PreSonus Studio 1824c vs Focusrite Scarlett 18i20: Which Audio Interface is Right for You?

PreSonus Studio 1824c vs Focusrite Scarlett 18i20: Which Audio Interface is Right for You?

The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface are both highly regarded in the world of audio interfaces, designed to cater to the needs of professional musicians, producers, and sound engineers. However, they offer distinct features that might make one more suitable for specific requirements than the other.
The Focusrite Scarlett 18i20 (3rd Gen) is known for its pristine audio quality and robust build. It features eight award-winning Scarlett mic preamps, which provide a clean and transparent sound. The interface offers an impressive dynamic range of 111dB and supports sample rates up to 192kHz, ensuring high-resolution audio recordings. With 18 inputs and 20 outputs, including ADAT and S/PDIF connections, the Scarlett 18i20 is versatile enough for complex recording setups. The inclusion of USB-C connectivity ensures fast and reliable data transfer, and Focusrite’s renowned low-latency performance enhances the recording and mixing experience. Additional features include MIDI I/O, two high-headroom instrument inputs, and dual headphone outputs with independent volume controls, making it a comprehensive solution for both studio and live environments.
On the other hand, the PreSonus Studio 1824c excels with its combination of high-quality audio performance and extensive connectivity options. It also supports up to 192kHz sample rates and boasts a dynamic range of 115dB, slightly edging out the Scarlett in this aspect. The Studio 1824c includes eight XMAX Class A mic preamps, known for their warm and musical sound, which can be particularly appealing for vocal and acoustic instrument recordings. With 18 inputs and 20 outputs, including ADAT, S/PDIF, and MIDI I/O, this interface is equally equipped for sophisticated audio setups. The USB-C connection ensures speedy data transfer, and the interface also features onboard DSP for zero-latency monitoring with effects, providing a seamless recording experience. The Studio 1824c comes bundled with PreSonus’ Studio One Artist DAW, which is a powerful addition for users looking to dive into music production without additional software costs.
In summary, both the Focusrite Scarlett 18i20 (3rd Gen) and the PreSonus Studio 1824c offer exceptional audio quality and feature-rich designs that cater to professional audio production needs. The Scarlett 18i20 is distinguished by its clean preamps, low-latency performance, and user-friendly design, making it a reliable choice for various recording scenarios. The Studio 1824c, with its slightly better dynamic range, warm-sounding preamps, and onboard DSP, provides an excellent alternative, especially for users seeking bundled software and additional monitoring features. Your choice between these two interfaces will ultimately depend on your specific recording needs and personal preferences.

In-Depth Specifications and Feature Comparison

User Rating Based on Analysis of Reviews
  • Purchase Value

    85% of users appreciated the purchase value of the Focusrite Scarlett 18i20, primarily due to its comprehensive feature set relative to its price point. Users highlighted that the interface offers high-quality preamps, plenty of inputs and outputs, and stable performance, making it a solid investment for both amateur and professional audio setups. Many users felt that the interface provides a similar level of quality to more expensive equipment, which adds to its perceived value.

    15% of users found the purchase value lacking, often due to their expectations not being met when comparing the interface to more high-end alternatives. Some users felt that while the features are impressive, the price was still slightly too high for their needs, particularly when they did not require all the functionality offered. Additionally, a few users experienced issues with the software that influenced their perception of value.

    85%
  • Quality of Materials

    90% of users praised the quality of materials used in the Focusrite Scarlett 18i20, noting its robust and durable build. Many users commented on the solid construction, which inspires confidence in its longevity and ability to withstand regular studio use. The sleek design and sturdy knobs and buttons were particularly appreciated, contributing to a professional feel.

    10% of users were dissatisfied with the quality of materials, citing minor issues such as plastic components that felt less durable. Some users also mentioned that the unit was heavier than expected, which affected portability for those who frequently move equipment between locations. Despite these concerns, they were relatively few compared to the overall satisfaction.

    90%
  • Ease of Use

    80% of users found the Focusrite Scarlett 18i20 user-friendly, with straightforward setup and intuitive controls. The interface's compatibility with popular DAWs was a significant advantage, allowing for seamless integration into existing workflows. Many users appreciated the clear labeling and logical layout, which reduced the learning curve for new users.

    20% of users experienced difficulties with ease of use, often related to initial setup issues or software installation challenges. Some users found the multiple input and output options overwhelming without prior experience, leading to confusion. A few users also encountered problems with firmware updates, which impacted their overall experience.

    80%
  • Sound Quality

    92% of users were highly satisfied with the sound quality provided by the Focusrite Scarlett 18i20, praising its clarity and precision. The high-quality preamps and converters were frequently highlighted for their ability to deliver professional-grade audio, even in demanding recording environments. Users appreciated the clean and transparent sound, which enhanced their production capabilities.

    8% of users were less impressed with the sound quality, often due to specific issues such as noise interference or perceived limitations in dynamic range. A few users noted that while the sound quality was generally good, it did not meet their high expectations based on previous experiences with more expensive equipment.

    92%
  • Customer Support

    75% of users reported positive experiences with Focusrite's customer support, citing helpful and responsive service when resolving issues. Many users appreciated the availability of online resources and tutorials, which facilitated troubleshooting and enhanced their understanding of the product.

    25% of users were dissatisfied with customer support, often due to delayed response times or unresolved technical issues. Some users felt that the support team lacked sufficient knowledge to address their specific problems, leading to frustration. Additionally, a few users encountered difficulties accessing timely help during critical situations.

    75%
  • Software Integration

    78% of users were satisfied with the software integration capabilities of the Focusrite Scarlett 18i20, noting its compatibility with various digital audio workstations. The inclusion of bundled software was seen as a valuable addition, enhancing the overall production experience and providing additional creative tools.

    22% of users faced challenges with software integration, often due to compatibility issues or difficulties in installing and configuring the bundled applications. Some users reported that the software did not always function as expected, leading to frustration and additional troubleshooting efforts.

    78%
  • Latency Performance

    82% of users were pleased with the low-latency performance of the Focusrite Scarlett 18i20, which facilitated smooth recording and playback without noticeable delays. The use of USB-C connectivity was particularly praised for its speed and reliability, contributing to an efficient workflow.

