The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 16 Audio Interface are both part of Audient's EVO series, known for their sleek design and exceptional audio quality. The EVO 8 is designed for those who need a compact, portable solution without compromising on performance. It offers a 4-in/4-out configuration, making it ideal for small home studios or mobile recording setups. With its USB Type-C connectivity, the EVO 8 ensures fast and reliable data transfer, providing an easy setup with modern computers and devices.
In contrast, the Audient EVO 16 Audio Interface is geared towards users who require more extensive connectivity options and greater input/output capabilities. This model features a 16-in/16-out configuration, which is perfect for larger studios or more complex recording projects requiring multiple microphones and instruments. The EVO 16 maintains the high-quality audio performance that Audient is known for, with premium preamps and advanced converters that deliver crystal-clear sound.
Both interfaces share some core features, such as the innovative Smartgain technology, which automatically sets the ideal gain levels for your microphones, making the recording process more intuitive. Additionally, they both offer low-latency monitoring and have a durable, stylish design. However, the choice between the EVO 8 and EVO 16 largely depends on the scale and complexity of your recording needs. The EVO 8 is perfect for simpler setups, while the EVO 16 provides the versatility and capacity required for more demanding audio production tasks.
In the following sections, we will conduct a thorough comparison of the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 16 Audio Interface. This detailed analysis will cover all their specifications, as well as the advantages and disadvantages of each product, to help you make an informed decision.
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Key Specs | |
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Channels of I/O | |
24 Inputs / 24 Outputs |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate | |
96 kHz / 24-Bit | 96 kHz / 24-Bit |
Number of Microphone Inputs | |
8 Preamps | 4 Preamps |
Analog Audio I/O | |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6x Combo XLR-1/4" TRS Balanced Mic/Line Input 8x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Host Connection | |
1x USB-C | 1x USB-C |
OS Compatibility | |
macOS Windows |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Power Requirements | |
AC Input | USB Bus Power |
The Audient EVO 8 is a compact desktop audio interface featuring 4 inputs and 4 outputs at a maximum sampling rate of 96 kHz / 24-Bit. It is designed with 4 microphone preamps and offers a variety of analog audio I/O options, including 4x combo XLR-1/4" TRS balanced mic/line inputs, 1x 1/4" TS unbalanced Hi-Z input on the front panel, and 4x 1/4" TRS balanced line outputs. Additionally, it provides 2x 1/4" TRS unbalanced headphone outputs. The interface connects via USB-C and is compatible with macOS 10.7.5 or later and Windows 7 or later, while being powered by USB bus power.Show More
In contrast, the Audient EVO 16 is a more advanced audio interface that offers 24 inputs and 24 outputs, also with a maximum sampling rate of 96 kHz / 24-Bit. It includes a total of 8 microphone preamps, featuring 2x combo XLR-1/4" TRS balanced/unbalanced mic/line/Hi-Z inputs on the front panel and 6x combo XLR-1/4" TRS balanced mic/line inputs. For output, it has 8x 1/4" TRS balanced line outputs and 2x 1/4" TRS unbalanced headphone outputs. In addition to its extensive analog I/O capabilities, the EVO 16 also supports 2x TOSLINK optical ADAT/S/PDIF inputs and 2x TOSLINK optical ADAT/S/PDIF outputs. This interface connects through USB-C and is compatible with both macOS and Windows, requiring AC input for power.
Overall, while both interfaces deliver high-quality audio performance with a maximum sampling rate of 96 kHz / 24-Bit, the Audient EVO 8 is more suited for smaller setups or home studios, offering essential features in a compact design. In contrast, the Audient EVO 16 caters to more extensive recording needs, providing a greater number of inputs and outputs along with additional digital connectivity options, making it ideal for professional environments or larger projects.
