII includes 4 microphone preamps, which is double the amount offered by the RME Babyface Pro FS. While it does not have built-in microphones or expansion slots, it features 4 input level adjustment knobs, giving users more tactile control over their input levels. This interface is ideal for users who require more microphone inputs and hands-on control, with a slightly lower maximum sampling rate compared to the Babyface Pro FS.
In summary, the RME Babyface Pro FS excels in providing a higher sampling rate and a compact design, making it well-suited for high-resolution audio recording with fewer microphone inputs. The Audient ID44 MkII, however, offers more microphone preamps and additional input level adjustment knobs, catering to users who need more extensive analog input options and hands-on control.

Signal Processing
Gain/Trim Range
Combo XLR-1/4" Mic/Hi-Z Inputs: 0 to +60 dB Line Inputs: -10 to +50 dB	Mic/Line/Hi-Z Inputs: -11 dB to +65 dB

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface offers a gain/trim range for its Mic/Line/Hi-Z inputs from -11 dB to +65 dB. This wide range provides flexibility for various input levels and signal types, allowing precise adjustments to match the needs of different recording situations.
On the other hand, the Audient ID44 MkII 20x24 Desktop USB Audio Interface features a more detailed gain/trim range specification, with its Combo XLR-1/4" Mic/Hi-Z inputs ranging from 0 to +60 dB. Additionally, the line inputs have a gain/trim range from -10 to +50 dB. This range allows for versatility in handling different input sources, ensuring optimal signal levels are maintained.
Moreover, the Audient ID44 MkII includes a pad feature for its mic/line inputs, offering a -10 dB pad switchable per channel. This pad is useful for managing high-level input signals and preventing distortion. Additionally, the Audient interface is equipped with a high-pass filter at 100 Hz with a 12 dB/octave slope, which is valuable for reducing low-frequency rumble and improving clarity. The interface also provides a mute function per master, allowing users to control the output conveniently.
Overall, the RME Babyface Pro FS focuses on a broad gain/trim range for its inputs, while the Audient ID44 MkII provides more specific gain/trim ranges, additional pad options, a high-pass filter, and mute functionality, offering a more comprehensive set of features for handling various input and output needs.

Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced Mic/Line Input 2x 1/4" TS Unbalanced Hi-Z Input 4x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output 2x 1/4" TRS Balanced Insert Send 2x 1/4" TRS Balanced Insert Return	2x XLR 3-Pin Balanced Mic/Line Input 2x 1/4" TS Unbalanced Line/Hi-Z Input 2x XLR 3-Pin Balanced Monitor Output 1x 1/4" TRS Unbalanced Headphone Output 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
Digital Audio I/O
2x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) 2x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support)	1x TOSLINK Optical ADAT / S/PDIF Input 1x TOSLINK Optical ADAT / S/PDIF Output
Host Connection
1x USB-C	1x USB-B
Host Connection Protocol
USB 2.0	USB 3.0 / 3.1/3.2 Gen 1
USB (Non-Host)

