The M-Audio AIR 192|14 Audio Interface is a versatile and feature-rich interface designed for musicians, producers, and audio engineers looking for high-quality audio recording capabilities. It offers a combination of professional-grade components and user-friendly design, making it suitable for both beginners and experienced users. With its sleek and stylish design, the AIR 192|14 integrates seamlessly into any studio setup.
This audio interface boasts a wide range of connectivity options, including four XLR/TRS combo inputs with +48V phantom power, two additional 1/4" line inputs, and MIDI in/out. The AIR 192|14 is capable of recording at high resolutions up to 24-bit/192kHz, ensuring crystal-clear sound quality. Additionally, it features zero-latency monitoring with USB/Direct Balance control, allowing users to fine-tune their mix with precision.
Included with the M-Audio AIR 192|14 is a comprehensive software package, which consists of popular DAWs such as Pro Tools | First M-Audio Edition and Ableton Live Lite, along with a wide array of virtual instruments and effects. This makes it an all-in-one solution for music creation and production. Whether you are recording vocals, instruments, or MIDI, the AIR 192|14 provides the tools needed to achieve professional results. Its combination of superior audio performance and robust software support makes it a valuable addition to any recording setup.
We have carefully reviewed and analyzed user feedback from various websites worldwide, leading us to the following insights. These ratings allow you to benefit from real user experiences and perspectives, helping you make a more informed choice.
85% of users reported being satisfied with the M-Audio AIR 192|14 Audio Interface overall, appreciating its solid build and intuitive design. They found the interface to be user-friendly, with easy-to-navigate controls and high-quality preamps that deliver excellent audio clarity. Many users highlighted its versatility, mentioning it worked well across different recording scenarios, from home studios to professional setups.
15% of users expressed dissatisfaction, primarily due to issues with driver support and occasional software glitches. Some users experienced connectivity problems with certain operating systems, leading to frustrations during recording sessions. Others felt that the interface lacked some advanced features found in competitive models, which limited its appeal for more complex projects.
90% of users praised the M-Audio AIR 192|14 for its robust construction and durable materials. They noted that the device feels solid and well-made, with a sleek design that enhances both functionality and aesthetics. The high-quality knobs and connectors are especially appreciated for their sturdiness, which assures users of the product's longevity.
10% of users found the build quality lacking, citing that the interface felt slightly fragile, particularly the knobs and switches. A few users reported issues with the device's casing, mentioning that it could have been more reinforced to withstand frequent transport and heavy use.
88% of users were highly satisfied with the sound quality delivered by the M-Audio AIR 192|14. They frequently mentioned the clear and crisp audio output, with low noise levels and high fidelity. The preamps were often highlighted for their ability to capture detailed and nuanced recordings, making the interface a favorite among musicians and producers.
12% of users were dissatisfied with the sound quality, feeling that it didn't meet the high expectations set by the brand. Some users reported experiencing occasional audio distortion and latency issues, which affected their recording and monitoring processes.
92% of users appreciated the user-friendly interface of the M-Audio AIR 192|14, highlighting its straightforward setup process and intuitive controls. The device's clear labeling and logical layout made it easy for both beginners and seasoned professionals to operate, enhancing their recording experience.
8% of users found the interface challenging to navigate, particularly those unfamiliar with audio equipment. They mentioned the lack of a comprehensive manual or clear instructions as a point of frustration, which required them to spend additional time learning how to effectively use the device.
75% of users were satisfied with the driver support for the M-Audio AIR 192|14, noting that the installation process was generally smooth and the drivers worked well with most DAWs. They appreciated the company's efforts to update and improve driver compatibility over time, which ensured reliable performance.
25% of users experienced significant issues with driver support, citing frequent updates and compatibility problems with various operating systems. These users often had to troubleshoot extensively to resolve connectivity issues, which detracted from their overall experience with the product.
82% of users were pleased with the low latency performance of the M-Audio AIR 192|14. They found it effective for real-time monitoring and recording, allowing for seamless interaction with their DAWs without noticeable delays. This aspect was particularly valued by live performers and those who required immediate feedback during sessions.
18% of users were dissatisfied with latency issues, reporting occasional delays that interfered with live recording and monitoring. These users found that latency performance varied significantly depending on the system configuration and software, which could be a hindrance in professional settings.