General | |
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Channels of I/O | |
24 Inputs / 24 Outputs |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate | |
96 kHz / 24-Bit | 96 kHz / 24-Bit |
Number of Microphone Inputs | |
8 Preamps | 4 Preamps |
Input Level Adjustment | |
Automatic Knob |
4x Automatic 1x Knob |
Expansion Slots | |
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 16 Audio Interface, the most significant difference lies in their channels of I/O. The EVO 8 offers 4 Inputs and 4 Outputs, making it suitable for smaller setups, while the EVO 16 boasts a much larger configuration with 24 Inputs and 24 Outputs, catering to more extensive recording needs.Show More
Both interfaces share a maximum sampling rate of 96 kHz at 24-Bit, ensuring high-quality audio capture. However, the EVO 8 features 4 Microphone Preamps, which is sufficient for basic recordings, whereas the EVO 16 is equipped with 8 Microphone Preamps, providing greater flexibility for multi-mic setups and larger projects.
In terms of input level adjustment, the EVO 8 utilizes a 4x Automatic 1x Knob system, allowing for straightforward control of input levels. The EVO 16, on the other hand, has an Automatic Knob adjustment, simplifying the process further. Neither interface includes expansion slots, which may limit future upgrades, but both are designed to meet the immediate needs of their respective users effectively.
Signal Processing | |
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Pad | |
Line: -10 dB |
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Gain/Trim Range | |
58 dB (Mic/Line/DI Inputs) |
Mic/Line/Hi-Z Inputs: 58 dB |
Solo/Mute | |
Solo, Mute per Input Channel | Mute per Input Channel, Master |
The Audient EVO 8 and Audient EVO 16 audio interfaces cater to different needs and preferences, particularly when it comes to input handling and control features. The EVO 8 is a compact desktop 4x4 USB Type-C interface, while the EVO 16 is designed for more extensive recording setups with a larger input/output capability.Show More
In terms of gain/trim range, both interfaces offer a maximum of 58 dB for their mic, line, and Hi-Z inputs. However, the EVO 8 does not include a pad feature, which may limit its versatility when handling hotter signals. In contrast, the EVO 16 is equipped with a -10 dB line pad, providing greater flexibility for managing various audio sources without distortion.
When it comes to solo/mute functionality, the EVO 8 features a simpler setup with a mute option available per input channel and a master mute. The EVO 16 enhances this capability by including both solo and mute options per input channel, allowing for more comprehensive monitoring and control during recording sessions.
Overall, while both the Audient EVO 8 and Audient EVO 16 deliver high-quality audio performance, the choice between them largely depends on the specific needs of the user, with the EVO 16 offering more advanced features for larger setups and the EVO 8 providing a more streamlined experience for smaller projects.
Connectivity | |
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Analog Audio I/O | |
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input (Front Panel) 6x Combo XLR-1/4" TRS Balanced Mic/Line Input 8x 1/4" TRS Balanced Line Output 2x 1/4" TRS Unbalanced Headphone Output |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Phantom Power | |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) | 48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
Phantom Power Current | |
10 mA per Channel | 10 mA per Channel |
Digital Audio I/O | |
2x TOSLINK Optical ADAT / S/PDIF Input 2x TOSLINK Optical ADAT / S/PDIF Output |
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Host Connection | |
1x USB-C | 1x USB-C |
Host Connection Protocol | |
USB 2.0 | USB 2.0 |
USB (Non-Host) | |
Sync I/O | |
1x BNC Word Clock Output | |
Network I/O | |
MIDI I/O | |
The Audient EVO 8 is a compact desktop audio interface featuring 4x Combo XLR-1/4" TRS Balanced Mic/Line Inputs and a dedicated 1/4" TS Unbalanced Hi-Z Input on the front panel. It offers 4x 1/4" TRS Balanced Line Outputs along with 2x 1/4" TRS Unbalanced Headphone Outputs. In terms of phantom power, it supports 48 V ± 4 V that is selectable on individual inputs, with a current supply of 10 mA per channel. This model connects via a single USB-C port using the USB 2.0 protocol but does not feature digital audio I/O, sync I/O, network I/O, or MIDI I/O capabilities.Show More
In contrast, the Audient EVO 16 provides a more extensive array of inputs and outputs. It includes 2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Inputs on the front panel and 6x Combo XLR-1/4" TRS Balanced Mic/Line Inputs, allowing for greater versatility in recording. The output options also expand to 8x 1/4" TRS Balanced Line Outputs and the same 2x 1/4" TRS Unbalanced Headphone Outputs. Like the EVO 8, it supports 48 V ± 4 V phantom power on individual inputs with 10 mA per channel. Additionally, the EVO 16 features digital audio I/O with 2x TOSLINK Optical ADAT/S/PDIF Inputs and Outputs, as well as a BNC Word Clock Output for synchronization.
