Mackie CR4-X vs PreSonus ERIS 3.5: Which Studio Monitor is Right for You?

Mackie CR4-X vs PreSonus ERIS 3.5: Which Studio Monitor is Right for You?

When comparing the Mackie CR4-X Studio Monitor Speaker with the PreSonus ERIS 3.5 Studio Monitor Speaker, both models offer distinct features that cater to different user needs and preferences. The Mackie CR4-X is designed with a larger 4-inch woofer, providing a more robust bass response, which is ideal for users who prefer a bit more low-end punch in their audio. The PreSonus ERIS 3.5, on the other hand, features a 3.5-inch woofer, which offers a balanced sound profile that is particularly suitable for small studio setups or desktop use where space is a constraint.


In terms of design and build quality, the Mackie CR4-X stands out with its sleek and professional look, featuring a brushed metal front panel and distinct green accents, which add a modern appeal. This model also includes a convenient front-panel volume knob and a headphone jack, making it user-friendly for quick audio adjustments. Meanwhile, the PreSonus ERIS 3.5 has a more understated design with rounded edges and a black finish, and it also offers front-panel controls, including a volume knob and headphone output, which make it accessible for users who need quick access to essential functions.


Regarding sound quality, the Mackie CR4-X is noted for its clear and accurate audio reproduction, making it suitable for home studios and multimedia creation. The enhanced bass response and overall sound clarity ensure that users get a true representation of their audio projects. The PreSonus ERIS 3.5, while smaller, is renowned for its neutral frequency response, which is critical for mixing and mastering audio. It delivers a detailed and precise sound, allowing users to detect subtle nuances in their tracks, which is essential for professional audio work.


Ultimately, the choice between the Mackie CR4-X and the PreSonus ERIS 3.5 largely depends on individual needs and setup requirements. If you require a monitor with a more powerful bass and a larger sound presence, the Mackie CR4-X is a solid choice. However, if space is limited and you need a monitor with a more neutral and balanced sound, the PreSonus ERIS 3.5 might be the better option. Both models provide excellent value and performance, making them popular choices among audio enthusiasts and professionals alike.

In this section, we will delve into the detailed specifications, strengths, and weaknesses of the Mackie CR4-X and PreSonus ERIS 3.5 studio monitor speakers. Our comprehensive analysis will help you understand the key differences and make an informed decision on which monitor best suits your audio needs.

Comprehensive Specs and Features Comparison

User Rating Based on Analysis of Reviews
  • Purchase Value

    85% of users were satisfied with the purchase value of the Mackie CR4-X Studio Monitor Speaker. They found it to be an excellent investment for the price, offering good sound quality and features that are usually found in more expensive models. Users appreciated the balance between cost and performance, making it a popular choice for both beginners and more experienced audio enthusiasts. The affordability coupled with decent audio output was highly praised.

    15% of users expressed dissatisfaction with the purchase value, feeling that the speaker did not meet their expectations in terms of longevity or performance. Some users highlighted issues with the build quality or sound clarity, indicating that they had anticipated a more premium experience despite the moderate price point. This led to a perception that the speakers were not as cost-effective as initially believed.

    85%
  • Quality of Materials

    80% of users were pleased with the quality of materials used in the Mackie CR4-X Studio Monitor Speaker. They appreciated the solid construction and the aesthetic design that added an appealing touch to their studio or home setup. Many users noted that the materials felt durable and capable of withstanding regular use without showing significant wear or tear.

    20% of users were dissatisfied with the quality of materials, citing concerns over the long-term durability of the product. Complaints often mentioned that certain components felt flimsy or cheaply made, which detracted from the overall perceived quality. Issues such as the plastic casing or knobs feeling loose were common among these critical evaluations.

    80%
  • Sound Quality

    90% of users praised the sound quality of the Mackie CR4-X Studio Monitor Speaker, noting its clear and precise audio output. Many were impressed by the balanced sound profile, which provided a good mix of highs, mids, and lows, suitable for various music genres and audio applications. Users often mentioned that the speakers delivered an immersive listening experience, which was unexpected for the price range.

    10% of users were dissatisfied with the sound quality, feeling that the speakers lacked depth or suffered from distortion at higher volumes. Some users reported uneven frequency response, which affected their ability to enjoy certain music styles or made the speakers less suitable for professional audio work. These issues led to a less than optimal listening experience for this group of users.

