The Audient EVO 8 and Audient ID44 MkII are both high-quality desktop audio interfaces, but they cater to different needs and levels of expertise.
The Audient EVO 8 is a 4x4 USB Type-C audio interface that is designed for simplicity and ease of use, making it an excellent choice for beginners, podcasters, and small home studios. It features four EVO preamps, Smartgain technology that automatically sets the input levels, and a sleek, compact design. The EVO 8 is known for its intuitive user experience, including a large volume knob and clear metering. It also offers two headphone outputs, which is convenient for collaborative work. Its USB Type-C connectivity ensures fast and reliable data transfer. Overall, the EVO 8 is a user-friendly interface that delivers professional-quality sound without the complexity.
On the other hand, the Audient ID44 MkII is a 20x24 USB audio interface that is aimed at professional producers, engineers, and musicians who require more extensive I/O options and advanced features. It comes with four Class-A Audient Console mic preamps, ADAT expandability for additional inputs, and superior conversion technology with 126dB dynamic range. The ID44 MkII also offers two JFET instrument inputs, two independent headphone outputs, and comprehensive monitor control options. Its design includes a robust metal chassis and a large, tactile volume knob for precise control. The ID44 MkII is built for those who need a versatile and powerful interface capable of handling complex recording sessions and larger setups.
In summary, while both interfaces uphold Audient's reputation for high-quality audio and build, the EVO 8 is perfect for users who need a straightforward, portable, and efficient solution. In contrast, the ID44 MkII is tailored for professionals needing more I/O flexibility, superior sound quality, and advanced control features.
User Rating Based on Analysis of Reviews |
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Pros: |
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High-quality preamps with versatile gain range.
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Expandable via ADAT for increased input/output options.
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Robust build quality with a sleek, professional design.
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Low-latency performance with stable drivers.
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Comprehensive control software for easy management.
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High-quality preamps with 58dB gain range for clean recordings.
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Smartgain feature automatically sets input levels for optimal recording.
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USB Type-C connectivity for fast and reliable data transfer.
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Compact and portable design, ideal for mobile recording setups.
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User-friendly interface with easy-to-use controls.
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Cons: |
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Relatively higher price point compared to some competitors.
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Requires external power supply, limiting portability.
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No MIDI I/O, which may be a drawback for some users.
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Learning curve associated with advanced features.
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Limited to 4 inputs and 4 outputs, which might not be enough for larger setups.
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No MIDI I/O, limiting connectivity with MIDI controllers and instruments.
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Plastic construction might not be as durable as metal alternatives.
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No onboard DSP for real-time effects processing.
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Requires external power supply, which can limit portability.
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Key Specs |
Channels of I/O |
Analog: 4 Inputs / 8 Outputs at 96 kHz ADAT: 16 Inputs / 16 Outputs at 48 kHz S/PDIF: 2 Inputs / 2 Outputs |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
4 Preamps |
4 Preamps |
Analog Audio I/O |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input 2x 1/4" TS Unbalanced Hi-Z Input 4x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output 2x 1/4" TRS Balanced Insert Send 2x 1/4" TRS Balanced Insert Return |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Host Connection |
1x USB-C |
1x USB-C |
OS Compatibility |
macOS 10.11.6 or Later Windows 8 or Later (32-/64-Bit) |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Power Requirements |
AC/DC Power Adapter (Included) |
USB Bus Power |
The Audient EVO 8 and the Audient ID44 MkII are both high-quality desktop audio interfaces designed to cater to different needs in audio production. In terms of input and output channels, the EVO 8 offers 4 inputs and 4 outputs, while the ID44 MkII provides a more extensive configuration of 20 inputs and 24 outputs, making it suited for larger setups. Both devices support a maximum sampling rate of 96 kHz and 24-bit depth, ensuring high fidelity in audio recording and playback.
When it comes to microphone preamps, both interfaces feature 4 preamps, enabling users to connect multiple microphones simultaneously. However, the ID44 MkII offers additional flexibility with its digital audio I/O options, including 16 ADAT inputs and outputs at 48 kHz, and S/PDIF connectivity, which the EVO 8 lacks. This makes the ID44 MkII a better choice for users who require extensive routing options and integration with other digital equipment.
