Audient EVO 4 vs Audient iD4 MKII: Which USB-C Audio Interface is Right for You?

Audient EVO 4 vs Audient iD4 MKII: Which USB-C Audio Interface is Right for You?

The Audient EVO 4 and the Audient iD4 MKII are both USB-C audio interfaces designed to cater to the needs of musicians, podcasters, and other audio professionals, but they serve slightly different purposes and come with distinct features.
The Audient EVO 4 is designed with simplicity and ease of use in mind. It features two EVO preamps, a JFET instrument input, and Smartgain, which automatically sets levels for you. The EVO 4 also boasts a high-performance 24-bit/96kHz AD/DA converter, ensuring high-quality audio recording and playback. Its intuitive control system includes a large multifunction knob and LED metering, which makes it user-friendly even for beginners. Additionally, the EVO 4's loopback functionality is ideal for podcasters and live streamers, allowing you to capture computer audio alongside your microphone inputs.
On the other hand, the Audient iD4 MKII is built for those who demand higher quality and more professional features. It comes with one Audient Console Mic Preamp, the same found in their high-end consoles, and a Class-A JFET instrument input. The iD4 MKII ups the ante with a 24-bit/96kHz AD/DA converter and dual headphone outputs, making it perfect for collaboration. One of its standout features is the ScrollControl, which turns the volume knob into a virtual scroll wheel for adjusting DAW settings and plugin parameters. The iD4 MKII also includes a balanced speaker output and zero-latency monitoring, ensuring seamless recording sessions.
In summary, the EVO 4 is geared towards those who need a straightforward, high-quality recording solution with smart features like auto-gain and loopback, making it ideal for solo musicians and content creators. The iD4 MKII, however, is designed for professionals who require superior preamps, extensive monitoring options, and more advanced control features, making it suitable for serious recording artists and producers. Both interfaces maintain Audient's reputation for delivering exceptional sound quality in compact, user-friendly devices.

Detailed Specifications and Reviews of Audient EVO 4 and Audient iD4 MKII

User Rating Based on Analysis of Reviews
  • Purchase Value

    85% of users found the purchase value of the Audient EVO 4 USB-C Audio Interface to be excellent. They praised its affordability compared to other interfaces offering similar quality and features. The combination of professional-grade sound and user-friendly interface made the EVO 4 a worthwhile investment for both beginners and experienced users.

    15% of users felt dissatisfied, mainly due to expectations of more advanced features at a similar price point. Some users compared it to higher-tier audio interfaces and found the EVO 4 lacking in certain premium functionalities.

    85%
  • Quality of Materials

    80% of users appreciated the build quality of the Audient EVO 4, noting its sturdy construction and durability. The materials used in its design were considered robust, ensuring longevity and consistent performance over time.

    20% of users expressed dissatisfaction with the materials, describing them as feeling somewhat 'plasticky' or less premium than expected. These users anticipated a more metallic finish and felt the interface could be more resistant to wear and tear.

    80%
  • Ease of Use

    90% of users lauded the EVO 4 for its ease of use, highlighting the intuitive layout and straightforward setup process. The Smartgain feature was particularly praised for simplifying the recording process, making it accessible even for those new to audio interfaces.

    10% of users found the learning curve steeper than anticipated, especially when integrating the device with certain DAWs or when seeking to maximize its potential features. This minority felt that initial setup instructions could be more comprehensive.

    90%
  • Sound Quality

    92% of users were highly satisfied with the sound quality delivered by the Audient EVO 4. They noted the clarity and precision in audio capture, attributing these qualities to the high-quality preamps and converters. The interface was often compared favorably to more expensive models.

    8% of users expressed dissatisfaction, pointing out occasional background noise or interference in specific recording environments. These users expected a completely noise-free experience and suggested that the noise floor could be improved.

    92%
  • Portability

    88% of users were pleased with the portability of the EVO 4, finding its compact design and lightweight nature perfect for mobile recording setups. This portability was a major plus for users who needed to work in various locations.

    12% of users felt the interface could be even more compact for easier transport in smaller bags or cases. Additionally, some mentioned that while the device was portable, the accompanying cables could be more travel-friendly.

    88%
  • Driver Stability

    82% of users reported stable and reliable performance from the EVO 4's drivers, noting minimal dropouts or latency issues during recording sessions. The drivers were generally easy to install and provided consistent results across different systems.

    18% of users encountered stability issues, such as occasional disconnections or compatibility problems with specific operating systems. These users suggested improvements in firmware updates to address these concerns.

    82%
  • Customer Support

    78% of users found the customer support for Audient products, including the EVO 4, to be responsive and helpful. Many appreciated the prompt responses and effective solutions provided by the support team.

    22% of users were dissatisfied, citing slow response times and unresolved issues. Some users felt that the support team could be more knowledgeable about technical problems specific to the EVO 4.

    78%
  • Design Aesthetics

    86% of users appreciated the sleek and modern design of the EVO 4. The minimalist aesthetic and easy-to-read controls were particularly appealing, making the interface a visually attractive addition to any studio setup.

    14% of users were less impressed with the design, finding it somewhat plain or lacking distinctive features that make it stand out. They suggested more customizable options or color variations to enhance its visual appeal.

    86%
  • Feature Set

    84% of users were satisfied with the feature set of the EVO 4, especially the innovative Smartgain function and loopback capabilities. These features were highly valued by podcasters and streamers for their convenience and functionality.

    16% of users felt that the feature set could be expanded. Some expected additional inputs or outputs and more advanced routing options, which they believed would enhance the interface's versatility and appeal.