    90%
  • Features

    88% of users appreciated the features offered by the Mackie CR4-X Studio Monitor Speaker, highlighting the inclusion of Bluetooth connectivity and front-facing headphone jacks as particularly useful. The combination of features and ease of use made these speakers versatile for different setups, whether in a home studio or for casual listening, which contributed to high satisfaction rates.

    12% of users were dissatisfied with the features, indicating that they expected more advanced capabilities or encountered issues with the existing ones. Some users found the Bluetooth connectivity to be unreliable or noticed a lack of customization options, which limited their ability to tailor the speakers to their specific needs or preferences.

    88%
  • Ease of Use

    92% of users found the Mackie CR4-X Studio Monitor Speaker exceptionally easy to use, citing the straightforward setup process and intuitive controls as major positives. The user-friendly design made it accessible for individuals with varying levels of technical expertise, allowing them to enjoy high-quality audio without the hassle of complicated configuration.

    8% of users were dissatisfied with the ease of use, mainly due to minor issues during the initial setup or difficulties in integrating the speakers with their existing audio systems. Some users experienced confusion regarding cable connections or troubleshooting, which detracted from their overall experience.

    92%
  • Design

    87% of users were satisfied with the design of the Mackie CR4-X Studio Monitor Speaker, appreciating its sleek and modern look that complemented their home or studio decor. The compact size was a bonus for users with limited space, and the aesthetic appeal was highlighted as a major selling point.

    13% of users expressed dissatisfaction with the design, pointing out that it lacked certain ergonomic features or that the aesthetic did not match their personal taste. Some users felt that the design was too simplistic or did not offer enough variety in color options to suit different environments.

    87%
  • Durability

    83% of users were satisfied with the durability of the Mackie CR4-X Studio Monitor Speaker, reporting that it withstood daily use without significant degradation in performance or appearance. The robust build quality provided confidence in the product's longevity, which was reassuring for long-term users.

    17% of users were dissatisfied with the durability of the speakers, experiencing issues such as components wearing out prematurely or physical damage occurring with minimal impact. These durability concerns raised questions about the long-term reliability of the product for some users.

    83%
  • Customer Support

    82% of users who interacted with customer support reported positive experiences, praising the quick response times and helpfulness of the staff. Many users found that their issues were resolved efficiently, enhancing their overall satisfaction with the product and the brand.

    18% of users were dissatisfied with customer support, citing long wait times or unhelpful responses as major drawbacks. Some users felt that their concerns were not adequately addressed, leading to frustration and a negative perception of the brand's customer service.

    82%
  • Portability

    75% of users were satisfied with the portability of the Mackie CR4-X Studio Monitor Speaker, finding it easy to move and set up in different locations. The relatively lightweight design allowed for convenient transportation, making it a suitable choice for users who frequently change their audio setup.

    25% of users were dissatisfied with the portability, often due to the size or weight not meeting their expectations for truly portable speakers. Some users found them cumbersome to move regularly, especially if they were looking for a more compact solution for travel.

    75%
  • Volume Output

    86% of users were satisfied with the volume output of the Mackie CR4-X Studio Monitor Speaker, noting that it was more than adequate for their personal or professional needs. The speakers were able to fill a room with sound without losing clarity, making them suitable for various applications.

    14% of users were dissatisfied with the volume output, feeling that the speakers either did not reach high enough levels or distorted at peak volumes. These users were often those who required exceptionally loud sound for specific uses or larger spaces.

    86%
  • Connectivity

    89% of users were pleased with the connectivity options available on the Mackie CR4-X Studio Monitor Speaker. The inclusion of Bluetooth was a significant advantage for many, allowing for wireless streaming from various devices and adding a layer of convenience to their audio setup.

    11% of users were dissatisfied with the connectivity options, facing issues such as unstable Bluetooth connections or limited input options for their specific needs. These connectivity problems hindered their ability to fully utilize the speakers as intended.

    89%
  • Frequency Response

    84% of users were satisfied with the frequency response of the Mackie CR4-X Studio Monitor Speaker, appreciating the balanced and accurate sound reproduction across a wide range of frequencies. This aspect was particularly valued by users involved in music production or audio editing.

    16% of users were dissatisfied with the frequency response, mentioning that certain frequencies were either too pronounced or lacking. This imbalance affected their ability to accurately mix or enjoy certain types of audio content.

    84%
  • Bass Performance

    78% of users were satisfied with the bass performance of the Mackie CR4-X Studio Monitor Speaker, finding it to be sufficiently powerful for most listening situations. The bass was described as deep and clear, providing a solid foundation for music playback.