Sync I/O
1x BNC Word Clock Output
Network I/O

MIDI I/O

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface are both high-quality audio interfaces, but they differ in their specifications and features.
Analog Audio I/O: The RME Babyface Pro FS offers 2x XLR 3-Pin Balanced Mic/Line Inputs, 2x 1/4" TS Unbalanced Line/Hi-Z Inputs, 2x XLR 3-Pin Balanced Monitor Outputs, 1x 1/4" TRS Unbalanced Headphone Output, and 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output. In comparison, the Audient ID44 MkII provides 4x Combo XLR-1/4" TRS Balanced Mic/Line Inputs, 2x 1/4" TS Unbalanced Hi-Z Inputs, 4x 1/4" TRS Balanced Line Outputs, 2x 1/4" TRS Unbalanced Headphone Outputs, 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output, 2x 1/4" TRS Balanced Insert Sends, and 2x 1/4" TRS Balanced Insert Returns. The Audient interface offers more inputs and outputs overall, including additional mic/line inputs and line outputs, as well as insert points for external processing.
Digital Audio I/O: The RME Babyface Pro FS includes 1x TOSLINK Optical ADAT / S/PDIF Input and 1x TOSLINK Optical ADAT / S/PDIF Output. The Audient ID44 MkII, on the other hand, comes with 2x TOSLINK Optical ADAT / S/PDIF Inputs (with S/MUX support) and 2x TOSLINK Optical ADAT / S/PDIF Outputs (with S/MUX support), providing more digital connectivity options.
Host Connection and Protocol: The RME Babyface Pro FS uses a USB-B connection and supports USB 3.0 / 3.1/3.2 Gen 1 protocols. The Audient ID44 MkII uses a USB-C connection and supports USB 2.0. While the RME interface has a higher USB protocol version, the Audient interface's USB-C connectivity is more modern and versatile.
Sync I/O and MIDI I/O: The RME Babyface Pro FS does not include Sync I/O or MIDI I/O. The Audient ID44 MkII includes 1x BNC Word Clock Output for synchronization with other digital audio equipment but also lacks MIDI I/O.
In summary, the RME Babyface Pro FS offers a robust yet limited set of analog and digital I/O with a focus on high-fidelity audio. The Audient ID44 MkII provides more extensive connectivity options for both analog and digital I/O, including more mic/line inputs, line outputs, and insert points, making it a more versatile option for users needing a broader range of connectivity. The choice between them would depend on the specific needs and preferences of the user.

Performance
Frequency Response
Mic, Line Inputs: 10 Hz to 65 kHz ±0.5 dB Hi-Z Inputs: 10 Hz to 50 kHz ±0.5 dB AD/DA Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB	Mic, Line Inputs: 18 Hz to 20.8 kHz -0.1 dB (at 44.1 kHz) 7 Hz to 45.8 kHz -0.5 dB (at 96 kHz) 5 Hz to 88 kHz (at 192 kHz) Line, Hi-Z Inputs: 5 Hz to 20.8 kHz -0.1 dB (at 44.1 kHz) 3 Hz to 45.8 kHz -0.5 dB (at 96 kHz) 2 Hz to 92 kHz -1 dB (at 192 kHz) Line Outputs: 0 Hz to 20.8 kHz -0.5 dB (at 44.1 kHz) 0 Hz to 45 kHz -0.5 dB (at 96 kHz) 0 Hz to 89 kHz -1 dB (at 192 kHz)
Maximum Input Level
Mic Inputs: +18 dBu +28 dBu (with Pad) Line Inputs: 28 dBu Hi-Z Inputs: +10 dBu Insert Return: +18 dBu	Mic Inputs: +8 dBu (Min Gain) +19 dBu (with Pad) -57 dBu (Max Gain) -46 dBu (with Pad) Line/Hi-Z Inputs: +13 dBu (+4 dBu) -5 dBu (-10 dBV)
Headphone Output Power
225 mW into 30 Ohms 210 mW into 60 Ohms 54 mW into 600 Ohms	60 mW into 10 Ohms (Max) 90 mW into 1000 Kilohms (Max)
Impedance
Mic Inputs: 3 Kilohms (Balanced) Line Inputs: 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) Insert Return: > 10 Kilohms (Balanced) Insert Send: < 100 Ohms (Balanced) D/A Converters: < 100 Ohms (Balanced) Headphone Outputs: < 50 Ohms (Balanced)	Mic/Line Inputs: 2 to 5.2 Kilohms (Balanced) 1 to 2.6 Kilohms (Unbalanced) Line/Hi-Z Inputs: 1 Megohm Line Outputs: 300 Ohms (Balanced) 150 Ohms (Unbalanced) Headphone Outputs: 10 Ohms (Unbalanced) 0.1 Ohm (Unbalanced)
Dynamic Range
A/D Converters: 120 dB (A-Weighted) D/A Converters: 126 dB (A-Weighted) Headphone Outputs: 124 dB (A-Weighted)	D/A Converters: 115 dB RMS 118 dBA
SNR
Mic/Line Inputs: 96 dB Hi-Z Inputs: 95 dB (A-Weighted)	Mic/Line Inputs: 113.7 dB RMS 117 dBA Line/Hi-Z Inputs: 116 dB RMS 120 dBA Line Outputs: 114.8 dB RMS 118 dBA
THD+N
Mic Inputs: -96 dBu / < 0.003% (1 kHz) Hi-Z Inputs: < 0.3% (1 kHz) A/D Converters: -112 dB / < 0.0003% (1 kHz, at -1 dBFS) D/A Converters: -104 dB / < 0.0006% (1 kHz, at -1 dBFS) Headphone Outputs: -103 dB / < 0.0008% (1 kHz, at -1 dBFS)	Mic/Line Inputs: < -108 dB / < 0.00035% < -100 dB / < 0.001% Line Outputs: < -102 dB / 0.0008%

