The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 4 USB-C Audio Interface are both excellent options for audio recording and production, each offering unique features to cater to different user needs.
The EVO 8 is a more robust model, featuring four inputs and four outputs. This additional I/O capacity makes it ideal for users who need to simultaneously record multiple instruments or microphones, making it a great choice for bands, podcasters with multiple guests, and small studio setups. The EVO 8 maintains Audient's high-quality preamps and converters, ensuring pristine audio capture and playback. It also includes the innovative Smartgain feature, which automatically adjusts the gain levels for optimal recording settings. The EVO 8's USB Type-C connectivity ensures fast and reliable data transfer, with low latency performance.
On the other hand, the Audient EVO 4 is designed for users who require a more streamlined setup. It offers two inputs and two outputs, making it perfectly suited for solo musicians, vocalists, and podcasters who don’t need as many simultaneous recording channels. Like the EVO 8, it also features Audient’s renowned preamps and converters, along with the Smartgain functionality. Its compact design and USB-C interface make it highly portable, allowing users to easily take their recording setup on the go.
Both interfaces are equipped with loopback functionality, making them suitable for live streaming and content creation. They also share a user-friendly software suite that provides easy control over all aspects of the recording process. The key difference lies in the number of inputs and outputs, with the EVO 8 offering greater flexibility for more complex recording scenarios, while the EVO 4 provides a more compact and straightforward solution for simpler setups.
In summary, the Audient EVO 8 is ideal for users who need more I/O options and a versatile recording setup, while the EVO 4 is perfect for those looking for a high-quality, portable interface with fewer input and output requirements. Both models offer excellent audio performance, intuitive features, and reliable connectivity, making them standout choices in their respective categories.
User Rating Based on Analysis of Reviews |
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Pros: |
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High-quality preamps with 58dB gain range.
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Smartgain feature for automatic level adjustment.
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Compact and portable design.
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USB-C connectivity for fast data transfer.
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Low latency performance.
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User-friendly interface with LED metering.
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High-quality preamps with 58dB gain range for clean recordings.
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Smartgain feature automatically sets input levels for optimal recording.
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USB Type-C connectivity for fast and reliable data transfer.
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Compact and portable design, ideal for mobile recording setups.
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User-friendly interface with easy-to-use controls.
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Cons: |
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Limited to two input channels.
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Plastic construction may feel less durable.
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No MIDI input/output.
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Requires USB-C compatible devices for optimal performance.
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Limited to 4 inputs and 4 outputs, which might not be enough for larger setups.
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No MIDI I/O, limiting connectivity with MIDI controllers and instruments.
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Plastic construction might not be as durable as metal alternatives.
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No onboard DSP for real-time effects processing.
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Requires external power supply, which can limit portability.
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Key Specs |
Channels of I/O |
Analog: 2 Inputs / 2 Outputs at 96 kHz |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
4 Preamps |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TS Unbalanced Hi-Z Input 2x 1/4" TRS Balanced Monitor Output 1x 1/4" TRS Unbalanced Headphone Output |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Host Connection |
1x USB-C |
1x USB-C |
OS Compatibility |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) 6 or Later |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Power Requirements |
USB Bus Power |
USB Bus Power |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 4 USB-C Audio Interface are both high-quality audio interfaces designed to meet the needs of musicians and audio engineers. However, they differ significantly in their specifications and capabilities.
The Audient EVO 8 offers a more extensive channel configuration with 4 inputs and 4 outputs, making it ideal for users who require multiple input sources simultaneously. It features 4 microphone preamps, providing versatility for recording various instruments or vocalists. Additionally, the EVO 8 supports a maximum sampling rate of 96 kHz / 24-Bit and includes a variety of analog audio I/O options: 4x combo XLR-1/4" TRS balanced mic/line inputs, a 1/4" TS unbalanced Hi-Z input, and 4x 1/4" TRS balanced line outputs. The device also features dual 1/4" TRS unbalanced headphone outputs for monitoring. It connects via USB-C and is compatible with macOS 10.7.5 or later and Windows 7 or later (32-/64-Bit), with power supplied through USB bus power.
