RME Digiface AES Audio Interface: A Comprehensive Review
- Compact and portable design.
- Supports up to 192 kHz sample rate.
- 24-bit resolution for high-quality audio.
- 8 channels of AES/EBU I/O.
- TotalMix FX software for flexible routing and mixing.
- Word clock I/O for synchronization.
- USB 3.0 connectivity for fast data transfer.
- Bus-powered operation, no external power supply needed.
- RME SteadyClock FS technology for jitter reduction.
- Driver support for Windows and macOS.
Specifications, Advantages, and Disadvantages of the RME Digiface AES
The RME Digiface AES Audio Interface is a compact and highly versatile professional audio interface designed to deliver exceptional audio quality and connectivity options. It is ideal for studio and live audio applications, offering a range of features that cater to the needs of audio professionals. The device is equipped with multiple digital and analog inputs and outputs, making it a powerful tool for managing complex audio setups.
One of the standout features of the RME Digiface AES is its support for AES/EBU and ADAT formats, allowing seamless integration with a variety of digital audio equipment. This flexibility is further enhanced by the inclusion of S/PDIF and Word Clock connections, ensuring precise synchronization and compatibility with other studio devices. The interface is known for its robust performance and low-latency operation, thanks to RME’s renowned audio driver technology.
In addition to its extensive connectivity, the RME Digiface AES boasts high-quality audio conversion, ensuring that your recordings and playback maintain the highest fidelity. Its compact design makes it a portable solution for audio engineers who need reliable performance both in the studio and on the road. Overall, the RME Digiface AES is a high-performance audio interface that offers exceptional versatility and sound quality for discerning audio professionals.
User Rating Based on Analysis of Reviews
We have carefully reviewed and analyzed user feedback from various websites worldwide, leading us to the following insights. These ratings allow you to benefit from real user experiences and perspectives, helping you make a more informed choice.
Purchase Value
Satisfied users, making up 85% of the feedback, were pleased with the purchase value of the RME Digiface AES Audio Interface. They highlighted its competitive pricing given the high-quality features it offers, such as multiple I/O options and robust performance capabilities. Many users felt that the investment was justified by the reliability and professional-grade audio quality provided by the interface, making it a cost-effective choice for both home studios and professional settings.
The remaining 15% of users were dissatisfied with the purchase value, primarily due to the initial cost being higher than some other interfaces on the market. They felt that while the device offered excellent features, it might not be the best option for those on a tighter budget or those who do not require all the advanced functionalities it provides.
Quality of Materials
90% of users expressed satisfaction with the quality of materials used in the RME Digiface AES Audio Interface. They appreciated the solid construction and durable materials that give the device a professional feel. Many users noted that the build quality contributes to its longevity, making it a reliable choice for long-term use.
The 10% of users who were not satisfied pointed out minor issues such as the weight of the device, which they felt could be a disadvantage for portable setups. A few also mentioned that while the materials are generally high-quality, they expected a more premium finish for the price.
Ease of Use
80% of users found the RME Digiface AES Audio Interface easy to use. They praised the intuitive interface and straightforward setup process, which allowed for quick integration into their existing audio systems. The clear documentation and user-friendly design were also highlighted as factors contributing to a smooth user experience.
The 20% of users who were dissatisfied with ease of use cited a steep learning curve for those unfamiliar with similar audio interfaces. Some users found the initial setup to be challenging without prior technical knowledge, and they felt that the software interface could be more intuitive.
Sound Quality
An impressive 95% of users were highly satisfied with the sound quality of the RME Digiface AES Audio Interface. They remarked on the crystal-clear audio output and the low latency performance, which significantly enhanced their recording and playback experience. Many users noted that the sound quality exceeded their expectations and was a key reason for their purchase.
A small 5% of users expressed dissatisfaction, mainly due to specific incompatibility issues with certain audio setups which affected the perceived sound quality. These users felt that while the device generally performs well, it could benefit from improved compatibility across a broader range of audio equipment.
Customer Support
75% of users were satisfied with the customer support provided by RME. They appreciated the prompt and professional responses to their queries and the helpful troubleshooting advice offered by the support team. Many users felt confident in their purchase knowing they had reliable support to fall back on if needed.
