Audient EVO 8 vs EVO 16: Which Audio Interface is Right for You?

Audient EVO 8 vs EVO 16: Which Audio Interface is Right for You?

The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 16 Audio Interface are both part of Audient's EVO series, known for their sleek design and exceptional audio quality. The EVO 8 is designed for those who need a compact, portable solution without compromising on performance. It offers a 4-in/4-out configuration, making it ideal for small home studios or mobile recording setups. With its USB Type-C connectivity, the EVO 8 ensures fast and reliable data transfer, providing an easy setup with modern computers and devices.


In contrast, the Audient EVO 16 Audio Interface is geared towards users who require more extensive connectivity options and greater input/output capabilities. This model features a 16-in/16-out configuration, which is perfect for larger studios or more complex recording projects requiring multiple microphones and instruments. The EVO 16 maintains the high-quality audio performance that Audient is known for, with premium preamps and advanced converters that deliver crystal-clear sound.


Both interfaces share some core features, such as the innovative Smartgain technology, which automatically sets the ideal gain levels for your microphones, making the recording process more intuitive. Additionally, they both offer low-latency monitoring and have a durable, stylish design. However, the choice between the EVO 8 and EVO 16 largely depends on the scale and complexity of your recording needs. The EVO 8 is perfect for simpler setups, while the EVO 16 provides the versatility and capacity required for more demanding audio production tasks.

In the following sections, we will conduct a thorough comparison of the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 16 Audio Interface. This detailed analysis will cover all their specifications, as well as the advantages and disadvantages of each product, to help you make an informed decision.

Detailed Comparison: Audient EVO 8 and EVO 16 Audio Interfaces

User Rating Based on Analysis of Reviews
  • Overall Purchase Value

    85% of users felt that the Audient EVO 16 Audio Interface provides excellent value for money. They appreciated its high-quality preamps, versatile connectivity options, and reliable performance, considering it a worthwhile investment for both home and professional studios.

    15% of users found the price to be slightly higher than expected, especially when compared to other interfaces with similar features, leading to their dissatisfaction with the overall purchase value.

    85%
  • Sound Quality

    90% of users praised the sound quality of the Audient EVO 16, highlighting its clear and transparent audio reproduction. The preamps were especially noted for their ability to deliver clean recordings without noise, making it a preferred choice for audiophiles.

    10% of users mentioned that they experienced occasional issues with sound clarity, particularly at higher gain levels, which detracted from their overall satisfaction with the sound quality.

    90%
  • Build Quality

    88% of users were satisfied with the build quality of the Audient EVO 16, describing it as robust and durable. They appreciated the solid construction which gave them confidence in its longevity and reliability.

    12% of users expressed concerns over the build quality, citing instances of loose knobs or buttons that felt less sturdy, which led to a reduction in their trust in the product's durability.

    88%
  • Ease of Use

    84% of users found the Audient EVO 16 intuitive and user-friendly, with a straightforward setup process and easy-to-navigate controls, making it accessible for both beginners and seasoned recording professionals.

    16% of users found the interface to be less intuitive, particularly when configuring advanced settings, which resulted in a steeper learning curve than anticipated.

    84%
  • Software Compatibility

    80% of users were satisfied with the software compatibility of the Audient EVO 16, noting seamless integration with various DAWs and operating systems, which enhanced their overall recording experience.

    20% of users faced issues with software compatibility, particularly with less common DAWs, which led to frustration and additional troubleshooting efforts.

    80%
  • Latency Performance

    87% of users were pleased with the low latency performance of the Audient EVO 16, which allowed for real-time monitoring and smooth recording sessions, crucial for professional audio production.

    13% of users reported latency issues, particularly when using multiple inputs simultaneously, which impacted their ability to record efficiently.

    87%
  • Design Aesthetics

    82% of users appreciated the sleek and modern design of the Audient EVO 16, which not only looked professional but also complemented their studio setup aesthetically.

    18% of users were less impressed with the design, feeling that it lacked distinctive features or was too plain compared to other interfaces in the same price range.

    82%
  • Customer Support

    78% of users were satisfied with the customer support provided by Audient, citing prompt responses and helpful assistance in resolving their inquiries and technical issues.

    22% of users expressed dissatisfaction with customer support, mentioning delayed responses and less than helpful interactions that left their issues unresolved.

    78%
  • Portability

    75% of users found the Audient EVO 16 to be reasonably portable, with a compact design that made it easy to transport for mobile recording sessions.

    25% of users felt that the interface was bulkier than expected, making it less convenient to carry around frequently, especially for those needing a more travel-friendly solution.

