The Audient EVO 4 and the Audient iD4 MKII are both USB-C audio interfaces designed to cater to the needs of musicians, podcasters, and other audio professionals, but they serve slightly different purposes and come with distinct features.
The Audient EVO 4 is designed with simplicity and ease of use in mind. It features two EVO preamps, a JFET instrument input, and Smartgain, which automatically sets levels for you. The EVO 4 also boasts a high-performance 24-bit/96kHz AD/DA converter, ensuring high-quality audio recording and playback. Its intuitive control system includes a large multifunction knob and LED metering, which makes it user-friendly even for beginners. Additionally, the EVO 4's loopback functionality is ideal for podcasters and live streamers, allowing you to capture computer audio alongside your microphone inputs.
On the other hand, the Audient iD4 MKII is built for those who demand higher quality and more professional features. It comes with one Audient Console Mic Preamp, the same found in their high-end consoles, and a Class-A JFET instrument input. The iD4 MKII ups the ante with a 24-bit/96kHz AD/DA converter and dual headphone outputs, making it perfect for collaboration. One of its standout features is the ScrollControl, which turns the volume knob into a virtual scroll wheel for adjusting DAW settings and plugin parameters. The iD4 MKII also includes a balanced speaker output and zero-latency monitoring, ensuring seamless recording sessions.
In summary, the EVO 4 is geared towards those who need a straightforward, high-quality recording solution with smart features like auto-gain and loopback, making it ideal for solo musicians and content creators. The iD4 MKII, however, is designed for professionals who require superior preamps, extensive monitoring options, and more advanced control features, making it suitable for serious recording artists and producers. Both interfaces maintain Audient's reputation for delivering exceptional sound quality in compact, user-friendly devices.
User Rating Based on Analysis of Reviews |
|
Show More |
Pros: |
-
High-quality preamps with 58dB gain range.
-
Smartgain feature for automatic level adjustment.
-
Compact and portable design.
-
USB-C connectivity for fast data transfer.
-
Low latency performance.
-
User-friendly interface with LED metering.
|
-
High-quality preamps and AD/DA converters.
-
Compact and portable design.
-
USB-C connectivity for faster data transfer and power.
-
Direct monitoring with zero-latency.
-
Robust build quality.
|
Cons: |
-
Limited to two input channels.
-
Plastic construction may feel less durable.
-
No MIDI input/output.
-
Requires USB-C compatible devices for optimal performance.
|
-
Limited to two input channels.
-
No MIDI input/output.
-
Requires external power when used with some iOS devices.
-
Higher price point compared to some competitors.
|
Key Specs |
Channels of I/O |
Analog: 2 Inputs / 2 Outputs at 96 kHz |
Analog: 2 Inputs / 2 Outputs at 96 kHz |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
1 Preamp |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TS Unbalanced Hi-Z Input 2x 1/4" TRS Balanced Monitor Output 1x 1/4" TRS Unbalanced Headphone Output |
1x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Monitor Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel) |
Host Connection |
1x USB-C |
1x USB-C |
OS Compatibility |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) 6 or Later |
macOS 10.11.6 or Later macOS 11.1 or Later Windows 7 or Later 6 or Later iPadOS |
Power Requirements |
USB Bus Power |
USB Bus Power |
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface are both well-regarded products designed for high-quality audio recording and production. When comparing these two interfaces, several key features stand out.
Both interfaces offer a maximum sampling rate of 96 kHz at 24-bit resolution, ensuring high-fidelity audio recording and playback. They each provide 2 channels of analog input and output, which is standard for interfaces aimed at solo musicians or small home studio setups.
However, the EVO 4 distinguishes itself with 2 microphone preamps, while the iD4 MKII includes just 1 microphone preamp. This makes the EVO 4 more suitable for recording multiple vocalists or instruments simultaneously, whereas the iD4 MKII might be more appropriate for solo recording tasks.
