The PreSonus StudioLive 16R Series III Stage Box and Rack Mixer is a versatile and powerful audio solution designed for both live performances and studio recordings. With a maximum I/O capacity of 18 inputs and 6 outputs, this mixer offers ample connectivity options to accommodate a wide range of audio equipment and instruments. Its compact design and rack-mountable capability make it an ideal choice for space-conscious environments while maintaining robust functionality.
This mixer is equipped with 16 analog input channels, all of which are stereo, providing comprehensive input options for various sources. Among these inputs are 12 combo XLR-1/4" TRS mic/line inputs and a single stereo RCA unbalanced input, ensuring flexibility for both professional and consumer audio equipment. On the output side, it features 6 balanced 1/4" TRS mix outputs, a headphone output, and 2 XLR balanced main outputs for seamless audio distribution.
For modern digital connectivity, the StudioLive 16R includes digital I/O options such as an RJ45 control port and an etherCON AVB for networked audio systems. Additionally, it features a USB-B 2.0 port for straightforward recording capabilities, allowing users to capture high-quality audio directly to their computer. This blend of analog and digital interfaces makes the PreSonus StudioLive 16R an excellent choice for audio professionals seeking a reliable and flexible mixing solution.
We have carefully reviewed and analyzed user feedback from various websites worldwide, leading us to the following insights. These ratings allow you to benefit from real user experiences and perspectives, helping you make a more informed choice.
85% of users found the purchase value of the PreSonus StudioLive 16R Series III Stage Box and Rack Mixer to be excellent. They appreciated the comprehensive feature set offered at a competitive price point, which often exceeded their expectations. Users felt that the mixer provided a professional level of functionality that was not typically available in this price range, making it a cost-effective solution for both amateur and professional users.
15% of users expressed dissatisfaction with the purchase value, citing that while the price was attractive, they expected more advanced features or support. These users felt that the mixer did not fully meet their specific needs or that alternative products offered better value for their particular applications.
90% of users praised the quality of materials used in the PreSonus StudioLive 16R Series III, noting the solid build and durable construction. They highlighted the robust design that instilled confidence in its longevity and ability to withstand regular use, making it a reliable choice for studio and live environments.
10% of users were dissatisfied with the quality of materials, suggesting that some components felt less sturdy or premium than expected. These users were concerned about the long-term durability, particularly if the mixer was frequently transported or used in demanding conditions.
80% of users appreciated the ease of use of the PreSonus StudioLive 16R, noting its intuitive interface and straightforward setup process. They found the mixer to be user-friendly, even for those who were not highly experienced in audio engineering, thanks to its well-designed controls and clear documentation.
20% of users found the mixer less intuitive, expressing challenges with its initial setup and configuration. These users felt that the learning curve was steeper than expected, particularly for those not familiar with digital mixers, and suggested that additional tutorials or clearer instructions could improve the experience.
92% of users were very satisfied with the sound quality, describing it as clear, crisp, and professional-grade. The mixer was praised for its ability to deliver a clean sound with minimal noise, making it suitable for both live performances and studio recordings.
8% of users were less satisfied with the sound quality, mentioning occasional issues with noise or distortion. These users felt that the mixer did not consistently deliver the high-quality audio expected, particularly in more demanding audio environments.
88% of users were pleased with the connectivity options available with the PreSonus StudioLive 16R. They appreciated the variety of inputs and outputs, which allowed for versatile configurations and integration with other equipment, making it highly adaptable for different setups.
12% of users were dissatisfied with the connectivity options, noting limitations in the number or type of available ports. Some users felt that the mixer lacked certain connections that would have been beneficial for their specific setup needs.
85% of users found the software integration to be a strong point, highlighting the seamless connection with popular DAWs and the ease of control through PreSonus' own software. This feature was particularly valued for enhancing workflow efficiency and offering advanced control options.
15% of users experienced challenges with software integration, reporting issues with compatibility or stability. These users expressed frustration with software bugs or difficulties in achieving a reliable connection between the mixer and their computing devices.
82% of users appreciated the portability of the PreSonus StudioLive 16R, noting its compact size and lightweight design, which made it convenient for transport and setup in various locations. This was particularly beneficial for users who frequently moved their equipment between venues.