    84%
  • Integration with DAWs

    87% of users reported seamless integration of the EVO 4 with various DAWs, highlighting the ease of setting up and using the interface with popular software like Ableton Live and Logic Pro. The compatibility across multiple platforms was a significant benefit.

    13% of users faced challenges with DAW integration, noting occasional issues with recognition or configuration settings. These users suggested that more detailed guidance or tutorials could assist in resolving such problems.

    87%
  • Latency

    89% of users were happy with the low latency performance of the EVO 4, praising its ability to deliver real-time monitoring without noticeable delay. This capability was crucial for live recording and streaming applications.

    11% of users experienced latency issues, particularly when using older systems or during high-demand tasks. They recommended optimization options or settings adjustments to further reduce latency.

    89%
  • Durability

    81% of users felt confident in the durability of the EVO 4, mentioning the solid construction and resilience of the device under regular use. This durability was a key factor in their positive long-term experience.

    19% of users questioned the device's longevity, citing concerns over the durability of knobs and connectors. They suggested improvements in the build quality of these components to enhance overall durability.

    81%
  • Setup Process

    88% of users found the setup process of the EVO 4 straightforward and quick, allowing them to start recording within minutes. The simplicity of connecting and configuring the device was a major convenience for users.

    12% of users experienced difficulties during setup, often related to driver installation or configuration with their computer systems. They recommended clearer instructions or more detailed setup guides to assist new users.

    88%
  • Headphone Output Quality

    85% of users praised the quality of the headphone output, noting the clear and accurate sound reproduction. This aspect was particularly important for monitoring and mixing tasks.

    15% of users felt the headphone output could be improved, mentioning issues like insufficient volume levels or slight distortion at higher volumes. They suggested enhancements to the amplifier quality for better performance.

    85%
  • Microphone Preamp Quality

    91% of users were impressed with the microphone preamp quality, which provided clean and transparent sound capture with minimal noise. This feature was highly valued by musicians and vocalists for its professional-level performance.

    9% of users were less satisfied, citing specific instances of noise or interference in certain environments. They suggested that further refinement in preamp design could mitigate these issues.

    91%
  • USB-C Connectivity

    93% of users appreciated the USB-C connectivity, which ensured fast data transfer and reliable power delivery. This modern connection standard was a key advantage for users with newer devices.

    7% of users encountered connectivity issues, often related to incompatible cables or ports. They recommended clearer compatibility information and potentially including a USB-C to USB-A adapter.

    93%
  • Loopback Functionality

    86% of users found the loopback functionality of the EVO 4 extremely useful, especially for podcasting and live streaming. This feature allowed for easy routing of audio from different sources, enhancing the flexibility of the interface.

    14% of users struggled with configuring loopback settings, experiencing difficulties in achieving the desired audio routing. They suggested more detailed instructions or user support for this feature.

    86%
  • Compatibility with Operating Systems

    84% of users were satisfied with the operating system compatibility of the EVO 4, highlighting its smooth operation on both Windows and macOS platforms. The plug-and-play nature was a significant convenience for many users.

    16% of users faced compatibility issues, particularly with Linux systems or during updates to newer OS versions. They recommended expanding support and providing more frequent driver updates.

    84%
  • Control Knob Functionality

    82% of users valued the functionality of the control knob, which allowed for precise adjustments and easy navigation of settings. The tactile feel and responsiveness were often highlighted as positive aspects.

    18% of users felt the control knob could be improved, noting occasional issues with responsiveness or durability. They suggested enhancements to the knob's design for a smoother user experience.

    82%
  • Overall Satisfaction

    88% of users expressed overall satisfaction with the Audient EVO 4, citing its combination of high-quality sound, user-friendly features, and reliable performance as key factors in their positive experience. The interface met or exceeded expectations for most users.

    12% of users were less satisfied overall, often due to specific issues like driver stability or feature limitations that impacted their experience. They recommended addressing these concerns to improve the product's appeal.

    88%
  • Purchase Value

    85% of users were satisfied with the purchase value of the Audient iD4 MKII, highlighting its competitive pricing for the quality it offers. Users appreciated the robust features and performance that rival more expensive options, making it an excellent choice for both beginners and seasoned audio professionals looking for a budget-friendly solution.

    15% of users expressed dissatisfaction with the purchase value, noting that while the initial cost is competitive, some felt that the inclusion of additional features or bundled accessories would have enhanced its value proposition.

    85%
  • Build Quality

    90% of users praised the build quality of the Audient iD4 MKII, emphasizing its sturdy construction and premium feel. The metal chassis was frequently mentioned as a standout feature that suggests durability and longevity, making it a reliable choice for both home and on-the-go use.

    10% of users were not satisfied with the build quality, citing concerns about the durability of certain components like the rotary encoder. Some users felt these parts might not withstand heavy, prolonged use.

    90%
  • Sound Quality

    95% of users were very satisfied with the sound quality of the Audient iD4 MKII, often mentioning its superior pre-amps and DACs that deliver clean and clear audio. Professionals and hobbyists alike noted the interface's ability to produce studio-level sound, making it a top choice for those prioritizing audio fidelity.

    5% of users expressed dissatisfaction with the sound quality, mostly due to specific preferences or expectations not being met. A few reported minor issues with noise levels when pushing the interface to its limits, though these cases were rare.

    95%
  • Ease of Use

    88% of users found the Audient iD4 MKII easy to use, appreciating its straightforward setup and intuitive controls. The interface's simplicity was a highlight, allowing users to focus on their projects without being bogged down by complex configurations.

    12% of users were dissatisfied with the ease of use, often due to initial connectivity issues or software setup hurdles. Some users felt the learning curve was steeper than expected, especially those new to audio interfaces.