In terms of analog audio connections, both interfaces come equipped with 4 combo XLR-1/4" TRS balanced mic/line inputs. The ID44 MkII expands on this with additional features such as insert sends and returns, which allow for external processing of signals. Both devices also provide dual headphone outputs, but the ID44 MkII includes an additional 1/8" TRS unbalanced headphone output for added versatility.
Regarding connectivity, both interfaces utilize USB-C for host connection, but the EVO 8 is powered via USB bus power, making it more portable. In contrast, the ID44 MkII requires an AC/DC power adapter, which may be less convenient for mobile setups. OS compatibility is slightly different, with the EVO 8 supporting macOS 10.7.5 or later and Windows 7 or later, while the ID44 MkII requires macOS 10.11.6 or later and Windows 8 or later. Overall, the choice between the two will largely depend on the user's specific needs for input/output channels, digital connectivity, and portability.
General |
Channels of I/O |
Analog: 4 Inputs / 8 Outputs at 96 kHz ADAT: 16 Inputs / 16 Outputs at 48 kHz S/PDIF: 2 Inputs / 2 Outputs |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
4 Preamps |
4 Preamps |
Input Level Adjustment |
4x Knob |
4x Automatic 1x Knob |
Expansion Slots |
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The Audient EVO 8 and the Audient ID44 MkII are both high-quality audio interfaces designed for different needs in the audio production sphere. Both devices support a maximum sampling rate of 96 kHz and a bit depth of 24-bit, ensuring high-fidelity sound capture and playback.
In terms of input and output channels, the Audient EVO 8 offers a straightforward configuration with 4 analog inputs and 4 outputs, making it suitable for smaller setups or home studios. On the other hand, the Audient ID44 MkII provides a more extensive setup with 4 analog inputs and 8 outputs, alongside additional digital capabilities, including 16 ADAT inputs and outputs at 48 kHz and 2 S/PDIF inputs and outputs. This makes the ID44 MkII a more versatile option for users requiring expanded connectivity options and the ability to integrate multiple devices.
Both interfaces feature 4 microphone preamps, which provide high-quality preamplification for recording vocals and instruments. The input level adjustment on the EVO 8 utilizes an automatic setting alongside a single knob for ease of use, while the ID44 MkII employs four dedicated knobs for manual input level adjustments, allowing for more granular control over the sound levels. Neither model includes built-in microphones, and both lack expansion slots, focusing instead on delivering robust performance within their existing specifications.
In summary, the Audient EVO 8 is ideal for users seeking a compact and user-friendly interface with essential features, while the Audient ID44 MkII caters to those who require a more comprehensive audio solution with greater input and output capabilities.
Signal Processing |
Pad |
Mic/Line: -10 dB (Switchable per Channel) |
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Gain/Trim Range |
Combo XLR-1/4" Mic/Hi-Z Inputs: 0 to +60 dB Line Inputs: -10 to +50 dB |
Mic/Line/Hi-Z Inputs: 58 dB |
High-Pass Filter |
100 Hz, 12 dB/Octave |
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Solo/Mute |
Mute per Master |
Mute per Input Channel, Master |
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface, several key specifications highlight their differences in functionality and usability.
Starting with the pad feature, the Audient EVO 8 does not include a pad option, which may limit its versatility in handling high-level signals without distortion. In contrast, the Audient ID44 MkII offers a switchable pad of -10 dB per channel for mic and line inputs, making it more adaptable for various recording situations.
In terms of gain/trim range, the EVO 8 provides a gain range of 58 dB for its mic/line/Hi-Z inputs, which is effective for most recording applications. However, the ID44 MkII boasts a broader gain range, offering 0 to +60 dB for its combo XLR-1/4" mic/Hi-Z inputs and -10 to +50 dB for line inputs. This wider range enhances its capability to accommodate different types of microphones and instruments.
The high-pass filter feature is absent in the EVO 8, which could be a drawback for users looking to reduce low-frequency noise or rumble. Conversely, the ID44 MkII includes a 100 Hz, 12 dB/octave high-pass filter, providing added control over the audio signal and making it easier to achieve a cleaner mix.
Regarding solo/mute functionality, the EVO 8 allows for muting per input channel and features a master mute, giving users some control over their monitoring setup. The ID44 MkII, however, only has a master mute option, which may limit individual channel management during sessions.