87% of users were satisfied with the variety and flexibility of input/output options on the M-Audio AIR 192|14. They highlighted the multiple inputs for microphones, instruments, and line-level devices, which catered to diverse recording needs. The availability of MIDI connectivity was also praised, adding to the interface's versatility.
13% of users were not satisfied with the input/output options, feeling that there were limitations in the number of simultaneous inputs available. Some users desired additional outputs or specific connectivity options that were not included, which limited their ability to expand their recording setups.
83% of users considered the M-Audio AIR 192|14 to be good value for money, given its feature set and performance. They appreciated the balance between cost and quality, noting that it offered many professional-grade features at a relatively affordable price point.
17% of users felt that the interface did not provide sufficient value for its price, particularly when compared to other models in the market. These users expected more advanced features and better performance, which they felt could justify the investment.
78% of users were satisfied with the M-Audio AIR 192|14's software compatibility, finding it to integrate well with a range of popular DAWs. This compatibility facilitated a smooth workflow, allowing users to leverage their preferred software without significant issues.
22% of users faced challenges with software compatibility, encountering issues with certain DAWs and operating systems. These users reported having to find workarounds or use alternative software, which was inconvenient and time-consuming.
80% of users were happy with the portability of the M-Audio AIR 192|14, praising its relatively compact size and lightweight design. This made it easy to transport between different locations, catering to the needs of mobile recording setups and gigging musicians.
20% of users found the portability insufficient, mentioning the device's size and weight as slightly cumbersome for frequent travel. Some also highlighted the lack of a protective carry case as a drawback, which they felt was necessary for safeguarding the interface during transit.
70% of users reported positive experiences with M-Audio's customer support, appreciating the responsive and helpful service they received when addressing technical inquiries or issues. Quick resolution and knowledgeable staff were commonly noted as highlights.
30% of users were dissatisfied with customer support, citing delayed responses and inadequate assistance. These users felt that their problems were not resolved efficiently, leading to prolonged downtime and frustration with the brand's service quality.
89% of users appreciated the aesthetic design of the M-Audio AIR 192|14, noting its sleek and modern appearance. They found that the design not only looked professional but also complemented their studio setups, adding a touch of sophistication.
11% of users were not impressed by the design, feeling that it was too minimalistic or didn't align with their personal style preferences. A few users mentioned that the design could have included more visual indicators for easier control management.
86% of users were satisfied with the durability of the M-Audio AIR 192|14, highlighting its ability to withstand regular use without signs of wear and tear. The materials used were often praised for their resilience, ensuring long-term reliability.
14% of users were concerned about the durability, reporting issues with components such as knobs and jacks becoming loose over time. Some users experienced minor hardware failures, which affected their confidence in the interface's longevity.
84% of users found the control layout of the M-Audio AIR 192|14 to be logical and efficient, allowing for easy access to all necessary functions. The ergonomic arrangement of knobs and buttons was particularly appreciated for facilitating quick adjustments during recording sessions.
16% of users felt that the control layout was somewhat cluttered or unintuitive, especially for those unfamiliar with audio interfaces. They suggested that a more streamlined design could enhance user experience by simplifying the interface.
88% of users were satisfied with the power supply of the M-Audio AIR 192|14, noting that it offered stable performance without interruptions. The ability to power the device via USB was particularly valued for reducing cable clutter and simplifying setup.
12% of users expressed dissatisfaction with the power supply, mentioning issues with stability or the requirement for additional power sources in certain configurations. These users experienced occasional disconnections, which disrupted their recording processes.
81% of users were pleased with the MIDI functionality of the M-Audio AIR 192|14, appreciating the seamless integration with MIDI devices. This feature was particularly beneficial for musicians and producers who relied on MIDI instruments and controllers in their workflows.
19% of users were dissatisfied with MIDI functionality, encountering problems with latency or connectivity. Some users found the setup process for MIDI devices to be more complicated than anticipated, which required additional troubleshooting.
91% of users highly rated the preamp quality of the M-Audio AIR 192|14, frequently mentioning the clean and transparent sound it delivered. The preamps were noted for their ability to capture intricate details across various audio sources, making them suitable for professional recordings.
9% of users were not fully satisfied with the preamp quality, citing occasional noise issues or insufficient gain for certain microphones. These users expected higher performance levels, especially when working with demanding audio environments.
83% of users were satisfied with the headphone amplification provided by the M-Audio AIR 192|14, appreciating the clear and powerful output it delivered. This feature was crucial for detailed monitoring, allowing users to hear subtle nuances during recording and mixing.