    22% of users were dissatisfied with the bass performance, feeling that it was either too weak or overpowering, depending on their audio preferences. These users often sought a more balanced or adjustable bass experience that the speakers did not offer.

    78%
  • Treble Performance

    85% of users were satisfied with the treble performance, noting that it was crisp and detailed without being harsh. This clarity in the higher frequencies was appreciated across different audio content, from music to spoken word.

    15% of users were dissatisfied with the treble performance, mentioning that it could be overly bright or lacking in definition depending on the audio source. This inconsistency impacted their overall satisfaction with the sound quality.

    85%
  • Midrange Clarity

    88% of users were satisfied with the midrange clarity of the Mackie CR4-X Studio Monitor Speaker, praising the detail and natural sound in this frequency range. The speakers were able to reproduce vocals and instruments with accuracy, which was highly valued by audiophiles and casual listeners alike.

    12% of users were dissatisfied with the midrange clarity, feeling that it was either recessed or too forward, which altered the natural balance of their audio. This issue was particularly noted in dense music arrangements where midrange clarity is crucial.

    88%
  • Aesthetics

    89% of users were satisfied with the aesthetics of the Mackie CR4-X Studio Monitor Speaker, appreciating its sleek, modern design that fit well with various interior styles. The visual appeal was frequently mentioned as a contributing factor to their overall enjoyment of the product.

    11% of users were dissatisfied with the aesthetics, feeling that the design was either too plain or not distinctive enough to stand out in their setup. Some users desired more customization options in terms of color or finish.

    89%
  • Brand Reputation

    90% of users expressed satisfaction with the Mackie brand, trusting in its reputation for delivering high-quality audio products. This confidence was reflected in their positive reception of the CR4-X model, which they felt upheld the brand's standards.

    10% of users were dissatisfied with the brand reputation, often due to past experiences with other products or perceived inconsistencies in quality. These users expressed concerns over the brand's ability to consistently deliver reliable products.

    90%
  • Overall Satisfaction

    88% of users reported overall satisfaction with the Mackie CR4-X Studio Monitor Speaker, citing a combination of sound quality, design, and value as reasons for their positive experience. The product met or exceeded their expectations in most areas, leading to high levels of contentment.

    12% of users were dissatisfied overall, often due to specific issues with sound performance or product reliability that overshadowed the positive aspects. These problems prevented them from fully enjoying the speakers as anticipated.

    88%
  • Longevity

    82% of users were satisfied with the longevity of the Mackie CR4-X Studio Monitor Speaker, experiencing consistent performance over time without significant issues. The product's durability reassured users of its long-term value.

    18% of users were dissatisfied with the longevity, encountering problems such as component failure or degradation in sound quality over time. These issues led to concerns about the product's lifespan and overall reliability.

    82%
  • Price to Performance Ratio

    87% of users were satisfied with the price to performance ratio, feeling that the Mackie CR4-X Studio Monitor Speaker delivered excellent value for the cost. Users appreciated the high-quality sound and features offered at a competitive price point.

    13% of users were dissatisfied with the price to performance ratio, believing that the speakers did not provide enough value relative to their cost. Some users felt that competing products offered better performance or features for a similar price.

    87%
  • Setup Process

    91% of users were satisfied with the setup process of the Mackie CR4-X Studio Monitor Speaker, finding it quick and straightforward. The ease of installation allowed users to enjoy their speakers immediately without technical difficulties.

    9% of users were dissatisfied with the setup process, encountering challenges with the instructions or compatibility issues with their existing equipment. These hurdles led to frustration and a less smooth initial experience.

    91%
  • Sound Quality

    85% of users praised the PreSonus ERIS 3.5 Studio Monitor Speaker for its excellent sound quality, highlighting the clear and balanced audio it delivers. Many users appreciated the accurate sound reproduction, which makes these speakers ideal for professional studio settings and home use. The monitors provide a detailed and natural sound that allows users to hear every nuance of their music.

    15% of users expressed dissatisfaction with the sound quality, noting issues with the bass response. Some found the bass to be lacking depth, which can be disappointing for those looking for a fuller sound experience. Additionally, a few users mentioned that the sound can become distorted at higher volumes, which could be a limitation for those using the monitors in larger spaces or for more bass-heavy music.

    85%
  • Build Quality

    80% of users were satisfied with the build quality of the PreSonus ERIS 3.5 Studio Monitor Speaker, appreciating its solid construction and durable materials. The speakers are noted to have a sturdy build that feels reliable and robust, giving users confidence in their longevity and performance over time.

