The ESI UGM192 Pro-Go Audio Interface is a compact and versatile device designed for professional musicians and audio producers who require high-quality sound capture and playback capabilities. This audio interface is particularly noted for its portability, making it an ideal choice for on-the-go recording sessions and performances. With its sleek design and robust construction, the UGM192 Pro-Go ensures durability while maintaining a lightweight and travel-friendly profile.
Equipped with two high-quality microphone preamps and a range of input/output options, the ESI UGM192 Pro-Go delivers exceptional audio fidelity. The interface supports high-resolution audio up to 24-bit/192kHz, ensuring that every nuance of your recordings is captured with pristine clarity. Additionally, the low-latency performance and reliable driver support enhance the overall user experience, making it a preferred choice among professionals.
The ESI UGM192 Pro-Go also features a user-friendly interface with intuitive controls that allow for easy adjustments on the fly. Its compatibility with both PC and Mac systems broadens its appeal, ensuring seamless integration into various digital audio workstations (DAWs). Whether you're recording vocals, instruments, or producing complex audio projects, this audio interface provides the essential tools needed for superior sound quality and performance.
We have carefully reviewed and analyzed user feedback from various websites worldwide, leading us to the following insights. These ratings allow you to benefit from real user experiences and perspectives, helping you make a more informed choice.
80% of users were satisfied with the purchase value of the ESI UGM192 Pro-Go Audio Interface. They appreciated the competitive price point for the features offered, highlighting its affordability compared to other audio interfaces in the market. Users found the cost justified, especially for a portable device with such high-quality sound output and versatility.
20% of users felt that the purchase value was lacking, primarily due to expectations of additional features or more robust build quality at the price point. Some users believed that similar products offered better value in terms of extra functionalities or more comprehensive software packages included with the purchase.
85% of users praised the sound quality of the ESI UGM192 Pro-Go, noting its clear and precise audio output. They appreciated the high-resolution sound and low latency, which made it suitable for both amateur and professional recording tasks. Users found it delivered excellent audio performance, suitable for various musical applications.
15% of users were dissatisfied with the sound quality, citing issues like noise interference or a lack of richness in audio depth. Some users experienced occasional distortions, which they found disappointing for critical listening or professional use.
75% of users were satisfied with the build quality, noting its sturdy construction and durable materials. They appreciated the compact design, which made it easy to transport without worrying about potential damage, viewing it as a reliable option for on-the-go use.
25% of users expressed dissatisfaction with the build quality, with some reporting issues like fragile knobs or connectors. They felt that certain components did not match the overall durability expectations, leading to concerns about the long-term reliability of the device.
90% of users found the ESI UGM192 Pro-Go extremely easy to use, with an intuitive interface that facilitated quick setup and operation. Many appreciated the plug-and-play functionality, which allowed them to start recording immediately without technical hassles.
10% of users struggled with ease of use, primarily due to compatibility issues with certain software or operating systems. A few users found the instructional materials lacking in clarity, which resulted in a steeper learning curve than anticipated.
95% of users highly valued the portability of the ESI UGM192 Pro-Go. They appreciated its compact size and lightweight design, which made it convenient to carry around for mobile recording sessions. This aspect was particularly praised by musicians and podcasters who needed a reliable on-the-go solution.
5% of users were not satisfied with the portability, mainly due to concerns about the protection of the device during transport. They suggested improvements such as a more robust carrying case or additional accessories to enhance its travel readiness.
80% of users were satisfied with the compatibility of the ESI UGM192 Pro-Go, noting that it worked seamlessly with a wide range of operating systems and recording software. Users appreciated its versatility and easy integration into existing setups.
20% of users experienced compatibility issues, particularly with older software or specific DAWs. Some encountered driver installation problems or connectivity issues, which hindered their recording process.
85% of users were pleased with the low latency performance of the ESI UGM192 Pro-Go, which was critical for real-time monitoring and recording. They noted that the device provided a responsive and efficient recording experience, crucial for professional and home studios alike.