18% of users found portability to be lacking, suggesting that the mixer was bulkier or heavier than expected. These users felt that the design could be optimized further for transport convenience, especially for those with limited space or who travel frequently.
87% of users were impressed with the durability of the mixer, reporting that it held up well under regular use and in various environments. The sturdy construction was seen as a key benefit, ensuring the equipment could withstand the rigors of both studio and live use.
13% of users were less satisfied with the durability, expressing concerns about potential wear and tear over time. Some users encountered issues with specific components breaking or malfunctioning, leading to questions about long-term reliability.
78% of users were satisfied with the customer support provided by PreSonus, noting responsive and helpful interactions when dealing with inquiries or issues. Many users valued the knowledgeable support team that assisted them in resolving technical problems effectively.
22% of users were dissatisfied with customer support, citing slow response times or unhelpful interactions. These users expressed frustration with the level of assistance received, particularly when facing urgent technical challenges.
89% of users valued the versatility of the PreSonus StudioLive 16R, praising its flexibility to adapt to a wide range of audio production scenarios. Whether used in live performances or studio recording, the mixer's numerous features and settings catered to diverse needs.
11% of users found the mixer less versatile than expected, pointing out limitations in its functionality for certain specialized applications. These users felt that it did not fully meet the specific requirements of their audio projects.
91% of users were highly satisfied with the low latency performance of the mixer, which was crucial for live sound applications and real-time monitoring. They appreciated the seamless audio processing that did not introduce noticeable delays.
9% of users experienced issues with latency, reporting delays that affected their workflow or live performance quality. These users felt that the latency did not meet their expectations for real-time audio processing.
76% of users found the user manual to be a helpful resource, providing clear and concise instructions that aided in the setup and operation of the mixer. They appreciated the inclusion of detailed explanations and diagrams.
24% of users were dissatisfied with the user manual, finding it lacking in detail or clarity. These users encountered difficulty understanding certain features or troubleshooting issues due to ambiguous or incomplete information.
83% of users were pleased with the aesthetics of the PreSonus StudioLive 16R, noting its modern and professional appearance. The sleek design was seen as visually appealing and complementing other equipment in their setup.
17% of users were less impressed with the aesthetics, suggesting that the design could be more innovative or visually striking. These users felt that while functional, the appearance did not stand out compared to other products on the market.
81% of users appreciated the regular firmware updates provided by PreSonus, which often included enhancements and new features that improved the overall performance of the mixer. This proactive approach was valued by users who wanted to keep their equipment current.
19% of users were dissatisfied with the firmware updates, citing issues with update reliability or the introduction of new bugs. These users experienced frustration when updates disrupted their workflow or did not deliver the promised improvements.
84% of users recognized the expandability of the PreSonus StudioLive 16R as a significant advantage, allowing them to scale their setup according to evolving needs. The ability to integrate additional hardware and software was seen as a major benefit.
16% of users found the expandability to be limited, expressing disappointment with constraints on adding new features or components. These users felt that the mixer did not offer sufficient options for future growth or customization.
86% of users were satisfied with the remote control capabilities offered by the mixer, which provided convenience and flexibility in controlling audio parameters from a distance. This feature was particularly valued in live sound and dynamic studio environments.
14% of users experienced challenges with remote control functionality, such as connectivity issues or limited control options. These users felt that the remote capabilities did not fully meet their expectations for ease of use and control range.
90% of users were impressed with the mixing capabilities of the PreSonus StudioLive 16R, highlighting its ability to handle complex mixes with precision and clarity. The extensive range of features allowed for detailed sound shaping and customization.
10% of users were less satisfied with the mixing capabilities, noting limitations in certain advanced features or complexity in the interface. These users felt that the mixer did not fully accommodate their specific mixing needs or preferences.
83% of users appreciated the customization options available with the mixer, allowing them to tailor settings and configurations to their unique requirements. This flexibility was seen as a key benefit for achieving desired audio outcomes.
17% of users found customization options to be insufficient, expressing a desire for more control over specific parameters or configurations. These users felt limited in their ability to personalize the mixer to their exact preferences.