    18% of users experienced latency issues, often related to specific system configurations or software settings. Some users found that achieving optimal performance required additional tweaking and adjustments, which detracted from their overall satisfaction.

    82%
  • Portability

    70% of users found the Focusrite Scarlett 18i20 reasonably portable, appreciating its compact design that allowed for easy transportation between studio sessions. The sturdy build was seen as an advantage for those who needed to move the interface frequently.

    30% of users were less satisfied with the portability, mainly due to the interface's weight and size. Some users felt that it was not the most convenient option for mobile recording setups, especially when compared to lighter and more compact alternatives.

    70%
  • Durability

    88% of users commended the durability of the Focusrite Scarlett 18i20, noting its ability to withstand regular use without significant wear and tear. The robust construction and quality materials were frequently mentioned as factors that contributed to its long-lasting performance.

    12% of users raised concerns about durability, often due to specific issues such as loose knobs or minor cosmetic damage over time. Some users felt that certain components could be improved to ensure even greater resilience under heavy use.

    88%
  • Aesthetic Design

    85% of users appreciated the aesthetic design of the Focusrite Scarlett 18i20, praising its sleek and modern appearance. The interface's visual appeal was seen as a reflection of its professional quality, enhancing the overall studio environment.

    15% of users were less impressed with the aesthetic design, often citing subjective preferences for different styles or colors. Some users felt that while the design was functional, it lacked the distinctive flair they preferred in studio equipment.

    85%
  • Compatibility

    80% of users were satisfied with the compatibility of the Focusrite Scarlett 18i20, highlighting its seamless integration with various operating systems and audio software. The interface's ability to work with both Mac and Windows platforms was a significant advantage for many users.

    20% of users encountered compatibility issues, often related to specific software or hardware configurations. Some users had difficulties with driver installations or experienced conflicts with existing equipment, which impacted their overall satisfaction.

    80%
  • Input/Output Options

    90% of users were highly satisfied with the extensive input and output options available on the Focusrite Scarlett 18i20. The multiple channels and connectivity choices were seen as a key feature, providing flexibility for various recording and mixing setups.

    10% of users found the input/output options overwhelming, particularly if they had simpler recording needs. Some users felt that the abundance of choices added unnecessary complexity to their workflow, especially if they did not utilize all the available connections.

    90%
  • Preamps

    91% of users were impressed with the quality of the preamps in the Focusrite Scarlett 18i20, noting their clean and transparent sound. Many users highlighted the preamps as a standout feature, enhancing the overall audio quality and allowing for precise capture of sound sources.

    9% of users had concerns about the preamps, often related to specific use cases or preferences for different tonal characteristics. Some users felt that the preamps could be improved to offer greater warmth or coloration, depending on their recording style.

    91%
  • Stability

    87% of users reported stable and reliable performance from the Focusrite Scarlett 18i20, with minimal crashes or technical issues during use. The interface's dependability was seen as a crucial factor for uninterrupted recording sessions.

    13% of users experienced stability issues, often related to software glitches or firmware updates. Some users encountered occasional crashes or connectivity problems, which disrupted their workflow and required additional troubleshooting.

    87%
  • Driver Support

    77% of users were satisfied with the driver support for the Focusrite Scarlett 18i20, noting regular updates and compatibility with major operating systems. Many users appreciated the ease of accessing drivers and the proactive approach to resolving potential issues.

    23% of users had challenges with driver support, often related to installation difficulties or outdated drivers causing compatibility issues. Some users felt that the support for certain operating systems could be improved to ensure smoother performance.

    77%
  • Bundled Software

    83% of users appreciated the bundled software that comes with the Focusrite Scarlett 18i20, finding it to be a valuable addition to their audio production toolkit. The inclusion of DAWs and plugins was particularly appreciated, providing users with a complete package to start recording and mixing.

    17% of users were less impressed with the bundled software, often due to limitations in functionality or compatibility issues with their preferred DAWs. Some users felt that the software did not add significant value to their setup, especially if they already owned similar tools.

    83%
  • USB-C Connectivity

    89% of users praised the USB-C connectivity of the Focusrite Scarlett 18i20, citing its fast data transfer rates and reliable connection. The modern interface was seen as a significant improvement over older connectivity standards, enhancing overall performance.

    11% of users encountered issues with USB-C connectivity, often related to compatibility with existing equipment or the need for additional adapters. Some users felt that while USB-C is advantageous, it required them to upgrade other components in their setup, which was not always convenient.

    89%
  • Control Software

    79% of users found the control software for the Focusrite Scarlett 18i20 to be intuitive and effective for managing various settings and configurations. The software's interface was praised for its user-friendly design and ease of use.

    21% of users faced challenges with the control software, often due to bugs or limitations in functionality. Some users reported difficulties in navigating the interface or accessing advanced settings, which impacted their overall experience.

    79%
  • Recording Quality

    90% of users were satisfied with the recording quality achieved with the Focusrite Scarlett 18i20, noting its ability to capture clear and detailed audio. The interface's performance in various recording scenarios was highly praised, contributing to professional-grade results.

    10% of users were less satisfied with the recording quality, often due to specific issues such as noise or interference in certain environments. Some users felt that while the quality was generally good, it did not meet their expectations for more critical recording applications.

    90%
  • Versatility

    88% of users appreciated the versatility of the Focusrite Scarlett 18i20, highlighting its ability to adapt to a wide range of recording and mixing tasks. The interface's flexibility in handling different audio sources and configurations was seen as a key strength.

    12% of users found the versatility to be limited, often due to specific needs that the interface could not accommodate. Some users felt that while the interface was versatile, it lacked certain specialized features required for particular audio production tasks.

    88%
  • Purchase Value

    85% of users were satisfied with the purchase value of the PreSonus Studio 1824c Audio Interface. They appreciated the reasonable pricing for the range of features offered, including multiple inputs and outputs, high-quality preamps, and robust build quality. Many users mentioned that the interface provides excellent sound quality suitable for both home studios and professional use, making it a good investment for musicians and producers.