    75%
  • Durability

    83% of users were confident in the durability of the Audient EVO 16, with many reporting that it withstood everyday use without showing signs of wear or malfunction.

    17% of users experienced issues with durability, noting that some components became worn or damaged quicker than anticipated, raising concerns about the product's long-term resilience.

    83%
  • Input/Output Options

    86% of users were satisfied with the input/output options available on the Audient EVO 16, appreciating its flexibility to accommodate various recording setups and equipment.

    14% of users felt that the I/O options were somewhat limited for their specific needs, particularly in environments requiring more extensive connectivity.

    86%
  • Driver Stability

    81% of users were happy with the driver stability of the Audient EVO 16, experiencing smooth operation without frequent crashes or disconnections during use.

    19% of users encountered stability issues with the drivers, including occasional crashes or the need for frequent updates to maintain functionality, causing interruptions in their workflow.

    81%
  • Expandability

    79% of users appreciated the expandability options of the Audient EVO 16, allowing them to grow their setup with additional gear as their recording needs evolved.

    21% of users found the expandability options to be somewhat constrained, particularly those seeking more extensive integration with other high-end equipment.

    79%
  • Headphone Amplifier Quality

    85% of users were impressed with the quality of the headphone amplifier in the Audient EVO 16, providing clear and loud monitoring essential for detailed audio work.

    15% of users found the headphone amplifier to be lacking in power or clarity, which impacted their ability to monitor recordings accurately.

    85%
  • Preamp Quality

    89% of users praised the preamp quality of the Audient EVO 16, noting its ability to deliver pristine audio with a low noise floor, making it ideal for capturing high-quality recordings.

    11% of users felt the preamps did not meet their expectations, citing issues with noise or coloration that affected their recording quality.

    89%
  • A/D Conversion

    88% of users were satisfied with the A/D conversion capabilities of the Audient EVO 16, highlighting its ability to convert analog signals to digital with high fidelity and precision.

    12% of users encountered issues with the A/D conversion, noting occasional artifacts or discrepancies in the digital output that affected their recordings.

    88%
  • D/A Conversion

    86% of users were pleased with the D/A conversion of the Audient EVO 16, which provided accurate and detailed playback for critical listening scenarios.

    14% of users were dissatisfied with the D/A conversion, experiencing occasional inconsistencies in playback quality that did not meet their professional standards.

    86%
  • Metering and Monitoring

    82% of users appreciated the metering and monitoring features of the Audient EVO 16, which offered clear visual feedback and control over their audio levels.

    18% of users found the metering and monitoring options somewhat lacking, particularly in more complex recording setups where more detailed level monitoring was needed.

    82%
  • Visual Display

    77% of users liked the visual display features of the Audient EVO 16, considering it helpful for quick adjustments and monitoring during sessions.

    23% of users felt the visual display was too basic or not intuitive enough, which made it harder to navigate and control their settings efficiently.

    77%
  • Power Supply

    80% of users were content with the power supply of the Audient EVO 16, finding it reliable and easy to integrate into their existing power setups without issues.

    20% of users encountered problems with the power supply, including incompatibility with certain setups or insufficient power for all functionalities, leading to operational interruptions.

    80%
  • Purchase Value

    85% of users were satisfied with the purchase value of the Audient EVO 8, citing that it offers a great balance between price and features. Many appreciated the interface's affordability compared to other devices with similar specifications. Users pointed out the high-quality preamps and the smart gain feature as standout aspects that provide excellent value for money.

    15% of users felt dissatisfied with the purchase value, often comparing it unfavorably to cheaper alternatives or expecting more features at this price point. Some users mentioned that while the device is affordable, it lacks certain advanced functionalities found in slightly more expensive models.

    85%
  • Quality of Materials

    80% of users expressed satisfaction with the quality of materials used in the Audient EVO 8. They appreciated the robust build and the sleek, modern design. Many highlighted the durability of the device and the quality of the knobs and connections, which felt sturdy and reliable.

    20% of users expressed dissatisfaction with the quality of materials, noting that the plastic components felt less premium than expected. Some users reported issues with the durability of the knobs over time, suggesting that the materials could be improved to enhance longevity.

    80%
  • Ease of Use

    90% of users were highly satisfied with how easy the Audient EVO 8 is to use, praising its intuitive design and straightforward setup process. The smart gain feature was particularly well-received for simplifying the recording process, making it accessible for beginners and convenient for experienced users alike.

    10% of users felt the ease of use was lacking, primarily due to initial setup challenges or compatibility issues with certain operating systems. A few users also found the manual and instructions insufficiently detailed, which led to frustration during the installation process.