    20% of users were dissatisfied with the build quality, pointing out issues such as the plastic components that felt less premium compared to other studio monitors. Some users reported concerns about the durability of certain parts, such as the knobs and inputs, which they felt could be more robust.

    80%
  • Price to Performance Ratio

    90% of users found the price to performance ratio of the PreSonus ERIS 3.5 Studio Monitor Speaker to be excellent, stating that the monitors offer great value for the price. Users emphasized that these speakers deliver high-quality sound and features typically found in more expensive models, making them an attractive option for budget-conscious buyers.

    10% of users were less satisfied with the price to performance ratio, feeling that although the speakers are affordable, they fall short in certain areas such as power and bass depth compared to slightly more expensive options. These users felt that a modest increase in budget could yield better performance and sound quality.

    90%
  • User Interface

    88% of users appreciated the user interface of the PreSonus ERIS 3.5, finding it intuitive and easy to use. The controls are straightforward, making it easy for users to adjust volume and settings without any hassle. The inclusion of front-panel headphone jack and aux input was also a plus, adding to the overall convenience of use.

    12% of users expressed dissatisfaction with the user interface, particularly with the placement of some controls which they found inconvenient. A few users mentioned that the lack of detailed labeling on some of the controls made it slightly challenging to use for beginners who are not familiar with audio equipment.

    88%
  • Aesthetic and Design

    82% of users liked the aesthetic and design of the PreSonus ERIS 3.5, complimenting its sleek and modern look. The compact size was also a common highlight, as it allows the speakers to fit comfortably in various setups without taking up too much space.

    18% of users were not entirely satisfied with the aesthetic and design, feeling that the speakers could have a more premium look. Some users mentioned that the design was a bit too plain and did not stand out compared to other studio monitors at the same price point.

    82%
  • Ease of Setup

    92% of users found the PreSonus ERIS 3.5 Studio Monitor Speaker easy to set up, appreciating the straightforward setup process that requires minimal technical knowledge. Users highlighted that the clear instructions and simple connectivity options made it quick and hassle-free to get started.

    8% of users had minor complaints regarding the setup process, mainly related to the lack of detailed guidance for more complex audio configurations. A few users experienced initial difficulty in achieving the optimal sound settings, which could be frustrating for those unfamiliar with studio monitors.

    92%
  • Customer Support

    75% of users were satisfied with the customer support provided by PreSonus, noting that their inquiries were handled promptly and professionally. Many users appreciated the helpfulness and knowledge of the support staff, which contributed to a positive overall experience when dealing with technical issues or product queries.

    25% of users expressed dissatisfaction with customer support, citing delays in response times and difficulty in reaching a representative. Some users felt that the solutions provided were not always effective, which led to frustration, especially for those dealing with urgent technical problems.

    75%
  • Bass Response

    70% of users were content with the bass response of the PreSonus ERIS 3.5, stating that for its size, the bass output was adequate for most listening environments. Users appreciated that the bass was clear and not overly exaggerated, which suited their mixing and casual listening needs.

    30% of users were dissatisfied with the bass response, indicating that it was weaker than expected. These users felt that the bass lacked punch and depth, particularly when compared to other monitors in the same price range, making it less suitable for bass-heavy genres.

    70%
  • High Frequency Response

    85% of users praised the high frequency response of the PreSonus ERIS 3.5, noting that the highs were crisp and clear without being harsh. The accurate high-frequency response was particularly appreciated by those involved in audio mixing and production, as it allowed them to pick out fine details in their work.

    15% of users were not entirely satisfied with the high frequency response, mentioning that the highs could sometimes be too bright or piercing at higher volumes. This was particularly noticeable for users who prefer a warmer sound profile or those sensitive to high frequencies.

    85%
  • Midrange Clarity

    88% of users were satisfied with the midrange clarity of the PreSonus ERIS 3.5, emphasizing the natural and detailed sound in the mid frequencies. This clarity was beneficial for music production and critical listening, allowing users to accurately hear vocals and instruments.

    12% of users expressed some dissatisfaction with the midrange clarity, noting that it could sometimes be overshadowed by the highs and lows, especially in complex audio tracks. These users felt that the midrange could be more pronounced to ensure a balanced sound across all frequencies.

    88%
  • Durability

    78% of users were pleased with the durability of the PreSonus ERIS 3.5 Studio Monitor Speaker, reporting that the speakers held up well over time with regular use. The materials used in construction were noted to withstand everyday wear and tear, providing a reliable audio solution.