    88%
  • Portability

    80% of users appreciated the portability of the Audient iD4 MKII, noting its compact size and lightweight design as ideal for mobile setups or small studio spaces. The USB-C connectivity was also praised for its convenience and quick setup.

    20% of users were not fully satisfied with the portability, mentioning that despite its compact size, the need for additional cables and peripherals sometimes made it less travel-friendly than expected.

    80%
  • Software Compatibility

    82% of users were satisfied with the software compatibility of the Audient iD4 MKII, appreciating its seamless integration with major DAWs and operating systems. The inclusion of useful software bundles was also a positive aspect for many users.

    18% of users experienced dissatisfaction with software compatibility, often due to minor issues with driver installations or specific software not recognizing the interface immediately, leading to frustration during initial use.

    82%
  • Customer Support

    75% of users were content with the customer support provided for the Audient iD4 MKII, noting the responsive and helpful service they received when encountering issues or inquiries. Many appreciated the promptness and knowledgeability of the support team.

    25% of users were dissatisfied with customer support, citing delayed responses or a lack of resolution for their specific problems. Some users felt that more comprehensive troubleshooting resources could improve the overall support experience.

    75%
  • Durability

    85% of users were satisfied with the durability of the Audient iD4 MKII, often highlighting its robust build and long-lasting performance. Users appreciated the interface's ability to withstand regular use without showing signs of wear.

    15% of users expressed concerns about durability, with some experiencing issues with wear and tear on specific components such as knobs or jacks after extended use, leading to worries about long-term reliability.

    85%
  • Design Aesthetics

    92% of users were impressed by the design aesthetics of the Audient iD4 MKII, commending its sleek and professional look. The interface's modern design and user-friendly layout made it an attractive addition to any studio setup.

    8% of users were less satisfied with the design aesthetics, with some preferring a more traditional look or different color options. A few users mentioned that the design, while modern, might not appeal to those with more classic tastes.

    92%
  • Latency

    87% of users were satisfied with the low latency performance of the Audient iD4 MKII, noting minimal delay during recording and playback. This feature was particularly appreciated by musicians and producers requiring real-time monitoring.

    13% of users experienced dissatisfaction with latency, although issues were often linked to specific system setups or software configurations rather than the interface itself, leading to mixed experiences.

    87%
  • Compatibility with Instruments

    90% of users were pleased with the compatibility of the Audient iD4 MKII with various instruments, highlighting its ability to handle different input types with ease. The high-quality preamps were particularly praised for their performance with guitars and microphones.

    10% of users reported dissatisfaction with instrument compatibility, often due to niche requirements or specific setups that did not align perfectly with the interface's capabilities, necessitating additional equipment or adjustments.

    90%
  • Control Features

    82% of users appreciated the control features of the Audient iD4 MKII, noting the ease of use and functionality provided by the interface's controls. The large rotary encoder was frequently praised for its precision and tactile feel.

    18% of users were dissatisfied with the control features, expressing a desire for more advanced options or customizable settings. Some users felt the interface could benefit from additional dials or switches for more nuanced control.

    82%
  • Preamp Quality

    94% of users were highly satisfied with the preamp quality of the Audient iD4 MKII, often highlighting the clean and transparent sound it provided. The preamps were considered a standout feature, offering performance typically found in higher-end models.

    6% of users expressed dissatisfaction with the preamp quality, typically due to specific preferences or compatibility issues with certain microphones. Some users felt that while the preamps were good, they didn't fully meet their personal expectations.

    94%
  • Headphone Output Quality

    89% of users were satisfied with the headphone output quality of the Audient iD4 MKII, praising its ability to drive a wide range of headphones with clarity and power. Users noted that the output remained clear even at higher volumes.

    11% of users were not fully satisfied with the headphone output quality, with some experiencing issues with volume levels or distortion at higher settings. A few users felt that the output could benefit from additional power or clarity for studio-grade headphones.

    89%
  • USB-C Connectivity

    88% of users appreciated the USB-C connectivity of the Audient iD4 MKII, noting faster data transfer and a more stable connection compared to older USB standards. This feature was seen as a modern enhancement that aligned with current tech trends.

    12% of users experienced dissatisfaction with the USB-C connectivity, often due to compatibility issues with older systems or the need for additional adapters. Some users felt that while USB-C is beneficial, it can pose challenges for those without compatible ports.

    88%
  • Phantom Power

    91% of users were satisfied with the phantom power feature of the Audient iD4 MKII, appreciating its reliable performance with condenser microphones. The ease of activation and consistent power delivery were noted as key benefits.

    9% of users expressed dissatisfaction with the phantom power, mainly due to specific cases where the power delivery did not meet expectations for certain high-demand microphones, leading to concerns about its adequacy for all recording situations.

    91%
  • Metering

    78% of users were satisfied with the metering capabilities of the Audient iD4 MKII, mentioning that the visual feedback provided was adequate for most recording scenarios. Users found the metering useful for monitoring input levels during sessions.

    22% of users were dissatisfied with the metering, feeling that more detailed or advanced metering options would enhance the interface's functionality. Some users desired a more intuitive or visually rich metering system for precise adjustments.

    78%
  • Driver Stability

    84% of users found the driver stability of the Audient iD4 MKII to be reliable, noting minimal issues with crashes or disconnects. Users appreciated the consistent performance across different software and operating system updates.

    16% of users experienced dissatisfaction with driver stability, often encountering occasional drops or compatibility issues with specific DAWs. These instances, while not widespread, affected the overall user experience.

    84%
  • Input/Output Options

    80% of users were content with the input/output options of the Audient iD4 MKII, finding them suitable for a range of recording setups. The combination of XLR and instrument inputs was appreciated for its versatility.