17% of users experienced issues with headphone amplification, finding it lacked sufficient power for high-impedance headphones. This limitation affected their ability to monitor audio accurately, leading to challenges in achieving optimal sound quality.
77% of users found the installation process of the M-Audio AIR 192|14 to be straightforward and hassle-free. They valued the clear instructions and minimal setup requirements, which allowed them to quickly integrate the interface into their recording setups.
23% of users encountered difficulties during installation, facing issues with driver compatibility or unclear setup instructions. These challenges led to delays in getting the interface operational, which was a source of frustration for users eager to begin recording.
79% of users appreciated the digital connectivity options available with the M-Audio AIR 192|14, finding them sufficient for most recording needs. The USB connection was frequently highlighted for its reliability and ease of use.
21% of users were dissatisfied with digital connectivity, particularly those who required additional digital input/output formats such as ADAT or S/PDIF. The lack of these options limited the interface's compatibility with certain studio configurations, which reduced its appeal for advanced users.
76% of users were satisfied with the availability and effectiveness of firmware updates for the M-Audio AIR 192|14. Regular updates helped improve performance and resolve technical issues, which users appreciated for maintaining the device's reliability.
24% of users were dissatisfied with firmware updates, reporting delays or unaddressed issues in the updates provided by M-Audio. These users felt that the updates did not adequately enhance the interface's functionality, leading to persistent problems with their units.
In the following sections, we will thoroughly review the M-Audio AIR 192|14 Audio Interface's specifications, advantages, and disadvantages. Our comprehensive analysis aims to provide you with all the information needed to determine whether this audio interface is the right fit for your creative needs.
Pros:
Cons:
Channels of I/O | Analog: 8 Inputs / 4 Outputs at 192 kHz |
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Maximum Sampling Rate | 192 kHz / 24-Bit |
Number of Microphone Inputs | 4 Preamps |
Input Level Adjustment | 6x Knob |
Expansion Slots |
Channels of I/O refers to the input and output configurations of the M-Audio AIR 192|14 Audio Interface. With 8 analog inputs and 4 outputs at a maximum sampling rate of 192 kHz, this interface allows for versatile audio routing and recording capabilities. This means you can connect multiple instruments or microphones simultaneously, making it ideal for recording sessions that require multiple audio sources. The higher the number of channels, the more complex audio setups you can create, allowing for more extensive mixing and production options.Show More
Maximum Sampling Rate indicates the highest frequency at which the audio interface can record or playback sound. The AIR 192|14 supports a sampling rate of up to 192 kHz at 24-bit resolution. This high sampling rate ensures that the audio captured is of superior quality, preserving the nuances and details of the sound. A higher sampling rate is particularly beneficial for professional recording environments where clarity and fidelity are paramount, allowing for more precise sound reproduction.
Number of Microphone Inputs signifies how many microphone preamps are present in the audio interface. The AIR 192|14 features 4 preamps, which means it can accommodate four microphones at once. This is especially useful for recording vocals or instruments in a studio setup, as it allows for simultaneous tracking of different sound sources. The presence of multiple preamps enhances the versatility of the interface, making it suitable for various recording scenarios such as band recordings, podcasts, or voiceovers.
Input Level Adjustment involves the ability to control the input gain for connected audio sources. The AIR 192|14 includes a 6x knob for fine-tuning the input levels. This feature is essential for achieving optimal recording levels, preventing distortion and ensuring a clean signal. Proper input level adjustment allows users to tailor the sound to their liking, accommodating different microphones and instruments, and ultimately resulting in a more balanced and professional audio production.
Expansion Slots indicate whether the audio interface can be upgraded or expanded with additional hardware options. The AIR 192|14 does not have any expansion slots, meaning it's a fixed configuration device. While this might limit future customization, it also simplifies the setup and operation for users who need a straightforward solution without the complexity of additional components. This design choice makes it an appealing option for those who prioritize ease of use and portability.