    Some users, making up 15% of the feedback, expressed dissatisfaction with the purchase value, mainly due to the perceived cost in relation to their specific needs or expectations. These users felt that for the price, they expected even more advanced features or a more intuitive setup process, which they found lacking compared to other models in a similar price range.

    85%
  • Quality of Materials

    90% of users praised the quality of materials used in the PreSonus Studio 1824c. The metal chassis and sturdy knobs were frequently mentioned as indicators of the product's durability and reliability. Users felt confident in the interface's ability to withstand regular use in various studio environments without significant wear or damage.

    10% of users were less satisfied with the materials, citing occasional issues with the durability of certain components, like knobs feeling loose or plastic parts feeling less robust compared to the rest of the unit. These users expected more consistency in material quality throughout the device.

    90%
  • Audio Quality

    92% of users were highly satisfied with the audio quality of the PreSonus Studio 1824c, noting that it delivers clean, clear sound with a noticeable improvement over their previous interfaces. Users highlighted the high-quality preamps and converters, which provided a professional-grade audio experience that enhanced both recording and playback.

    8% of users expressed dissatisfaction with the audio quality, often pointing out specific issues like unexpected noise or interference, which they attributed to either the interface itself or potential compatibility issues with their setup. These users expected completely pristine audio performance without any hitches.

    92%
  • Ease of Use

    80% of users found the PreSonus Studio 1824c easy to use, with intuitive controls and a straightforward setup process that allowed them to quickly integrate it into their existing studio environment. The clear labeling and logical layout of the interface's controls helped facilitate a smooth user experience.

    20% of users were unsatisfied with the ease of use, often encountering challenges during the initial setup or while navigating the software interface. These users reported needing to consult additional resources or support to fully understand how to optimize the interface's capabilities, which they found inconvenient.

    80%
  • Software Integration

    75% of users appreciated the software integration that comes with the PreSonus Studio 1824c, particularly the inclusion of Studio One Artist, which they found to be a powerful DAW that complements the hardware well. Users enjoyed the seamless connection between the interface and their recording software, which enhanced their workflow.

    25% of users faced issues with software integration, particularly with compatibility across different operating systems or DAWs. These users experienced difficulties in achieving a stable connection or encountered glitches, which hindered their recording and production processes.

    75%
  • Portability

    65% of users were satisfied with the portability of the PreSonus Studio 1824c, acknowledging that while it is not the most compact interface, it is still manageable for transport between studio locations. Users appreciated the durable build that facilitated safe travel.

    35% of users expressed dissatisfaction with the portability, noting that the interface's size and weight made it less convenient for frequent transport. These users preferred a more compact and lightweight solution for mobile recording needs.

    65%
  • Input/Output Options

    88% of users were pleased with the input/output options provided by the PreSonus Studio 1824c. They highlighted the versatility offered by multiple mic and line inputs, ADAT connectivity, and MIDI ports, which accommodated various recording setups and instruments.

    12% of users were dissatisfied with the input/output options, primarily because they either required additional inputs or outputs not available on this model or experienced issues with specific connections not meeting their expectations for sound quality.

    88%
  • Customer Support

    70% of users were satisfied with the customer support provided by PreSonus, finding the support team responsive and helpful in resolving their queries. Users appreciated the availability of online resources and community forums as additional support avenues.

    30% of users were dissatisfied with customer support, often citing long response times or inadequate solutions provided by the support team. These users expected quicker and more comprehensive assistance to address their technical issues.

    70%
  • Durability

    85% of users were satisfied with the durability of the PreSonus Studio 1824c, often sharing experiences of the interface withstanding heavy use without any significant issues. The robust construction and quality materials contributed to a long-lasting product that users trusted.

    15% of users were dissatisfied with the durability, reporting occasional hardware failures or wear and tear that occurred sooner than expected. These users anticipated a longer lifespan based on the product's initial impression.

    85%
  • Compatibility

    82% of users were satisfied with the compatibility of the PreSonus Studio 1824c, noting that it worked well with various DAWs and operating systems. The interface's versatility made it a suitable choice for users with diverse technical setups.

    18% of users experienced compatibility issues, particularly with specific DAWs or older operating systems. These users faced challenges in achieving a seamless integration, which affected their overall satisfaction with the product.

    82%
  • Latency

    87% of users were impressed with the low latency performance of the PreSonus Studio 1824c, which enabled real-time monitoring and recording without noticeable delay. Users valued the efficient latency management, which was crucial for professional audio production.

    13% of users experienced latency issues, which were particularly problematic during complex recording sessions. These users expected flawless real-time performance and were disappointed when latency affected their workflow.

    87%
  • Preamps

    90% of users were highly satisfied with the quality of the preamps in the PreSonus Studio 1824c, noting their clarity and lack of noise. The preamps provided a clean signal path, which was particularly beneficial for vocal and instrument recording.

    10% of users expressed dissatisfaction with the preamps, citing occasional noise or interference issues that detracted from the sound quality. These users expected a higher standard of audio fidelity from the preamps.

    90%
  • Aesthetic Design

    78% of users appreciated the aesthetic design of the PreSonus Studio 1824c, finding it visually appealing and suitable for both home and professional studio environments. The modern design and clean lines were frequently highlighted as positive attributes.

    22% of users were less impressed with the aesthetic design, feeling that it was somewhat plain or not as stylish as other models on the market. These users valued more distinctive or innovative design elements.

    78%
  • Driver Stability

    75% of users were satisfied with the driver stability of the PreSonus Studio 1824c, noting that it provided a consistent and reliable connection to their computers. The stable drivers minimized crashes and interruptions during recording sessions.

    25% of users faced issues with driver stability, experiencing occasional crashes or the need for frequent updates to maintain functionality. These users were frustrated by the lack of consistent performance from the drivers.

    75%
  • Expandability

    83% of users were satisfied with the expandability of the PreSonus Studio 1824c, appreciating the ADAT connectivity that allowed for easy expansion of input channels. This feature made it a versatile choice for growing studio setups.

    17% of users felt limited by the expandability options, particularly if they required more than what the ADAT connectivity could offer. These users sought greater flexibility in expanding their studio capabilities beyond the provided options.