    20% of users expressed dissatisfaction with the input/output options, often wishing for more flexibility or additional ports to accommodate complex setups. Some users felt that the interface could benefit from more input/output expandability.

    80%
  • Durability of Connectors

    86% of users were satisfied with the durability of the connectors on the Audient iD4 MKII, mentioning that they were built to withstand frequent use without degradation. The solid feel of the connectors was a highlight for many.

    14% of users expressed concerns about the durability of the connectors, with some experiencing issues with loose connections or wear over time. A few users suggested that more robust materials could enhance longevity.

    86%
  • Overall Satisfaction

    89% of users reported overall satisfaction with the Audient iD4 MKII, emphasizing its balance of quality, performance, and value. Users appreciated its ease of use and the high-quality audio it delivered, making it a favorite among many.

    11% of users were not entirely satisfied overall, often due to specific feature limitations or personal preferences not being met. Some users felt that while the interface performed well, certain aspects could be improved to better meet their needs.

    89%
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Pros:
  • High-quality preamps with 58dB gain range.
  • Smartgain feature for automatic level adjustment.
  • Compact and portable design.
  • USB-C connectivity for fast data transfer.
  • Low latency performance.
  • User-friendly interface with LED metering.
  • High-quality preamps and AD/DA converters.
  • Compact and portable design.
  • USB-C connectivity for faster data transfer and power.
  • Direct monitoring with zero-latency.
  • Robust build quality.
Cons:
  • Limited to two input channels.
  • Plastic construction may feel less durable.
  • No MIDI input/output.
  • Requires USB-C compatible devices for optimal performance.
  • Limited to two input channels.
  • No MIDI input/output.
  • Requires external power when used with some iOS devices.
  • Higher price point compared to some competitors.
Key Specs
Channels of I/O
Analog:
2 Inputs / 2 Outputs at 96 kHz
Analog:
2 Inputs / 2 Outputs at 96 kHz
Maximum Sampling Rate
96 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
2 Preamps 1 Preamp
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced Mic/Line Input
1x 1/4" TS Unbalanced Hi-Z Input
2x 1/4" TRS Balanced Monitor Output
1x 1/4" TRS Unbalanced Headphone Output
1x Combo XLR-1/4" TRS Balanced Mic/Line Input
1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel)
2x 1/4" TRS Balanced Monitor Output
1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel)
Host Connection
1x USB-C 1x USB-C
OS Compatibility
macOS 10.7.5 or Later
Windows 7 or Later (32-/64-Bit)
6 or Later
macOS 10.11.6 or Later
macOS 11.1 or Later
Windows 7 or Later
6 or Later
iPadOS
Power Requirements
USB Bus Power USB Bus Power
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface are both well-regarded products designed for high-quality audio recording and production. When comparing these two interfaces, several key features stand out.
Both interfaces offer a maximum sampling rate of 96 kHz at 24-bit resolution, ensuring high-fidelity audio recording and playback. They each provide 2 channels of analog input and output, which is standard for interfaces aimed at solo musicians or small home studio setups.
However, the EVO 4 distinguishes itself with 2 microphone preamps, while the iD4 MKII includes just 1 microphone preamp. This makes the EVO 4 more suitable for recording multiple vocalists or instruments simultaneously, whereas the iD4 MKII might be more appropriate for solo recording tasks.
In terms of analog audio I/O, the EVO 4 offers 2 combo XLR-1/4" TRS balanced mic/line inputs, 1x 1/4" TS unbalanced Hi-Z input, 2x 1/4" TRS balanced monitor outputs, and 1x 1/4" TRS unbalanced headphone output. The iD4 MKII, on the other hand, provides 1 combo XLR-1/4" TRS balanced mic/line input, 1x 1/4" TRS unbalanced Hi-Z input on the front panel, 2x 1/4" TRS balanced monitor outputs, 1x 1/4" TRS unbalanced headphone output on the front panel, and an additional 1/8" (3.5 mm) TRS unbalanced headphone output also on the front panel. The additional headphone output on the iD4 MKII is a useful feature for users who might need to connect different types of headphones.
Both interfaces use USB-C for host connection and are bus-powered, eliminating the need for an external power supply. Compatibility-wise, the EVO 4 supports macOS 10.7.5 or later and Windows 7 or later, while the iD4 MKII extends its compatibility to macOS 10.11.6 or later, macOS 11.1 or later, Windows 7 or later, and even iPadOS, making it a more versatile option for modern operating systems and mobile device connectivity.
In summary, while both interfaces share similarities in terms of sampling rate, I/O channels, and power requirements, the EVO 4 is more equipped for multi-microphone setups, whereas the iD4 MKII provides additional headphone connectivity and broader OS compatibility, including support for iPadOS.
General
Channels of I/O
Analog:
2 Inputs / 2 Outputs at 96 kHz
Analog:
2 Inputs / 2 Outputs at 96 kHz
Maximum Sampling Rate
96 kHz / 24-Bit 96 kHz / 24-Bit
Number of Microphone Inputs
2 Preamps 1 Preamp
Input Level Adjustment
2x Automatic
1x Knob
2x Knob
Expansion Slots
The Audient EVO 4 and the Audient iD4 MKII USB-C Audio Interfaces are both compact and high-quality devices, each catering to slightly different needs and preferences in audio recording and production.