88% of users were highly satisfied with the preamp quality, noting the clean and transparent audio reproduction that enhanced their overall sound quality. The preamps were praised for their low noise floor and high fidelity.
12% of users were dissatisfied with the preamp quality, mentioning issues with noise or distortion at higher gain settings. These users felt that the preamps did not consistently deliver the quality required for their audio standards.
90% of users expressed overall satisfaction with the PreSonus StudioLive 16R, citing a combination of its robust features, sound quality, and value for money. Many users felt that it met or exceeded their expectations, making it a worthwhile investment for their audio projects.
10% of users were not fully satisfied, pointing out specific areas where the mixer did not meet their expectations or needs. These users felt that certain limitations or issues prevented them from fully enjoying the potential benefits of the product.
In this section, we delve into the detailed specifications of the PreSonus StudioLive 16R Series III Stage Box and Rack Mixer. We'll examine the key features, advantages, and potential drawbacks to provide a complete understanding of its capabilities.
Pros:
Cons:
Max I/O Capacity | 18x Input / 6x Output |
---|---|
Number of Analog Input Channels | 16 (0 Mono / 16 Stereo) |
Max I/O Capacity refers to the maximum number of input and output channels that the mixer can handle simultaneously. In the case of the PreSonus StudioLive 16R, it supports 18 input channels and 6 output channels. This capacity is crucial for users who require the flexibility to manage multiple audio sources and destinations, such as in live sound applications or studio recordings. A higher I/O capacity allows for more complex setups, accommodating a variety of instruments and vocal inputs while also providing multiple output options for speakers, monitors, or recording devices.Show More
Number of Analog Input Channels indicates the specific configuration of the input channels available on the mixer. The StudioLive 16R features 16 analog input channels, all of which can be configured as stereo pairs. This means that while you have 16 distinct input channels, they can be used in stereo mode, allowing for more nuanced sound mixing, particularly for instruments or sources that benefit from stereo imaging. This setup enhances the overall audio experience by providing richer, fuller sound, which is particularly beneficial in live performances and complex recording sessions.
Gain/Trim Range | Mic: 0 dB to +60 dB |
---|
The Gain/Trim Range specification indicates the adjustable gain levels that can be applied to microphone signals when using the PreSonus StudioLive 16R. This range allows users to boost the microphone signal from 0 dB, which means no amplification, up to +60 dB, providing significant amplification when needed. This flexibility is crucial for accommodating various microphone types and sources, ensuring optimal signal levels for mixing and recording.Show More
A wider gain range enhances the ability to capture quieter sounds without introducing noise, while also enabling the use of higher gain settings for louder sources without distortion. This is particularly important in live sound and studio environments, as it allows for precise control over audio levels, resulting in clearer and more balanced mixes. The ability to tailor gain settings effectively ensures that users can achieve the best sound quality for their specific application.
Sample Rates | 48 kHz |
---|---|
Bit Depth | AD/DA Conversion: 24-Bit |
The Sample Rates of 48 kHz indicates the frequency at which audio samples are taken per second. This rate is commonly used in professional audio and video production, allowing for high-quality audio playback and recording. A higher sample rate can improve the fidelity of the audio, capturing more detail in the sound, which is particularly beneficial for complex audio signals and when working in multi-track environments.Show More
Bit Depth refers to the number of bits used to represent each audio sample during the conversion process. In this case, the specified AD/DA Conversion: 24-Bit means that each sample can represent a wide dynamic range of audio signals. A higher bit depth allows for more precise audio representation, reducing noise and distortion, and enhancing the overall quality of the audio. This is especially important in professional settings where clarity and detail are paramount.