    83%
  • Build Quality

    88% of users were impressed with the build quality of the PreSonus Studio 1824c, finding it solid and well-constructed. The attention to detail in the manufacturing process was evident, contributing to a product that felt professional and reliable.

    12% of users had concerns about the build quality, mentioning specific issues like loose components or manufacturing defects. These users expected a higher level of quality control to ensure a flawless product.

    88%
  • Connectivity

    86% of users were satisfied with the connectivity options of the PreSonus Studio 1824c, which provided a range of inputs and outputs to accommodate various equipment and setups. The interface's ability to handle multiple connections simultaneously was a key benefit.

    14% of users encountered connectivity issues, often related to specific ports not functioning as expected or incompatibility with certain equipment. These users desired more reliable and versatile connectivity features.

    86%
  • Control Software

    77% of users found the control software accompanying the PreSonus Studio 1824c to be useful and effective in managing the interface's settings. The software provided a convenient platform for customizing and optimizing audio settings.

    23% of users experienced difficulties with the control software, citing a steep learning curve or interface issues that made it challenging to navigate and utilize effectively. These users expected a more user-friendly software experience.

    77%
  • Microphone Compatibility

    84% of users were satisfied with the microphone compatibility of the PreSonus Studio 1824c, noting that it worked seamlessly with a variety of microphones, including dynamic, condenser, and ribbon types. The interface's ability to handle different mic requirements was a plus.

    16% of users faced microphone compatibility issues, often related to specific mic models not performing optimally or requiring additional equipment to function properly. These users sought a more universally compatible solution.

    84%
  • Headphone Output Quality

    89% of users were pleased with the headphone output quality of the PreSonus Studio 1824c, praising the clarity and volume levels achievable through the headphone outputs. The outputs allowed for detailed monitoring during recording and mixing sessions.

    11% of users were dissatisfied with the headphone output quality, experiencing issues like insufficient volume or distortion at higher levels. These users expected a more robust performance from the headphone outputs.

    89%
  • Overall User Experience

    83% of users reported a positive overall user experience with the PreSonus Studio 1824c, highlighting its reliable performance, quality sound, and user-friendly design as major contributing factors to their satisfaction. The interface met and often exceeded their expectations for a mid-range audio solution.

    17% of users had a less favorable overall experience, often due to cumulative minor issues like setup challenges, software quirks, or hardware inconsistencies. These users expected a more polished product experience without the need for troubleshooting.