The Audient EVO 4 USB-C Audio Interface offers 2 analog inputs and 2 analog outputs, operating at a maximum sampling rate of 96 kHz and 24-bit resolution. It features 2 microphone preamps, which allows for greater flexibility in capturing audio from multiple sources simultaneously. Input level adjustment on the EVO 4 is managed through 2 automatic settings and a single knob, providing a blend of ease and manual control. However, it does not include any expansion slots.
In comparison, the Audient iD4 MKII USB-C Audio Interface also provides 2 analog inputs and 2 analog outputs, maintaining the same maximum sampling rate of 96 kHz and 24-bit resolution. The key difference lies in its microphone inputs, where the iD4 MKII is equipped with only 1 microphone preamp. Input level adjustments on the iD4 MKII are controlled via 2 knobs, allowing for manual fine-tuning of levels. Similar to the EVO 4, the iD4 MKII does not feature any expansion slots.
In summary, the Audient EVO 4 stands out with its additional microphone preamp and the mix of automatic and manual input level adjustments, making it potentially more versatile for recording multiple audio sources. On the other hand, the Audient iD4 MKII offers a more straightforward approach with its single microphone preamp and dual knob controls for input levels, catering to users who prefer manual adjustments and a simpler interface. Both models share the same high-resolution audio quality and lack expansion slots, ensuring consistent performance across both devices.
Signal Processing
Pad
Gain/Trim Range
Mic/Line/Hi-Z Inputs:
58 dB
Mic/Hi-Z Inputs:
58 dB
Hi-Z Inputs:
40 dB
High-Pass Filter
Solo/Mute
Mute per Input Channel, Master Mute per Master
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface share some commonalities while also presenting distinct differences in their specifications.
Both interfaces lack a pad feature and a high-pass filter, which indicates that neither device offers these functionalities out of the box. These similarities may appeal to users who do not require these features in their recording setups.
In terms of gain/trim range, the EVO 4 provides 58 dB for its mic, line, and Hi-Z inputs, which ensures a consistent gain structure across various input types. Meanwhile, the iD4 MKII offers a 58 dB range for mic and Hi-Z inputs, but it is important to note that it provides a slightly different gain/trim range of 40 dB specifically for Hi-Z inputs. This distinction may affect users who rely heavily on Hi-Z inputs for instruments such as electric guitars or basses.
Regarding solo/mute capabilities, the EVO 4 allows for muting per input channel and also includes a master mute function. This feature provides more granular control over individual inputs, which can be beneficial during recording and mixing processes. On the other hand, the iD4 MKII includes a mute function, but it is limited to the master channel, offering less flexibility compared to the EVO 4 in terms of input channel control.
In summary, while both the Audient EVO 4 and the Audient iD4 MKII share some basic features, they differ in their gain/trim range specifications for Hi-Z inputs and their solo/mute functionalities. The EVO 4 offers a more uniform gain range across all inputs and more detailed mute control, while the iD4 MKII presents a varied gain range for Hi-Z inputs with a simpler mute option.
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced Mic/Line Input
1x 1/4" TS Unbalanced Hi-Z Input
2x 1/4" TRS Balanced Monitor Output
1x 1/4" TRS Unbalanced Headphone Output
1x Combo XLR-1/4" TRS Balanced Mic/Line Input
1x 1/4" TRS Unbalanced Hi-Z Input (Front Panel)
2x 1/4" TRS Balanced Monitor Output
1x 1/4" TRS Unbalanced Headphone Output (Front Panel)
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output (Front Panel)
Phantom Power
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) 48 V ± 4 V, Selectable On/Off
Phantom Power Current
10 mA per Channel 10 mA per Channel
Digital Audio I/O
Host Connection
1x USB-C 1x USB-C
Host Connection Protocol
USB 2.0 USB 3.0 / 3.1/3.2 Gen 1
USB (Non-Host)
Sync I/O
Network I/O
MIDI I/O
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface, while both being high-quality audio interfaces, offer different sets of features tailored to various user needs.
Audient EVO 4 USB-C Audio Interface: - Analog Audio I/O: The EVO 4 boasts 2x Combo XLR-1/4" TRS balanced mic/line inputs, 1x 1/4" TS unbalanced Hi-Z input, 2x 1/4" TRS balanced monitor outputs, and 1x 1/4" TRS unbalanced headphone output. This provides ample connectivity for multiple instruments and microphones. - Phantom Power: It offers 48 V ± 4 V of phantom power, which is selectable on or off on individual inputs, making it versatile for various condenser microphones. - Phantom Power Current: It has a phantom power current of 10 mA per channel. - Digital Audio I/O: The EVO 4 does not include any digital audio I/O. - Host Connection: The device connects to a host computer via 1x USB-C using USB 2.0 protocol. - Additional I/O: There are no additional sync, network, or MIDI I/O ports.
Audient iD4 MKII USB-C Audio Interface: - Analog Audio I/O: The iD4 MKII features 1x Combo XLR-1/4" TRS balanced mic/line input, 1x 1/4" TRS unbalanced Hi-Z input on the front panel, 2x 1/4" TRS balanced monitor outputs, 1x 1/4" TRS unbalanced headphone output on the front panel, and an additional 1x 1/8" (3.5 mm) TRS unbalanced headphone output on the front panel. This provides a slightly different set of input options, including an extra headphone output for convenience. - Phantom Power: Similar to the EVO 4, the iD4 MKII provides 48 V ± 4 V of phantom power, selectable on or off. - Phantom Power Current: It also supports a phantom power current of 10 mA per channel. - Digital Audio I/O: The iD4 MKII does not feature any digital audio I/O. - Host Connection: It connects to a host via 1x USB-C using USB 3.0 / 3.1/3.2 Gen 1 protocol, which might offer faster data transfer rates compared to the EVO 4. - Additional I/O: Like the EVO 4, the iD4 MKII does not include sync, network, or MIDI I/O ports.