The RME Babyface Pro FS and the Audient ID44 MkII offer high-quality audio performance, but they differ significantly in several key specifications.
Frequency Response: The RME Babyface Pro FS offers a wide frequency response range for its various inputs and outputs. For mic and line inputs, it ranges from 18 Hz to 88 kHz, while line outputs range from 0 Hz to 89 kHz. The Audient ID44 MkII, on the other hand, provides a slightly wider frequency response for mic and line inputs, ranging from 10 Hz to 65 kHz, and for Hi-Z inputs from 10 Hz to 50 kHz. Both interfaces offer exceptional clarity, but the Babyface Pro FS has a broader range at the high end.
Maximum Input Level: The maximum input levels vary between the two devices. The RME Babyface Pro FS can handle up to +8 dBu for mic inputs, and +13 dBu for line/Hi-Z inputs. In comparison, the Audient ID44 MkII can handle a higher maximum input level of up to +28 dBu for mic inputs with the pad engaged, +28 dBu for line inputs, and +10 dBu for Hi-Z inputs. This makes the ID44 MkII more versatile for handling higher input levels without distortion.
Headphone Output Power: The headphone output power is significantly higher in the Audient ID44 MkII, delivering 225 mW into 30 Ohms and 210 mW into 60 Ohms. The RME Babyface Pro FS offers 60 mW into 10 Ohms and 90 mW into 1000 Kilohms. This makes the ID44 MkII a better choice for driving high-impedance headphones.
Impedance: The impedance values also differ. For mic/line inputs, the RME Babyface Pro FS ranges from 2 to 5.2 Kilohms (balanced), while the Audient ID44 MkII has a consistent 3 Kilohms (balanced) for mic inputs and 10 Kilohms (balanced) for line inputs. The Hi-Z input impedance is 1 Megohm for both devices. The RME offers lower impedance for line outputs (300 Ohms balanced) compared to the Audient's <100 Ohms (balanced).
Dynamic Range: The Audient ID44 MkII boasts a higher dynamic range for its A/D and D/A converters, with 120 dB and 126 dB respectively. The RME Babyface Pro FS has a dynamic range of 115 dB RMS for its D/A converters. The ID44 MkII also provides a superior dynamic range for headphone outputs at 124 dB (A-Weighted), compared to the RME's 118 dBA.
SNR: The signal-to-noise ratio (SNR) is also better in the Audient ID44 MkII for its mic/line inputs at 96 dB and Hi-Z inputs at 95 dB (A-Weighted). The RME Babyface Pro FS offers higher SNR for mic/line inputs at 113.7 dB RMS and for line/Hi-Z inputs at 116 dB RMS, indicating better noise performance.
THD and THD+N: The RME Babyface Pro FS exhibits lower THD for line outputs at -106 dB / 0.0005% and for line/mic inputs at -112 dB / 0.00024%. The Audient ID44 MkII shows THD+N values of -96 dBu / < 0.003% for mic inputs and < 0.3% for Hi-Z inputs. The THD+N for the RME is generally lower, indicating cleaner signal processing.
In conclusion, both interfaces offer exceptional quality but cater to different needs. The RME Babyface Pro FS excels in SNR and THD performance, making it ideal for users prioritizing low noise and distortion. The Audient ID44 MkII, with its higher dynamic range and headphone output power, is better suited for users needing robust headphone performance and higher input handling capabilities.