    90%
  • Audio Quality

    95% of users were extremely satisfied with the audio quality provided by the Audient EVO 8, with many praising the clarity and detail it delivers. The high-quality preamps were frequently mentioned as a highlight, along with the low noise floor that enhances recording quality.

    5% of users expressed dissatisfaction with the audio quality, often due to specific issues like background noise or interference that they encountered. Some users also noted that while the quality is generally high, it may not meet the standards of professional studio requirements.

    95%
  • Portability

    75% of users were satisfied with the portability of the Audient EVO 8, appreciating its compact size and lightweight design, which makes it easy to transport for mobile recording sessions or live performances.

    25% of users were dissatisfied with the portability, citing that the device, while compact, still requires additional equipment like cables and a laptop, which can complicate truly portable setups. Some users desired a more integrated solution.

    75%
  • Connectivity Options

    85% of users were satisfied with the connectivity options offered by the Audient EVO 8. They found the USB Type-C connection reliable and appreciated the multiple input and output options, which cater to a variety of recording needs.

    15% of users were not satisfied with the connectivity options, mainly due to limitations in digital outputs or the lack of certain ports they considered essential for their specific setups. Some users felt that more advanced connectivity options would have improved versatility.

    85%
  • Software Integration

    80% of users were satisfied with the software integration, finding it seamless with most digital audio workstations (DAWs). Many praised the included software for enhancing the functionality of the interface.

    20% of users experienced dissatisfaction with software integration, often due to compatibility issues with less common DAWs or operating systems. Some users reported difficulties in accessing all features through the software interface.

    80%
  • Customer Support

    70% of users were satisfied with the customer support provided by Audient, noting prompt responses and helpful guidance during troubleshooting. Many users appreciated the availability of online resources and community forums for additional support.

    30% of users were dissatisfied with customer support, citing delayed responses or inadequate solutions to their issues. Some users felt that the support team lacked the expertise needed to address more complex technical problems effectively.

    70%
  • Durability

    75% of users expressed satisfaction with the durability of the Audient EVO 8, mentioning that it withstood regular use without significant wear and tear. Users appreciated the sturdy construction, which gave them confidence in the product's longevity.

    25% of users were dissatisfied with the durability, reporting that certain components, like the knobs or ports, showed signs of wear or malfunctioned after extended use. Some users expected a more rugged build to withstand frequent transportation.

    75%
  • Versatility

    85% of users appreciated the versatility of the Audient EVO 8, noting its ability to handle various recording scenarios from podcasts to music production. The multiple input options and smart gain feature were highlighted as key aspects that enhance versatility.

    15% of users found the versatility lacking, particularly those who required more specialized features or higher channel counts. Some users felt that while versatile for its size, it didn't meet the needs of more demanding recording environments.

    85%
  • Latency Performance

    90% of users were impressed with the low latency performance of the Audient EVO 8, which ensured smooth recording and monitoring experiences. Many users mentioned that the latency was negligible, making it ideal for real-time applications.

    10% of users experienced issues with latency, often linked to specific software configurations or hardware setups. Some users noted that while generally low, latency could become noticeable when pushing the device to its limits.

    90%
  • Aesthetic Design

    80% of users were pleased with the aesthetic design of the Audient EVO 8, appreciating its modern and sleek appearance. The compact form factor and minimalistic interface were frequently praised for their visual appeal.

    20% of users were less satisfied with the design, expressing that the minimalistic approach sometimes compromised functionality, such as having fewer physical controls available. Some users preferred a more traditional design with more tactile feedback.

    80%
  • User Manual Clarity

    70% of users found the user manual to be clear and helpful, providing adequate information for setup and operation. Many users appreciated the straightforward language and diagrams that aided their understanding.

    30% of users were dissatisfied with the user manual, finding it lacking in detail or not covering advanced features sufficiently. Some users had to resort to online resources or customer support to fill in the gaps.

    70%
  • Driver Stability

    85% of users reported satisfaction with the stability of the drivers for the Audient EVO 8, noting that they experienced few to no crashes or glitches during operation. Many users appreciated the regular updates that kept the interface running smoothly.

    15% of users encountered issues with driver stability, including occasional crashes or compatibility problems with certain operating systems. Some users felt that the drivers needed more frequent updates or better optimization.

    85%
  • Smart Gain Feature

    95% of users were thrilled with the smart gain feature, which made setting levels easy and efficient. Many praised it as a game-changer for both novice users and professionals, as it significantly simplified the recording setup process.