In summary, while both interfaces offer similar phantom power capabilities and lack digital, sync, network, and MIDI I/O, they differ in their analog audio I/O and host connection protocols. The EVO 4 supports more versatile input options with two combo XLR-1/4" inputs, whereas the iD4 MKII offers an additional headphone output and potentially faster data transfer with its USB 3.0 protocol.
Performance
Frequency Response
Mic Inputs:
10 Hz to 40 kHz ±0.5 dB
Line, Hi-Z Inputs:
10 Hz to 20 kHz ±0.5 dB
A/D Converters:
10 Hz to fs/2 ±0.5 dB
D/A Converters:
10 Hz to fs/2 ±0.5 dB
Headphone Outputs:
10 Hz to fs/2 ±0.5 dB
A/D Converters:
10 Hz to 40 kHz ±0.5 dB
D/A Converters:
10 Hz to 40 kHz ±0.1 dB
Headphone Outputs:
10 Hz to 40 kHz ±0.1 dB
Mic, Line Inputs:
10 Hz to 40 kHz ±0.5 dB (Min Gain)
Hi-Z Inputs:
10 Hz to 20 kHz ±0.5 dB (Min Gain)
Maximum Input Level
Mic Inputs:
+16 dBu
Hi-Z Inputs:
+10 dBu
Mic Inputs:
+12 dBu
Line Inputs:
+21 dBu
Hi-Z Inputs:
+12 dBu
Maximum Output Level
D/A Converters:
+11 dBu
Headphone Outputs:
+5.46 Vrms (600-Ohm Load)
Headphone Output Power
45 mW into 30 Ohms (Max)
52 mW into 60 Ohms (Max)
20 mW into 600 Ohms (Max)
223 mW into 30 Ohms (Max)
280 mW into 62 Ohms (Max)
100 mW into 600 Ohms (Max)
Impedance
Mic Inputs:
> 3 Kilohms (Balanced)
Line Inputs:
> 10 Kilohms (Balanced)
Hi-Z Inputs:
1 Megohm (Unbalanced)
Mic Inputs:
2.8 Kilohms (Balanced)
Line Inputs:
> 8 Kilohms (Balanced)
Dynamic Range
AD/DA Converters:
113 dBA
A/D Converters:
120 dB (A-Weighted)
D/A Converters:
125.5 dB (A-Weighted)
Headphone Outputs:
125.5 dB (A-Weighted)
SNR
Mic/Line/Hi-Z Inputs:
100 dB
Mic/Line Inputs:
101 dBu (A-Weighted)
Hi-Z Inputs:
100 dBu (A-Weighted)
THD+N
A/D Converters:
< 0.001% (1 kHz, at -1 dBFS)
D/A Converters:
< 0.0015% (1 kHz, at -1 dBFS)
Headphone Outputs:
< 0.0015% (1 kHz, at -1 dBFS)
Hi-Z Inputs:
< 0.3% (1 kHz)
Mic/Line Inputs:
< 0.0015% (1 kHz)
Mic/Line Inputs:
0.0017% (at 0 dBu)
Hi-Z Inputs:
0.1% (at 0 dBu)
A/D Converters:
< 0.001% (at -1 dBFS)
D/A Converters:
< 0.0006% (at -1 dBFS)
Headphone Outputs:
< 0.0009% (at -1 dBFS)
EIN
Mic/Line Inputs:
< -128 dB
Mic/Line Inputs:
-129 dB A-Weighted
CMRR
Mic/Line Inputs:
> 85 dB
Mic/Line Inputs:
> -75 dB (1 kHz)
The Audient EVO 4 and the Audient iD4 MKII USB-C Audio Interfaces are both high-quality devices, but they have several differences in their specifications that cater to different user needs.
In terms of frequency response, the EVO 4 offers a range for mic inputs from 10 Hz to 40 kHz, and for line and Hi-Z inputs from 10 Hz to 20 kHz, with A/D and D/A converters supporting 10 Hz to fs/2. The iD4 MKII provides a broader frequency response for A/D and D/A converters, headphone outputs, mic, and line inputs all spanning 10 Hz to 40 kHz, whereas Hi-Z inputs cover 10 Hz to 20 kHz.
When looking at maximum input levels, the EVO 4 handles up to +16 dBu for mic inputs and +10 dBu for Hi-Z inputs. The iD4 MKII provides +12 dBu for mic inputs, +21 dBu for line inputs, and +12 dBu for Hi-Z inputs, indicating a higher tolerance for line inputs.
The maximum output level for the EVO 4’s D/A converters is +11 dBu, while the iD4 MKII does not specify the D/A converters but highlights a maximum output for headphone outputs at +5.46 Vrms into a 600-ohm load, showcasing significant power output for high-impedance headphones.
Regarding headphone output power, the EVO 4 delivers 45 mW into 30 Ohms, 52 mW into 60 Ohms, and 20 mW into 600 Ohms. The iD4 MKII significantly outperforms this with 223 mW into 30 Ohms, 280 mW into 62 Ohms, and 100 mW into 600 Ohms, making it more suitable for driving high-impedance headphones.
In terms of impedance, the EVO 4 features mic inputs with greater than 3 kilohms and line inputs greater than 10 kilohms. The iD4 MKII has slightly lower mic input impedance at 2.8 kilohms and line input impedance greater than 8 kilohms.
The dynamic range of the EVO 4’s AD/DA converters is 113 dBA, while the iD4 MKII boasts a higher dynamic range with 120 dB (A-Weighted) for A/D converters and 125.5 dB (A-Weighted) for D/A converters, alongside the same 125.5 dB for headphone outputs.
Signal-to-noise ratio (SNR) in the EVO 4 is 100 dB for mic/line/Hi-Z inputs. The iD4 MKII shows slightly better performance with 101 dBu for mic/line inputs and 100 dBu for Hi-Z inputs, both A-weighted.
Total Harmonic Distortion plus Noise (THD+N) in the EVO 4 is less than 0.001% for A/D converters and less than 0.0015% for D/A converters, headphone outputs, and mic/line inputs, with Hi-Z inputs at less than 0.3%. The iD4 MKII exhibits lower THD+N with 0.0017% for mic/line inputs, 0.1% for Hi-Z inputs, and impressively low values for A/D converters at less than 0.001%, D/A converters at less than 0.0006%, and headphone outputs at less than 0.0009%.
Equivalent Input Noise (EIN) for the EVO 4 is less than -128 dB for mic/line inputs, whereas the iD4 MKII offers slightly better performance at -129 dB A-weighted. Common Mode Rejection Ratio (CMRR) in the EVO 4 is greater than 85 dB for mic/line inputs, while the iD4 MKII reports a lower value at greater than -75 dB at 1 kHz.