Frequency Response | Headphone Output: 20 Hz to 20 kHz ±0.5 dB Main Output: 20 Hz to 20 kHz ±0.5 dBu (2901653073) |
---|---|
Max Input Level | Mic Input: +12 dBu RCA Input: +12 dBu |
Headphone Output Power | 100 mW per Channel into 60 Ohms (Max) |
I/O Impedance | 1/4" Mix Output: 100 Ohms Mic Input: 1 Kilohms XLR Main Output: 100 Ohms |
SNR | Headphone Output: 96 dB at Max Gain Mic/Line Input to Main Output: 94 dBA at Unity Gain (+4 dBu Reference) |
THD | Mic Input to Main Output: < 0.005% at Unity Gain (+4 dBu, 2901653246) |
THD+N | Headphone Output: 0.01% at Max Gain (Unweighted) |
Frequency Response refers to the range of frequencies that the audio equipment can reproduce effectively. For the Headphone Output and Main Output, a response of 20 Hz to 20 kHz ±0.5 dB indicates that the mixer can accurately reproduce audio across the full range of human hearing, ensuring that both low and high frequencies are delivered without significant alteration. This is crucial for achieving a balanced and clear sound, particularly in professional audio environments.Show More
Max Input Level specifies the maximum level of signal that the mixer can handle without distortion. For Mic Input and RCA Input, both rated at +12 dBu, this means the mixer can accept relatively high signal levels before clipping occurs, allowing for more dynamic range in recordings or live sound applications. This is essential for capturing the full intensity of performances without sacrificing audio quality.
Headphone Output Power indicates the power available for driving headphones, with a specification of 100 mW per channel into 60 Ohms. A higher output power allows for better sound quality and volume levels in headphones, providing the user with clearer monitoring during recordings or performances. This level of output is suitable for professional monitoring needs.
I/O Impedance refers to the resistance of different inputs and outputs in the mixer. For example, the 1/4" Mix Output has an impedance of 100 Ohms, while the Mic Input has an impedance of 1 Kilohm. Matching impedance between devices ensures optimal signal transfer and minimizes losses in audio quality, which is especially important in live sound and studio recording scenarios.
SNR (Signal-to-Noise Ratio) measures the level of the desired signal compared to background noise. With a rating of 96 dB at Max Gain for the Headphone Output and 94 dBA at Unity Gain for Mic/Line Input to Main Output, these values indicate that the mixer produces a clear and clean sound with minimal noise interference. High SNR is crucial for professional audio work, as it ensures that the audio signal remains pristine even at higher gain levels.
THD (Total Harmonic Distortion) indicates how much distortion is introduced by the mixer when processing audio signals. A specification of <0.005% at Unity Gain for Mic Input to Main Output means that the mixer introduces very little distortion, preserving the integrity of the original sound. Low THD values are essential for high-fidelity audio reproduction, making this mixer suitable for critical listening environments.
THD+N (Total Harmonic Distortion plus Noise) extends the concept of THD by also accounting for noise present in the audio signal. With a value of 0.01% at Max Gain for the Headphone Output, this indicates that the overall quality of the audio remains high, even at elevated levels. Keeping THD+N low is important for achieving a clean and professional sound, particularly in studio settings.
Analog Inputs | 1x Stereo RCA Unbalanced Input 12x Combo XLR-1/4" TRS Mic/Line Input |
---|---|
Analog Outputs | 6x 1/4" TRS Balanced Mix Output 1x 1/4" TRS Headphone Output 2x XLR Balanced Main Output |
Phantom Power | +48 V ±2 V (Selectable on Individual Inputs) |
Digital I/O | 1x RJ45 (Control) 1x etherCON AVB |
USB I/O | 1x USB-B 2.0 (Recording) |
The Analog Inputs section of the PreSonus StudioLive 16R Series III features a combination of input types. It includes a single stereo RCA unbalanced input, suitable for connecting consumer audio devices, and twelve combo XLR-1/4" TRS mic/line inputs. This wide range of inputs allows users to connect various microphones and line-level sources, making it versatile for different recording and live sound scenarios. The number of inputs directly correlates to the number of audio sources you can manage simultaneously, which is crucial for larger setups.Show More
In terms of Analog Outputs, the device is equipped with six 1/4" TRS balanced mix outputs, a 1/4" TRS headphone output, and two XLR balanced main outputs. These outputs are essential for sending audio signals to speakers, monitors, or recording devices. The balanced outputs help reduce noise and interference, ensuring a cleaner sound. The variety of output options allows for flexible routing of audio, which is especially beneficial in live performance and studio environments.