Pad | |
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Gain/Trim Range | Mic Inputs: 62 dB Line Inputs: 61 dB Hi-Z Inputs: 59 dB |
High-Pass Filter | |
Solo/Mute |
Pad: The absence of a pad feature in the M-Audio AIR 192|14 means that there is no built-in attenuation option for incoming signals. A pad is typically used to reduce the level of a signal, especially from high-output sources, to prevent distortion when recording. In this case, users will need to manage levels carefully to avoid clipping, particularly when dealing with loud sound sources.Show More
Gain/Trim Range: This specification indicates the adjustable gain levels available for different input types. For the mic inputs, a range of 62 dB allows for significant amplification of low-level signals, making it suitable for capturing vocals or other quiet sources. The line inputs offer a slightly lower gain of 61 dB, ideal for instruments or other line-level devices. The Hi-Z inputs, designed for high-impedance sources like electric guitars, provide a gain of 59 dB. The higher the gain, the more control users have over the input level, which is crucial for achieving a clean and balanced recording.
High-Pass Filter: The lack of a high-pass filter means that this audio interface does not provide the option to roll off low-frequency sounds. A high-pass filter is often used to eliminate unwanted low-end noise or rumble, which is particularly useful in vocal recordings or in environments with a lot of background noise. Without this feature, users may need to address low-frequency issues during post-processing.
Solo/Mute: The absence of solo and mute functions in the M-Audio AIR 192|14 means that users cannot isolate or silence individual channels during monitoring. These functions are useful for focusing on specific audio tracks or for quieting a track without affecting the overall mix. While this may limit some workflow flexibility, users can still manage their audio routing through their DAW or software mixer.
Analog Audio I/O | 4x Combo XLR-1/4" TRS Balanced Mic/Line Input 2x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Line Input 4x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output (Front Panel) |
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Phantom Power | 48 V, Selectable On/Off (on 4 Channels) |
Digital Audio I/O | |
Host Connection | 1x USB-C (Class-Compliant) |
Host Connection Protocol | USB 2.0 |
USB (Non-Host) | |
Sync I/O | |
Network I/O | |
MIDI I/O | 1x 1/8" / 3.5 mm TRS Input (DIN 5-Pin Adapter Included) 1x 1/8" / 3.5 mm TRS Output (DIN 5-Pin Adapter Included) |
Analog Audio I/O: The M-Audio AIR 192|14 features a versatile array of analog audio inputs and outputs. With 4 combo XLR-1/4" TRS balanced mic/line inputs, users can connect a variety of microphones and instruments seamlessly. The inclusion of 2 front-panel 1/4" TS unbalanced Hi-Z inputs allows for high-impedance instruments like electric guitars to be plugged in directly. There are also 4 balanced line outputs, providing flexibility for routing audio to speakers or other equipment. Additionally, 2 headphone outputs on the front panel ensure easy monitoring of audio during recording or playback.Show More
Phantom Power: This audio interface supports 48V phantom power, which is crucial for powering condenser microphones. The selectable on/off feature for up to 4 channels allows users to activate phantom power only when needed, thus preserving battery life and preventing potential damage to dynamic microphones that do not require it.
Digital Audio I/O: The M-Audio AIR 192|14 does not include digital audio input or output capabilities. This means all audio connections must be made through its analog inputs and outputs, which may limit integration with digital audio networks or systems that rely on digital protocols.
Host Connection: This interface utilizes a single USB-C connection, ensuring compatibility with modern devices and providing a reliable connection for data transfer. The USB 2.0 protocol ensures adequate bandwidth for audio streaming while maintaining low latency, which is critical for real-time audio applications.
USB (Non-Host): The absence of USB (non-host) functionality indicates that the M-Audio AIR 192|14 is designed primarily as an audio interface for computers or other host devices, rather than as a standalone recording unit.
Sync I/O: The lack of Sync I/O means that the interface does not offer external clock synchronization features. This can be a limitation for users needing to synchronize multiple devices in a studio setup.
Network I/O: Similar to Sync I/O, the M-Audio AIR 192|14 does not provide network audio capabilities, which means users cannot connect it to audio over IP networks for enhanced flexibility in routing and controlling audio signals.
MIDI I/O: The inclusion of MIDI I/O expands the functionality of the AIR 192|14 by allowing users to connect MIDI devices. With a 1/8" TRS input and output (DIN 5-Pin adapter included), musicians and producers can connect keyboards, controllers, and other MIDI-capable equipment, facilitating a more comprehensive setup for music production.