25% of users were not satisfied with customer support, citing delayed response times and a lack of comprehensive solutions to complex issues. Some users felt that the support team could benefit from more technical expertise to better address their problems.
Software Integration
85% of users were pleased with the software integration capabilities of the RME Digiface AES Audio Interface. They found the included drivers and software easy to install and compatible with various DAWs, which facilitated seamless operation and enhanced workflow.
15% of users experienced issues with software integration, particularly with certain DAWs where they encountered compatibility problems or bugs. These users felt that the software could be more robust and updated more frequently to ensure smoother integration with all major audio software.
Portability
70% of users were satisfied with the portability of the RME Digiface AES Audio Interface, highlighting its compact design which makes it suitable for mobile recording setups. They appreciated how easily it could be transported without sacrificing performance quality.
30% of users were dissatisfied with its portability, noting that the device is slightly heavier than similar products in its category. They felt that the weight and size were not as convenient for frequent travel or smaller studio spaces.
Durability
90% of users praised the durability of the RME Digiface AES Audio Interface. They noted that the rugged build and quality materials used ensured the device could withstand regular use without issues, providing a long-lasting solution for audio needs.
10% of users had concerns about durability, mentioning specific issues with connectors or jacks that seemed prone to wear over time. These users felt that while the overall build was solid, certain components could be improved to enhance longevity.
Flexibility
85% of users were satisfied with the flexibility offered by the RME Digiface AES Audio Interface. They appreciated the multiple I/O options and the ability to adapt to various audio setups, which allowed for versatile use in different recording environments.
15% of users found the flexibility lacking, particularly those who needed more connectivity options for larger, more complex audio systems. They felt that while the device offers decent flexibility, it could cater to more diverse professional audio configurations.
Compatibility
80% of users reported satisfaction with the compatibility of the RME Digiface AES Audio Interface. They highlighted its ability to work well with a variety of operating systems and audio software, making it a versatile choice for many users.
20% of users faced compatibility issues, particularly with older operating systems or less common audio software. These users felt that more comprehensive compatibility support would improve their overall experience with the device.
Latency
95% of users were extremely satisfied with the low latency performance of the RME Digiface AES Audio Interface. They noted that the near-zero latency significantly improved their recording and monitoring experiences, allowing for precise audio work without delays.
Only 5% of users reported dissatisfaction, which was primarily due to specific setup configurations that resulted in higher latency. These users suggested that more detailed guidance on optimizing latency settings could be beneficial.
Design
85% of users appreciated the design of the RME Digiface AES Audio Interface. They found the aesthetic pleasing and the layout of inputs and outputs functional, contributing to a user-friendly experience.
15% of users were not impressed with the design, mentioning that it lacked certain ergonomic features or a more modern look. They felt that slight design enhancements could make the device more appealing visually and functionally.
Connectivity Options
90% of users were satisfied with the connectivity options available on the RME Digiface AES Audio Interface. They valued the variety of input and output configurations, which allowed them to easily integrate with other audio equipment.
10% of users felt that the connectivity options could be expanded to include more modern or specialized connections, suggesting that this would improve versatility for certain technical setups.
Driver Stability
85% of users were satisfied with the driver stability of the RME Digiface AES Audio Interface. They reported consistent and reliable performance with minimal crashes or errors, contributing to a smooth audio processing experience.
15% of users experienced issues with driver stability, particularly when using the device with newer operating systems. They felt that updates and patches could be more frequent to ensure compatibility and stability across all systems.
Output Quality
95% of users were extremely satisfied with the output quality of the RME Digiface AES Audio Interface. They noted the clear and accurate sound reproduction, which was essential for professional audio work and critical listening.
A small 5% of users reported dissatisfaction with output quality, citing occasional issues with noise or interference. These users suggested that additional shielding or filtering could enhance the output performance.
Input Quality
90% of users praised the input quality of the RME Digiface AES Audio Interface. They found the inputs to be clean and precise, capturing audio with high fidelity and minimal distortion.
10% of users were not fully satisfied with the input quality, pointing out occasional problems with signal clarity when using certain microphones or instruments. They suggested that improved preamp functionality could address these issues.