15% of users were dissatisfied with latency issues, experiencing delays that affected their recording sessions. These users often required ultra-low latency for specific applications and found the device lacking in this aspect.
75% of users were satisfied with the input/output options, appreciating the range of connectivity features that met their recording needs. The availability of multiple input types was seen as a benefit for versatile recording scenarios.
25% of users felt limited by the input/output options, wishing for additional ports or different configurations. Some users found the existing options insufficient for more complex recording setups or professional studio use.
70% of users found customer support satisfactory, praising the responsiveness and helpfulness of the support team. They appreciated the prompt resolution of issues and the availability of technical assistance when needed.
30% of users were dissatisfied with customer support, citing slow response times or inadequate solutions to their problems. Some users felt that the support team lacked the necessary expertise to address specific technical issues.
85% of users enjoyed the sleek and modern design of the ESI UGM192 Pro-Go, which enhanced the aesthetic appeal of their recording setup. The ergonomic design was also noted for its practicality and ease of use.
15% of users were not impressed by the design, finding it too basic or lacking in innovative features. Some preferred a more visually striking or unique appearance to match their personal style.
70% of users were satisfied with the included software bundle, finding it adequate for starting their recording projects. They appreciated the added value of software that complemented the hardware's capabilities.
30% of users were disappointed with the software bundle, expecting more comprehensive packages or additional high-quality plugins. Some felt that the included software did not meet their professional requirements or enhance their creative workflow.
75% of users were satisfied with the durability of the ESI UGM192 Pro-Go, noting that it withstood regular use without significant wear and tear. They found it reliable for both studio and mobile recording situations.
25% of users expressed concerns about the durability, mentioning issues like loose components or wear over time. They were worried about the long-term resilience of the device under frequent use.
80% of users found great value for professional use, particularly appreciating its performance in studio environments. They found it met their professional standards without the need for more expensive equipment.
20% of users felt the device was not suitable for high-end professional use, citing limitations in features or connectivity options that did not meet their complex recording needs.
65% of users were satisfied with the clarity of the user manual, which helped them understand the setup and features of the device. They found the instructions clear and adequate for basic operations.
35% of users were dissatisfied with the user manual, finding it confusing or lacking in detail. They expressed a need for more comprehensive guides, particularly for troubleshooting and advanced settings.
70% of users were pleased with the stability of the drivers, experiencing few issues with updates or connectivity. They appreciated the reliability, which was crucial for uninterrupted recording sessions.
30% of users faced driver stability issues, including frequent updates that caused disruptions or compatibility problems with certain systems. These issues often required additional troubleshooting, which was frustrating.
85% of users were satisfied with the recording quality, noting crisp and clear audio captures that met their expectations. The high-resolution recording capabilities were praised for delivering professional-grade results.
15% of users were disappointed with the recording quality, citing occasional artifacts or noise that affected the final output. These users expected a cleaner audio capture for their specific applications.
80% of users were satisfied with the range of features offered by the ESI UGM192 Pro-Go, finding them adequate for most recording tasks. The balance of features and simplicity was appreciated by both beginners and seasoned users.
20% of users desired more features or advanced capabilities, feeling that the device lacked certain functionalities present in competitor models. They sought more comprehensive options for complex recording needs.
85% of users found the price point appealing for beginners, offering a cost-effective entry into quality audio recording. They appreciated the accessibility of professional features at an affordable price.
15% of users thought the price could be lower for entry-level users, especially if they were not utilizing all features. Some beginners felt overwhelmed by the investment without a clear understanding of the device's full potential.
75% of users were pleased with the connectivity options, which allowed them to integrate the device seamlessly into their existing setups. The variety of connection types supported various use cases effectively.
25% of users experienced connectivity issues, such as unstable connections or limited port availability. These problems disrupted their workflow and were particularly bothersome during critical recording sessions.