Digital Audio
Sample Rates
Up to 96 kHz	Up to 200 kHz
Bit Depths
24-Bit	Up to 24-Bit
Sync Sources
ADAT, Internal, S/PDIF	ADAT

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface offers sample rates up to 200 kHz and supports bit depths up to 24-bit. Its sync source includes ADAT, providing reliable synchronization capabilities.
On the other hand, the Audient ID44 MkII 20x24 Desktop USB Audio Interface features a dBFS reference level of +18 dBu = 0 dBFS. It supports sample rates up to 96 kHz and bit depths of 24-bit, but does not offer sample rate conversion. The latency measurements for the Audient ID44 MkII are very specific: 0.677 ms at 44.1 kHz, 0.354 ms at 88.2 kHz, and 0.323 ms at 96 kHz, dependent on buffer size. For sync sources, it supports ADAT, Internal, and S/PDIF.
In summary, the RME Babyface Pro FS excels in offering higher sample rates up to 200 kHz, while the Audient ID44 MkII provides more detailed information on reference levels and latency, as well as additional sync sources like Internal and S/PDIF. Both interfaces support 24-bit depth and ADAT sync, but the Audient ID44 MkII stands out for its specific latency metrics and additional sync options.

Audio Storage & Playback
Memory Card Slot

When comparing the RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface, one notable similarity is the absence of a memory card slot in both devices. This feature, or rather the lack thereof, indicates that neither interface supports direct recording or storage onto memory cards, which might be a consideration for users who rely on such functionality for standalone recording solutions.
The RME Babyface Pro FS and the Audient ID44 MkII are both high-quality, professional-grade audio interfaces, but they serve slightly different market needs. The RME Babyface Pro FS offers up to 24 channels of audio, providing extensive connectivity options for users who require a broad range of input and output capabilities. This includes pristine audio quality and reliable performance, which are hallmarks of the RME brand.
On the other hand, the Audient ID44 MkII offers a 20x24 channel configuration, which is also robust but slightly less expansive compared to the RME Babyface Pro FS. Audient is known for its high-quality preamps and user-friendly design, making the ID44 MkII a strong contender for users who prioritize superior preamp performance and an intuitive interface.
In conclusion, while both the RME Babyface Pro FS and the Audient ID44 MkII lack a memory card slot, they each bring their unique strengths to the table. The RME Babyface Pro FS excels with its extensive channel count and reliable performance, whereas the Audient ID44 MkII stands out with its exceptional preamps and user-friendly features.

Compatibility
OS Compatibility
macOS 10.11.6 or Later Windows 8 or Later (32-/64-Bit)	macOS Windows

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both offer robust features tailored for professional audio production, but they differ in several key aspects.
In terms of OS compatibility, both interfaces support macOS and Windows. The RME Babyface Pro FS works with general macOS and Windows operating systems, whereas the Audient ID44 MkII specifies its compatibility with macOS 10.11.6 or later and Windows 8 or later (both 32-/64-bit). This could be crucial for users with specific OS requirements or those using older systems.
When it comes to included software, the RME Babyface Pro FS does not come with additional software, while the Audient ID44 MkII doesn't specify included software but does require an internet connection for registration and software/driver downloads. This suggests that while the Audient interface may not bundle software directly, it does provide necessary drivers and possibly other downloadable utilities or plugins.
Regarding mobile app compatibility, neither the RME Babyface Pro FS nor the Audient ID44 MkII support mobile apps. This indicates that both interfaces are intended for use with traditional desktop and laptop setups rather than mobile devices.
For hardware requirements, the RME Babyface Pro FS does not list specific processor or RAM requirements, implying broad compatibility, while the Audient ID44 MkII outlines more detailed requirements. The Audient interface requires a minimum of a 1.6 GHz Intel Core 2 or AMD processor and at least 1 GB of RAM, which are relatively minimal and should be easily met by most modern systems.
Lastly, the Audient ID44 MkII requires a USB 2.0 port and includes a USB cable, ensuring users have the necessary connection hardware right out of the box. The RME Babyface Pro FS's listing does not specify the inclusion of a USB cable, which may necessitate purchasing one separately.
In summary, the Audient ID44 MkII provides detailed OS, processor, and RAM requirements and includes essential connection hardware, making it straightforward for users to ensure compatibility and setup. The RME Babyface Pro FS offers broader OS compatibility without additional software or mobile app support, positioning it as a versatile, professional-grade interface for users who may already have the necessary peripherals and software.