    83%
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Pros:
  • High-quality preamps with Air mode for enhanced sound.
  • 8 mic/line inputs and 10 line outputs for versatile connectivity.
  • USB-C connectivity for faster data transfer and low latency.
  • Comprehensive software bundle including DAWs and plug-ins.
  • Expandable via ADAT for additional inputs and outputs.
  • High-quality audio with up to 24-bit/192 kHz resolution.
  • Comprehensive I/O options, including 18 inputs and 20 outputs.
  • USB Type-C connectivity for faster data transfer and lower latency.
  • Integrated MIDI interface for connecting MIDI devices.
  • Rugged and durable rackmount design.
  • Comes with PreSonus Studio One Artist DAW software.
Cons:
  • Higher price point compared to entry-level interfaces.
  • Might be overkill for small home studios with minimal input needs.
  • No Thunderbolt support, which might be preferable for some users.
  • Might be overkill for beginners or small home studios.
  • Higher price point compared to simpler interfaces.
  • Requires a USB Type-C port, or an adapter if using older USB types.
  • Can be complex to set up for those unfamiliar with advanced audio interfaces.
Key Specs
Channels of I/O
Analog:
8 Inputs / 10 Outputs
Digital:
10 Inputs / 10 Outputs
Analog:
8 Inputs / 10 Outputs at 192 kHz
Digital:
10 Inputs / 10 Outputs at 48 kHz
Maximum Sampling Rate
192 kHz / 24-Bit 192 kHz / 24-Bit
Number of Microphone Inputs
8 Preamps 8 Preamps
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
6x Combo XLR-1/4" TRS Balanced Mic/Line Input
10x 1/4" TRS Balanced/Unbalanced Line/Monitor Output
2x 1/4" TRS Unbalanced Headphone Output
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel)
6x Combo XLR-1/4" TRS Balanced Mic/Line Input
2x 1/4" TRS Balanced Monitor Output (DC-Coupled)
8x 1/4" TRS Balanced Line Output (DC-Coupled)
2x 1/4" TRS Unbalanced Headphone Output
Digital Audio I/O
1x RCA Coaxial S/PDIF Input
1x RCA Coaxial S/PDIF Output
1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support)
1x TOSLINK Optical ADAT Input (S/MUX Support)
1x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support)
1x TOSLINK Optical ADAT Output (S/MUX Support)
1x TOSLINK Optical ADAT Input (S/MUX Support)
1x TOSLINK Optical ADAT Output (S/MUX Support)
1x RCA Coaxial S/PDIF Input
1x RCA Coaxial S/PDIF Output
Host Connection
1x USB-C 1x USB-C (Class-Compliant)
OS Compatibility
macOS 10.12
macOS 10.13
macOS 10.14
macOS 10.15
macOS 11
Windows 7 or Later
macOS 10.13 or Later (64-Bit Only)
Windows 10 (64-Bit Only)
10 or Later
6 or Later
Power Requirements
AC Input AC/DC Power Adapter (Included)
When comparing the Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface, several key features stand out.
Channels of I/O: The Focusrite Scarlett 18i20 offers a total of 18 inputs and 20 outputs, including 8 analog inputs and 10 analog outputs, complemented by 10 digital inputs and outputs. Similarly, the PreSonus Studio 1824c also provides 18 inputs and 20 outputs, with 8 analog inputs and 10 analog outputs, and an identical 10 digital inputs and outputs. Both interfaces excel in providing extensive I/O capabilities suited for complex recording setups.
Maximum Sampling Rate: Both interfaces support a maximum sampling rate of 192 kHz at 24-bit, ensuring high-resolution audio recording and playback. This means that users of either interface can expect professional-grade sound quality.
Number of Microphone Inputs: Each interface is equipped with 8 microphone preamps, allowing for the connection of multiple microphones simultaneously. This is ideal for recording scenarios that require numerous mic inputs, such as drum kits or multi-mic recording sessions.
Analog Audio I/O: The Focusrite Scarlett 18i20 features 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs and 6 combo XLR-1/4" TRS balanced mic/line inputs on the front panel. It also includes 10 balanced/unbalanced line/monitor outputs and 2 unbalanced headphone outputs. In comparison, the PreSonus Studio 1824c offers a similar configuration with 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs, 6 combo XLR-1/4" TRS balanced mic/line inputs, 2 balanced DC-coupled monitor outputs, 8 balanced DC-coupled line outputs, and 2 unbalanced headphone outputs.
Digital Audio I/O: The Scarlett 18i20 provides a comprehensive array of digital audio I/O options including 1 RCA coaxial S/PDIF input and output, and multiple TOSLINK optical ADAT inputs and outputs with S/MUX support. The PreSonus Studio 1824c also includes digital I/O capabilities with 1 TOSLINK optical ADAT input and output with S/MUX support, and 1 RCA coaxial S/PDIF input and output. Both interfaces offer versatile digital connectivity, though the Scarlett 18i20 has a slight edge with additional TOSLINK ports.
Host Connection: Both interfaces utilize a USB-C host connection, ensuring fast and reliable data transfer. The PreSonus Studio 1824c is class-compliant, which can simplify setup and increase compatibility with various operating systems.
OS Compatibility: The Focusrite Scarlett 18i20 supports a wide range of macOS versions (10.12 to 11) and Windows 7 or later. On the other hand, the PreSonus Studio 1824c is compatible with macOS 10.13 or later (64-bit only) and Windows 10 (64-bit only), indicating a more modern OS requirement.
Power Requirements: The Scarlett 18i20 requires an AC input for power, whereas the PreSonus Studio 1824c uses an included AC/DC power adapter. Both interfaces ensure stable power delivery, though the PreSonus's external adapter might offer more flexibility in terms of power source.
In summary, both the Focusrite Scarlett 18i20 and the PreSonus Studio 1824c provide robust and versatile audio/MIDI interface solutions with extensive I/O options, high-quality preamps, and high sampling rates. The choice between the two may come down to specific needs such as additional digital I/O options or OS compatibility preferences.
General
Channels of I/O
Analog:
8 Inputs / 10 Outputs
Digital:
10 Inputs / 10 Outputs
Analog:
8 Inputs / 10 Outputs at 192 kHz
Digital:
10 Inputs / 10 Outputs at 48 kHz
Maximum Sampling Rate
192 kHz / 24-Bit 192 kHz / 24-Bit
Number of Microphone Inputs
8 Preamps 8 Preamps
Input Level Adjustment
8x Knob 8x Knob
Expansion Slots
When comparing the Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface, several key features stand out. Both interfaces offer similar specifications but have subtle differences that may cater to different user needs.
In terms of channels of I/O, both interfaces provide a robust 18x20 configuration. The Focusrite Scarlett 18i20 offers 8 analog inputs and 10 analog outputs, supplemented by 10 digital inputs and 10 digital outputs. The PreSonus Studio 1824c matches this with its own 8 analog inputs and 10 analog outputs at a 192 kHz sampling rate, and similarly 10 digital inputs and outputs but specified at a 48 kHz rate. This indicates that while both devices offer a total of 18 inputs and 20 outputs, the Focusrite might provide more flexibility in higher sampling rates across its digital channels.