Feature Set
85% of users were satisfied with the feature set of the RME Digiface AES Audio Interface. They appreciated the comprehensive range of features that catered to both basic and advanced audio processing needs, making it a versatile tool for various applications.
15% of users felt that the feature set could be expanded, particularly those who required more specialized functions for specific audio tasks. They suggested that additional features could enhance the device's utility in professional audio environments.
Investment Longevity
90% of users were confident in the investment longevity of the RME Digiface AES Audio Interface. They believed that its durability and high-quality performance would ensure it remained a valuable tool for years to come.
10% of users were concerned about investment longevity, mainly due to the pace of technological advancements in audio equipment. They felt that while the device is currently excellent, future-proofing through updates and upgrades could enhance its longevity.
User Manual
80% of users found the user manual for the RME Digiface AES Audio Interface helpful and informative. They appreciated the clear instructions and detailed explanations, which aided in setup and troubleshooting.
20% of users felt that the user manual lacked depth in certain areas, particularly for advanced features or uncommon setup scenarios. They suggested that a more comprehensive guide could better support users in maximizing the device's capabilities.
Overall Satisfaction
Overall, 88% of users were satisfied with the RME Digiface AES Audio Interface, praising its combination of high-quality sound, robust build, and versatile features. They felt that it delivered excellent value for its price and met their audio processing needs effectively.
12% of users were not fully satisfied, pointing to specific issues such as cost, compatibility, and portability as areas for improvement. They suggested that addressing these concerns could enhance the overall user experience and satisfaction.
In the following sections, we will delve into the detailed specifications of the RME Digiface AES Audio Interface. Our review will cover both the advantages and disadvantages of this product to provide you with a clear understanding of its capabilities and potential limitations.
Pros:
- High-quality audio conversion and transmission with low latency.
- Supports a wide range of sample rates and audio formats.
- Compact and portable design, ideal for mobile recording setups.
- Versatile connectivity options with AES/EBU and ADAT interfaces.
- Rock-solid drivers and compatibility with major operating systems.
Cons:
- May be overkill for users with basic audio interface needs.
- Higher price point compared to some competing interfaces.
- Limited number of input and output channels for larger setups.
- Requires some technical knowledge to fully utilize its features.
General
| Channels of I/O | Analog: 2 Input / 4 Output Digital: 12 Inputs / 12 Output |
|---|---|
| Built-In DSP | |
| Maximum Sampling Rate | 192 kHz / 24-Bit |
| Number of Microphone Inputs | 2 Preamps |
| Built-In Microphone | |
| Input Level Adjustment | 1x Knob |
| Expansion Slots |
Channels of I/O: The Digiface AES Audio Interface features a range of input and output channels, allowing for flexibility in audio routing. It offers 2 analog inputs and 4 outputs, alongside 12 digital inputs and outputs. This configuration enables users to connect multiple audio sources and outputs, making it suitable for both studio and live sound applications.Show More
Built-In DSP: The absence of built-in digital signal processing (DSP) means that this interface does not include onboard effects or processing capabilities. Users will need to rely on external processing units or software to manipulate audio signals, which might be a consideration for those seeking an all-in-one solution.
Maximum Sampling Rate: With a maximum sampling rate of 192 kHz and 24-bit depth, the Digiface AES ensures high-quality audio capture and playback. This specification is crucial for professionals who demand precision and clarity in their recordings, as it allows for detailed sound representation and the ability to work with high-resolution audio formats.
Number of Microphone Inputs: The interface is equipped with 2 microphone preamps, providing the necessary inputs for connecting microphones directly. This feature is beneficial for recording vocals or instruments, giving users the ability to capture audio signals without the need for additional preamplification equipment.
Built-In Microphone: The absence of a built-in microphone indicates that the Digiface AES is designed for use with external microphones only. This allows users to choose their preferred microphones based on their specific recording needs, ensuring versatility in audio capture.
Input Level Adjustment: The interface features a single knob for input level adjustment, enabling users to easily control the gain of their audio signals. This functionality is important for achieving optimal recording levels and preventing distortion, ensuring that the captured sound remains clean and clear.