In terms of analog audio I/O, the EVO 4 offers 2 combo XLR-1/4" TRS balanced mic/line inputs, 1x 1/4" TS unbalanced Hi-Z input, 2x 1/4" TRS balanced monitor outputs, and 1x 1/4" TRS unbalanced headphone output. The iD4 MKII, on the other hand, provides 1 combo XLR-1/4" TRS balanced mic/line input, 1x 1/4" TRS unbalanced Hi-Z input on the front panel, 2x 1/4" TRS balanced monitor outputs, 1x 1/4" TRS unbalanced headphone output on the front panel, and an additional 1/8" (3.5 mm) TRS unbalanced headphone output also on the front panel. The additional headphone output on the iD4 MKII is a useful feature for users who might need to connect different types of headphones.
Both interfaces use USB-C for host connection and are bus-powered, eliminating the need for an external power supply. Compatibility-wise, the EVO 4 supports macOS 10.7.5 or later and Windows 7 or later, while the iD4 MKII extends its compatibility to macOS 10.11.6 or later, macOS 11.1 or later, Windows 7 or later, and even iPadOS, making it a more versatile option for modern operating systems and mobile device connectivity.
In summary, while both interfaces share similarities in terms of sampling rate, I/O channels, and power requirements, the EVO 4 is more equipped for multi-microphone setups, whereas the iD4 MKII provides additional headphone connectivity and broader OS compatibility, including support for iPadOS.
General |
Channels of I/O |
Analog: 2 Inputs / 2 Outputs at 96 kHz |
Analog: 2 Inputs / 2 Outputs at 96 kHz |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
1 Preamp |
Input Level Adjustment |
2x Automatic 1x Knob |
2x Knob |
Expansion Slots |
|
|
The Audient EVO 4 and the Audient iD4 MKII USB-C Audio Interfaces are both compact and high-quality devices, each catering to slightly different needs and preferences in audio recording and production.
The Audient EVO 4 USB-C Audio Interface offers 2 analog inputs and 2 analog outputs, operating at a maximum sampling rate of 96 kHz and 24-bit resolution. It features 2 microphone preamps, which allows for greater flexibility in capturing audio from multiple sources simultaneously. Input level adjustment on the EVO 4 is managed through 2 automatic settings and a single knob, providing a blend of ease and manual control. However, it does not include any expansion slots.
In comparison, the Audient iD4 MKII USB-C Audio Interface also provides 2 analog inputs and 2 analog outputs, maintaining the same maximum sampling rate of 96 kHz and 24-bit resolution. The key difference lies in its microphone inputs, where the iD4 MKII is equipped with only 1 microphone preamp. Input level adjustments on the iD4 MKII are controlled via 2 knobs, allowing for manual fine-tuning of levels. Similar to the EVO 4, the iD4 MKII does not feature any expansion slots.
In summary, the Audient EVO 4 stands out with its additional microphone preamp and the mix of automatic and manual input level adjustments, making it potentially more versatile for recording multiple audio sources. On the other hand, the Audient iD4 MKII offers a more straightforward approach with its single microphone preamp and dual knob controls for input levels, catering to users who prefer manual adjustments and a simpler interface. Both models share the same high-resolution audio quality and lack expansion slots, ensuring consistent performance across both devices.
Signal Processing |
Pad |
|
|
Gain/Trim Range |
Mic/Line/Hi-Z Inputs: 58 dB |
Mic/Hi-Z Inputs: 58 dB Hi-Z Inputs: 40 dB |
High-Pass Filter |
|
|
Solo/Mute |
Mute per Input Channel, Master |
Mute per Master |
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface share some commonalities while also presenting distinct differences in their specifications.
Both interfaces lack a pad feature and a high-pass filter, which indicates that neither device offers these functionalities out of the box. These similarities may appeal to users who do not require these features in their recording setups.
In terms of gain/trim range, the EVO 4 provides 58 dB for its mic, line, and Hi-Z inputs, which ensures a consistent gain structure across various input types. Meanwhile, the iD4 MKII offers a 58 dB range for mic and Hi-Z inputs, but it is important to note that it provides a slightly different gain/trim range of 40 dB specifically for Hi-Z inputs. This distinction may affect users who rely heavily on Hi-Z inputs for instruments such as electric guitars or basses.