In contrast, the Audient EVO 4 is more compact with 2 inputs and 2 outputs, catering to users who need a simpler setup. It comes equipped with 2 microphone preamps and also supports a maximum sampling rate of 96 kHz / 24-Bit. The audio I/O includes 2x combo XLR-1/4" TRS balanced mic/line inputs, a 1/4" TS unbalanced Hi-Z input, 2x 1/4" TRS balanced monitor outputs, and a 1/4" TRS unbalanced headphone output. Like the EVO 8, it connects via USB-C and is compatible with macOS 10.7.5 or later and Windows 7 or later (32-/64-Bit) as well. It also relies on USB bus power for operation.
In summary, the choice between the Audient EVO 8 and the Audient EVO 4 largely depends on the user's needs for input and output channels. The EVO 8 provides a more robust solution for multi-channel recording, while the EVO 4 offers a streamlined option for those who require fewer connections.
General |
Channels of I/O |
Analog: 2 Inputs / 2 Outputs at 96 kHz |
Analog: 4 Inputs / 4 Outputs at 96 kHz |
Maximum Sampling Rate |
96 kHz / 24-Bit |
96 kHz / 24-Bit |
Number of Microphone Inputs |
2 Preamps |
4 Preamps |
Input Level Adjustment |
2x Automatic 1x Knob |
4x Automatic 1x Knob |
Expansion Slots |
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The Audient EVO 8 and EVO 4 USB-C audio interfaces cater to different needs in the realm of audio recording and production.
Starting with the Audient EVO 8, this desktop interface offers a robust configuration with 4 analog inputs and 4 outputs, making it ideal for users who require multiple channels for recording instruments or vocals. It features 4 microphone preamps, enabling simultaneous recording of several audio sources with high-quality sound. The EVO 8 also supports a maximum sampling rate of 96 kHz at 24-bit, ensuring that the audio fidelity is maintained during recordings. Input level adjustment is facilitated through automatic gain control for all four inputs, along with a straightforward single knob for manual adjustments, which enhances user convenience.
On the other hand, the Audient EVO 4 presents a more compact option with 2 analog inputs and 2 outputs, catering primarily to solo artists or small setups. This model is equipped with 2 microphone preamps, allowing for high-quality recordings of vocals or instruments, albeit with fewer simultaneous inputs compared to the EVO 8. Like its counterpart, the EVO 4 also supports a maximum sampling rate of 96 kHz at 24-bit. For input level adjustments, it features automatic gain control for both inputs alongside a single knob for manual fine-tuning, providing an intuitive interface for users.
In summary, the choice between the Audient EVO 8 and EVO 4 largely hinges on the user's recording needs. The EVO 8 is designed for more extensive setups with its additional channels and preamps, while the EVO 4 serves as a more streamlined solution for those who require fewer inputs without compromising on quality.
Signal Processing |
Pad |
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Gain/Trim Range |
Mic/Line/Hi-Z Inputs: 58 dB |
Mic/Line/Hi-Z Inputs: 58 dB |
High-Pass Filter |
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Solo/Mute |
Mute per Input Channel, Master |
Mute per Input Channel, Master |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 4 USB-C Audio Interface share several similarities, particularly in terms of their specifications and functionalities. Both interfaces do not feature a pad, which may be a consideration for users who require an additional level of gain attenuation before hitting the preamps.
In terms of gain and trim range, both the EVO 8 and EVO 4 offer a robust range of 58 dB for mic, line, and Hi-Z inputs, allowing for versatility in capturing various audio sources with sufficient headroom. This makes them well-suited for a range of recording applications, from vocals to instruments.
Neither model includes a high-pass filter, which could be a limitation for users looking to eliminate low-frequency rumble or unwanted noise in their recordings. However, both devices do provide mute functionality on a per-input channel basis and for the master output, giving users control over their monitoring and recording environment.
Overall, while the Audient EVO 8 and EVO 4 share almost identical specifications in these key areas, the primary distinction lies in their input/output capabilities and form factor, with the EVO 8 designed as a more expansive 4x4 interface compared to the 2x2 configuration of the EVO 4. This makes the EVO 8 a better choice for users needing more inputs and outputs for their recording setups.