In summary, the Audient iD4 MKII generally offers superior performance in terms of dynamic range, SNR, THD+N, and headphone output power compared to the Audient EVO 4, making it a more robust option for professional audio applications. However, the EVO 4 still provides excellent performance and could be more suitable for users with different needs or budget constraints.
Digital Audio
dBFS Reference Level
Inputs:
+8 dBu = 0 dBFS
Outputs:
+11 dBu = 0 dBFS
+12 dBu = 0 dBFS
Sample Rates
Up to 96 kHz 44.1 / 48 / 88.2 / 96 kHz
Sample Rate Conversion
Bit Depths
Up to 24-Bit 24-Bit
Latency
5 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output)
4.1 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
0.65 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output)
0.31 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
Sync Sources
Internal Internal
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface both offer robust features suitable for various audio recording needs, but they differ in several key specifications.
The dBFS Reference Level for the EVO 4 is set at +8 dBu for inputs and +11 dBu for outputs, whereas the iD4 MKII has a higher reference level of +12 dBu. This difference indicates that the iD4 MKII can handle slightly hotter signals without clipping, which might be beneficial in certain recording scenarios.
In terms of sample rates, both interfaces support rates up to 96 kHz. However, the EVO 4 only explicitly states support for "up to 96 kHz," while the iD4 MKII lists specific supported rates: 44.1, 48, 88.2, and 96 kHz. This detailed listing may provide more flexibility and assurance for users needing specific sample rates.
When it comes to bit depths, both interfaces support up to 24-bit, ensuring high-resolution audio quality.
Latency is another area where these interfaces differ significantly. The EVO 4 has a latency of 5 ms at 44.1 kHz and 4.1 ms at 96 kHz, which is relatively low. However, the iD4 MKII excels with much lower latency figures, offering 0.65 ms at 44.1 kHz and 0.31 ms at 96 kHz. This lower latency could be crucial for tasks requiring real-time audio processing and monitoring.
Finally, both devices use internal sync sources, ensuring stable and reliable operation without the need for external clocking devices.
In summary, while both the Audient EVO 4 and the Audient iD4 MKII are capable USB-C audio interfaces with high-quality audio specifications, the iD4 MKII stands out with its higher dBFS reference level and significantly lower latency, making it potentially more suitable for professional and demanding audio tasks.
Audio Storage & Playback
Memory Card Slot
Both the Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface share some common features, yet they also have distinct characteristics that set them apart.
When it comes to memory card slots, neither the Audient EVO 4 nor the Audient iD4 MKII offers this feature. This means that users will need to rely on connected computers or other external storage solutions for recording and data storage.
Despite this commonality, the two interfaces cater to slightly different user needs. The Audient EVO 4 is designed with a user-friendly approach, featuring Smartgain technology that automatically sets levels for optimal recording. It includes two EVO preamps, a JFET instrument input, and loopback functionality for easy content creation and streaming. The EVO 4 is compact and portable, making it a suitable choice for musicians and podcasters on the go.
On the other hand, the Audient iD4 MKII is built with a more traditional interface design, emphasizing high-quality audio performance. It features one Class-A Audient Console mic preamp, a JFET DI, and two headphone outputs for flexibility in monitoring. The iD4 MKII also boasts improved audio performance with its 24-bit/96kHz converters, ensuring professional-grade sound quality. The interface includes a ScrollControl feature, allowing the user to control various software parameters seamlessly.
In summary, while both the Audient EVO 4 and the Audient iD4 MKII lack memory card slots, they offer different sets of features tailored to varying user preferences and needs. The EVO 4 excels in user-friendly features and portability, making it ideal for content creators on the go, whereas the iD4 MKII focuses on delivering superior audio quality and traditional interface functionalities appealing to professional musicians and audio engineers.
Compatibility
OS Compatibility
macOS 10.7.5 or Later
Windows 7 or Later (32-/64-Bit)
6 or Later
macOS 10.11.6 or Later
macOS 11.1 or Later
Windows 7 or Later
6 or Later
iPadOS
Processor Requirement
Mac:
Intel
PC:
1.6 GHz Intel Core 2
AMD
Mac:
Intel
Apple M1
PC:
1.6 GHz Intel Core 2
RAM Requirements
1 GB 1 GB
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
Available USB-C Port
USB Cable (Included)
Internet Connection
Required for Registration, Software/Driver Download Required for Registration, Software/Driver Download
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface both offer robust features tailored for different user needs, and a comparison of their specifications highlights their respective strengths.
The Audient EVO 4 USB-C Audio Interface is compatible with macOS 10.7.5 or later and Windows 7 or later (32-/64-bit), making it suitable for a range of older and newer operating systems. It requires a Mac with an Intel processor or a PC with at least a 1.6 GHz Intel Core 2 or AMD processor, along with 1 GB of RAM. It also requires an available USB 2.0 port and includes a USB cable. An internet connection is essential for registration and software/driver downloads.