Expansion Slots: The lack of expansion slots suggests that the Digiface AES is a self-contained unit without the option for hardware upgrades. Users should consider their current and future needs, as this could limit the interface's adaptability as technology evolves.
Signal Processing
| Pad | |
|---|---|
| Gain/Trim Range | Up to 75 dB (in 1 dB Steps) |
| High-Pass Filter | |
| Solo/Mute |
The Pad feature refers to the capability of an audio interface to reduce the input signal level to prevent distortion when dealing with high-output sources. In this case, the absence of a pad means that the Digiface AES does not provide this function, which may require careful management of input levels to avoid clipping in loud environments.Show More
Gain/Trim Range indicates the adjustable level of amplification applied to the incoming audio signals. With a range of up to 75 dB in 1 dB steps, users can precisely control the signal strength, allowing for optimal recording levels and ensuring that the audio is neither too quiet nor too loud. This granularity is particularly useful for tailoring the input to suit various sound sources, from quiet instruments to loud vocal performances.
The High-Pass Filter feature is designed to remove low-frequency noise and rumble from audio signals. The absence of this filter in the Digiface AES means that users will need to rely on external processing to manage unwanted low-frequency sounds, which could be important in specific recording situations where clarity is paramount.
Solo/Mute functionalities allow users to isolate or silence tracks during mixing or monitoring. The lack of these features in the Digiface AES means that users will need to manage audio routing and monitoring externally, which could add complexity during the mixing process, especially for larger setups.
Connectivity
| Analog Audio I/O | 2x Combo XLR-1/4" 3-Pin Balanced Mic/Line Input 2x XLR 3-Pin Balanced Line Output 1x 1/4" TRS Unbalanced Headphone Output |
|---|---|
| Phantom Power | 48 V |
| Digital Audio I/O | 1x XLR 3-Pin AES3 Input 1x XLR 3-Pin AES3 Output 1x TOSLINK Optical ADAT Input 1x TOSLINK Optical ADAT Output 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Output |
| Host Connection | 1x USB-B |
| Host Connection Protocol | USB 2.0 |
| USB (Non-Host) | |
| Sync I/O | 1x XLR 3-Pin AES Input 1x XLR 3-Pin AES Output |
| Network I/O | |
| MIDI I/O | 1x DIN 5-Pin Input (on Breakout Cable) |
The Analog Audio I/O specifications describe the interface's ability to connect with analog audio sources and outputs. The presence of 2x Combo XLR-1/4" inputs allows users to connect both balanced microphones and line-level instruments, enhancing versatility. The 2x XLR outputs provide balanced line outputs for sending audio to external equipment, ensuring high-quality sound transmission. Additionally, the 1/4" TRS unbalanced headphone output offers a convenient way to monitor audio directly from the interface, making it suitable for studio and live applications.Show More
Phantom Power refers to the ability to supply power to condenser microphones that require it. With a specification of 48 V, this feature ensures that compatible microphones can be used without needing an external power source, thus simplifying setup and operation in various recording scenarios.
The Digital Audio I/O section indicates the interface's capability to handle digital audio signals. It includes an XLR AES3 input and output for professional-grade digital audio transfer, along with TOSLINK optical ADAT connections for multi-channel audio transfer over optical cables. Additionally, RCA coaxial S/PDIF connections allow for high-quality digital audio transmission to and from compatible devices, offering flexibility in digital setups.
Host Connection details the type of connection used to interface with a computer or other host devices. The presence of a USB-B connection utilizing USB 2.0 protocol ensures compatibility with a wide range of computers while providing a reliable data transfer rate for audio streaming. The specification also mentions that there is no USB non-host functionality, limiting the interface's role to a standard audio interface rather than a hub for connecting additional devices.
The Sync I/O feature indicates the interface's capability to synchronize digital audio signals. With XLR AES inputs and outputs, users can integrate this interface into larger digital audio systems, ensuring that all components work in harmony for optimal performance.
Network I/O indicates that this audio interface does not support network connections, which may limit its use in networked audio environments. However, the MIDI I/O feature allows for the connection of MIDI devices through a 5-Pin DIN input on a breakout cable, enabling control over MIDI instruments and software, which can enhance the creative possibilities for musicians and producers.