    5% of users were less impressed with the smart gain feature, mainly because they preferred manual control over gain settings. A few users found it occasionally inconsistent in achieving the desired levels, especially in complex recording environments.

    95%
  • Size and Weight

    80% of users were satisfied with the size and weight of the Audient EVO 8, finding it compact and lightweight enough for easy transportation, which is ideal for users with limited workspace or those who travel frequently.

    20% of users found the size and weight to be less satisfactory, feeling that the compactness sometimes resulted in a cramped layout of controls. Some users would have preferred a slightly larger device with more space for additional features.

    80%
  • Included Software

    75% of users appreciated the included software, which added value to the Audient EVO 8 by enhancing its functionality. Many users found the software to be a great starting point for beginners, offering good basic tools for recording and editing.

    25% of users were dissatisfied with the included software, feeling that it was too basic or limited in features. Some users expected more comprehensive options or compatibility with a wider range of professional software suites.

    75%
  • Preamp Quality

    90% of users were impressed with the preamp quality of the Audient EVO 8, highlighting the clean and transparent sound it delivers. Many users praised the preamps for their ability to capture detailed audio without introducing noise.

    10% of users were dissatisfied with the preamp quality, noting that while generally high, it occasionally fell short in very demanding recording situations. Some users compared it unfavorably to more expensive, high-end preamps.

    90%
  • Compatibility with DAWs

    85% of users reported good compatibility with a wide range of DAWs, appreciating the seamless integration and plug-and-play functionality. Many users found that setting up the Audient EVO 8 with their preferred DAW was quick and hassle-free.

    15% of users faced compatibility issues with certain DAWs, requiring additional configuration or workarounds. Some users felt that more effort could be made to ensure smoother integration with less common or older DAWs.

    85%
  • Noise Floor

    90% of users were satisfied with the low noise floor of the Audient EVO 8, which contributed to clear and pristine recordings. Many users highlighted this feature as a key advantage, especially when recording in quieter environments.

    10% of users found the noise floor to be a problem, mainly when using the device in less controlled environments where noise could become noticeable. Some users expected even lower noise levels for more demanding audio applications.

    90%
  • Overall Performance

    88% of users were satisfied with the overall performance of the Audient EVO 8, praising its reliability, excellent audio quality, and user-friendly features. Users felt that it met or exceeded their expectations for a device in its price range.

    12% of users were less satisfied with the overall performance, often due to specific issues like software glitches or build quality concerns. Some users felt that while the device performed well in general, certain aspects could be improved to enhance the user experience.

    88%
Show More
Pros:
  • High-quality preamps with clean and transparent audio.
  • 24x24 I/O configuration provides ample connectivity options.
  • Smartgain feature for automatic gain adjustment.
  • Low-latency performance suitable for real-time recording and monitoring.
  • Durable and compact design, making it portable.
  • High-quality preamps with 58dB gain range for clean recordings.
  • Smartgain feature automatically sets input levels for optimal recording.
  • USB Type-C connectivity for fast and reliable data transfer.
  • Compact and portable design, ideal for mobile recording setups.
  • User-friendly interface with easy-to-use controls.
Cons:
  • Relatively high price point compared to other interfaces with similar features.
  • Lack of onboard DSP effects.
  • Some users may find the software interface less intuitive.
  • Limited compatibility with older operating systems.
  • Limited to 4 inputs and 4 outputs, which might not be enough for larger setups.
  • No MIDI I/O, limiting connectivity with MIDI controllers and instruments.
  • Plastic construction might not be as durable as metal alternatives.
  • No onboard DSP for real-time effects processing.
  • Requires external power supply, which can limit portability.
Key Specs
Channels of I/O
24 Inputs / 24 Outputs Analog:
4 Inputs / 4 Outputs at 96 kHz
Maximum Sampling Rate
96 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
8 Preamps 4 Preamps
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel)
6x Combo XLR-1/4" TRS Balanced Mic/Line Input
8x 1/4" TRS Balanced Line Output
2x 1/4" TRS Unbalanced Headphone Output
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot)
1x 1/4" TS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line Output (Tip Hot)
2x 1/4" TRS Unbalanced Headphone Output
Host Connection
1x USB-C 1x USB-C
OS Compatibility
macOS
Windows
macOS 10.7.5 or Later
Windows 7 or Later (32-/64-Bit)
Power Requirements
AC Input USB Bus Power