Regarding solo/mute capabilities, the EVO 4 allows for muting per input channel and also includes a master mute function. This feature provides more granular control over individual inputs, which can be beneficial during recording and mixing processes. On the other hand, the iD4 MKII includes a mute function, but it is limited to the master channel, offering less flexibility compared to the EVO 4 in terms of input channel control.
In summary, while both the Audient EVO 4 and the Audient iD4 MKII share some basic features, they differ in their gain/trim range specifications for Hi-Z inputs and their solo/mute functionalities. The EVO 4 offers a more uniform gain range across all inputs and more detailed mute control, while the iD4 MKII presents a varied gain range for Hi-Z inputs with a simpler mute option.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TS Unbalanced Hi-Z Input 2x 1/4" TRS Balanced Monitor Output 1x 1/4" TRS Unbalanced Headphone Output |
1x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel) 2x 1/4" TRS Balanced Monitor Output 1x 1/4" TRS Unbalanced Headphone Output (Front Panel) 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel) |
Phantom Power |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
48 V ± 4 V, Selectable On/Off |
Phantom Power Current |
10 mA per Channel |
10 mA per Channel |
Digital Audio I/O |
|
|
Host Connection |
1x USB-C |
1x USB-C |
Host Connection Protocol |
USB 2.0 |
USB 3.0 / 3.1/3.2 Gen 1 |
USB (Non-Host) |
|
|
Sync I/O |
|
|
Network I/O |
|
|
MIDI I/O |
|
|
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface, while both being high-quality audio interfaces, offer different sets of features tailored to various user needs.
Audient EVO 4 USB-C Audio Interface:
- Analog Audio I/O: The EVO 4 boasts 2x Combo XLR-1/4" TRS balanced mic/line inputs, 1x 1/4" TS unbalanced Hi-Z input, 2x 1/4" TRS balanced monitor outputs, and 1x 1/4" TRS unbalanced headphone output. This provides ample connectivity for multiple instruments and microphones.
- Phantom Power: It offers 48 V ± 4 V of phantom power, which is selectable on or off on individual inputs, making it versatile for various condenser microphones.
- Phantom Power Current: It has a phantom power current of 10 mA per channel.
- Digital Audio I/O: The EVO 4 does not include any digital audio I/O.
- Host Connection: The device connects to a host computer via 1x USB-C using USB 2.0 protocol.
- Additional I/O: There are no additional sync, network, or MIDI I/O ports.
Audient iD4 MKII USB-C Audio Interface:
- Analog Audio I/O: The iD4 MKII features 1x Combo XLR-1/4" TRS balanced mic/line input, 1x 1/4" TRS unbalanced Hi-Z input on the front panel, 2x 1/4" TRS balanced monitor outputs, 1x 1/4" TRS unbalanced headphone output on the front panel, and an additional 1x 1/8" (3.5 mm) TRS unbalanced headphone output on the front panel. This provides a slightly different set of input options, including an extra headphone output for convenience.
- Phantom Power: Similar to the EVO 4, the iD4 MKII provides 48 V ± 4 V of phantom power, selectable on or off.
- Phantom Power Current: It also supports a phantom power current of 10 mA per channel.
- Digital Audio I/O: The iD4 MKII does not feature any digital audio I/O.
- Host Connection: It connects to a host via 1x USB-C using USB 3.0 / 3.1/3.2 Gen 1 protocol, which might offer faster data transfer rates compared to the EVO 4.
- Additional I/O: Like the EVO 4, the iD4 MKII does not include sync, network, or MIDI I/O ports.
In summary, while both interfaces offer similar phantom power capabilities and lack digital, sync, network, and MIDI I/O, they differ in their analog audio I/O and host connection protocols. The EVO 4 supports more versatile input options with two combo XLR-1/4" inputs, whereas the iD4 MKII offers an additional headphone output and potentially faster data transfer with its USB 3.0 protocol.