Frequency Response | Mic Inputs: 20 Hz to 20 kHz ±0.2 dB Line, Hi-Z Inputs: 20 Hz to 20 kHz ±0.1 dB |
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Maximum Input Level | Mic Inputs: +14 dBu Combo XLR-1/4" Line Inputs: +30 dBu 1/4" Line Inputs: +17 dBu Hi-Z Inputs: +16 dBu |
Maximum Output Level | Line Outputs: +17 dBu |
Headphone Output Power | 160 mW into 32 Ohms (Max, 1% THD) |
Impedance | Hi-Z Inputs: 1 Megohm (Unbalanced) Headphone Outputs: 32 to 600 Ohms |
Dynamic Range | Mic/Line Inputs: 113 dB (A-Weighted) Hi-Z Inputs: 110 dB (A-Weighted) Monitor Outputs: 112 dB (A-Weighted) Line Outputs: 113 dB (A-Weighted) Headphone Outputs: 111 dB (A-Weighted) |
THD+N | Mic Inputs: 0.003% Line/Hi-Z Inputs: 0.001% (1 kHz, at -1 dBFS) Line/Monitor Outputs: 0.002% (1 kHz, at -1 dBFS) Headphone Outputs: 0.002% (1 kHz, at -1 dBFS, 32-Ohm Load) |
EIN | Mic Inputs: -137 dBu A-Weighted -129 dBu (150-Ohm Source) |
Frequency Response: This specification indicates the range of frequencies that the audio interface can effectively handle. For mic inputs, it spans from 20 Hz to 20 kHz with a tolerance of ±0.2 dB, while line and Hi-Z inputs have a slightly tighter tolerance of ±0.1 dB. A frequency response that covers this range is essential for accurately capturing the full spectrum of audio, ensuring that both low and high frequencies are reproduced faithfully without distortion.Show More
Maximum Input Level: This feature specifies the highest signal level that can be input into the device without causing distortion. For different input types, the maximum levels vary, with mic inputs tolerating +14 dBu, while line inputs can handle higher levels, such as +30 dBu. The ability to accept higher input levels allows for greater versatility when connecting various audio sources without compromising audio integrity.
Maximum Output Level: This indicates the peak signal output that the audio interface can deliver through its line outputs. A maximum output level of +17 dBu ensures that the interface can drive professional audio equipment effectively, providing enough power for clear and strong audio signals without clipping or distortion.
Headphone Output Power: The power output for headphone monitoring is rated at 160 mW into 32 Ohms. This specification is crucial for ensuring that headphones receive sufficient power for clear audio reproduction, especially in environments with background noise. With adequate power, users can monitor their audio reliably without needing to crank up the volume excessively.
Impedance: This refers to the resistance of the inputs and outputs in the audio interface. For Hi-Z inputs, the impedance is set at 1 Megohm, which is optimal for connecting high-impedance instruments like electric guitars. The headphone outputs can handle a range from 32 to 600 Ohms, allowing compatibility with various headphones, which can impact sound quality and volume levels.
Dynamic Range: This measurement indicates the difference between the softest and loudest sounds the interface can process without distortion. For mic and line inputs, the dynamic range is 113 dB (A-Weighted), which means that the interface can capture very quiet sounds while also handling loud signals effectively. A higher dynamic range allows for more nuanced audio recordings, especially in detailed musical passages.
THD+N (Total Harmonic Distortion plus Noise): This specification measures the total amount of distortion and noise introduced by the interface when processing audio. Values such as 0.003% for mic inputs and 0.001% for line inputs indicate that the interface produces very clean audio, preserving the integrity of the original sound. Lower THD+N values are critical for professional audio applications where clarity is paramount.
EIN (Equivalent Input Noise): This metric indicates the inherent noise level present in the mic inputs, measured at -137 dBu A-Weighted. A lower EIN means that the interface has a higher signal-to-noise ratio, allowing for quieter recordings and a cleaner audio signal, which is particularly important when recording soft sounds or using high-gain settings.
Sample Rates | 192 kHz (AD/DA Conversion) |
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Sample Rate Conversion | |
Bit Depths | 24-Bit (AD/DA Conversion) |
Latency | 2.59 ms at 192 kHz (Dependent on Buffer Size, Input to Output) |
Sync Sources | Internal |
Sample Rates: The sample rate of an audio interface determines how many samples of audio are taken per second. In the case of the M-Audio AIR 192|14, it supports a maximum sample rate of 192 kHz for analog-to-digital (AD) and digital-to-analog (DA) conversion. Higher sample rates can capture more detail in the audio, making it ideal for professional recording and mixing environments where clarity and fidelity are paramount.Show More
Sample Rate Conversion: This feature indicates whether the audio interface can convert audio from one sample rate to another. The M-Audio AIR 192|14 does not support sample rate conversion. This means that if you're working with audio files at different sample rates, you'll need to manage those conversions in your software or with an external tool, which can add an extra step in your workflow.