Connectivity |
Analog Audio I/O |
2x Combo XLR-1/4" TRS Balanced Mic/Line Input 1x 1/4" TS Unbalanced Hi-Z Input 2x 1/4" TRS Balanced Monitor Output 1x 1/4" TRS Unbalanced Headphone Output |
4x Combo XLR-1/4" TRS Balanced Mic/Line Input (Pin 2 Hot) 1x 1/4" TS Unbalanced Hi-Z Input (Front Panel) 4x 1/4" TRS Balanced Line Output (Tip Hot) 2x 1/4" TRS Unbalanced Headphone Output |
Phantom Power |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
48 V ± 4 V, Selectable On/Off (Selectable on Individual Inputs) |
Phantom Power Current |
10 mA per Channel |
10 mA per Channel |
Digital Audio I/O |
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Host Connection |
1x USB-C |
1x USB-C |
Host Connection Protocol |
USB 2.0 |
USB 2.0 |
USB (Non-Host) |
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Sync I/O |
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Network I/O |
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MIDI I/O |
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The Audient EVO 8 and EVO 4 USB audio interfaces cater to different user needs with their unique specifications and features. The EVO 8 Desktop 4x4 USB Type-C Audio Interface provides a more extensive range of analog audio inputs and outputs compared to the EVO 4. Specifically, the EVO 8 includes 4 combo XLR-1/4" TRS balanced mic/line inputs and an additional 1/4" TS unbalanced Hi-Z input. In contrast, the EVO 4 offers only 2 combo XLR-1/4" TRS balanced mic/line inputs and a single 1/4" TS unbalanced Hi-Z input. This makes the EVO 8 a more suitable choice for users requiring multiple mic inputs or those working in collaborative environments.
When it comes to output options, the EVO 8 boasts 4 balanced line outputs and 2 unbalanced headphone outputs, allowing for greater flexibility in routing audio. The EVO 4, on the other hand, is equipped with 2 balanced monitor outputs and a single unbalanced headphone output. This difference in output capabilities makes the EVO 8 more versatile for studio setups that necessitate multiple output paths.
Both interfaces offer 48 V phantom power, selectable on individual inputs, with a current of 10 mA per channel, ensuring compatibility with a range of condenser microphones. In terms of connectivity, both the EVO 8 and EVO 4 utilize a USB-C host connection and adhere to the USB 2.0 protocol, providing reliable performance and compatibility with various devices. However, neither interface includes digital audio I/O, sync I/O, network I/O, or MIDI I/O options, which may limit their functionality for some users.
In summary, the choice between the Audient EVO 8 and EVO 4 ultimately depends on the user's specific requirements. The EVO 8 is ideal for those needing more inputs and outputs for complex audio tasks, while the EVO 4 is a compact solution for simpler setups with fewer input needs.
Performance |
Frequency Response |
Mic Inputs: 10 Hz to 40 kHz ±0.5 dB Line, Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB A/D Converters: 10 Hz to fs/2 ±0.5 dB D/A Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB |
Mic, Line Inputs: 10 Hz to 40 kHz ±0.5 dB Hi-Z Inputs: 10 Hz to 20 kHz ±0.5 dB A/D Converters: 10 Hz to fs/2 ±0.5 dB D/A Converters: 10 Hz to fs/2 ±0.5 dB Headphone Outputs: 10 Hz to fs/2 ±0.5 dB |
Maximum Input Level |
Mic Inputs: +16 dBu Hi-Z Inputs: +10 dBu |
Mic/Line Inputs: +16 dBu Hi-Z Inputs: +10 dBu |
Maximum Output Level |
D/A Converters: +11 dBu |
D/A Converters: +11 dBu Headphone Outputs: +10.1 dBu (600-Ohm Load) |
Headphone Output Power |
45 mW into 30 Ohms (Max) 52 mW into 60 Ohms (Max) 20 mW into 600 Ohms (Max) |
45 mW into 30 Ohms (Max) 52 mW into 60 Ohms (Max) 20 mW into 600 Ohms (Max) |
Impedance |
Mic Inputs: > 3 Kilohms (Balanced) Line Inputs: > 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) |