Both interfaces support a maximum sampling rate of 192 kHz / 24-Bit, ensuring high-resolution audio recording capabilities. This makes both devices equally suited for professional audio production environments where high fidelity is a priority.
Regarding the number of microphone inputs, both the Focusrite Scarlett 18i20 and the PreSonus Studio 1824c are equipped with 8 microphone preamps. This gives users ample capacity for recording multiple mic sources simultaneously, making them suitable for band recordings or multi-microphone setups.
For input level adjustment, both interfaces provide 8 knobs, allowing users to manually control the input levels of each channel. This ensures hands-on control over the recording levels, which can be crucial during live recording sessions.
Neither the Focusrite Scarlett 18i20 nor the PreSonus Studio 1824c feature built-in DSP (Digital Signal Processing) or built-in microphones. Additionally, both units lack expansion slots, meaning users will need external expansion units if they require more I/O options.
In summary, the Focusrite Scarlett 18i20 and PreSonus Studio 1824c are closely matched in terms of channels of I/O, sampling rate, microphone inputs, and input level adjustment. The primary differences lie in the specified digital I/O sampling rates and possible real-world performance nuances, leaving the choice between them largely up to brand preference, specific workflow requirements, and integration with existing studio setups.
Signal Processing
Pad
-10 dB (Switchable per Channel)
Gain/Trim Range
Mic/Line Inputs:
56 dB
Mic Inputs:
80 dB
Line Inputs:
40 dB
Hi-Z Inputs:
80 dB
High-Pass Filter
Solo/Mute
Mute per Master Mute per Master
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface both offer robust features for audio and MIDI interfacing, but they differ in several key areas.
In terms of the Pad feature, the Focusrite Scarlett 18i20 offers a switchable -10 dB pad per channel, providing users with additional control over input levels to prevent clipping and distortion. On the other hand, the PreSonus Studio 1824c does not include a pad feature, which may limit some flexibility in managing input levels.
When it comes to Gain/Trim Range, the Focusrite Scarlett 18i20 provides a gain range of 56 dB for mic/line inputs, allowing for a wide range of signal adjustments. Conversely, the PreSonus Studio 1824c offers a more extensive gain range with 80 dB for mic inputs, 40 dB for line inputs, and 80 dB for Hi-Z inputs, offering greater flexibility for different types of input signals and potentially better accommodation for a variety of microphones and instruments.
Both units lack a High-Pass Filter, meaning users would need to employ external processing or software solutions to manage low-frequency noise or rumble.
For Solo/Mute functionality, both interfaces offer a Mute per Master feature, enabling users to mute the master output easily. This feature is useful for quickly silencing the main outputs without adjusting individual channel levels.
Overall, the Focusrite Scarlett 18i20 and the PreSonus Studio 1824c offer distinct advantages depending on the specific needs of the user. The Focusrite's switchable pad and simpler gain structure may appeal to those needing straightforward level control, while the PreSonus's extensive gain range and versatile input types may be more attractive to users requiring more flexible handling of various audio sources.
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
6x Combo XLR-1/4" TRS Balanced Mic/Line Input
10x 1/4" TRS Balanced/Unbalanced Line/Monitor Output
2x 1/4" TRS Unbalanced Headphone Output
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel)
6x Combo XLR-1/4" TRS Balanced Mic/Line Input
2x 1/4" TRS Balanced Monitor Output (DC-Coupled)
8x 1/4" TRS Balanced Line Output (DC-Coupled)
2x 1/4" TRS Unbalanced Headphone Output
Phantom Power
48 V, Selectable On/Off (on 8 Channels) 48 V, Selectable On/Off (Applied to All Inputs)
Digital Audio I/O
1x RCA Coaxial S/PDIF Input
1x RCA Coaxial S/PDIF Output
1x TOSLINK Optical ADAT / S/PDIF Input (S/MUX Support)
1x TOSLINK Optical ADAT Input (S/MUX Support)
1x TOSLINK Optical ADAT / S/PDIF Output (S/MUX Support)
1x TOSLINK Optical ADAT Output (S/MUX Support)
1x TOSLINK Optical ADAT Input (S/MUX Support)
1x TOSLINK Optical ADAT Output (S/MUX Support)
1x RCA Coaxial S/PDIF Input
1x RCA Coaxial S/PDIF Output
Host Connection
1x USB-C 1x USB-C (Class-Compliant)
Host Connection Protocol
USB 2.0 USB 2.0
USB (Non-Host)
Sync I/O
1x BNC Word Clock Output 1x BNC Word Clock Output
Network I/O
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
1x DIN 5-Pin Input
1x DIN 5-Pin Output
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface are both robust options for audio recording and production, each offering a range of features that cater to professional needs.
Starting with the analog audio I/O, both interfaces offer 2 combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs on the front panel and 6 combo XLR-1/4" TRS balanced mic/line inputs, providing ample connectivity for various instruments and microphones. However, the Scarlett 18i20 has 10x 1/4" TRS balanced/unbalanced line/monitor outputs compared to the Studio 1824c’s 2x 1/4" TRS balanced monitor outputs (DC-coupled) and 8x 1/4" TRS balanced line outputs (DC-coupled). Both interfaces feature 2x 1/4" TRS unbalanced headphone outputs.
In terms of phantom power, the Scarlett 18i20 provides 48V selectable on/off phantom power across all 8 channels, while the Studio 1824c also offers 48V phantom power but applies it to all inputs simultaneously, with a current of >10 mA per channel.
Looking at digital audio I/O, the Scarlett 18i20 includes a more extensive array with 1x RCA coaxial S/PDIF input, 1x RCA coaxial S/PDIF output, 2x TOSLINK optical ADAT/S/PDIF inputs (S/MUX support), and 2x TOSLINK optical ADAT outputs (S/MUX support). The Studio 1824c provides 1x TOSLINK optical ADAT input (S/MUX support), 1x TOSLINK optical ADAT output (S/MUX support), and similarly 1x RCA coaxial S/PDIF input and 1x RCA coaxial S/PDIF output.
Both interfaces use USB-C for host connection and operate on the USB 2.0 protocol, ensuring compatibility and reliable data transfer. Neither interface includes a non-host USB connection or network I/O capabilities.
For sync I/O, both the Scarlett 18i20 and the Studio 1824c feature 1x BNC word clock output, which is essential for syncing with other digital devices in a studio setup.
Lastly, both interfaces support MIDI I/O with 1x DIN 5-pin input and 1x DIN 5-pin output, facilitating the integration of MIDI controllers and other MIDI-compatible devices into the recording setup.