Overall, while the Audient EVO 8 is a capable interface suitable for simpler setups, the Audient ID44 MkII offers enhanced features such as switchable pads, a wider gain range, and a high-pass filter, making it a more robust choice for professional recording environments.
Connectivity |
Analog Audio I/O |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input 2x 1/4" TS Unbalanced Hi-Z Input 4x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output 2x 1/4" TRS Balanced Insert Send 2x 1/4" TRS Balanced Insert Return |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Phantom Power |
48 V ± 4 V (Selectable on Individual Inputs) |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
Phantom Power Current |
10 mA per Channel |
10 mA per Channel |
Digital Audio I/O |
2x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support) 2x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support) |
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Host Connection |
1x USB-C |
1x USB-C |
Host Connection Protocol |
USB 2.0 |
USB 2.0 |
USB (Non-Host) |
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Sync I/O |
1x BNC Word Clock Output |
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Network I/O |
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MIDI I/O |
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The Audient EVO 8 and the Audient ID44 MkII are both high-quality desktop audio interfaces, but they cater to different needs based on their specifications and features.
In terms of Analog Audio I/O, the EVO 8 offers 4 combo XLR-1/4" TRS balanced mic/line inputs and 1 unbalanced Hi-Z input, along with 4 balanced line outputs and 2 unbalanced headphone outputs. In contrast, the ID44 MkII also provides 4 combo XLR-1/4" TRS inputs, but it includes 2 unbalanced Hi-Z inputs, 4 balanced line outputs, and adds a unique 1/8" TRS unbalanced headphone output. Additionally, the ID44 MkII features 2 balanced insert sends and 2 balanced insert returns, enhancing its flexibility for audio processing.
When it comes to Phantom Power, both interfaces support 48 V with a current of 10 mA per channel. However, the ID44 MkII allows for phantom power selection on individual inputs, similar to the EVO 8, but it offers more comprehensive analog connectivity.
The Digital Audio I/O capabilities highlight a significant difference between the two. The EVO 8 does not support any digital audio I/O, making it suitable for straightforward recording tasks. In contrast, the ID44 MkII is equipped with 2 TOSLINK optical ADAT/S/PDIF inputs and outputs, offering S/MUX support for expanded digital connectivity, which is ideal for more complex setups and higher channel counts.
Both interfaces feature a Host Connection via USB-C and utilize the USB 2.0 protocol, ensuring compatibility with modern computers. However, the ID44 MkII includes a BNC Word Clock output for synchronization purposes, which the EVO 8 lacks.
In summary, the Audient EVO 8 is a compact and user-friendly interface perfect for basic recording needs, while the Audient ID44 MkII is more versatile, with expanded I/O options, digital connectivity, and synchronization capabilities that cater to more advanced audio production environments.
Performance |
Frequency Response |
Mic, Line Inputs: 10 Hz to 65 kHz ±0.5 dB Hi-Z Inputs: 10 Hz to 50 kHz ±0.5 dB AD/DA Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB |
Mic, Line Inputs: 10 Hz to 40 kHz ±0.5 dB Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB A/D Converters: 10 Hz to fs/2 ±0.5 dB D/A Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB |
Maximum Input Level |
Mic Inputs: +18 dBu +28 dBu (with Pad) Line Inputs: 28 dBu Hi-Z Inputs: +10 dBu Insert Return: +18 dBu |
Mic/Line Inputs: +16 dBu Hi-Z Inputs: +10 dBu |
Maximum Output Level |
Line Outputs: +18 dBu Insert Send: +22 dBu Headphone Outputs: +14 dBu |
D/A Converters: +11 dBu Headphone Outputs: +10.1 dBu (600-Ohm Load) |
Headphone Output Power |
225 mW into 30 Ohms 210 mW into 60 Ohms 54 mW into 600 Ohms |
45 mW into 30 Ohms (Max) 52 mW into 60 Ohms (Max) 20 mW into 600 Ohms (Max) |
Impedance |