Mic Inputs: > 3 Kilohms (Balanced) Line Inputs: > 10 Kilohms (Balanced) Hi-Z Inputs: 1 Megohm (Unbalanced) Line Outputs: < 100 Ohms (Balanced) Headphone Outputs: < 50 Ohms (Unbalanced) |
Dynamic Range |
AD/DA Converters: 113 dBA |
AD/DA Converters: 113 dBA Headphone Outputs: 113 dBA |
SNR |
Mic/Line/Hi-Z Inputs: 100 dB |
Mic/Line/Hi-Z Inputs: 100 dB |
THD+N |
A/D Converters: < 0.001% (1 kHz, at -1 dBFS) D/A Converters: < 0.0015% (1 kHz, at -1 dBFS) Headphone Outputs: < 0.0015% (1 kHz, at -1 dBFS) Hi-Z Inputs: < 0.3% (1 kHz) Mic/Line Inputs: < 0.0015% (1 kHz) |
Mic/Line Inputs: < 0.0015% (1 kHz) Hi-Z Inputs: < 0.3% (1 kHz) D/A Converters: < 0.0015% (1 kHz, at -1 dBFS) Headphone Outputs: < 0.0015% (1 kHz, at -1 dBFS) |
EIN |
Mic/Line Inputs: < -128 dB |
Mic/Line Inputs: < -128 dBu |
CMRR |
Mic/Line Inputs: > 85 dB |
Mic/Line Inputs: > 85 dB (1 kHz) |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 4 USB-C Audio Interface share several specifications, but there are notable differences that cater to different user needs.
In terms of frequency response, both interfaces provide a similar range for mic inputs, from 10 Hz to 40 kHz with a tolerance of ±0.5 dB, while the Hi-Z inputs for the EVO 8 have a slightly broader response at 10 Hz to 20 kHz compared to the EVO 4. Both devices feature high-quality A/D and D/A converters, ensuring accurate audio reproduction across the same frequency range.
When it comes to maximum input levels, both models exhibit the same specifications for mic and Hi-Z inputs, with maximum levels of +16 dBu and +10 dBu respectively. However, the EVO 8 boasts additional line inputs, which may be advantageous for users requiring more flexible input options. Regarding output levels, the maximum output for D/A converters remains consistent at +11 dBu for both interfaces, ensuring reliable audio delivery.
For headphone output power, both interfaces provide similar performance with a maximum of 45 mW into 30 Ohms and 52 mW into 60 Ohms, with a lower output of 20 mW into 600 Ohms. Impedance levels for mic and Hi-Z inputs are also consistent across both models, providing balanced input options.
Dynamic range, signal-to-noise ratio (SNR), and total harmonic distortion plus noise (THD+N) are comparable, with both interfaces maintaining a dynamic range of 113 dBA and SNR of 100 dB for mic, line, and Hi-Z inputs. However, the EVO 4 features a slightly better THD+N rating for A/D converters at <0.001%, while the EVO 8 maintains <0.0015% for mic and line inputs, making it an excellent choice for precise recording.
In summary, the Audient EVO 8 offers enhanced input flexibility with its additional line inputs, making it suitable for users with more extensive audio routing needs. In contrast, the Audient EVO 4 provides a compact solution with high-performance specifications, ideal for simpler setups or mobile recording environments.
Digital Audio |
Sample Rates |
Up to 96 kHz |
44.1 / 48 / 88.2 / 96 kHz |
Sample Rate Conversion |
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Bit Depths |
Up to 24-Bit |
Up to 24-Bit |
Latency |
5 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 4.1 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
5 ms at 44.1 kHz (Dependent on Buffer Size, Input to Output) 4.1 ms at 96 kHz (Dependent on Buffer Size, Input to Output) |
Sync Sources |
Internal |
Internal |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 4 USB-C Audio Interface offer similar features, catering to different needs within the audio production landscape. Both interfaces support a maximum sample rate of up to 96 kHz and utilize a bit depth of up to 24-Bit, ensuring high-fidelity audio capture and playback. Neither model includes sample rate conversion, maintaining a straightforward approach to audio processing.