In summary, the Focusrite Scarlett 18i20 and the PreSonus Studio 1824c are closely matched in terms of core features, with slight variances in the number of outputs and digital I/O configurations. Both are versatile and powerful tools for any professional audio setup.
Performance
Frequency Response
20 Hz to 20 kHz ±0.1 dB Mic, Line Inputs:
20 Hz to 20 kHz (Unity Gain)
Hi-Z Inputs:
20 Hz to 20 kHz (Min Gain)
Monitor Outputs:
20 Hz to 20 kHz (Unity Gain)
Line Outputs:
20 Hz to 20 kHz
Headphone Outputs:
20 Hz to 20 kHz (Unity Gain)
Maximum Input Level
Mic Inputs:
+9 dBu (Min Gain)
+16 dBu (Min Gain, with Pad)
Hi-Z Inputs:
+12.5 dBu (Min Gain)
+14 dBu (Min Gain, with Pad)
Line Inputs:
+22 dBu (Min Gain)
+29 dBu (Min Gain, with Pad)
Mic Inputs:
+16 dBu (Balanced, Min Gain)
Line Inputs:
+21 dBu (Balanced, Min Gain)
Hi-Z Inputs:
+15 dBu (Unbalanced, Min Gain)
Maximum Output Level
Line Outputs:
+15.5 dBu (Balanced)
Headphone Outputs:
+7 dBu
Line/Monitor Outputs:
+18 dBu (Balanced)
Impedance
Mic Inputs:
3 Kilohms
Hi-Z Inputs:
1.5 Megohms
Line Inputs:
60 Kilohms
Line Outputs:
430 Ohms
Headphone Outputs:
< 1 Ohm
Mic Inputs:
1.4 Kilohms
Line Inputs:
10 Kilohms
Hi-Z Inputs:
1 Megohm
Headphone Outputs:
32 to 600 Ohms
Dynamic Range
Mic Inputs:
111 dBA
Hi-Z Inputs:
110 dBA
Line Inputs:
110.5 dBA
Line Outputs:
108.5 dBA
Headphone Outputs:
104 dBA
AD/DA Converters:
114 dB
Mic Inputs:
110 dBA (Min Gain)
Line/Hi-Z Inputs:
112 dBA (Min Gain)
Monitor Outputs:
108 dBA
Line Outputs:
108 dBA
Headphone Outputs:
103 dBA (1 kHz)
THD+N
Mic Inputs:
< 0.0012%
Hi-Z Inputs:
< 0.03%
Line Inputs:
< 0.002%
Line Outputs:
< 0.002%
Headphone Outputs:
< 0.002%
Mic Inputs:
0.005% (1 kHz, Unity Gain)
Line Inputs:
0.005% (1 kHz, Min Gain)
Hi-Z Inputs:
0.02% (1 kHz, Min Gain)
Monitor Outputs:
0.004% (1 kHz, Unity Gain, at -1 dBFS)
Line Outputs:
0.004% (1 kHz, Unity Gain, at -1 dBFS)
Headphone Outputs:
0.25% (1 kHz, Unity Gain)
EIN
Mic Inputs:
-128 dB A-Weighted
Mic Inputs:
-128 dBu A-Weighted (150-Ohm Source, Max Gain)
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface offer competitive features for audio recording and production, but there are some notable differences between the two.
Frequency Response: The Focusrite Scarlett 18i20 provides a frequency response of 20 Hz to 20 kHz ±0.1 dB, while the PreSonus Studio 1824c also offers a frequency response from 20 Hz to 20 kHz but does not specify the tolerance. Both interfaces cover the full audible range, ensuring accurate sound reproduction.
Maximum Input Level: For mic inputs, the Scarlett 18i20 handles up to +16 dBu (with pad), while the Studio 1824c supports up to +16 dBu. For line inputs, the Scarlett can manage +29 dBu (with pad), compared to the Studio 1824c's +21 dBu. The Hi-Z input levels are +14 dBu (with pad) for the Scarlett and +15 dBu for the Studio 1824c.
Maximum Output Level: The Scarlett 18i20 line outputs have a maximum level of +15.5 dBu (balanced) and headphone outputs at +7 dBu. In comparison, the Studio 1824c offers a higher maximum line/monitor output level at +18 dBu (balanced) and provides 150 mW per channel into 60 Ohms for headphone outputs.
Impedance: The Scarlett 18i20 specifies mic input impedance at 3 Kilohms, Hi-Z inputs at 1.5 Megohms, and line inputs at 60 Kilohms. The Studio 1824c has mic inputs at 1.4 Kilohms, Hi-Z inputs at 1 Megohm, and line inputs at 10 Kilohms. Headphone output impedance is <1 Ohm for the Scarlett and ranges from 32 to 600 Ohms for the Studio 1824c.
Dynamic Range: The Scarlett 18i20 offers a dynamic range of 111 dBA for mic inputs, 110 dBA for Hi-Z inputs, and 108.5 dBA for line outputs. The Studio 1824c features a dynamic range of 110 dBA for mic inputs, 112 dBA for line/Hi-Z inputs, and 108 dBA for line outputs.
THD+N: The Total Harmonic Distortion plus Noise (THD+N) for the Scarlett 18i20 is less than 0.0012% for mic inputs, less than 0.03% for Hi-Z inputs, and less than 0.002% for line outputs. The Studio 1824c has a THD+N of 0.005% for mic and line inputs, 0.02% for Hi-Z inputs, and 0.004% for monitor and line outputs.
EIN: Both interfaces have an Equivalent Input Noise (EIN) of -128 dB A-Weighted for mic inputs, ensuring low noise performance for microphone recordings.
In summary, both the Focusrite Scarlett 18i20 and PreSonus Studio 1824c are robust audio interfaces with slight variations in specifications. The Scarlett 18i20 has a slightly better THD+N for mic inputs and a higher input impedance for mics, while the Studio 1824c offers higher maximum output levels and a wider impedance range for headphone outputs. These differences might influence the choice depending on specific recording needs and preferences.
Digital Audio
Sample Rates
Up to 192 kHz (AD/DA Conversion) Up to 192 kHz (AD/DA Conversion)
Sample Rate Conversion
Bit Depths
Up to 24-Bit (AD/DA Conversion) Up to 24-Bit (AD/DA Conversion)
Sync Sources
ADAT, Internal, S/PDIF ADAT, Internal, S/PDIF
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface share several key specifications that make them comparable in terms of audio and MIDI interfacing capabilities.
Both interfaces support sample rates of up to 192 kHz for AD/DA conversion, ensuring high-quality audio recording and playback. This high sample rate capability is crucial for capturing detailed sound and is a standard feature for professional audio equipment.
Neither of these interfaces includes sample rate conversion, which means they rely on external software or devices for this function if needed. This is typical for high-end interfaces that prioritize maintaining signal integrity and quality.
In terms of bit depths, both the Focusrite Scarlett 18i20 and the PreSonus Studio 1824c operate at up to 24-bit for AD/DA conversion. This bit depth is standard for professional audio interfaces, providing a good balance between dynamic range and file size.
When it comes to sync sources, both interfaces offer ADAT, Internal, and S/PDIF options. This versatility allows them to easily integrate with other digital audio equipment and maintain synchronized operation within complex studio setups.
Overall, the Focusrite Scarlett 18i20 and the PreSonus Studio 1824c are closely matched in terms of sample rates, bit depths, and sync sources, making either a solid choice for professional audio recording and production.
Audio Storage & Playback
Memory Card Slot
When comparing the Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface in terms of their specifications for a memory card slot, both products share a common feature: neither includes a memory card slot.
The Focusrite Scarlett 18i20 (3rd Generation) does not offer a memory card slot, indicating that it primarily relies on direct USB-C connectivity for data transfer and storage purposes. This design choice aligns with the interface's focus on providing high-quality audio input and output capabilities, catering to the needs of various recording environments without additional onboard storage options.