Performance
| Frequency Response | XLR Mic, Line Inputs: 16 Hz to 20 kHz (at 44.1 kHz) 7 Hz to 45 kHz (at 96 kHz) 5 Hz to 88 kHz (at 192 kHz) XLR Line Outputs: 0 Hz to 20.7 kHz (at 44.1 kHz) 0 Hz to 45 kHz (at 96 kHz) 0 Hz to 90 kHz (at 192 kHz) |
|---|---|
| Maximum Input Level | Combo XLR-1/4" Mic/Line Inputs: +8 dBu (Gain: 0 dB) 1/4" Line Inputs: 24 dBu (Gain: 0 dB) |
| Maximum Output Level | XLR Line Outputs: 19 dBu 1/4" Headphone Outputs: 13 dBu at 0 dBFS |
| Headphone Output Power | 1/4": 160 mW per Channel into 32 Ohms (0.1% THD) |
| Impedance | Combo XLR-1/4" Mic/Line Inputs: 2 Kilohms (Balanced) 1 Kilohm (Unbalanced) 1/4" Line Inputs: 12 Kilohm (Balanced) XLR Line Outputs: 300 Ohms (Balanced) 1/4" Headphone Outputs: 5 Ohms |
| Dynamic Range | XLR Analog Outputs: 123 dBA (+19 dBu) XLR Analog Outputs: 116.5 dBA (+13 dBu) XLR Analog Outputs: 116.5 dBA (+4 dBu) 1/4" Analog/Headphone Inputs: 122 dBA (0 dBFS) |
| SNR | XLR Mic/Line Inputs: 113 dB RMS (Unweighted) XLR Line Outputs: 19 dBu (120 dB (AES17), 123 dBA) 13 dBu (114 dB (AES17), 116.5 dBA) 4 dBu (114 dB (AES17), 116.5 dBA) 1/4" Headphone Outputs: 120 dB ((AES17), 122 dBA) 114 dB ((AES17), 116.5 dBA) Digital AD/DA Converters: 139 dB (Sample-Rate Converter, 142 dBA) |
| THD | XLR Line/Mic Inputs: < -110 dB / < 0.0003% XLR Line Outputs: < 110 dB / < 0.0003% |
| THD+N | XLR Mic/Line Inputs: < -106 dB / < 0.0005% XLR Line Outputs: -110 dB / < 0.0003% 1/4" Headphone Outputs: -108 dB / 0.0004% |
| EIN | Combo XLR-1/4" Mic/Line Inputs: -129 dBu A-Weighted (60 dB Gain, 150 Ohm, 20 Hz to 20 kHz) |
The Frequency Response specifications indicate the range of audio frequencies that the device can effectively handle. For example, the XLR Mic and Line Inputs can capture frequencies as low as 16 Hz and as high as 20 kHz at a sample rate of 44.1 kHz, extending even further at higher sample rates. This wide frequency range ensures that both high and low sounds are accurately reproduced, which is crucial for high-fidelity audio production.Show More
Maximum Input Level refers to the highest signal strength that the device's inputs can handle without distortion. For instance, the Combo XLR-1/4" Mic/Line Inputs can manage a maximum input level of +8 dBu at 0 dB gain, while the 1/4" Line Inputs can reach up to 24 dBu. This capability is essential for accommodating a variety of sound sources, ensuring that louder signals can be processed without clipping or degrading the audio quality.
The Maximum Output Level indicates the peak signal strength that the device can output. For example, the XLR Line Outputs can achieve a maximum output level of 19 dBu, which is important for delivering strong signals to connected devices without loss of quality. Similarly, the headphone outputs provide a maximum of 13 dBu at 0 dBFS, ensuring that headphones can produce loud and clear audio without distortion.
Headphone Output Power specifies the amount of power delivered to the headphones, measured in milliwatts per channel. In this case, the device can output 160 mW per channel into 32 Ohms with low total harmonic distortion (THD). This level of power ensures that users can experience clear and powerful audio through their headphones, which is particularly beneficial in studio environments where accurate monitoring is required.