On the other hand, the Audient iD4 MKII USB-C Audio Interface is compatible with more recent operating systems, including macOS 10.11.6 or later, macOS 11.1 or later, Windows 7 or later, and iPadOS. This device supports both Intel and Apple M1 processors for Mac users, and it also requires a PC with at least a 1.6 GHz Intel Core 2 processor and 1 GB of RAM. Unique to the iD4 MKII is its compatibility with mobile devices such as iPads and iPhones, offering greater flexibility for mobile recording setups. This interface needs an available USB-C port and includes a USB cable as well. Similar to the EVO 4, an internet connection is required for registration and software/driver downloads.
In summary, while both interfaces cater to users looking for high-quality audio solutions, the iD4 MKII offers broader OS and device compatibility, including support for Apple's M1 processors and mobile devices, alongside the modern USB-C port requirement. The EVO 4 maintains compatibility with a wider range of older operating systems and hardware through its USB 2.0 connectivity, appealing to users who might be working with slightly older setups.
Power
Power Requirements
USB Bus Power USB Bus Power
Both the Audient EVO 4 and the Audient iD4 MKII USB-C Audio Interfaces share the feature of USB bus power, meaning they draw power directly from the connected USB port, eliminating the need for an external power supply. This makes both interfaces highly portable and convenient for users who need a compact and easily transportable recording solution.
The Audient EVO 4 is designed with a focus on simplicity and ease of use, featuring a sleek interface with minimal controls. It includes two combination XLR/TRS inputs, two 1/4” TRS outputs, and a JFET instrument input. Additionally, it sports a unique "Smartgain" feature, which automatically sets the input level to the optimal point, simplifying the recording process for users who may not be as familiar with gain staging.
The Audient iD4 MKII, on the other hand, offers a more traditional design with a robust build quality. It features one XLR/TRS combo input and a dedicated JFET DI input, along with two 1/4” TRS outputs. Notably, the iD4 MKII includes a scroll wheel, known as the "iD" button, which can be used to control various parameters in your DAW, providing a more hands-on approach to recording and mixing. The iD4 MKII also boasts improved audio performance with a higher dynamic range and lower latency, appealing to more discerning users who prioritize sound quality.
In summary, while both the Audient EVO 4 and iD4 MKII are powered via USB bus, they cater to slightly different user needs. The EVO 4 is ideal for those seeking a user-friendly interface with automated features, whereas the iD4 MKII is better suited for users who prefer a more tactile experience and prioritize superior audio performance.
Physical
Dimensions
5.51 x 2.64 x 2.64" / 14 x 6.71 x 6.71 cm 5.2 x 4.7 x 2.4" / 13.3 x 12 x 6 cm (Including Controls and Protrusions)
Weight
12.7 oz / 360.0 g 2.2 lb / 1.0 kg
When comparing the Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface, several distinct features stand out, particularly in terms of dimensions, weight, and additional functionalities.
The Audient EVO 4 USB-C Audio Interface measures 5.51 x 2.64 x 2.64 inches (14 x 6.71 x 6.71 cm) and weighs 12.7 ounces (360.0 grams). It's designed to be compact and lightweight, making it highly portable and suitable for on-the-go recording sessions. Its streamlined design focuses on ease of use and portability without compromising on sound quality.
In contrast, the Audient iD4 MKII USB-C Audio Interface is slightly smaller in terms of length but broader and taller, with dimensions of 5.2 x 4.7 x 2.4 inches (13.3 x 12 x 6 cm), including controls and protrusions. However, it is significantly heavier, weighing in at 2.2 pounds (1.0 kg). This additional weight suggests a more robust build, potentially offering greater durability and a more substantial feel.
Additionally, the iD4 MKII includes an anti-theft feature with a Kensington Security Slot, providing added security for users who may leave the device in public or shared spaces. This feature is absent in the EVO 4, which might be a consideration for users concerned about device security.
In summary, the Audient EVO 4 is characterized by its lighter weight and compact dimensions, making it ideal for portability. The Audient iD4 MKII, while slightly bulkier and heavier, offers a more robust build and added security features, appealing to users who prioritize device security and durability.
Packaging Info
Package Weight
1.29 lb 1.92 lb
Box Dimensions (LxWxH)
6.8 x 3.85 x 3.55" 7.5 x 6 x 3.5"
The Audient EVO 4 USB-C Audio Interface and the Audient iD4 MKII USB-C Audio Interface differ in terms of package weight and box dimensions. The EVO 4 has a package weight of 1.29 lb, whereas the iD4 MKII is slightly heavier at 1.92 lb. This indicates a difference in build and possibly additional components or sturdiness in the iD4 MKII.
In terms of box dimensions, the EVO 4 measures 6.8 x 3.85 x 3.55 inches, making it more compact compared to the iD4 MKII, which has dimensions of 7.5 x 6 x 3.5 inches. The larger box dimensions of the iD4 MKII suggest that it may have a larger physical footprint or include more accessories within the packaging.
Both interfaces are designed to be portable and user-friendly, but the EVO 4's lighter weight and smaller box dimensions might make it a more convenient option for users who prioritize portability and space-saving. Conversely, the iD4 MKII's slightly heavier weight and larger dimensions might reflect a more robust build and potentially more features, appealing to users who don't mind the additional size for potentially enhanced functionality.
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