In summary, while the Audient EVO 8 is designed for basic home studio setups with essential features, the Audient EVO 16 caters to larger recording needs with its increased input and output options, digital connectivity, and synchronization capabilities. Both interfaces maintain the same quality of phantom power and use a USB-C connection, but the EVO 16 stands out for its comprehensive I/O options and flexibility in professional audio environments.
Performance | |
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Frequency Response | |
Mic, Line: 10 Hz to 40 kHz ±0.5 dB Hi-Z: 10 Hz to 20 kHz ±0.5 dB Headphone: 10 Hz to fs/2 ±0.5 dB Digital A/D Converters: 10 Hz to fs/2 ±0.5 dB Digital D/A Converters: 10 Hz to fs/2 ±0.5 dB |
Mic, Line Inputs: 10 Hz to 40 kHz ±0.5 dB Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB A/D Converters: 10 Hz to fs/2 ±0.5 dB D/A Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB |
Maximum Input Level | |
Mic/Line: +16 dBu Hi-Z: +10 dBu |
Mic/Line Inputs: +16 dBu Hi-Z Inputs: +10 dBu |
Maximum Output Level | |
Headphone: +11.25 dBu Line: +12 dBu |
D/A Converters: +11 dBu Headphone Outputs: +10.1 dBu (600-Ohm Load) |
Impedance | |
Mic Inputs: > 3 Kilohms (Balanced) Line Inputs: > 10 Kilohms (Balanced) Hi-Z Inputs: 500 Kilohms Line Outputs: < 50 Ohms Headphone Outputs: < 50 Ohms |
Mic Inputs: > 3 Kilohms (Balanced) Line Inputs: > 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) Line Outputs: < 100 Ohms (Balanced) Headphone Outputs: < 50 Ohms (Unbalanced) |
Dynamic Range | |
Digital A/D Converters: 112.5 dBA (A-Weighted) Digital D/A Converters: 121 dBA (A-Weighted) |
AD/DA Converters: 113 dBA Headphone Outputs: 113 dBA |
SNR | |
Mic/Line/Hi-Z Inputs: 100 dB |
Mic/Line/Hi-Z Inputs: 100 dB |
THD+N | |
Mic/Line Inputs: < 0.0015% Hi-Z Inputs: < 0.1% Digital A/D Converters: < 0.001% Digital D/A Converters: < 0.001% Headphone Outputs: < 0.001% |
Mic/Line Inputs: < 0.0015% (1 kHz) Hi-Z Inputs: < 0.3% (1 kHz) D/A Converters: < 0.0015% (1 kHz, at -1 dBFS) Headphone Outputs: < 0.0015% (1 kHz, at -1 dBFS) |
CMRR | |
Mic: > 80 dB (1 kHz) |
Mic/Line Inputs: > 85 dB (1 kHz) |
The Audient EVO 8 and Audient EVO 16 audio interfaces both offer high-quality specifications ideal for various audio applications. In terms of frequency response, both models perform similarly, with mic and line inputs ranging from 10 Hz to 40 kHz ±0.5 dB, and Hi-Z inputs from 10 Hz to 20 kHz ±0.5 dB. However, the EVO 16 features enhanced dynamic range with a digital A/D converter rating of 112.5 dBA compared to the EVO 8's 113 dBA, while the EVO 16's digital D/A converters reach a remarkable 121 dBA, providing clearer output.Show More
When considering the maximum input levels, both interfaces support mic/line inputs at +16 dBu and Hi-Z inputs at +10 dBu. However, the EVO 16 offers a slightly higher maximum output level for headphones at +11.25 dBu and line outputs at +12 dBu, compared to the EVO 8's +10.1 dBu for headphone outputs and +11 dBu for D/A converters. This makes the EVO 16 a more powerful option for driving headphones and other outputs.