80% of users expressed overall satisfaction with the ESI UGM192 Pro-Go, citing its performance, features, and value as key factors. They found it a reliable and versatile tool for their recording needs.
20% of users were not fully satisfied, pointing out specific areas like compatibility, durability, or feature limitations that influenced their overall experience negatively. These users felt that certain expectations were not met.
In the following sections, we will delve into a thorough review of the ESI UGM192 Pro-Go Audio Interface's specifications, discussing its features, strengths, and any potential drawbacks. This detailed examination aims to provide you with a complete understanding of what this audio interface offers.
Pros:
Cons:
Channels of I/O | 2 Input |
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Built-In DSP | |
Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | 1 Preamp |
Built-In Microphone | |
Input Level Adjustment | 1x Button |
Expansion Slots |
Channels of I/O: The ESI UGM192 Pro-Go Audio Interface features 2 input channels. This means you can connect two audio sources simultaneously, such as microphones or instruments. Having multiple channels allows for more flexibility during recording and mixing, making it easier to capture different audio elements without the need for multiple devices.Show More
Built-In DSP: This model does not include built-in Digital Signal Processing (DSP). DSP is typically used for real-time audio effects and processing, such as reverb or compression. While the absence of DSP may limit some real-time processing options, it also simplifies the device, potentially enhancing its ease of use and reliability for basic recording tasks.
Maximum Sampling Rate: The maximum sampling rate of 192 kHz and 24-bit depth indicates the high-quality audio performance of the interface. A higher sampling rate allows for more accurate audio capture, which is especially beneficial for professional recordings. This specification ensures that the audio captured is clear and detailed, suitable for various audio production needs.
Number of Microphone Inputs: The interface is equipped with one preamp for microphone input. This allows for the connection of a single microphone, providing a high-quality signal boost for vocals or instruments. While it's limited to one mic input, it is sufficient for solo recordings or podcasts where only one audio source is needed.
Built-In Microphone: The ESI UGM192 Pro-Go does not come with a built-in microphone. This design choice allows users to connect their preferred external microphones, ensuring that they can select the best mic for their specific recording needs, which can be crucial for achieving optimal sound quality.
Input Level Adjustment: The device features a single button for input level adjustment. This allows users to quickly and easily modify the gain of the input signal, ensuring that audio levels are optimal for recording. Proper level adjustment is essential to avoid distortion and achieve a clear sound.
Expansion Slots: The absence of expansion slots in the ESI UGM192 Pro-Go means that there are no options for adding additional hardware or features. However, this can lead to a more compact and straightforward design, making it a good choice for users who prioritize portability and ease of use over extensive expandability.
Pad | |
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High-Pass Filter | |
Solo/Mute |
Pad: The pad feature typically allows for the attenuation of input signals, which can be particularly useful when dealing with loud sources that may cause distortion or clipping. In the case of the ESI UGM192 Pro-Go Audio Interface, the absence of a pad means that users may need to be cautious with high-level audio sources to prevent distortion, as there is no option to lower the input level before it reaches the preamp.Show More
High-Pass Filter: A high-pass filter is used to eliminate low-frequency noise and rumble, making it beneficial for recording clear vocals and instruments. The lack of a high-pass filter in the ESI UGM192 Pro-Go suggests that users must manage low-frequency sounds through other means, which may require additional processing in a digital audio workstation or the use of external hardware to maintain audio clarity.
Solo/Mute: The solo and mute functions are essential for audio mixing, allowing users to isolate or silence specific tracks during playback. The absence of this feature in the ESI UGM192 Pro-Go may limit the user's ability to focus on individual audio sources while mixing, potentially complicating the workflow in a live or studio setting where monitoring specific sounds is crucial.