Performance |
Frequency Response |
Mic Inputs: 10 Hz to 40 kHz ±0.5 dB Line, Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB A/D Converters: 10 Hz to fs/2 ±0.5 dB D/A Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB |
A/D Converters: 10 Hz to 40 kHz ±0.5 dB D/A Converters: 10 Hz to 40 kHz ±0.1 dB Headphone Outputs: 10 Hz to 40 kHz ±0.1 dB Mic, Line Inputs: 10 Hz to 40 kHz ±0.5 dB (Min Gain) Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB (Min Gain) |
Maximum Input Level |
Mic Inputs: +16 dBu Hi-Z Inputs: +10 dBu |
Mic Inputs: +12 dBu Line Inputs: +21 dBu Hi-Z Inputs: +12 dBu |
Maximum Output Level |
D/A Converters: +11 dBu |
Headphone Outputs: +5.46 Vrms (600-Ohm Load) |
Headphone Output Power |
45 mW into 30 Ohms (Max) 52 mW into 60 Ohms (Max) 20 mW into 600 Ohms (Max) |
223 mW into 30 Ohms (Max) 280 mW into 62 Ohms (Max) 100 mW into 600 Ohms (Max) |
Impedance |
Mic Inputs: > 3 Kilohms (Balanced) Line Inputs: > 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) |
Mic Inputs: 2.8 Kilohms (Balanced) Line Inputs: > 8 Kilohms (Balanced) |
Dynamic Range |
AD/DA Converters: 113 dBA |
A/D Converters: 120 dB (A-Weighted) D/A Converters: 125.5 dB (A-Weighted) Headphone Outputs: 125.5 dB (A-Weighted) |
SNR |
Mic/Line/Hi-Z Inputs: 100 dB |
Mic/Line Inputs: 101 dBu (A-Weighted) Hi-Z Inputs: 100 dBu (A-Weighted) |
THD+N |
A/D Converters: < 0.001% (1 kHz, at -1 dBFS) D/A Converters: < 0.0015% (1 kHz, at -1 dBFS) Headphone Outputs: < 0.0015% (1 kHz, at -1 dBFS) Hi-Z Inputs: < 0.3% (1 kHz) Mic/Line Inputs: < 0.0015% (1 kHz) |
Mic/Line Inputs: 0.0017% (at 0 dBu) Hi-Z Inputs: 0.1% (at 0 dBu) A/D Converters: < 0.001% (at -1 dBFS) D/A Converters: < 0.0006% (at -1 dBFS) Headphone Outputs: < 0.0009% (at -1 dBFS) |
EIN |
Mic/Line Inputs: < -128 dB |
Mic/Line Inputs: -129 dB A-Weighted |
CMRR |
Mic/Line Inputs: > 85 dB |
Mic/Line Inputs: > -75 dB (1 kHz) |
The Audient EVO 4 and the Audient iD4 MKII USB-C Audio Interfaces are both high-quality devices, but they have several differences in their specifications that cater to different user needs.
In terms of frequency response, the EVO 4 offers a range for mic inputs from 10 Hz to 40 kHz, and for line and Hi-Z inputs from 10 Hz to 20 kHz, with A/D and D/A converters supporting 10 Hz to fs/2. The iD4 MKII provides a broader frequency response for A/D and D/A converters, headphone outputs, mic, and line inputs all spanning 10 Hz to 40 kHz, whereas Hi-Z inputs cover 10 Hz to 20 kHz.
When looking at maximum input levels, the EVO 4 handles up to +16 dBu for mic inputs and +10 dBu for Hi-Z inputs. The iD4 MKII provides +12 dBu for mic inputs, +21 dBu for line inputs, and +12 dBu for Hi-Z inputs, indicating a higher tolerance for line inputs.
The maximum output level for the EVO 4’s D/A converters is +11 dBu, while the iD4 MKII does not specify the D/A converters but highlights a maximum output for headphone outputs at +5.46 Vrms into a 600-ohm load, showcasing significant power output for high-impedance headphones.