Bit Depths: The bit depth refers to the amount of information recorded in each sample of audio. The M-Audio AIR 192|14 offers a bit depth of 24-bit for both AD and DA conversion. A higher bit depth allows for a greater dynamic range and more detailed sound, which is particularly beneficial in capturing the nuances of audio during recording and playback. The 24-bit depth is a professional standard that provides excellent audio quality.
Latency: Latency is the delay between the input of a sound and its output through the interface. The M-Audio AIR 192|14 features a low latency of 2.59 ms at 192 kHz, though this can vary depending on buffer size settings. Low latency is crucial for real-time monitoring and performance, as it allows musicians and engineers to hear their input with minimal delay, making the recording and mixing process smoother and more intuitive.
Sync Sources: Sync sources determine how the audio interface maintains timing with other devices. The M-Audio AIR 192|14 operates with an internal sync source, meaning it generates its own clock signal for timing. This is typically sufficient for most recording situations, ensuring that all audio tracks remain in sync during production without the need for external synchronization devices.
Memory Card Slot |
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The Memory Card Slot feature indicates whether the M-Audio AIR 192|14 Audio Interface has the capability to accept external memory cards for storage or data transfer. In this case, the specification states "No," meaning that this audio interface does not include a slot for memory cards. This feature is often found in devices designed for portable use or those that require additional storage options. Without a memory card slot, users will need to rely on direct connection to a computer or other devices for audio recording and playback.Show More
Having a memory card slot can be beneficial for users who want to record audio directly onto a removable storage medium, allowing for more flexibility in managing and transferring files. However, many professional audio interfaces, like the M-Audio AIR 192|14, focus on high-quality audio processing and connectivity with computers, making a memory card slot less essential. Instead, they prioritize features like USB connectivity and audio quality, which may be more relevant to the needs of musicians and audio engineers.
OS Compatibility | macOS 10.8 or Later Windows 7 or Later |
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Mobile Device Compatibility | |
Required Hardware | Available USB 2.0 Port or USB-C Port USB Cable (Included) |
Internet Connection | Required for Registration, Software/Driver Download |
OS Compatibility refers to the operating systems that support the M-Audio AIR 192|14 Audio Interface. This specific model is compatible with macOS versions starting from 10.8 and Windows versions from 7 onwards. This means users with these OS versions or newer can utilize the audio interface effectively, ensuring that they can access all its features without compatibility issues.Show More
Mobile Device Compatibility indicates whether the audio interface can be used with mobile devices such as smartphones and tablets. For the M-Audio AIR 192|14, it is stated that there is no mobile device compatibility. This primarily means that users will need to connect the interface to a computer to take full advantage of its capabilities, which may limit portability for those looking to use it with mobile devices.
Required Hardware specifies the essential hardware components needed to operate the M-Audio AIR 192|14. It requires an available USB 2.0 or USB-C port, along with a USB cable that is included in the package. This requirement ensures that users have the proper connections to interface the device with their computers, which is crucial for achieving optimal performance and functionality.
Internet Connection is necessary for the registration and software/driver download process of the M-Audio AIR 192|14. This means that users will need an internet connection to access updates, additional features, and to complete the initial setup. It highlights the importance of having a stable internet connection to fully utilize the interface's potential.
Power Requirements | AC/DC Power Adapter (Included) |
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AC/DC Power Adapter | 12 VAC at 2 A, Center-Positive (Included) |
The Power Requirements specification outlines the necessary power supply for the M-Audio AIR 192|14 Audio Interface to function efficiently. This device operates with an AC/DC power adapter, which is essential for providing the correct voltage and current to ensure optimal performance. An appropriate power supply is crucial as insufficient power can lead to malfunctions or degraded audio quality.Show More
The specifications indicate that the included power adapter functions at 12 VAC and 2 A, with a center-positive configuration. The voltage (12 VAC) refers to the electrical potential difference needed for the interface to operate, while the current (2 A) denotes the maximum amount of electrical flow it can handle. A center-positive connection indicates the polarity of the adapter, which is important for compatibility and safety. Using the correct adapter ensures that the device receives stable power, preventing issues such as noise interference and maintaining audio fidelity.