Analog Audio I/O | 1x 1/4" TRS Balanced Mic Input 1x 1/4" TS Unbalanced Hi-Z Input 1x 1/4" TRS Line/Headphone/Stereo Output |
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Phantom Power | 48 V |
Digital Audio I/O | |
Host Connection | 1x USB-C |
Host Connection Protocol | USB 2.0, USB 3.1/3.2 Gen 2 |
USB (Non-Host) | 1x Micro-USB (Power Input) |
Sync I/O | |
Network I/O | |
MIDI I/O | |
Wireless |
The Analog Audio I/O section of the ESI UGM192 Pro-Go Audio Interface provides various input and output options essential for connecting microphones and instruments. The interface includes a balanced mic input, which is ideal for reducing noise in professional audio applications, a high-impedance (Hi-Z) input suited for guitars and other instruments, and a line/headphone output that can drive both line-level signals and headphones. These diverse options enable users to achieve high-quality audio recordings and playback.Show More
Phantom Power refers to a feature that supplies power to condenser microphones through the mic input. The UGM192 offers 48 V phantom power, which is a standard voltage level that ensures compatibility with most professional microphones. This feature is crucial for users who work with studio-grade microphones that require external power for optimal performance.
The Digital Audio I/O section indicates the absence of digital input and output options on this interface. While this may limit connectivity with certain digital devices, the focus remains on delivering high-quality analog audio performance for users primarily working in analog environments.
The Host Connection feature highlights the interface's connectivity options, which include a USB-C port. This allows for versatile connections to computers and other devices using USB 2.0 and USB 3.1/3.2 Gen 2 protocols, ensuring fast data transfer rates and reliable performance. Additionally, there is a Micro-USB port designated for power input, which adds convenience for mobile use.
Other connection options such as Sync I/O, Network I/O, MIDI I/O, and Wireless indicate that this interface does not support these features. While MIDI and sync capabilities can be beneficial for users working with MIDI devices or needing synchronization with other equipment, the UGM192 is primarily tailored for straightforward audio input and output, making it a user-friendly choice for those focused on recording and playback.
Dynamic Range | 114 dBA |
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Dynamic Range: The dynamic range of an audio interface refers to the difference between the lowest and highest levels of sound that the device can effectively capture or reproduce without introducing distortion or noise. A dynamic range of 114 dBA indicates that the ESI UGM192 Pro-Go can handle a wide range of audio signals, which is essential for professional audio production. This range allows for clear and detailed sound reproduction, making it suitable for both recording and playback in various audio environments.Show More
In practical terms, a higher dynamic range means that the interface can accommodate both very quiet sounds and very loud sounds without losing fidelity. This is particularly important in scenarios where nuance and subtlety in audio are required, such as in music production or sound design. The 114 dBA rating suggests that users can expect high-quality audio performance, allowing for more dynamic expression and clarity in their recordings and playback.
Sample Rates | 192 kHz (A/D Conversion, D/A Conversion) |
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Sample Rate Conversion | |
Bit Depths | 24-Bit |
Sync Sources |
The Sample Rates of the ESI UGM192 Pro-Go Audio Interface indicate its capability to handle audio signals at a maximum frequency of 192 kHz for both Analog-to-Digital (A/D) and Digital-to-Analog (D/A) conversions. This high sample rate allows for greater audio fidelity, capturing more detail and nuance in sound, which is particularly beneficial for professional audio production and high-resolution audio formats. The higher the sample rate, the better the potential sound quality, making this feature ideal for musicians, sound engineers, and content creators looking for precision in their recordings.Show More
The Sample Rate Conversion feature is marked as "No," meaning that the ESI UGM192 Pro-Go does not have built-in capabilities to convert audio signals from one sample rate to another. This limitation implies that users must ensure that their input and output devices operate at compatible sample rates to avoid issues such as distortion or loss of quality. For those who work with various audio formats, this can be a consideration during setup and workflow planning.
Bit Depths for the ESI UGM192 Pro-Go is set at 24-Bit, which provides a significant dynamic range for audio recordings. A higher bit depth allows for more precise representation of audio signals, resulting in lower noise levels and better overall sound quality. This feature is crucial for professional audio applications where clarity and dynamic range are paramount, enabling users to capture more detail in their recordings and mixes.