In terms of impedance, both interfaces have similar specs for mic and line inputs, but the EVO 16 features a significantly higher Hi-Z input impedance of 500 Kilohms, compared to the EVO 8's 1 Megohm, which may affect the handling of high-impedance sources. The THD+N ratings are also noteworthy; both models maintain low distortion levels, with the EVO 8 achieving <0.0015% for mic/line inputs and <0.0015% for D/A converters, while the EVO 16 offers slightly better performance with <0.001% for digital A/D and D/A converters.
Lastly, regarding common mode rejection ratio (CMRR), the EVO 8 provides a robust CMRR of >85 dB for mic/line inputs, while the EVO 16 has a slightly lower rating of >80 dB. Overall, while both the Audient EVO 8 and EVO 16 share many similarities, the EVO 16 stands out with its superior dynamic range, output capabilities, and lower distortion levels, making it an excellent choice for more demanding audio applications.
Digital Audio | |
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Sample Rates | |
44.1 / 48 / 88.2 / 96 kHz | 44.1 / 48 / 88.2 / 96 kHz |
Bit Depths | |
24-Bit | Up to 24-Bit |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 16 Audio Interface both support sample rates of 44.1, 48, 88.2, and 96 kHz, making them suitable for high-quality audio recording and playback. However, while the EVO 8 offers a sample rate conversion feature, the EVO 16 does not include this functionality in its specifications. This difference may impact users who require flexibility in sample rate adjustments during their workflow.Show More
In terms of bit depth, both interfaces support recordings up to 24-bit. This commonality ensures that users can achieve high-resolution audio across both devices. However, the EVO 8 has a notable advantage when it comes to latency, boasting a latency of 5 ms at 44.1 kHz and 4.1 ms at 96 kHz, depending on buffer size and input to output settings. This low latency performance may be crucial for musicians and producers who rely on real-time monitoring while recording.
When considering sync sources, the EVO 8 operates with an internal sync source, which is sufficient for most home studio setups. In contrast, the EVO 16 does not specify its sync capabilities, potentially indicating a more limited application in scenarios requiring external clocking or synchronization. Furthermore, the EVO 16 features a defined dBFS reference level for inputs and outputs, which may benefit users looking for precise signal management.
Audio Storage & Playback | |
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Memory Card Slot | |
The Audient EVO 8 and Audient EVO 16 are both highly regarded audio interfaces, each designed to cater to different needs in the audio production realm. When it comes to their specifications, one notable feature is the lack of a memory card slot in both models. This means that users looking for an interface that allows direct recording to a memory card will need to explore alternative options.Show More
In terms of connectivity, the EVO 8 offers a compact 4x4 configuration, ideal for home studios or smaller setups, providing 4 inputs and 4 outputs. On the other hand, the EVO 16 expands on this with a larger 16x16 setup, accommodating more extensive recording sessions and larger setups. This makes the EVO 16 a preferable choice for those requiring multiple channels for recording instruments and vocals simultaneously.
Both interfaces utilize USB Type-C connectivity, ensuring fast data transfer speeds and compatibility with modern devices. The EVO 8's smaller form factor is perfect for mobile setups, while the EVO 16 is designed for more stationary, professional environments where extensive input/output options are essential. Overall, the decision between the two will largely depend on the user's specific recording needs and workflow preferences.
Compatibility | |
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OS Compatibility | |
macOS Windows |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface is designed for users who require compatibility with both macOS and Windows operating systems. Specifically, it supports macOS 10.7.5 or later and Windows 7 or later (both 32-/64-bit). In contrast, the Audient EVO 16 Audio Interface offers a more general compatibility with macOS and Windows without specifying version requirements, making it potentially more versatile for users with varying system setups.Show More
In terms of processor requirements, the EVO 8 necessitates an Intel processor, specifically a 1.6 GHz Intel Core 2 for PC, while the EVO 16 does not list specific processor requirements, which may imply a broader compatibility with different hardware configurations. Additionally, the EVO 8 has RAM requirements of 1 GB, ensuring that even lower-spec systems can utilize it effectively, whereas the EVO 16 does not mention any RAM requirements.