Anti-Theft Features | Kensington Security Slot |
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Dimensions | 10.2 x 7.3 x 3.6" / 25.9 x 18.5 x 9.1 cm |
Weight | 3.9 lb / 1.8 kg |
Anti-Theft Features: The M-Audio AIR 192|14 Audio Interface comes equipped with a Kensington Security Slot, which serves as a robust anti-theft measure. This feature allows users to secure the device with a compatible lock, providing added security in environments like studios or public spaces where equipment may be left unattended. This is particularly beneficial for professionals who transport their gear frequently and want to ensure their investment is protected from theft.Show More
Dimensions: The dimensions of the M-Audio AIR 192|14 measure 10.2 x 7.3 x 3.6 inches (25.9 x 18.5 x 9.1 cm). These measurements indicate a compact and portable design, making it easy to fit into various setups, whether in a studio or on the go. The size contributes to its usability, allowing it to be integrated seamlessly with other equipment without taking up excessive space.
Weight: Weighing in at 3.9 lb (1.8 kg), the M-Audio AIR 192|14 is designed to be lightweight yet sturdy. This weight makes it highly portable, catering to musicians and audio professionals who need to transport their gear frequently. A lighter weight enhances convenience without compromising the build quality, ensuring that users can easily carry the device to different locations for performances or recording sessions.
Package Weight | 5.96 lb |
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Box Dimensions (LxWxH) | 13.5 x 9.3 x 5.8" |
The Package Weight of the M-Audio AIR 192|14 Audio Interface is 5.96 lb. This weight is a consideration for users who may need to transport the device frequently. A moderately weighted interface can be a balance between portability and sturdiness, ensuring that it is easy to carry without compromising on build quality. When choosing an audio interface, potential buyers should consider how often they will be moving the device and whether the weight aligns with their needs for portability.Show More
The Box Dimensions measure 13.5 x 9.3 x 5.8 inches, giving potential users an idea of the size of the packaging and the device itself. These dimensions indicate that the audio interface is compact enough for desktop use while providing adequate space for features and connections. Understanding the dimensions is crucial for users looking to fit the device into specific setups or storage spaces. A well-sized interface can enhance workflow efficiency by maintaining an organized workspace.
How do I install drivers for the M-Audio AIR 192|14?
To install drivers for the M-Audio AIR 192|14, visit the M-Audio website and navigate to the 'Support' section. Download the latest drivers for your operating system and follow the installation instructions provided.
Why is my M-Audio AIR 192|14 not being recognized by my computer?
Ensure that the USB cable is securely connected to both the interface and your computer. Try using a different USB port or cable. Verify that the drivers are correctly installed. Restart your computer to see if the device is recognized.
How do I set up the M-Audio AIR 192|14 with my DAW?
Open your DAW and navigate to the audio settings or preferences. Select 'M-Audio AIR 192|14' as both the input and output device. Ensure that the sample rate and buffer size match those set on the interface.
Why am I experiencing latency issues with my M-Audio AIR 192|14?
Adjust the buffer size in your DAW's audio settings. A lower buffer size reduces latency but increases CPU load. Ensure that the latest drivers are installed and try using a direct USB connection instead of a hub.
How do I update the firmware on my M-Audio AIR 192|14?
Check the M-Audio website for any firmware updates specific to the AIR 192|14. Download the firmware update tool and follow the instructions provided to update the device.
Why am I not getting any sound from the outputs of my M-Audio AIR 192|14?
Check that the output volume on the interface is turned up and not muted. Verify that the correct output is selected in your DAW. Ensure that your cables and speakers are functioning properly.
How can I use both the XLR and instrument inputs simultaneously on the M-Audio AIR 192|14?
The M-Audio AIR 192|14 allows for simultaneous use of both XLR and instrument inputs. Connect your microphone to an XLR input and your instrument to a 1/4" input. Set the input gain levels appropriately for each source.
What should I do if the audio interface is producing distorted sound?
Check the gain levels and ensure they are not set too high to avoid clipping. Make sure that your input sources are not overloading the preamps. Update to the latest drivers and firmware if necessary.
How do I reset the M-Audio AIR 192|14 to its factory settings?
The M-Audio AIR 192|14 does not have a factory reset button. To reset settings, manually adjust the interface or software settings to default values as per the user manual or reinstall necessary drivers.
Why is the M-Audio AIR 192|14 not recording audio?
Ensure that the correct input is selected in your DAW and that the input gain is set appropriately. Check the cables and connectors for any faults. Confirm that the drivers are installed and the interface is recognized by the computer.