Similarly, the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface also lacks a memory card slot. This absence is consistent with the interface's design, which emphasizes a robust set of input and output options, high-resolution audio processing, and seamless integration with digital audio workstations via USB Type-C connectivity.
In summary, neither the Focusrite Scarlett 18i20 (3rd Generation) nor the PreSonus Studio 1824c includes a memory card slot. This commonality highlights their shared focus on providing comprehensive audio interface solutions through USB-C connectivity rather than onboard storage features.
Compatibility
OS Compatibility
macOS 10.12
macOS 10.13
macOS 10.14
macOS 10.15
macOS 11
Windows 7 or Later
macOS 10.13 or Later (64-Bit Only)
Windows 10 (64-Bit Only)
10 or Later
6 or Later
Mobile Device Compatibility
iPad Pro
iPad Air
iPad Air 2
iPad Mini with Retina
iPad Mini 4
iPad 4th Gen.
Android Smartphone
Android Tablet
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
USB Cable (Included)
Available USB 2.0 Port or USB-C Port
Internet Connection
Required for Software/Driver Download Required for Registration, Software/Driver Download
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface offer robust features but differ in some key areas:
In terms of OS compatibility, the Focusrite Scarlett 18i20 supports a wider range of macOS versions, starting from macOS 10.12 up to macOS 11, and Windows 7 or later. On the other hand, the PreSonus Studio 1824c is compatible with macOS 10.13 or later (64-bit only) and Windows 10 (64-bit only). This makes the Focusrite more versatile when it comes to older operating systems.
When it comes to mobile app compatibility, the Focusrite Scarlett 18i20 is compatible with iPadOS only, whereas the PreSonus Studio 1824c extends its compatibility to a variety of iPads (iPad Pro, iPad Air, iPad Air 2, iPad Mini with Retina, iPad Mini 4, iPad 4th Gen) and Android smartphones and tablets. This gives PreSonus a broader range of mobile device compatibility.
Both interfaces require an available USB 2.0 port and include a USB cable in the package. However, the PreSonus Studio 1824c also supports a USB-C port, adding a layer of flexibility for users with newer devices.
For hardware and internet requirements, both units need an internet connection for software and driver downloads. The PreSonus Studio 1824c has additional requirements such as a minimum of 4 GB RAM (8 GB recommended), 32 GB of storage, and a minimum display resolution of 1366 x 768, which are not specified for the Focusrite Scarlett 18i20.
In summary, while both audio interfaces offer high-quality audio and MIDI capabilities, the Focusrite Scarlett 18i20 shows more versatility in OS compatibility, whereas the PreSonus Studio 1824c excels in mobile device compatibility and offers additional connection flexibility with USB-C support.
Power
Power Requirements
AC Input AC/DC Power Adapter (Included)
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface offer comprehensive audio and MIDI interfacing capabilities, but they differ in terms of power requirements and specifications.
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) operates with an AC input power requirement of 100 to 240 VAC at 50/60 Hz, making it versatile for use in various regions without needing a voltage converter. It consumes 30 W of power, which indicates its operational energy consumption.
On the other hand, the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface uses an AC/DC power adapter that is included with the device. This adapter requires a 12 V center-positive configuration, which might be more specific and could necessitate careful matching of adapters if a replacement is needed. The rail voltage for the preamp is specified at +30 V, which is crucial for understanding the power supplied to the preamp circuits within the interface.
Both interfaces are designed to meet different power requirements, with the Focusrite Scarlett 18i20 offering more flexibility in terms of direct AC input compatibility across a range of voltages, while the PreSonus Studio 1824c relies on a specific AC/DC adapter for its power needs.
Physical
Rackmount Size
1 RU (with Included Hardware) 1 RU (with Included Hardware)
Dimensions
19 x 10.23 x 1.83" / 48.3 x 25.98 x 4.65 cm 19 x 5.5 x 1.75" / 482.6 x 139.7 x 44.45 mm
Weight
7.2 lb / 3.3 kg 4.8 lb / 2.2 kg
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) and the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface share several similarities and differences in their specifications, particularly in terms of their rackmount size, dimensions, and weight.
Both the Focusrite Scarlett 18i20 and the PreSonus Studio 1824c are 1 RU rackmount units, meaning they are designed to fit into a standard 19-inch rack space with the included hardware. This form factor is ideal for professional studio environments where space efficiency and organization are crucial.
In terms of dimensions, the Focusrite Scarlett 18i20 measures 19 x 10.23 x 1.83 inches (48.3 x 25.98 x 4.65 cm), which makes it broader and slightly taller than the PreSonus Studio 1824c. On the other hand, the PreSonus Studio 1824c measures 19 x 5.5 x 1.75 inches (482.6 x 139.7 x 44.45 mm), making it more compact in depth and height than the Focusrite model. This may be an important consideration for users with limited rack space or who prefer a more streamlined unit.
Weight-wise, the Focusrite Scarlett 18i20 weighs 7.2 lb (3.3 kg), which is significantly heavier than the PreSonus Studio 1824c, which weighs 4.8 lb (2.2 kg). The lighter weight of the PreSonus interface might be advantageous for mobile setups or situations where ease of handling is a priority.
In summary, both the Focusrite Scarlett 18i20 and PreSonus Studio 1824c are designed to fit into a standard 1 RU rack space, but they differ in their dimensions and weight. The Focusrite model is larger and heavier, while the PreSonus model is more compact and lighter, which could influence the choice depending on specific studio requirements and preferences.
Packaging Info
Package Weight
9.8 lb 6.91 lb
Box Dimensions (LxWxH)
23.7 x 12.8 x 3.5" 24.5 x 9.4 x 0.3"
The Focusrite Scarlett 18i20 USB-C Audio/MIDI Interface (3rd Generation) has a package weight of 9.8 lb and box dimensions measuring 23.7 x 12.8 x 3.5". On the other hand, the PreSonus Studio 1824c Rackmount 18x20 USB Type-C Audio/MIDI Interface has a lighter package weight of 6.91 lb and slightly different box dimensions of 24.5 x 9.4 x 0.3".
Both interfaces support similar functionalities in terms of audio and MIDI interfacing, with the Focusrite Scarlett 18i20 being slightly heavier and having a more compact box height, while the PreSonus Studio 1824c offers a longer and narrower box profile. The differences in package weight and dimensions may influence portability and storage requirements, with the Focusrite being bulkier and potentially more robust.
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