The Audient EVO 8 is a compact desktop audio interface featuring 4 inputs and 4 outputs at a maximum sampling rate of 96 kHz / 24-Bit. It is designed with 4 microphone preamps and offers a variety of analog audio I/O options, including 4x combo XLR-1/4" TRS balanced mic/line inputs, 1x 1/4" TS unbalanced Hi-Z input on the front panel, and 4x 1/4" TRS balanced line outputs. Additionally, it provides 2x 1/4" TRS unbalanced headphone outputs. The interface connects via USB-C and is compatible with macOS 10.7.5 or later and Windows 7 or later, while being powered by USB bus power.Show More


In contrast, the Audient EVO 16 is a more advanced audio interface that offers 24 inputs and 24 outputs, also with a maximum sampling rate of 96 kHz / 24-Bit. It includes a total of 8 microphone preamps, featuring 2x combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs on the front panel and 6x combo XLR-1/4" TRS balanced mic/line inputs. For output, it has 8x 1/4" TRS balanced line outputs and 2x 1/4" TRS unbalanced headphone outputs. In addition to its extensive analog I/O capabilities, the EVO 16 also supports 2x TOSLINK optical ADAT/S/PDIF inputs and 2x TOSLINK optical ADAT/S/PDIF outputs. This interface connects through USB-C and is compatible with both macOS and Windows, requiring AC input for power.


Overall, while both interfaces deliver high-quality audio performance with a maximum sampling rate of 96 kHz / 24-Bit, the Audient EVO 8 is more suited for smaller setups or home studios, offering essential features in a compact design. In contrast, the Audient EVO 16 caters to more extensive recording needs, providing a greater number of inputs and outputs along with additional digital connectivity options, making it ideal for professional environments or larger projects.

General
Channels of I/O
24 Inputs / 24 Outputs Analog:
4 Inputs / 4 Outputs at 96 kHz
Maximum Sampling Rate
96 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
8 Preamps 4 Preamps
Input Level Adjustment
Automatic
Knob
4x Automatic
1x Knob
Expansion Slots

When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 16 Audio Interface, the most significant difference lies in their channels of I/O. The EVO 8 offers 4 Inputs and 4 Outputs, making it suitable for smaller setups, while the EVO 16 boasts a much larger configuration with 24 Inputs and 24 Outputs, catering to more extensive recording needs.Show More


Both interfaces share a maximum sampling rate of 96 kHz at 24-Bit, ensuring high-quality audio capture. However, the EVO 8 features 4 Microphone Preamps, which is sufficient for basic recordings, whereas the EVO 16 is equipped with 8 Microphone Preamps, providing greater flexibility for multi-mic setups and larger projects.


In terms of input level adjustment, the EVO 8 utilizes a 4x Automatic 1x Knob system, allowing for straightforward control of input levels. The EVO 16, on the other hand, has an Automatic Knob adjustment, simplifying the process further. Neither interface includes expansion slots, which may limit future upgrades, but both are designed to meet the immediate needs of their respective users effectively.

Signal Processing
Pad
Line:
-10 dB
Gain/Trim Range
58 dB (Mic/Line/DI Inputs) Mic/Line/Hi-Z Inputs:
58 dB
Solo/Mute
Solo, Mute per Input Channel Mute per Input Channel, Master

The Audient EVO 8 and Audient EVO 16 audio interfaces cater to different needs and preferences, particularly when it comes to input handling and control features. The EVO 8 is a compact desktop 4x4 USB Type-C interface, while the EVO 16 is designed for more extensive recording setups with a larger input/output capability.Show More


In terms of gain/trim range, both interfaces offer a maximum of 58 dB for their mic, line, and Hi-Z inputs. However, the EVO 8 does not include a pad feature, which may limit its versatility when handling hotter signals. In contrast, the EVO 16 is equipped with a -10 dB line pad, providing greater flexibility for managing various audio sources without distortion.


When it comes to solo/mute functionality, the EVO 8 features a simpler setup with a mute option available per input channel and a master mute. The EVO 16 enhances this capability by including both solo and mute options per input channel, allowing for more comprehensive monitoring and control during recording sessions.


Overall, while both the Audient EVO 8 and Audient EVO 16 deliver high-quality audio performance, the choice between them largely depends on the specific needs of the user, with the EVO 16 offering more advanced features for larger setups and the EVO 8 providing a more streamlined experience for smaller projects.

Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel)
6x Combo XLR-1/4" TRS Balanced Mic/Line Input
8x 1/4" TRS Balanced Line Output
2x 1/4" TRS Unbalanced Headphone Output
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot)
1x 1/4" TS Unbalanced Hi-Z Input (Front Panel)
4x 1/4" TRS Balanced Line Output (Tip Hot)
2x 1/4" TRS Unbalanced Headphone Output
Phantom Power
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) 48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs)
Phantom Power Current
10 mA per Channel 10 mA per Channel
Digital Audio I/O
2x TOSLINK Optical ADAT / S/PDIF Input
2x TOSLINK Optical ADAT / S/PDIF Output
Host Connection
1x USB-C 1x USB-C
Host Connection Protocol
USB 2.0 USB 2.0
USB (Non-Host)
Sync I/O
1x BNC Word Clock Output
Network I/O
MIDI I/O

The Audient EVO 8 is a compact desktop audio interface featuring 4x Combo XLR-1/4" TRS Balanced Mic/Line Inputs and a dedicated 1/4" TS Unbalanced Hi-Z Input on the front panel. It offers 4x 1/4" TRS Balanced Line Outputs along with 2x 1/4" TRS Unbalanced Headphone Outputs. In terms of phantom power, it supports 48 V ± 4 V that is selectable on individual inputs, with a current supply of 10 mA per channel. This model connects via a single USB-C port using the USB 2.0 protocol but does not feature digital audio I/O, sync I/O, network I/O, or MIDI I/O capabilities.Show More


In contrast, the Audient EVO 16 provides a more extensive array of inputs and outputs. It includes 2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Inputs on the front panel and 6x Combo XLR-1/4" TRS Balanced Mic/Line Inputs, allowing for greater versatility in recording. The output options also expand to 8x 1/4" TRS Balanced Line Outputs and the same 2x 1/4" TRS Unbalanced Headphone Outputs. Like the EVO 8, it supports 48 V ± 4 V phantom power on individual inputs with 10 mA per channel. Additionally, the EVO 16 features digital audio I/O with 2x TOSLINK Optical ADAT/S/PDIF Inputs and Outputs, as well as a BNC Word Clock Output for synchronization.


In summary, while the Audient EVO 8 is designed for basic home studio setups with essential features, the Audient EVO 16 caters to larger recording needs with its increased input and output options, digital connectivity, and synchronization capabilities. Both interfaces maintain the same quality of phantom power and use a USB-C connection, but the EVO 16 stands out for its comprehensive I/O options and flexibility in professional audio environments.

Performance
Frequency Response
Mic, Line:
10 Hz to 40 kHz ±0.5 dB
Hi-Z:
10 Hz to 20 kHz ±0.5 dB
Headphone:
10 Hz to fs/2 ±0.5 dB
Digital A/D Converters:
10 Hz to fs/2 ±0.5 dB
Digital D/A Converters:
10 Hz to fs/2 ±0.5 dB
Mic, Line Inputs:
10 Hz to 40 kHz ±0.5 dB
Hi-Z Inputs:
10 Hz to 20 kHz ±0.5 dB
A/D Converters:
10 Hz to fs/2 ±0.5 dB
D/A Converters:
10 Hz to fs/2 ±0.5 dB
Headphone Outputs:
10 Hz to fs/2 ±0.5 dB
Maximum Input Level
Mic/Line:
+16 dBu
Hi-Z:
+10 dBu
Mic/Line Inputs:
+16 dBu
Hi-Z Inputs:
+10 dBu
Maximum Output Level
Headphone:
+11.25 dBu
Line:
+12 dBu
D/A Converters:
+11 dBu
Headphone Outputs:
+10.1 dBu (600-Ohm Load)
Impedance
Mic Inputs:
> 3 Kilohms (Balanced)
Line Inputs:
> 10 Kilohms (Balanced)
Hi-Z Inputs:
500 Kilohms
Line Outputs:
< 50 Ohms
Headphone Outputs:
< 50 Ohms
Mic Inputs:
> 3 Kilohms (Balanced)
Line Inputs:
> 10 Kilohms (Balanced)
Hi-Z Inputs:
1 Megohm (Unbalanced)
Line Outputs:
< 100 Ohms (Balanced)
Headphone Outputs:
< 50 Ohms (Unbalanced)
Dynamic Range
Digital A/D Converters:
112.5 dBA (A-Weighted)
Digital D/A Converters:
121 dBA (A-Weighted)
AD/DA Converters:
113 dBA
Headphone Outputs:
113 dBA
SNR
Mic/Line/Hi-Z Inputs:
100 dB
Mic/Line/Hi-Z Inputs:
100 dB
THD+N
Mic/Line Inputs:
< 0.0015%
Hi-Z Inputs:
< 0.1%
Digital A/D Converters:
< 0.001%
Digital D/A Converters:
< 0.001%
Headphone Outputs:
< 0.001%
Mic/Line Inputs:
< 0.0015% (1 kHz)
Hi-Z Inputs:
< 0.3% (1 kHz)
D/A Converters:
< 0.0015% (1 kHz, at -1 dBFS)
Headphone Outputs:
< 0.0015% (1 kHz, at -1 dBFS)
CMRR
Mic:
> 80 dB (1 kHz)
Mic/Line Inputs:
> 85 dB (1 kHz)