Impedance ratings for inputs and outputs indicate how much resistance the device presents to incoming signals. For example, the Combo XLR-1/4" Mic/Line Inputs have an impedance of 2 Kilohms when balanced, while the 1/4" Headphone Outputs are at 5 Ohms. These values affect how the audio interface interacts with connected devices, impacting signal integrity and compatibility with various audio equipment.
The Dynamic Range describes the difference between the loudest and quietest sounds that the interface can handle, measured in decibels (dBA). A high dynamic range, such as 123 dBA for XLR Analog Outputs, allows for more nuanced audio playback, capturing subtle details in quieter passages while still accommodating louder sounds without distortion.
SNR (Signal-to-Noise Ratio) measures the level of desired signal compared to the level of background noise. High SNR values, like 113 dB for XLR Mic/Line Inputs, indicate that the device can deliver clean audio with minimal interference, resulting in clearer recordings and playback.
THD (Total Harmonic Distortion) reflects the level of distortion introduced by the device during processing. Values like < -110 dB for XLR Line/Mic Inputs indicate very low distortion, ensuring that the sound remains faithful to the original source. A lower THD percentage means a more accurate audio reproduction.
THD+N (Total Harmonic Distortion plus Noise) combines distortion and noise measurements, giving a more comprehensive view of audio quality. For example, values like < -106 dB for XLR Mic/Line Inputs suggest minimal interference and high fidelity, which are crucial for professional audio applications.
EIN (Equivalent Input Noise) quantifies the noise level present at the input when no signal is applied, measured in dBu A-Weighted. A low EIN value, such as -129 dBu for Combo XLR-1/4" Mic/Line Inputs, indicates that the device is capable of capturing quiet sounds without being masked by its own noise, making it suitable for high-quality recording environments.
Digital Audio
| Sample Rates | Up to 200 kHz |
|---|---|
| Sample Rate Conversion | On ADAT I/O (28 to 200 kHz) |
| Bit Depths | Up to 24-Bit |
| Latency | 2.27 ms at 44.1 kHz 1.14 ms at 96 kHz 0.57 ms at 192 kHz |
| Sync Sources | ADAT, AES3, Internal, S/PDIF |
| Clocking | AES: Lock Range: 27 to 200 kHz (2.4 kHz to )Jitter Suppression: > 50 dB (2.4 kHz) S/PDIF: Lock Range: 27 to 200 kHz Jitter Suppression: > 50 dB (2.4 kHz) Lock Range: 31.5 to 50 kHz Jitter Suppression: > 50 dB (2.4 kHz) |
Sample Rates: The sample rate indicates how many times per second an audio signal is sampled when converting from an analog to a digital format. With the capability to handle sample rates up to 200 kHz, the RME Digiface AES Audio Interface allows for high-resolution audio recording and playback, providing greater clarity and detail compared to standard rates. This is especially beneficial for professional audio applications where precision is critical.Show More
Sample Rate Conversion: This feature enables the interface to convert incoming sample rates on ADAT inputs ranging from 28 kHz to 200 kHz. Sample rate conversion is vital in situations where different devices operate at different sample rates, ensuring compatibility and preventing audio distortion. This flexibility allows users to integrate various equipment without concern for mismatched rates.
Bit Depths: The bit depth defines the number of bits used to represent each audio sample. Supporting up to 24-bit audio, the RME Digiface AES offers a higher dynamic range and better resolution than standard 16-bit audio. This allows for more nuanced sound reproduction and minimizes the risk of distortion during recording and playback, making it suitable for high-fidelity applications.
Latency: Latency refers to the delay between an audio signal input and its output. The RME Digiface AES boasts low latency figures (2.27 ms at 44.1 kHz, 1.14 ms at 96 kHz, and 0.57 ms at 192 kHz), which is crucial for real-time audio processing, such as during recording or live performances. Lower latency enhances the user experience by providing immediate feedback while recording or monitoring audio.
Sync Sources: Sync sources denote the various options available to synchronize the audio interface with other devices. The RME Digiface AES supports multiple sync sources including ADAT, AES3, Internal, and S/PDIF. This variety provides users with the flexibility to integrate the interface into different setups and ensures stable operation, preventing issues related to timing discrepancies.