Mic Inputs: 3 Kilohms (Balanced) Line Inputs: 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) Insert Return: > 10 Kilohms (Balanced) Insert Send: < 100 Ohms (Balanced) D/A Converters: < 100 Ohms (Balanced) Headphone Outputs: < 50 Ohms (Balanced) |
Mic Inputs: > 3 Kilohms (Balanced) Line Inputs: > 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) Line Outputs: < 100 Ohms (Balanced) Headphone Outputs: < 50 Ohms (Unbalanced) |
Dynamic Range |
A/D Converters: 120 dB (A-Weighted) D/A Converters: 126 dB (A-Weighted) Headphone Outputs: 124 dB (A-Weighted) |
AD/DA Converters: 113 dBA Headphone Outputs: 113 dBA |
SNR |
Mic/Line Inputs: 96 dB Hi-Z Inputs: 95 dB (A-Weighted) |
Mic/Line/Hi-Z Inputs: 100 dB |
THD+N |
Mic Inputs: -96 dBu / < 0.003% (1 kHz) Hi-Z Inputs: < 0.3% (1 kHz) A/D Converters: -112 dB / < 0.0003% (1 kHz, at -1 dBFS) D/A Converters: -104 dB / < 0.0006% (1 kHz, at -1 dBFS) Headphone Outputs: -103 dB / < 0.0008% (1 kHz, at -1 dBFS) |
Mic/Line Inputs: < 0.0015% (1 kHz) Hi-Z Inputs: < 0.3% (1 kHz) D/A Converters: < 0.0015% (1 kHz, at -1 dBFS) Headphone Outputs: < 0.0015% (1 kHz, at -1 dBFS) |
EIN |
Mic Inputs: -126 dBu |
Mic/Line Inputs: < -128 dBu |
CMRR |
Mic Inputs: > 80 dB (1 kHz) |
Mic/Line Inputs: > 85 dB (1 kHz) |
The Audient EVO 8 and the Audient ID44 MkII are both exceptional audio interfaces, but they cater to different needs and specifications.
In terms of frequency response, the Audient EVO 8 offers a range of 10 Hz to 40 kHz for its mic and line inputs, while the Audient ID44 MkII extends this range to 10 Hz to 65 kHz, providing superior detail and fidelity in audio reproduction. The EVO 8's maximum input level for mic/line inputs is +16 dBu, whereas the ID44 MkII allows for a higher input level of +18 dBu, with the added option of +28 dBu when using a pad, making it more versatile for capturing louder sound sources.
When it comes to output levels, the Audient ID44 MkII again takes the lead, with a maximum output level of +18 dBu for its line outputs compared to the EVO 8's +11 dBu. The ID44 MkII also features more powerful headphone outputs, delivering up to 225 mW into 30 Ohms compared to the EVO 8's 45 mW. This means the ID44 MkII can drive headphones more effectively, especially at higher impedance levels.
Dynamic range is another critical area where the ID44 MkII excels. Its A/D converters achieve a dynamic range of 120 dB (A-Weighted) and D/A converters reach 126 dB, significantly higher than the EVO 8's 113 dBA in both AD/DA conversions. The signal-to-noise ratio (SNR) for the EVO 8 stands at 100 dB for mic/line/Hi-Z inputs, while the ID44 MkII records a lower SNR of 96 dB for mic/line inputs, indicating clearer sound capture capabilities in the ID44 MkII.
In terms of Total Harmonic Distortion plus Noise (THD+N), the EVO 8 performs slightly better in some aspects, particularly with its mic/line inputs at <0.0015%. However, both interfaces exhibit similar performance for Hi-Z inputs at <0.3%. The ID44 MkII's THD+N figures for its converters are also quite impressive, with values as low as <0.0003% for A/D converters.
In conclusion, while both the Audient EVO 8 and the Audient ID44 MkII are capable audio interfaces, the ID44 MkII offers superior specifications in frequency response, input/output levels, dynamic range, and headphone driving power, making it a more robust choice for professional audio applications. The EVO 8, while slightly less powerful, remains an excellent option for those who require a compact and effective solution for home recording.
Digital Audio |
Sample Rates |
Up to 96 kHz |
44.1 / 48 / 88.2 / 96 kHz |
Sample Rate Conversion |
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Bit Depths |
24-Bit |
Up to 24-Bit |
Latency |
0.677 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 0.625 ms 0.354 ms at 88.2 kHz 0.323 ms at 96 kHz (Input to Output) |
5 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 4.1 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Sync Sources |
ADAT, Internal, S/PDIF |
Internal |
The Audient EVO 8 and the Audient ID44 MkII are two distinct audio interfaces catering to different needs in the realm of audio production. The EVO 8 is a more compact and user-friendly option, while the ID44 MkII is designed for more extensive setups and professional applications.