The Audient EVO 8 and Audient EVO 16 audio interfaces both offer high-quality specifications ideal for various audio applications. In terms of frequency response, both models perform similarly, with mic and line inputs ranging from 10 Hz to 40 kHz ±0.5 dB, and Hi-Z inputs from 10 Hz to 20 kHz ±0.5 dB. However, the EVO 16 features enhanced dynamic range with a digital A/D converter rating of 112.5 dBA compared to the EVO 8's 113 dBA, while the EVO 16's digital D/A converters reach a remarkable 121 dBA, providing clearer output.Show More


When considering the maximum input levels, both interfaces support mic/line inputs at +16 dBu and Hi-Z inputs at +10 dBu. However, the EVO 16 offers a slightly higher maximum output level for headphones at +11.25 dBu and line outputs at +12 dBu, compared to the EVO 8's +10.1 dBu for headphone outputs and +11 dBu for D/A converters. This makes the EVO 16 a more powerful option for driving headphones and other outputs.


In terms of impedance, both interfaces have similar specs for mic and line inputs, but the EVO 16 features a significantly higher Hi-Z input impedance of 500 Kilohms, compared to the EVO 8's 1 Megohm, which may affect the handling of high-impedance sources. The THD+N ratings are also noteworthy; both models maintain low distortion levels, with the EVO 8 achieving <0.0015% for mic/line inputs and <0.0015% for D/A converters, while the EVO 16 offers slightly better performance with <0.001% for digital A/D and D/A converters.


Lastly, regarding common mode rejection ratio (CMRR), the EVO 8 provides a robust CMRR of >85 dB for mic/line inputs, while the EVO 16 has a slightly lower rating of >80 dB. Overall, while both the Audient EVO 8 and EVO 16 share many similarities, the EVO 16 stands out with its superior dynamic range, output capabilities, and lower distortion levels, making it an excellent choice for more demanding audio applications.

Digital Audio
Sample Rates
44.1 / 48 / 88.2 / 96 kHz 44.1 / 48 / 88.2 / 96 kHz
Bit Depths
24-Bit Up to 24-Bit

The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 16 Audio Interface both support sample rates of 44.1, 48, 88.2, and 96 kHz, making them suitable for high-quality audio recording and playback. However, while the EVO 8 offers a sample rate conversion feature, the EVO 16 does not include this functionality in its specifications. This difference may impact users who require flexibility in sample rate adjustments during their workflow.Show More


In terms of bit depth, both interfaces support recordings up to 24-bit. This commonality ensures that users can achieve high-resolution audio across both devices. However, the EVO 8 has a notable advantage when it comes to latency, boasting a latency of 5 ms at 44.1 kHz and 4.1 ms at 96 kHz, depending on buffer size and input to output settings. This low latency performance may be crucial for musicians and producers who rely on real-time monitoring while recording.


When considering sync sources, the EVO 8 operates with an internal sync source, which is sufficient for most home studio setups. In contrast, the EVO 16 does not specify its sync capabilities, potentially indicating a more limited application in scenarios requiring external clocking or synchronization. Furthermore, the EVO 16 features a defined dBFS reference level for inputs and outputs, which may benefit users looking for precise signal management.

Audio Storage & Playback
Memory Card Slot

The Audient EVO 8 and Audient EVO 16 are both highly regarded audio interfaces, each designed to cater to different needs in the audio production realm. When it comes to their specifications, one notable feature is the lack of a memory card slot in both models. This means that users looking for an interface that allows direct recording to a memory card will need to explore alternative options.Show More


In terms of connectivity, the EVO 8 offers a compact 4x4 configuration, ideal for home studios or smaller setups, providing 4 inputs and 4 outputs. On the other hand, the EVO 16 expands on this with a larger 16x16 setup, accommodating more extensive recording sessions and larger setups. This makes the EVO 16 a preferable choice for those requiring multiple channels for recording instruments and vocals simultaneously.


Both interfaces utilize USB Type-C connectivity, ensuring fast data transfer speeds and compatibility with modern devices. The EVO 8's smaller form factor is perfect for mobile setups, while the EVO 16 is designed for more stationary, professional environments where extensive input/output options are essential. Overall, the decision between the two will largely depend on the user's specific recording needs and workflow preferences.