When it comes to latency, both the EVO 8 and EVO 4 exhibit comparable performance, with latency figures of 5 ms at 44.1 kHz and 4.1 ms at 96 kHz, which is dependent on buffer size. This low latency is crucial for real-time monitoring and recording sessions, making both interfaces suitable for professional and home studio environments.
In terms of connectivity, the EVO 8 provides a more extensive input/output configuration with its 4x4 capabilities, allowing for greater flexibility in recording multiple sources simultaneously. In contrast, the EVO 4 is designed for more compact setups, making it ideal for solo artists or smaller projects. Both interfaces feature internal sync sources, ensuring stable operation and synchronization during recording and playback. Overall, the choice between the two models will largely depend on the user's specific requirements for channel count and connectivity.
Audio Storage & Playback |
Memory Card Slot |
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When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 4 USB-C Audio Interface, both models share a common feature regarding memory card slots, as neither unit includes this functionality.
The Audient EVO 8 is designed with a more extensive input and output configuration, offering a 4x4 setup that allows for greater flexibility in connecting multiple audio sources and outputs. This is particularly beneficial for users who require additional channels for recording instruments or vocals simultaneously. In contrast, the Audient EVO 4 provides a more compact 2x2 configuration, making it ideal for solo musicians or podcasters who need a straightforward interface without the added complexity of multiple inputs.
In terms of build quality, both interfaces maintain the high standards typical of Audient products, featuring a durable design and user-friendly layout. However, the EVO 8's additional features, such as more inputs and outputs, can cater to more extensive recording setups, while the EVO 4's simplicity allows for quick and easy operation, appealing to those who may be newer to audio recording or need a portable solution.
Both interfaces utilize USB-C connectivity, ensuring fast data transfer speeds and compatibility with modern devices. This commonality means that users of either model can enjoy low latency and high-quality audio performance. Ultimately, the choice between the Audient EVO 8 and the Audient EVO 4 will depend largely on the user's specific needs regarding channel count and complexity in their audio setup.
Compatibility |
OS Compatibility |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) 6 or Later |
macOS 10.7.5 or Later Windows 7 or Later (32-/64-Bit) |
Processor Requirement |
Mac: Intel PC: 1.6 GHz Intel Core 2 AMD |
Mac: Intel PC: 1.6 GHz Intel Core 2 |
RAM Requirements |
1 GB |
1 GB |
Required Hardware |
Available USB 2.0 Port USB Cable (Included) |
Available USB 2.0 Port USB Cable (Included) |
Internet Connection |
Required for Registration, Software/Driver Download |
Required for Software/Driver Download |
The Audient EVO 8 and Audient EVO 4 are both USB-C audio interfaces designed to cater to different user needs, showcasing impressive compatibility and performance features.
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface is compatible with macOS 10.7.5 or later and Windows 7 or later (32-/64-Bit), requiring an Intel processor for Mac and a 1.6 GHz Intel Core 2 processor for PC. It mandates a minimum of 1 GB RAM and necessitates an available USB 2.0 port. The device does not support mobile device compatibility and comes with a USB cable included in the package. An internet connection is essential for downloading software and drivers.
Conversely, the Audient EVO 4 USB-C Audio Interface shares similar OS compatibility with macOS 10.7.5 or later and Windows 7 or later (32-/64-Bit) and also requires an Intel processor or an AMD processor for PC users. It too requires a minimum of 1 GB RAM and an available USB 2.0 port, with a USB cable included. However, it differs slightly in that an internet connection is needed for registration as well as software and driver downloads.
In summary, both interfaces provide robust functionality and compatibility for audio recording and production. The EVO 8 offers a more extensive input/output configuration, being a 4x4 interface, while the EVO 4 is more compact, making it suitable for simpler setups. Their requirements and compatibility features are largely similar, making either choice a reliable option depending on the user's specific needs.
Power |
Power Requirements |
USB Bus Power |
USB Bus Power |
The Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 4 USB-C Audio Interface share similarities in their power requirements, as both devices are powered through USB Bus Power. This feature allows for convenient connectivity without the need for an external power supply, making both interfaces highly portable and user-friendly for recording on the go.