In terms of sample rates, the EVO 8 supports common rates of 44.1, 48, 88.2, and 96 kHz, allowing for flexibility in various recording scenarios. On the other hand, the ID44 MkII also supports sample rates up to 96 kHz but offers a more extensive routing capability with its 20x24 configuration. Both interfaces have a bit depth of up to 24-bit, ensuring high-resolution audio capture.
Latency is a critical factor in any audio interface, and here the ID44 MkII excels significantly, offering latencies as low as 0.323 ms at 96 kHz. In contrast, the EVO 8 has a latency of 4.1 ms at 96 kHz, which, while still reasonable, does not match the performance of the ID44 MkII. This difference can be crucial for users who require real-time monitoring and precise timing in their recordings.
Regarding sync sources, the EVO 8 utilizes an internal sync source, which is adequate for most users. In comparison, the ID44 MkII provides more options, including ADAT, internal, and S/PDIF sync sources, making it a better fit for complex audio setups that may require synchronization with other digital devices.
In conclusion, while both the Audient EVO 8 and ID44 MkII are excellent audio interfaces, the choice between them will ultimately depend on the user's specific requirements. The EVO 8 is ideal for simpler, streamlined setups, whereas the ID44 MkII is tailored for more advanced configurations where lower latency and multiple sync options are paramount.
Audio Storage & Playback |
Memory Card Slot |
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When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface, both models share the distinction of not featuring a memory card slot. This characteristic highlights a design focus on direct audio input and processing rather than onboard storage capabilities, allowing users to connect and record audio directly to their computers without the need for additional media.
In terms of functionality, the Audient EVO 8 offers a compact 4x4 configuration, making it ideal for smaller setups or mobile recording applications. It is designed for simplicity and ease of use, featuring smartgain technology that automatically sets levels, which can be beneficial for both beginners and seasoned professionals looking for quick setups. On the other hand, the Audient ID44 MkII presents a more expansive 20x24 configuration, catering to users who require a more robust interface for larger, more complex sessions. This model provides a greater number of inputs and outputs, making it suitable for multi-track recording and larger studio environments.
The EVO 8 is particularly appealing for those who prioritize portability and straightforward operation, while the ID44 MkII is aimed at users who need extensive routing capabilities and professional-grade sound quality. Both interfaces reflect Audient's commitment to high audio performance, but they serve different purposes in the audio production landscape, with the EVO 8 being a more entry-level option and the ID44 MkII catering to advanced users with demanding audio needs.
Compatibility |
OS Compatibility |
macOS 10.11.6 or Later Windows 8 or Later (32-/64-Bit) |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Processor Requirement |
Mac: Intel Apple PC: 1.6 GHz Intel Core 2 AMD |
Mac: Intel PC: 1.6 GHz Intel Core 2 |
RAM Requirements |
1 GB |
1 GB |
Mobile Device Compatibility |
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Required Hardware |
USB 2.0 Port USB Cable (Included) |
Available USB 2.0 Port USB Cable (Included) |
Internet Connection |
Required for Registration, Software/Driver Download |
Required for Software/Driver Download |
The Audient EVO 8 and the Audient ID44 MkII are both high-quality audio interfaces designed for desktop use, but they cater to different needs in terms of connectivity and functionality.
In terms of OS Compatibility, the EVO 8 is compatible with macOS 10.7.5 or later and Windows 7 or later, while the ID44 MkII supports macOS 10.11.6 or later and Windows 8 or later. This makes the ID44 MkII slightly more modern in terms of OS support, appealing to users who prefer the latest operating systems.
When it comes to Processor Requirements, both interfaces require an Intel processor, with the EVO 8 specifying a 1.6 GHz Intel Core 2 for both Mac and PC. The ID44 MkII has the same processor requirement for Intel but extends compatibility to AMD processors as well, providing a broader range of compatibility for PC users.
In terms of RAM Requirements, both devices require 1 GB of RAM, ensuring they are equally lightweight in terms of system resource demands. Neither interface offers Mobile Device Compatibility, which means they are strictly designed for desktop use.