The lack of available Sync Sources indicates that the ESI UGM192 Pro-Go does not offer options for synchronization with external devices or clocks. This can affect setups that require precise timing, such as multi-device recording sessions or when integrating with other audio interfaces. Users might need to consider alternative methods for achieving synchronization if their workflow depends on this capability.
Memory Card Slot |
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The Memory Card Slot feature indicates whether the ESI UGM192 Pro-Go Audio Interface has the capability to accept a memory card for storage or playback of audio files. In this case, the absence of a memory card slot means that users cannot directly insert a memory card to store or retrieve audio content. This could limit certain functionalities for users who prefer to work with portable storage devices for quick access to their audio recordings or samples.Show More
While many modern audio interfaces focus on direct connectivity with computers and digital audio workstations, having a memory card slot can provide added convenience for mobile setups. The lack of this feature in the UGM192 Pro-Go suggests that it is designed primarily for use in conjunction with computers and may require alternative methods for audio storage, such as using software on a connected device. This design choice emphasizes a streamlined workflow, particularly for users who are accustomed to working directly within a digital environment.
OS Compatibility | Windows 10 or Later macOS 10.9 or Later |
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Included Plug-Ins | |
Mobile App Compatible | Yes: Android & iOS |
Required Hardware | USB 2.0 Port, USB 3.0 / 3.1/3.2 Gen 1 Port |
Internet Connection | Required for Software/Driver Download |
OS Compatibility refers to the operating systems that the ESI UGM192 Pro-Go Audio Interface can operate with. Specifically, it is compatible with Windows 10 or later versions and macOS 10.9 or later. This ensures that users can seamlessly integrate the device into their existing computer systems, allowing for a smooth installation process and optimal functionality across a wide range of modern devices.Show More
Included Plug-Ins indicates whether any additional software or plug-ins are bundled with the audio interface. In this case, the specification states "No," meaning that users will need to source any necessary plug-ins separately. This could affect the user experience, as it may require additional investment or research to find compatible software for their audio production needs.
Mobile App Compatible signifies that the audio interface can be used with mobile devices, specifically those running Android and iOS operating systems. This feature enhances the versatility of the ESI UGM192, allowing musicians and audio professionals to record and mix audio on-the-go, making it a valuable tool for mobile recording sessions or live performances.
Required Hardware outlines the necessary hardware components needed to connect the audio interface to a computer. The ESI UGM192 requires a USB 2.0 port, as well as compatibility with USB 3.0, 3.1, and 3.2 Gen 1 ports. This flexibility ensures that users can connect the device to a wide range of computers, while also benefiting from faster data transfer speeds offered by newer USB standards.
Internet Connection is essential for downloading the necessary software and drivers to use the audio interface effectively. This requirement means that users must have access to the internet during the initial setup process, which can be a consideration for those who may be in areas with limited connectivity. Ensuring the correct software is installed is crucial for achieving optimal performance from the device.
Power Requirements | USB Bus Power |
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Power Requirements: The ESI UGM192 Pro-Go Audio Interface operates on USB bus power, which means it draws the necessary power directly from the computer or device it is connected to through the USB port. This feature is particularly beneficial for mobile users or those with limited workspace, as it eliminates the need for an external power supply or adapter. It allows for easy transport and setup, making it ideal for recording on the go.Show More
Using USB bus power also ensures that the audio interface is ready to use as soon as it is connected, providing a plug-and-play experience for the user. The reliance on USB power can also influence the interface's performance, as it is designed to operate efficiently with the power provided by typical USB standards. Overall, this feature enhances convenience and portability for musicians and audio professionals alike.