In terms of connectivity, the Audient EVO 8 offers more extensive input/output options compared to the EVO 4. The EVO 8 provides four inputs and four outputs, making it suitable for larger recording setups or for users requiring more flexibility in their audio routing. Conversely, the EVO 4 is designed with two inputs and two outputs, which caters to smaller projects or home studios where fewer channels are sufficient.
Both interfaces incorporate the same advanced audio quality and low-latency performance that Audient is known for. They feature the EVO Interactive Audio Engine, which enhances the recording experience by providing smart gain features and easy monitoring options. However, the EVO 8's additional channels and outputs make it a more versatile option for users with broader recording needs.
In summary, while both the Audient EVO 8 and EVO 4 utilize USB Bus Power for convenience, the choice between them ultimately comes down to the number of inputs and outputs required for your specific recording applications. The EVO 8 is ideal for more complex setups, while the EVO 4 serves well for simpler, straightforward recording needs.
Physical |
Dimensions |
5.51 x 2.64 x 2.64" / 14 x 6.71 x 6.71 cm |
7.48 x 2.76 x 2.76" / 19 x 7 x 7 cm |
Weight |
12.7 oz / 360.0 g |
1.0 lb / 0.5 kg |
The Audient EVO 8 and Audient EVO 4 audio interfaces offer distinct features tailored for different user needs while maintaining high audio quality. In terms of dimensions, the EVO 8 measures 7.48 x 2.76 x 2.76 inches (19 x 7 x 7 cm) and weighs 1.0 lb (0.5 kg), making it slightly larger and heavier than the EVO 4, which measures 5.51 x 2.64 x 2.64 inches (14 x 6.71 x 6.71 cm) and weighs 12.7 oz (360.0 g). This size difference may influence portability, with the EVO 4 being more suitable for mobile setups or tighter spaces.
When it comes to input and output capabilities, the EVO 8 offers a more extensive configuration with its 4x4 setup, allowing for four inputs and four outputs, making it ideal for larger recording sessions or more complex setups. In contrast, the EVO 4 provides a 2x2 configuration, catering to solo musicians or podcasters who require fewer inputs and outputs. This difference significantly impacts usability depending on the user’s requirements, where the EVO 8 accommodates more extensive projects, while the EVO 4 is streamlined for simplicity and efficiency.
Both interfaces utilize USB Type-C connectivity, ensuring fast data transfer and compatibility with modern devices. However, potential users should consider their specific needs in terms of input/output options and physical dimensions when choosing between the two. The Audient EVO 8 is better suited for users looking for versatility in recording multiple sources simultaneously, whereas the EVO 4 is an excellent choice for those who prefer portability and ease of use without sacrificing audio quality.
Packaging Info |
Package Weight |
1.29 lb |
1.79 lb |
Box Dimensions (LxWxH) |
6.8 x 3.85 x 3.55" |
9.1 x 4.2 x 3.6" |
When comparing the Audient EVO 8 Desktop 4x4 USB Type-C Audio Interface and the Audient EVO 4 USB-C Audio Interface, notable differences arise in their specifications and dimensions, affecting their portability and usability in various settings.
The Audient EVO 8 features a package weight of 1.79 lb and box dimensions of 9.1 x 4.2 x 3.6". This slightly heavier and larger design can accommodate more input and output options, making it suitable for users requiring additional connectivity for multiple instruments or microphones. The EVO 8 is ideal for more complex setups, offering versatility for both home studios and mobile recording sessions.
In contrast, the Audient EVO 4 is more compact with a package weight of 1.29 lb and box dimensions of 6.8 x 3.85 x 3.55". This lightweight and smaller form factor enhances its portability, making it an excellent choice for musicians on the go or those with limited desk space. The EVO 4 is designed for simplicity and convenience, appealing to users who need a straightforward audio interface without compromising on quality.
Overall, the choice between the Audient EVO 8 and the Audient EVO 4 comes down to the user's specific needs regarding size, weight, and input/output capabilities. The EVO 8 caters to those requiring more extensive features, while the EVO 4 is perfect for individuals seeking a portable and user-friendly audio interface.