For Required Hardware, both the EVO 8 and ID44 MkII require an available USB 2.0 port and come with a USB cable included, making setup straightforward. However, the Audient ID44 MkII specifies an Internet Connection requirement for registration, in addition to software and driver downloads, while the EVO 8 only requires an internet connection for software or driver downloads.
In summary, while both the Audient EVO 8 and ID44 MkII offer solid performance as audio interfaces, the ID44 MkII provides a more modern OS compatibility and a wider processor compatibility, making it a more versatile choice for users with newer systems or those using AMD processors.
Power |
Power Requirements |
AC/DC Power Adapter (Included) |
USB Bus Power |
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface, a key distinction lies in their power requirements. The Audient EVO 8 is designed for convenience and portability, utilizing USB Bus Power. This feature allows it to be powered directly through the USB connection to a computer, making it an ideal choice for mobile setups or for users who prefer a straightforward plug-and-play experience.
In contrast, the Audient ID44 MkII requires an AC/DC Power Adapter, which is included with the device. It operates with an AC Input Power range of 90 to 264 VAC at 50/60 Hz, and the adapter provides 12 VAC at 2 A. This specification suggests that the ID44 MkII is tailored for more permanent studio environments where consistent power supply is available. The need for an external power source may also indicate that the ID44 MkII is designed to deliver higher performance and more robust processing capabilities compared to the EVO 8.
In summary, the choice between the Audient EVO 8 and the ID44 MkII will largely depend on the user's specific needs regarding portability and power requirements. The EVO 8's USB bus power offers ease of use for on-the-go recording, while the ID44 MkII's reliance on an AC power adapter positions it as a more powerful solution suitable for dedicated studio setups.
Physical |
Dimensions |
10.9 x 7.5 x 2.7" / 27.6 x 19.1 x 6.9 cm (Including Controls and Protrusions) |
7.48 x 2.76 x 2.76" / 19 x 7 x 7 cm |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface cater to different user needs, particularly in terms of size, weight, and additional features.
The Audient EVO 8 is compact and lightweight, measuring 7.48 x 2.76 x 2.76 inches and weighing only 1.0 lb. This makes it an ideal choice for mobile setups or smaller studio spaces where portability is crucial. Its streamlined design focuses on delivering essential audio interface functionality without unnecessary bulk.
In contrast, the Audient ID44 MkII is larger and heavier, with dimensions of 10.9 x 7.5 x 2.7 inches and a more substantial build. While it does not specify its weight, the larger footprint suggests it is designed for a more permanent studio environment. Additionally, the ID44 MkII includes an anti-theft feature, specifically a Kensington Security Slot, which enhances its appeal for users concerned about security in shared or public spaces.
In summary, the choice between the two interfaces largely depends on the user's specific requirements. The EVO 8 offers portability and simplicity, while the ID44 MkII provides a more robust feature set and security for studio use.
Packaging Info |
Package Weight |
5.74 lb |
1.79 lb |
Box Dimensions (LxWxH) |
14.5 x 9.5 x 4.5" |
9.1 x 4.2 x 3.6" |
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient ID44 MkII 20x24 Desktop USB Audio Interface, there are notable differences in terms of specifications, size, and weight, which can affect their usability depending on the requirements of the user.
The Audient EVO 8 is designed to be compact and lightweight, with a package weight of only 1.79 lb and box dimensions of 9.1 x 4.2 x 3.6 inches. This makes it an excellent choice for musicians and content creators who need a portable solution for recording on the go or in smaller studio spaces. Its 4x4 configuration is suitable for home studios that require basic input and output capabilities without the added complexity of larger interfaces.
In contrast, the Audient ID44 MkII offers a more robust feature set with a package weight of 5.74 lb and dimensions of 14.5 x 9.5 x 4.5 inches. This larger size and weight reflect its comprehensive 20x24 channel configuration, which is ideal for more extensive recording setups, such as professional studios or those needing to manage multiple inputs and outputs simultaneously. The ID44 MkII is designed for users who require higher channel counts and more advanced audio routing options.
Overall, while the Audient EVO 8 excels in portability and simplicity, the Audient ID44 MkII stands out in terms of versatility and channel availability. The choice between the two will depend on the specific needs of the user, whether they prioritize a lightweight interface for mobility or a more extensive system for complex recording tasks.