The Phantom Power feature provides +48 V power to condenser microphones via the individual inputs. This capability is critical for professional audio applications, as many high-quality microphones require phantom power to operate. The selectable nature of the phantom power means users can enable or disable it on specific inputs depending on their microphone setup, enhancing control over the audio signal chain.
For Digital I/O, the StudioLive 16R includes an RJ45 (Control) connection and an etherCON AVB (Audio Video Bridging) port. These digital interfaces allow for advanced networking and control options, enabling integration with other digital audio devices and systems. The inclusion of these ports enhances the mixer’s functionality in modern audio setups, facilitating tasks such as remote control and multi-device synchronization.
Lastly, the USB I/O capability features a USB-B 2.0 port for recording purposes. This allows users to connect the mixer to a computer for direct audio recording and playback. The USB interface simplifies the process of capturing high-quality audio, making it a valuable asset for both live recordings and studio productions. The speed and efficiency of USB 2.0 facilitate quick data transfer, which is essential for professional audio work.
OS Compatibility | Computer: Windows 7 or Later / macOS 10.8 or Later Mobile: Android/iOS |
---|---|
RAM Requirements | 4 GB, 8 GB Recommended |
Mobile Device Compatibility | Android Tablet Android Smartphone iPad |
OS Compatibility: This specification indicates the operating systems that the PreSonus StudioLive 16R Series III can work with. For computer users, it is compatible with Windows 7 or any later versions and macOS 10.8 or higher. This ensures a wide range of users can integrate the device into their existing setups without compatibility issues. For mobile users, it supports both Android and iOS devices, which is essential for those who want to control the mixer remotely or use mobile applications for enhanced functionality.Show More
RAM Requirements: The RAM requirements specify the amount of memory needed for optimal performance of the device. A minimum of 4 GB is required, but 8 GB is recommended for better performance, especially when using multiple channels or complex setups. Having adequate RAM ensures that the software runs smoothly, preventing lag or crashes during live performances or recordings, which is critical in professional audio environments.
Mobile Device Compatibility: This feature highlights the types of mobile devices that can connect to the StudioLive 16R. It supports Android tablets and smartphones as well as iPads, allowing users to control their mixer from various devices. This compatibility enhances flexibility and convenience, enabling sound engineers to make adjustments from anywhere on stage or in the studio without being tethered to the mixer.
Input Power | 90 to 230 VAC, 50 / 60 Hz |
---|
The Input Power specification indicates the range of voltage and frequency that the PreSonus StudioLive 16R Series III can operate on. This mixer is designed to work with an input power of 90 to 230 VAC, which means it can be used in various regions around the world without the need for a voltage converter. The frequency range of 50/60 Hz ensures compatibility with both European and North American electrical systems, making it versatile for international use.Show More
Having a wide range of input power is crucial for live sound environments, as it allows the mixer to be used in diverse settings, from small venues to large concert halls. This feature ensures that users can rely on the mixer to function correctly regardless of the local power supply conditions. Additionally, the robust design can handle fluctuations in voltage, providing stability and reliability during performances.
Rack Mountable | Yes |
---|---|
Operating Conditions | 32 to 104°F / 0 to 40°C |
Dimensions | 1.8 x 19 x 12" / 45 x 483 x 305 mm |
Weight | 8.6 lb / 3.9 kg |
Rack Mountable: The PreSonus StudioLive 16R Series III is designed to fit into a standard 19-inch rack, which is a common requirement for professional audio equipment. Being rack mountable allows for efficient use of space and provides a streamlined setup for live sound applications or studio environments. This feature ensures that the mixer can be securely installed alongside other essential audio gear, contributing to a more organized workspace.Show More
Operating Conditions: The specified operating conditions of 32 to 104°F (0 to 40°C) indicate the temperature range within which the mixer can function optimally. This specification is crucial for ensuring reliability and performance in various environments, whether you're using it in a studio, at a live venue, or in an outdoor setting. Operating outside these temperatures may result in performance issues or potential damage to the unit.