Power
Power Requirements
AC/DC Power Adapter (Included)	AC/DC Power Adapter (Not Included), USB Bus Power

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface have distinct power requirements and consumption specifications.
The RME Babyface Pro FS operates with either an AC/DC power adapter, which is not included in the package, or via USB bus power. Its power consumption varies, with 2.8 W when idle, 3.7 W during typical use, and up to 5.4 W at maximum operation.
In contrast, the Audient ID44 MkII comes with an included AC/DC power adapter. It supports an AC input power range of 90 to 264 VAC at 50/60 Hz. The provided AC/DC power adapter outputs 12 VAC at 2 A and features a center-positive configuration.
These differences highlight the portability and power efficiency of the RME Babyface Pro FS, which can operate on USB bus power alone, against the higher power capacity and inclusion of a dedicated power adapter with the Audient ID44 MkII.

Physical
Anti-Theft Features
Kensington Security Slot	Kensington Security Slot
Dimensions
10.9 x 7.5 x 2.7" / 27.6 x 19.1 x 6.9 cm (Including Controls and Protrusions)	7.13 x 4.25 x 1.38" / 18.11 x 10.79 x 3.51 cm

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both feature Kensington Security Slots for anti-theft protection. This makes them suitable for use in environments where security could be a concern.
In terms of dimensions, the RME Babyface Pro FS is more compact, measuring 7.13 x 4.25 x 1.38 inches (18.11 x 10.79 x 3.51 cm), and weighs 1.5 pounds (680.0 grams). On the other hand, the Audient ID44 MkII is larger, with dimensions of 10.9 x 7.5 x 2.7 inches (27.6 x 19.1 x 6.9 cm), including controls and protrusions. The larger size of the Audient ID44 MkII might make it less portable than the RME Babyface Pro FS.
Regarding operating conditions, the RME Babyface Pro FS can operate in a temperature range of 41 to 122°F (5 to 50°C) and in humidity up to 75% (recommended). The Audient ID44 MkII does not specify operating temperature or humidity ranges, so this information is not available for comparison.

Packaging Info
Package Weight
5.74 lb	3.73 lb
Box Dimensions (LxWxH)
14.5 x 9.5 x 4.5"	11.6 x 6.3 x 3.3"

The RME Babyface Pro FS 24-Channel USB-B Audio/MIDI Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface both offer high-end features but differ in terms of physical dimensions and weight.
The RME Babyface Pro FS has a package weight of 3.73 lb and box dimensions of 11.6 x 6.3 x 3.3 inches. This makes it relatively lightweight and compact, which can be beneficial for users who need a portable solution without sacrificing professional-grade audio quality.
On the other hand, the Audient ID44 MkII is slightly heavier and larger, with a package weight of 5.74 lb and box dimensions of 14.5 x 9.5 x 4.5 inches. While it might not be as portable as the RME Babyface Pro FS, its larger size could imply more robust build quality and potentially more space for additional interface features and controls.
Both interfaces offer extensive channel counts and connectivity options, but the physical and weight differences may influence a user's choice based on their specific needs for portability versus desk setup space.

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Audient ID44 MkII vs RME Babyface Pro FS: Which Interface Reigns Supreme?

In-Depth Analysis of Audient ID44 MkII and RME Babyface Pro FS

Purchase Value

Audio Quality

Build Quality

Ease of Use

Connectivity Options

Customer Support

Driver Stability

Portability

Latency Performance

Software Integration

Preamps Quality

Expandability

Design and Aesthetics

User Manual Quality

Compatibility with DAWs

Monitoring Features

Firmware Updates

Learning Curve

Durability

Value for Money

Purchase Value

Quality of Materials

Sound Quality

Ease of Use

Portability

Driver Stability

Customer Support

Compatibility

Design and Aesthetics

Latency Performance

Durability

Versatility

Firmware Updates

Input/Output Options

USB Power Capability

MIDI Functionality

Headphone Amplifier Quality

Software Bundle

Expansion Capability

Overall Satisfaction