    22% of users were less satisfied with the durability, mentioning issues such as wear on the outer casing or loose components after extended use. Some users felt that the build quality could be improved to ensure longer-lasting performance, especially for more demanding environments.

    78%
  • Connectivity Options

    80% of users appreciated the connectivity options available with the PreSonus ERIS 3.5, highlighting the variety of inputs that allow for easy integration with different audio setups. The inclusion of both balanced and unbalanced inputs was a particular advantage for users with diverse connectivity needs.

    20% of users felt that the connectivity options could be improved, particularly in terms of modern features such as Bluetooth or wireless connectivity. A few users also mentioned that the input options could be more robust to accommodate a wider range of professional audio equipment.

    80%
  • Volume Range

    84% of users were satisfied with the volume range of the PreSonus ERIS 3.5, finding it sufficient for most home and small studio environments. The speakers are capable of delivering clear sound even at higher volumes without significant distortion, which was appreciated by many.

    16% of users were not entirely satisfied with the volume range, indicating that the maximum volume might not be loud enough for larger rooms or more demanding audio applications. Some users also noted that the sound quality could degrade slightly when reaching the upper limits of the volume range.

    84%
  • Portability

    75% of users were happy with the portability of the PreSonus ERIS 3.5, appreciating the compact size and lightweight nature that makes it easy to move and position in various setups. The speakers are ideal for users who need flexibility in their audio arrangements.

    25% of users were less satisfied with the portability, mentioning that while the size is convenient, the lack of additional features such as a carrying case or handle could make transportation less practical. Some users felt that the design could be optimized further for mobile use.

    75%
  • Warranty and Service

    78% of users were satisfied with the warranty and service provided by PreSonus, noting that the warranty terms were clear and that service requests were generally handled efficiently. Users felt reassured by the company's support commitment, which added value to their purchase.

    22% of users expressed dissatisfaction with the warranty and service, highlighting issues such as unclear warranty coverage and delays in service processing. A few users felt that the warranty period could be longer to better reflect the expected lifespan of the product.

    78%
  • Compatibility with Other Equipment

    85% of users found the PreSonus ERIS 3.5 to be highly compatible with a range of other audio equipment, appreciating the seamless integration with various interfaces, mixers, and computers. This compatibility was particularly beneficial for users with diverse audio setups.

    15% of users experienced compatibility issues, particularly when connecting the monitors to certain audio interfaces or devices. Some users reported needing additional adapters or facing minor technical challenges when setting up the speakers with their existing equipment.

    85%
  • Flexibility and Adjustability

    82% of users were pleased with the flexibility and adjustability of the PreSonus ERIS 3.5, highlighting the ability to fine-tune settings to suit their personal preferences. The acoustic tuning controls were especially appreciated by those looking to optimize their listening environment.

    18% of users felt that the flexibility and adjustability could be improved, suggesting that more advanced tuning options or presets could enhance the user experience. Some users noted that while basic adjustments were possible, they would have appreciated greater control over audio settings.

    82%
  • Overall User Experience

    87% of users reported a positive overall user experience with the PreSonus ERIS 3.5, appreciating the combination of sound quality, ease of use, and value for money. Users found the monitors to be a reliable choice for both professional and personal audio applications, enhancing their listening and production capabilities.

    13% of users had a less favorable overall experience, citing minor issues that collectively impacted their satisfaction. These included concerns about specific features, occasional technical difficulties, or unmet expectations based on their intended use and setup.

    87%
  • Return Policy

    80% of users were content with the return policy for the PreSonus ERIS 3.5, noting that the process for returns and exchanges was straightforward and user-friendly. The ability to return the product within a reasonable time frame provided peace of mind for many buyers.

    20% of users were dissatisfied with the return policy, mentioning that they encountered challenges such as restocking fees or delays in processing refunds. Some users felt that the return window was too short, limiting their ability to fully evaluate the product before committing to their purchase.

    80%
  • Clarity of Instructions

    85% of users were satisfied with the clarity of the instructions provided with the PreSonus ERIS 3.5, finding them easy to follow and informative. Users appreciated the detailed setup guide and troubleshooting tips, which helped them get the most out of their monitors.

    15% of users found the instructions lacking, indicating that certain aspects were not clearly explained or required additional clarification. These users felt that more comprehensive guidance, especially for first-time users of studio monitors, would enhance the overall setup experience.