Regarding mobile device compatibility, the EVO 8 does not support mobile devices, which may limit its usability for users seeking a portable solution. The EVO 16 also does not provide mobile app compatibility, indicating a focus on desktop use rather than mobile integration. For both interfaces, a USB 2.0 port is required for connection, with the EVO 8 including a USB cable, while the EVO 16 does not specify whether a cable is included.
Lastly, the internet connection requirement for the EVO 8 is essential for downloading software and drivers, which is a consideration for users who may have limited internet access. The EVO 16 does not specify any internet connection requirements, which might be advantageous for those who prefer a straightforward setup without the need for additional online resources.
Power | |
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Power Requirements | |
AC Input | USB Bus Power |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface operates on USB Bus Power, making it a convenient option for mobile setups and users who prefer not to deal with external power sources. This feature allows for easy connectivity and portability, as it draws power directly from the computer, streamlining the recording process in various environments.Show More
In contrast, the Audient EVO 16 Audio Interface requires an AC Input, with a range of 90 to 250 VAC at 50 / 60 Hz. This design necessitates a consistent power source, which can be beneficial for studio settings where stability and reliability are crucial. The power consumption of the EVO 16 is rated at 20 W, indicating a more robust power requirement suitable for handling larger audio tasks.
Overall, the choice between the two interfaces depends on the user's specific needs. The EVO 8 is ideal for those who prioritize portability and ease of use, while the EVO 16 serves well in more permanent studio environments where greater power capacity and stability are essential.
Physical | |
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Dimensions | |
16.1 x 14.5 x 3.5" / 40.9 x 36.8 x 8.9 cm | 7.48 x 2.76 x 2.76" / 19 x 7 x 7 cm |
Weight | |
8.8 lb / 4.0 kg | 1.0 lb / 0.5 kg |
The Audient EVO 8 is designed for portability and convenience, featuring compact dimensions of 7.48 x 2.76 x 2.76 inches and a lightweight profile at just 1.0 lb. This makes it an ideal choice for mobile recording setups and small studio environments where space is limited. Its size allows it to easily fit on a desktop or in a travel bag, catering to musicians and podcasters who need a reliable audio interface on the go.Show More
In contrast, the Audient EVO 16 is a more substantial unit, designed for professional studio use with a rackmount size of 1 RU. With dimensions of 16.1 x 14.5 x 3.5 inches and a weight of 8.8 lb, it is built to occupy a dedicated space in a studio rack. The larger size accommodates more advanced features and connectivity options, making it suitable for larger recording sessions and more complex audio setups.
Ultimately, the choice between the Audient EVO 8 and the Audient EVO 16 will depend on the user's specific needs. For those who require a compact, lightweight solution for mobile recording, the EVO 8 is an excellent option. On the other hand, the EVO 16 is tailored for professional use, offering enhanced capabilities and a robust design for more extensive recording projects.
Packaging Info | |
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Package Weight | |
8.82 lb | 1.79 lb |
Box Dimensions (LxWxH) | |
17.6 x 15.4 x 3.5" | 9.1 x 4.2 x 3.6" |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface is designed with portability in mind, weighing only 1.79 lb. Its compact dimensions of 9.1 x 4.2 x 3.6 inches make it an ideal choice for musicians and podcasters who require a lightweight and easily transportable solution for their audio needs.Show More
In contrast, the Audient EVO 16 Audio Interface is significantly larger and heavier, with a package weight of 8.82 lb. Its box dimensions of 17.6 x 15.4 x 3.5 inches suggest that it is aimed at users who need a more robust setup, likely accommodating a wider range of inputs and outputs for larger projects or studio environments.
Overall, the Audient EVO 8 is perfect for those who prioritize mobility and simplicity, while the Audient EVO 16 caters to users with more extensive audio requirements, providing superior capabilities in a larger, more substantial package.
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