Regarding headphone output power, the EVO 4 delivers 45 mW into 30 Ohms, 52 mW into 60 Ohms, and 20 mW into 600 Ohms. The iD4 MKII significantly outperforms this with 223 mW into 30 Ohms, 280 mW into 62 Ohms, and 100 mW into 600 Ohms, making it more suitable for driving high-impedance headphones.
In terms of impedance, the EVO 4 features mic inputs with greater than 3 kilohms and line inputs greater than 10 kilohms. The iD4 MKII has slightly lower mic input impedance at 2.8 kilohms and line input impedance greater than 8 kilohms.
The dynamic range of the EVO 4’s AD/DA converters is 113 dBA, while the iD4 MKII boasts a higher dynamic range with 120 dB (A-Weighted) for A/D converters and 125.5 dB (A-Weighted) for D/A converters, alongside the same 125.5 dB for headphone outputs.
Signal-to-noise ratio (SNR) in the EVO 4 is 100 dB for mic/line/Hi-Z inputs. The iD4 MKII shows slightly better performance with 101 dBu for mic/line inputs and 100 dBu for Hi-Z inputs, both A-weighted.
Total Harmonic Distortion plus Noise (THD+N) in the EVO 4 is less than 0.001% for A/D converters and less than 0.0015% for D/A converters, headphone outputs, and mic/line inputs, with Hi-Z inputs at less than 0.3%. The iD4 MKII exhibits lower THD+N with 0.0017% for mic/line inputs, 0.1% for Hi-Z inputs, and impressively low values for A/D converters at less than 0.001%, D/A converters at less than 0.0006%, and headphone outputs at less than 0.0009%.
Equivalent Input Noise (EIN) for the EVO 4 is less than -128 dB for mic/line inputs, whereas the iD4 MKII offers slightly better performance at -129 dB A-weighted. Common Mode Rejection Ratio (CMRR) in the EVO 4 is greater than 85 dB for mic/line inputs, while the iD4 MKII reports a lower value at greater than -75 dB at 1 kHz.
In summary, the Audient iD4 MKII generally offers superior performance in terms of dynamic range, SNR, THD+N, and headphone output power compared to the Audient EVO 4, making it a more robust option for professional audio applications. However, the EVO 4 still provides excellent performance and could be more suitable for users with different needs or budget constraints.
Digital Audio |
dBFS Reference Level |
Inputs: +8 dBu = 0 dBFS Outputs: +11 dBu = 0 dBFS |
+12 dBu = 0 dBFS |
Sample Rates |
Up to 96 kHz |
44.1 / 48 / 88.2 / 96 kHz |
Sample Rate Conversion |
|
|
Bit Depths |
Up to 24-Bit |
24-Bit |
Latency |
5 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 4.1 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
0.65 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 0.31 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Sync Sources |
Internal |
Internal |
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface both offer robust features suitable for various audio recording needs, but they differ in several key specifications.
The dBFS Reference Level for the EVO 4 is set at +8 dBu for inputs and +11 dBu for outputs, whereas the iD4 MKII has a higher reference level of +12 dBu. This difference indicates that the iD4 MKII can handle slightly hotter signals without clipping, which might be beneficial in certain recording scenarios.
In terms of sample rates, both interfaces support rates up to 96 kHz. However, the EVO 4 only explicitly states support for "up to 96 kHz," while the iD4 MKII lists specific supported rates: 44.1, 48, 88.2, and 96 kHz. This detailed listing may provide more flexibility and assurance for users needing specific sample rates.
When it comes to bit depths, both interfaces support up to 24-bit, ensuring high-resolution audio quality.
Latency is another area where these interfaces differ significantly. The EVO 4 has a latency of 5 ms at 44.1 kHz and 4.1 ms at 96 kHz, which is relatively low. However, the iD4 MKII excels with much lower latency figures, offering 0.65 ms at 44.1 kHz and 0.31 ms at 96 kHz. This lower latency could be crucial for tasks requiring real-time audio processing and monitoring.
Finally, both devices use internal sync sources, ensuring stable and reliable operation without the need for external clocking devices.