Dimensions: The dimensions of 1.8 x 19 x 12 inches (45 x 483 x 305 mm) highlight the physical size of the mixer. These measurements are important for users to consider when planning their setup, ensuring that the device will fit into their existing rack or workspace. A compact size is often beneficial for portability and ease of transport, especially for mobile applications.
Weight: Weighing in at 8.6 lb (3.9 kg), the StudioLive 16R Series III is lightweight for a rack-mounted mixer. This characteristic is advantageous for users who need to move equipment frequently, such as sound engineers working on different gigs. A lighter weight makes it easier to handle, transport, and install without compromising on the features and capabilities that a professional mixer offers.
Package Weight | 13.35 lb |
---|---|
Box Dimensions (LxWxH) | 24.2 x 17.7 x 6.1" |
The Package Weight of 13.35 lb indicates the total weight of the PreSonus StudioLive 16R Series III when packaged. This weight is important for users considering portability, as it suggests that the unit can be easily transported for live performances or studio use. A lighter package can be particularly beneficial for musicians or sound engineers who frequently move equipment between locations.Show More
The Box Dimensions (LxWxH) of 24.2 x 17.7 x 6.1 inches provide the physical measurements of the packaging. This information is crucial for users who need to ensure that they have adequate storage space or to plan for transportation logistics. Knowing the dimensions helps users assess whether the mixer will fit comfortably in their gear bags, vehicles, or designated storage areas, making it easier to manage their equipment efficiently.
How do I connect the PreSonus StudioLive 16R to my computer?
To connect the PreSonus StudioLive 16R to your computer, use a USB or Ethernet cable. Install Universal Control software from PreSonus on your computer and ensure your mixer is powered on. The software will detect the mixer, allowing you to configure and manage your connections.
What should I do if my PreSonus StudioLive 16R is not showing up in Universal Control?
Ensure your mixer is properly connected to your computer via USB or Ethernet. Check that your mixer is powered on and that you have the latest version of Universal Control installed. You may also need to update the firmware on your mixer via Universal Control.
How can I update the firmware on my PreSonus StudioLive 16R?
To update the firmware, connect your mixer to a computer with Universal Control installed. Open Universal Control, and it will automatically check for firmware updates. Follow the on-screen instructions to download and install any available updates.
Why is there no sound coming from my PreSonus StudioLive 16R outputs?
Check that your mixer is properly connected to your speakers or headphones. Ensure that the channels and main outputs are not muted or turned down. Verify your routing settings in the Universal Control software to ensure audio is being sent to the correct outputs.
How do I reset my PreSonus StudioLive 16R to factory settings?
To reset the mixer to factory settings, power off the unit. Press and hold the 'Home' button, and then power the unit back on while still holding the 'Home' button. Continue holding until the LED meters begin to cycle, indicating the reset process has started.
Can I use the PreSonus StudioLive 16R as an audio interface for recording?
Yes, the PreSonus StudioLive 16R can function as an audio interface. Connect the mixer to your computer via USB, open your digital audio workstation (DAW), and select the StudioLive 16R as your input and output device to start recording.
What should I do if I'm experiencing latency issues with the PreSonus StudioLive 16R?
To reduce latency, ensure you are using the latest driver and firmware updates. In your DAW, decrease the buffer size in the audio settings for the StudioLive 16R. If latency persists, check your computer's performance settings and close unnecessary applications.
How do I set up a monitor mix using the PreSonus StudioLive 16R?
In Universal Control, go to the 'Mix' tab and select the desired mix bus. Adjust the levels for each input channel to create your monitor mix. You can send this mix to the auxiliary outputs on the 16R to connect to stage monitors.
Why can't I control my PreSonus StudioLive 16R with the UC Surface app?
Ensure your mixer and the device running UC Surface are on the same network. Check that your device's Wi-Fi is enabled and connected. Make sure you are using the latest version of the UC Surface app, and if necessary, restart both your mixer and device.
How do I configure the PreSonus StudioLive 16R for use with AVB networking?
Connect your 16R to an AVB-compatible network switch using an Ethernet cable. In Universal Control, enable AVB networking in the settings. You can then configure audio streams to send and receive audio over the AVB network, ensuring all connected devices are AVB-compatible.