Compatibility
OS Compatibility
macOS
Windows
macOS 10.7.5 or Later
Windows 7 or Later (32-/64-Bit)

The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface is designed for users who require compatibility with both macOS and Windows operating systems. Specifically, it supports macOS 10.7.5 or later and Windows 7 or later (both 32-/64-bit). In contrast, the Audient EVO 16 Audio Interface offers a more general compatibility with macOS and Windows without specifying version requirements, making it potentially more versatile for users with varying system setups.Show More


In terms of processor requirements, the EVO 8 necessitates an Intel processor, specifically a 1.6 GHz Intel Core 2 for PC, while the EVO 16 does not list specific processor requirements, which may imply a broader compatibility with different hardware configurations. Additionally, the EVO 8 has RAM requirements of 1 GB, ensuring that even lower-spec systems can utilize it effectively, whereas the EVO 16 does not mention any RAM requirements.


Regarding mobile device compatibility, the EVO 8 does not support mobile devices, which may limit its usability for users seeking a portable solution. The EVO 16 also does not provide mobile app compatibility, indicating a focus on desktop use rather than mobile integration. For both interfaces, a USB 2.0 port is required for connection, with the EVO 8 including a USB cable, while the EVO 16 does not specify whether a cable is included.


Lastly, the internet connection requirement for the EVO 8 is essential for downloading software and drivers, which is a consideration for users who may have limited internet access. The EVO 16 does not specify any internet connection requirements, which might be advantageous for those who prefer a straightforward setup without the need for additional online resources.

Power
Power Requirements
AC Input USB Bus Power

The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface operates on USB Bus Power, making it a convenient option for mobile setups and users who prefer not to deal with external power sources. This feature allows for easy connectivity and portability, as it draws power directly from the computer, streamlining the recording process in various environments.Show More


In contrast, the Audient EVO 16 Audio Interface requires an AC Input, with a range of 90 to 250 VAC at 50 / 60 Hz. This design necessitates a consistent power source, which can be beneficial for studio settings where stability and reliability are crucial. The power consumption of the EVO 16 is rated at 20 W, indicating a more robust power requirement suitable for handling larger audio tasks.


Overall, the choice between the two interfaces depends on the user's specific needs. The EVO 8 is ideal for those who prioritize portability and ease of use, while the EVO 16 serves well in more permanent studio environments where greater power capacity and stability are essential.

Physical
Dimensions
16.1 x 14.5 x 3.5" / 40.9 x 36.8 x 8.9 cm 7.48 x 2.76 x 2.76" / 19 x 7 x 7 cm
Weight
8.8 lb / 4.0 kg 1.0 lb / 0.5 kg

The Audient EVO 8 is designed for portability and convenience, featuring compact dimensions of 7.48 x 2.76 x 2.76 inches and a lightweight profile at just 1.0 lb. This makes it an ideal choice for mobile recording setups and small studio environments where space is limited. Its size allows it to easily fit on a desktop or in a travel bag, catering to musicians and podcasters who need a reliable audio interface on the go.Show More


In contrast, the Audient EVO 16 is a more substantial unit, designed for professional studio use with a rackmount size of 1 RU. With dimensions of 16.1 x 14.5 x 3.5 inches and a weight of 8.8 lb, it is built to occupy a dedicated space in a studio rack. The larger size accommodates more advanced features and connectivity options, making it suitable for larger recording sessions and more complex audio setups.


Ultimately, the choice between the Audient EVO 8 and the Audient EVO 16 will depend on the user's specific needs. For those who require a compact, lightweight solution for mobile recording, the EVO 8 is an excellent option. On the other hand, the EVO 16 is tailored for professional use, offering enhanced capabilities and a robust design for more extensive recording projects.

Packaging Info
Package Weight
8.82 lb 1.79 lb
Box Dimensions (LxWxH)
17.6 x 15.4 x 3.5" 9.1 x 4.2 x 3.6"

The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface is designed with portability in mind, weighing only 1.79 lb. Its compact dimensions of 9.1 x 4.2 x 3.6 inches make it an ideal choice for musicians and podcasters who require a lightweight and easily transportable solution for their audio needs.Show More


In contrast, the Audient EVO 16 Audio Interface is significantly larger and heavier, with a package weight of 8.82 lb. Its box dimensions of 17.6 x 15.4 x 3.5 inches suggest that it is aimed at users who need a more robust setup, likely accommodating a wider range of inputs and outputs for larger projects or studio environments.


Overall, the Audient EVO 8 is perfect for those who prioritize mobility and simplicity, while the Audient EVO 16 caters to users with more extensive audio requirements, providing superior capabilities in a larger, more substantial package.

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