In summary, while both the Audient EVO 4 and the Audient iD4 MKII are capable USB-C audio interfaces with high-quality audio specifications, the iD4 MKII stands out with its higher dBFS reference level and significantly lower latency, making it potentially more suitable for professional and demanding audio tasks.
Audio Storage & Playback |
Memory Card Slot |
|
|
Both the Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface share some common features, yet they also have distinct characteristics that set them apart.
When it comes to memory card slots, neither the Audient EVO 4 nor the Audient iD4 MKII offers this feature. This means that users will need to rely on connected computers or other external storage solutions for recording and data storage.
Despite this commonality, the two interfaces cater to slightly different user needs. The Audient EVO 4 is designed with a user-friendly approach, featuring Smartgain technology that automatically sets levels for optimal recording. It includes two EVO preamps, a JFET instrument input, and loopback functionality for easy content creation and streaming. The EVO 4 is compact and portable, making it a suitable choice for musicians and podcasters on the go.
On the other hand, the Audient iD4 MKII is built with a more traditional interface design, emphasizing high-quality audio performance. It features one Class-A Audient Console mic preamp, a JFET DI, and two headphone outputs for flexibility in monitoring. The iD4 MKII also boasts improved audio performance with its 24-bit/96kHz converters, ensuring professional-grade sound quality. The interface includes a ScrollControl feature, allowing the user to control various software parameters seamlessly.
In summary, while both the Audient EVO 4 and the Audient iD4 MKII lack memory card slots, they offer different sets of features tailored to varying user preferences and needs. The EVO 4 excels in user-friendly features and portability, making it ideal for content creators on the go, whereas the iD4 MKII focuses on delivering superior audio quality and traditional interface functionalities appealing to professional musicians and audio engineers.
Compatibility |
OS Compatibility |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) 6 or Later |
macOS 10.11.6 or Later macOS 11.1 or Later Windows 7 or Later 6 or Later iPadOS |
Processor Requirement |
Mac: Intel PC: 1.6 GHz Intel Core 2 AMD |
Mac: Intel Apple M1 PC: 1.6 GHz Intel Core 2 |
RAM Requirements |
1 GB |
1 GB |
Required Hardware |
Available USB 2.0 Port USB Cable (Included) |
Available USB-C Port USB Cable (Included) |
Internet Connection |
Required for Registration, Software/Driver Download |
Required for Registration, Software/Driver Download |
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface both offer robust features tailored for different user needs, and a comparison of their specifications highlights their respective strengths.
The Audient EVO 4 USB-C Audio Interface is compatible with macOS 10.7.5 or later and Windows 7 or later (32-/64-bit), making it suitable for a range of older and newer operating systems. It requires a Mac with an Intel processor or a PC with at least a 1.6 GHz Intel Core 2 or AMD processor, along with 1 GB of RAM. It also requires an available USB 2.0 port and includes a USB cable. An internet connection is essential for registration and software/driver downloads.
On the other hand, the Audient iD4 MKII USB-C Audio Interface is compatible with more recent operating systems, including macOS 10.11.6 or later, macOS 11.1 or later, Windows 7 or later, and iPadOS. This device supports both Intel and Apple M1 processors for Mac users, and it also requires a PC with at least a 1.6 GHz Intel Core 2 processor and 1 GB of RAM. Unique to the iD4 MKII is its compatibility with mobile devices such as iPads and iPhones, offering greater flexibility for mobile recording setups. This interface needs an available USB-C port and includes a USB cable as well. Similar to the EVO 4, an internet connection is required for registration and software/driver downloads.
In summary, while both interfaces cater to users looking for high-quality audio solutions, the iD4 MKII offers broader OS and device compatibility, including support for Apple's M1 processors and mobile devices, alongside the modern USB-C port requirement. The EVO 4 maintains compatibility with a wider range of older operating systems and hardware through its USB 2.0 connectivity, appealing to users who might be working with slightly older setups.
Power |
Power Requirements |
USB Bus Power |
USB Bus Power |
Both the Audient EVO 4 and the Audient iD4 MKII USB-C Audio Interfaces share the feature of USB bus power, meaning they draw power directly from the connected USB port, eliminating the need for an external power supply. This makes both interfaces highly portable and convenient for users who need a compact and easily transportable recording solution.