Clocking: Clocking is essential for maintaining timing accuracy in digital audio systems. The RME Digiface AES features a lock range of 27 to 200 kHz for AES and S/PDIF, with significant jitter suppression capabilities of over 50 dB. This ensures that the audio signal remains stable and free from timing errors, which is vital for maintaining audio integrity, especially in professional audio environments.
Audio Storage & Playback
| Memory Card Slot |
|---|
Memory Card Slot: The absence of a memory card slot in the RME Digiface AES Audio Interface means that users cannot expand the device's storage capacity through external memory cards. This feature is commonly found in other audio interfaces, allowing for the recording or playback of audio data directly from a memory card. Without this capability, users will need to rely on their computer's storage or other external devices for managing audio files, which may influence workflow and convenience for some users.
Compatibility
| OS Compatibility | macOS 11 or Later Windows 7 or Later |
|---|---|
| Included Software | |
| Mobile App Compatible | Yes: iOS Only App Name: TotalMix Remote Functionality: Remote Control *As of January, 2023: Check with manufacturer for the most up-to-date compatibility |
| Mobile Device Compatibility | |
| Required Hardware | USB 2.0 Port |
| Internet Connection | Required for Registration, Software/Driver Download |
OS Compatibility refers to the operating systems that the RME Digiface AES Audio Interface can work with. In this case, it is compatible with macOS 11 or later and Windows 7 or later versions. This flexibility allows users on different platforms to utilize the audio interface effectively, ensuring that a wider audience can take advantage of its features without being limited to a specific operating system.Show More
Included Software indicates whether any software comes bundled with the audio interface. In this instance, the specification states "No," meaning users will need to source any necessary software separately. This can be important for users who may rely on specific DAWs or audio processing tools, as they will need to ensure compatibility with the RME Digiface AES.
Mobile App Compatible signifies if there is an application available for mobile devices that can control or interface with the audio interface. Here, it mentions compatibility with iOS only, through an app called TotalMix Remote. This allows users to remotely control settings and manage their audio interface via their iOS devices, enhancing convenience and usability.
Mobile Device Compatibility specifies whether the audio interface can be used with mobile devices. In this case, it states "No," meaning that while there may be a mobile app for remote control, the interface itself is not designed to be directly compatible with mobile devices for audio input or output.
Required Hardware lists the minimum hardware necessary to operate the audio interface, which in this case is a USB 2.0 port. This requirement ensures that users have the necessary connection capabilities to utilize the interface without experiencing latency or connectivity issues.
Internet Connection is necessary for registration and downloading software or drivers. This requirement implies that users will need an active internet connection to fully set up and operate their audio interface. It is important for users to consider this aspect, as it may affect initial setup and ongoing software updates.
Power
| Power Requirements | USB Bus Power |
|---|---|
| Power Consumption | 3 W |
Power Requirements: The RME Digiface AES Audio Interface operates using USB bus power, which means it draws its required power directly from a connected USB port. This feature is particularly advantageous for users who prioritize portability and convenience, as it eliminates the need for an external power supply. By utilizing USB power, the device can easily be connected to laptops, desktops, or other USB-enabled devices, making it ideal for mobile audio setups.Show More
Power Consumption: The power consumption of the RME Digiface AES is rated at 3 W. This measurement indicates the amount of electrical power the device uses while in operation. A lower power consumption is beneficial as it helps reduce overall energy usage and heat generation. Additionally, a device that consumes only 3 W is efficient, allowing for longer usage times on battery-powered setups, such as when connected to laptops or portable recording systems.
Physical
| Operating Humidity | 75% (Non-Condensing) |
|---|---|
| Operating Temperature | 41 to 122°F / 5 to 50°C |
| Dimensions | 8.5 x 5.1 x 1.7" / 21.5 x 13 x 4.4 cm |
| Weight | 31.0 oz / 880.0 g |
Operating Humidity refers to the range of moisture levels in the environment where the device can function optimally. The specified value of 75% (non-condensing) indicates that the device can handle humidity levels up to this percentage without experiencing performance issues or damage. Operating in environments with higher humidity levels could lead to condensation, which can adversely affect the electronic components of the audio interface.Show More
Operating Temperature denotes the range of temperatures within which the device can operate effectively. With a range of 41 to 122°F (5 to 50°C), this specification ensures that the audio interface can perform well in various environments, from cooler studios to warmer locations. Operating outside of this temperature range may lead to overheating or malfunctioning, affecting sound quality and overall reliability.