Dimensions | 3.4 x 2.6" / 87 x 67 mm |
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Dimensions refer to the physical size of the ESI UGM192 Pro-Go Audio Interface, which measures 3.4 x 2.6 inches or 87 x 67 mm. This compact design makes it highly portable and convenient for users who need a reliable audio interface on the go. The small footprint allows it to fit easily into a backpack or a laptop case, making it an ideal choice for musicians, podcasters, and content creators who often work in different locations.Show More
The size of the device also impacts its usability. A more compact interface can be easier to manage in tight spaces, such as a small studio or a crowded desk. However, while smaller devices can enhance portability, they may have limited controls and connectivity options compared to larger units. The ESI UGM192 Pro-Go balances size and functionality, offering essential features in a streamlined package that suits both mobile and stationary setups.
Package Weight | 0.58 lb |
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Box Dimensions (LxWxH) | 7.65 x 5.75 x 1.4" |
Package Weight: The package weight of 0.58 lb indicates the total weight of the ESI UGM192 Pro-Go Audio Interface when it is packed for shipping. This weight is important for shipping costs and handling but also gives an idea of the product's portability. A lightweight design is beneficial for musicians and sound engineers who travel frequently, allowing them to carry their equipment without added burden.Show More
Box Dimensions (LxWxH): The dimensions of the box, measuring 7.65 x 5.75 x 1.4 inches, provide insight into the size and compactness of the packaging. These dimensions suggest that the audio interface is designed to be space-efficient and easily storable. For users, this means that the device can fit comfortably in a backpack or equipment case, making it an ideal choice for on-the-go recording or performances.
How do I connect the ESI UGM192 Pro-Go Audio Interface to my computer?
To connect the ESI UGM192 Pro-Go to your computer, use the included USB cable. Plug one end of the cable into the USB port on the interface and the other end into a USB port on your computer. Ensure your computer recognizes the device by checking the audio settings.
Why is my computer not recognizing the ESI UGM192 Pro-Go Audio Interface?
If your computer does not recognize the ESI UGM192 Pro-Go, try the following: check the USB cable for damage and ensure it is firmly connected; try a different USB port; update USB and audio drivers on your computer; and verify that the interface is powered on, indicated by its LED lights.
How do I install drivers for the ESI UGM192 Pro-Go Audio Interface?
To install drivers for the ESI UGM192 Pro-Go Audio Interface, visit the ESI website and download the latest driver for your operating system. Run the installer and follow the on-screen instructions. After installation, restart your computer and connect the audio interface.
Why am I not getting any audio output from the ESI UGM192 Pro-Go?
If there's no audio output, check the following: ensure the interface is selected as the default audio output device in your system's sound settings; verify that the volume levels are not muted or set too low; and check your audio cables and connections.
How do I update the firmware on my ESI UGM192 Pro-Go?
To update the firmware, download the latest firmware update from the ESI website. Follow the included instructions carefully, which usually involve connecting the device to your computer via USB and running the firmware update tool.
What sample rates are supported by the ESI UGM192 Pro-Go?
The ESI UGM192 Pro-Go supports sample rates up to 192 kHz. You can configure the sample rate settings in your DAW or audio software to match your project requirements.
Why is there latency when using the ESI UGM192 Pro-Go?
Latency can occur due to buffer settings in your audio software. To reduce latency, lower the buffer size in your DAW preferences. However, be cautious as setting it too low may cause audio glitches.
Can I use the ESI UGM192 Pro-Go with a smartphone or tablet?
Yes, the ESI UGM192 Pro-Go can be used with a smartphone or tablet if you have the necessary USB OTG adapter for your device. Make sure the mobile device supports external audio interfaces and that you have installed any required apps or software.
How do I set up direct monitoring on the ESI UGM192 Pro-Go?
To enable direct monitoring on the ESI UGM192 Pro-Go, locate the direct monitoring switch or knob on the interface. Adjust it to allow real-time monitoring of your input signals without latency.
What should I do if the ESI UGM192 Pro-Go is emitting unwanted noise or interference?
If you experience noise or interference, try these steps: check all connections and cables for damage; ensure that the interface is not placed near other electronic devices that could cause interference; use balanced cables if possible; and make sure your power source is stable.