The Audient EVO 4 is designed with a focus on simplicity and ease of use, featuring a sleek interface with minimal controls. It includes two combination XLR/TRS inputs, two 1/4” TRS outputs, and a JFET instrument input. Additionally, it sports a unique "Smartgain" feature, which automatically sets the input level to the optimal point, simplifying the recording process for users who may not be as familiar with gain staging.
The Audient iD4 MKII, on the other hand, offers a more traditional design with a robust build quality. It features one XLR/TRS combo input and a dedicated JFET DI input, along with two 1/4” TRS outputs. Notably, the iD4 MKII includes a scroll wheel, known as the "iD" button, which can be used to control various parameters in your DAW, providing a more hands-on approach to recording and mixing. The iD4 MKII also boasts improved audio performance with a higher dynamic range and lower latency, appealing to more discerning users who prioritize sound quality.
In summary, while both the Audient EVO 4 and iD4 MKII are powered via USB bus, they cater to slightly different user needs. The EVO 4 is ideal for those seeking a user-friendly interface with automated features, whereas the iD4 MKII is better suited for users who prefer a more tactile experience and prioritize superior audio performance.
Physical |
Dimensions |
5.51 x 2.64 x 2.64" / 14 x 6.71 x 6.71 cm |
5.2 x 4.7 x 2.4" / 13.3 x 12 x 6 cm (Including Controls and Protrusions) |
Weight |
12.7 oz / 360.0 g |
2.2 lb / 1.0 kg |
When comparing the Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface, several distinct features stand out, particularly in terms of dimensions, weight, and additional functionalities.
The Audient EVO 4 USB-C Audio Interface measures 5.51 x 2.64 x 2.64 inches (14 x 6.71 x 6.71 cm) and weighs 12.7 ounces (360.0 grams). It's designed to be compact and lightweight, making it highly portable and suitable for on-the-go recording sessions. Its streamlined design focuses on ease of use and portability without compromising on sound quality.
In contrast, the Audient iD4 MKII USB-C Audio Interface is slightly smaller in terms of length but broader and taller, with dimensions of 5.2 x 4.7 x 2.4 inches (13.3 x 12 x 6 cm), including controls and protrusions. However, it is significantly heavier, weighing in at 2.2 pounds (1.0 kg). This additional weight suggests a more robust build, potentially offering greater durability and a more substantial feel.
Additionally, the iD4 MKII includes an anti-theft feature with a Kensington Security Slot, providing added security for users who may leave the device in public or shared spaces. This feature is absent in the EVO 4, which might be a consideration for users concerned about device security.
In summary, the Audient EVO 4 is characterized by its lighter weight and compact dimensions, making it ideal for portability. The Audient iD4 MKII, while slightly bulkier and heavier, offers a more robust build and added security features, appealing to users who prioritize device security and durability.
Packaging Info |
Package Weight |
1.29 lb |
1.92 lb |
Box Dimensions (LxWxH) |
6.8 x 3.85 x 3.55" |
7.5 x 6 x 3.5" |
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface differ in terms of package weight and box dimensions. The EVO 4 has a package weight of 1.29 lb, whereas the iD4 MKII is slightly heavier at 1.92 lb. This indicates a difference in build and possibly additional components or sturdiness in the iD4 MKII.
In terms of box dimensions, the EVO 4 measures 6.8 x 3.85 x 3.55 inches, making it more compact compared to the iD4 MKII, which has dimensions of 7.5 x 6 x 3.5 inches. The larger box dimensions of the iD4 MKII suggest that it may have a larger physical footprint or include more accessories within the packaging.
Both interfaces are designed to be portable and user-friendly, but the EVO 4's lighter weight and smaller box dimensions might make it a more convenient option for users who prioritize portability and space-saving. Conversely, the iD4 MKII's slightly heavier weight and larger dimensions might reflect a more robust build and potentially more features, appealing to users who don't mind the additional size for potentially enhanced functionality.