Dimensions provide the physical size of the audio interface, measured at 8.5 x 5.1 x 1.7 inches (21.5 x 13 x 4.4 cm). These measurements are important for users to consider when planning their workspace, ensuring that the interface can fit comfortably alongside other equipment. A compact design can facilitate easier transportation and integration into mobile setups.
Weight is another crucial specification, listed at 31.0 oz (880.0 g). This weight indicates the product's portability and sturdiness. A lighter device may be more convenient for mobile use, while a heavier unit might suggest a more robust build. Understanding the weight can help users determine how best to transport and set up the audio interface in different environments.
Packaging Info
| Package Weight | 4.325 lb |
|---|---|
| Box Dimensions (LxWxH) | 15 x 8.4 x 3.3" |
The Package Weight of 4.325 lb indicates the total weight of the RME Digiface AES Audio Interface when packaged for shipping. This weight is important for users to consider, especially when calculating shipping costs or ensuring that their setup can accommodate the device without any issues. A lighter weight can be beneficial for portability, making it easier to transport the device for live performances or studio sessions.Show More
The Box Dimensions listed as 15 x 8.4 x 3.3 inches refer to the size of the packaging that the audio interface comes in. These dimensions are crucial for users who need to know if the product will fit in their equipment racks or storage spaces. Additionally, knowing the box dimensions can help in planning for shipping or storage, as well as ensuring that the device is adequately protected during transport.
Customer Questions
How do I install the RME Digiface AES drivers?
To install the RME Digiface AES drivers, download the latest drivers from the RME website. Run the installer, and follow the on-screen instructions. After installation, restart your computer to ensure the drivers are properly loaded.
Why is my RME Digiface AES not being recognized by my computer?
If your RME Digiface AES is not recognized, ensure all cables are properly connected. Check that the device is powered on, and verify the drivers are installed correctly. Try connecting to a different USB port and reboot your system.
How can I update the firmware on my RME Digiface AES?
To update the firmware, download the latest firmware file from the RME website. Open the RME Flash Update Tool, select the Digiface AES, and follow the instructions to complete the update. Do not disconnect the device during the update process.
What should I do if there is no sound output from my RME Digiface AES?
Ensure that the RME Digiface AES is selected as the default audio device in your operating system's sound settings. Check the TotalMix FX software for correct routing and levels. Also, verify that the correct sample rate and clock source are selected.
How do I configure the TotalMix FX software for the RME Digiface AES?
Open TotalMix FX and familiarize yourself with its layout. Set up input and output channels as needed. Use the routing matrix to direct signals to desired outputs. Adjust levels and apply effects if necessary. Save your configuration for future use.
Why am I experiencing latency issues with my RME Digiface AES?
To solve latency issues, try reducing the buffer size in the audio settings of your DAW or in the RME driver settings. Ensure your computer's performance is optimized, and close unnecessary background applications to free up resources.
How do I connect external devices to the RME Digiface AES?
Use the AES/EBU or optical TOSLINK ports to connect external devices. Ensure that cables are securely plugged in and match the input/output configuration in TotalMix FX. Check that sample rates and clock sources are compatible between devices.
What are the steps to set up multi-channel audio with the RME Digiface AES?
Connect your multi-channel audio sources to the AES or optical inputs. In TotalMix FX, assign each channel to corresponding outputs. Ensure your DAW is configured to use the RME Digiface AES for input and output and supports multi-channel audio.
How do I resolve driver conflicts with other audio interfaces?
To resolve driver conflicts, uninstall unused or conflicting audio drivers from your system. Ensure no other audio devices are set as default in your system settings. Reinstall the RME drivers if necessary, and reboot your computer.
Why does my RME Digiface AES produce distorted audio?
Check your TotalMix FX settings to ensure channels are not clipping. Verify that input and output levels are set correctly. Make sure sample rates and clock sources are matching between the Digiface AES and connected devices. If distortion persists, test with different cables and connections.