    85%
  • Longevity

    78% of users reported satisfaction with the longevity of the PreSonus ERIS 3.5, noting that the speakers maintained their performance and sound quality over time. Users felt confident in the product's ability to deliver consistent results with regular use.

    22% of users expressed concerns about the longevity, mentioning issues such as sound degradation or component failures after extended use. Some users felt that the product lifespan could be improved, especially considering the investment in studio-quality equipment.

    78%
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Pros:
  • Affordable price point for budget-conscious buyers.
  • Compact size, making them suitable for small spaces.
  • Balanced sound output with a good frequency range for studio monitoring.
  • Attractive and modern design.
  • Front panel headphone out with volume control for convenience.
  • Compact size makes it suitable for small spaces.
  • Affordable price point for budget-conscious buyers.
  • Offers a balanced and clear sound quality.
  • Includes a range of input options for versatility.
  • Front-facing headphone jack for easy access.
  • High and low-frequency controls for sound customization.
Cons:
  • Limited bass response compared to larger monitors.
  • May not be suitable for professional-level audio production.
  • Power output may not suffice for larger rooms.
  • Some users report durability concerns over time.
  • Limited bass response due to small size.
  • Not suitable for large rooms or professional studios.
  • Plastic build may not appeal to everyone.
  • No Bluetooth connectivity option.
Key Specs
Monitor Type & Configuration
Active 2-Way Active 2-Way
Total Power Output
50 W per Monitor 25 W RMS per Monitor
Tweeter
1x 0.75" / 19.1 mm Silk Dome 1x 1" / 25.4 mm Silk Dome
Woofer
1x 4" / 10.16 cm Polypropylene Cone
1x 3.5" / 11.4 cm Cone
Frequency Range
60 Hz to 20 kHz (-10 dB)
65 Hz to 20 kHz (-3 dB)
80 Hz to 20 kHz
Audio I/O
2x 1/4" TRS Balanced/Unbalanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Input
2x Push Terminal Unbalanced Output
1x 1/8" / 3.5 mm TRS Unbalanced Output
2x 1/4" TRS Balanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Input
2x Binding Post Pair Output
1x 1/8" / 3.5 mm TRS Headphone Output
Digital Audio I/O
Network I/O
Wireless

The Mackie CR4-X and the PreSonus ERIS 3.5 are both active 2-way studio monitor speakers designed for personal and professional audio applications. The CR4-X delivers a total power output of 50 W per monitor, significantly more than the ERIS 3.5, which has a total power output of 25 W RMS per monitor. This higher power rating of the Mackie model may result in a louder and more dynamic listening experience.Show More


In terms of driver specifications, the Mackie CR4-X features a 1x 0.75" silk dome tweeter and a 1x 4" polypropylene cone woofer. In contrast, the PreSonus ERIS 3.5 includes a 1x 1" silk dome tweeter and a smaller 1x 3.5" cone woofer. The larger woofer in the Mackie model contributes to a lower frequency response, with a frequency range of 60 Hz to 20 kHz (-10 dB) and 65 Hz to 20 kHz (-3 dB). The ERIS 3.5 has a narrower frequency range, extending from 80 Hz to 20 kHz, which may limit its bass response compared to the CR4-X.


Both monitors offer a variety of audio input options, including 2x 1/4" TRS balanced inputs, 1x stereo 2RCA unbalanced input, and 1x 1/8" TRS unbalanced input. However, the Mackie CR4-X also includes 2x push terminal unbalanced outputs and a 1/8" TRS unbalanced output, providing more connectivity options. The PreSonus ERIS 3.5 features binding post pair outputs and a 1/8" TRS headphone output, giving users the ability to monitor audio directly without additional equipment.


Neither model features digital audio I/O, network I/O, or wireless capabilities, making them strictly analog studio monitors. Ultimately, the choice between the Mackie CR4-X and the PreSonus ERIS 3.5 will depend on the specific needs and preferences of users, particularly regarding power output, driver size, and connectivity options.

General
Number of Included Monitors
Stereo Pair Stereo Pair
Enclosure
Bass-Reflex/Ported Bass-Reflex/Ported
Total Power Output
50 W per Monitor 25 W RMS per Monitor

The Mackie CR4-X Studio Monitor Speaker and the PreSonus ERIS 3.5 Studio Monitor Speaker both feature a stereo pair configuration, making them suitable for creating a balanced audio environment for music production or mixing. Each monitor in the Mackie set is designed to provide a more powerful audio experience with a total power output of 50 W per monitor. In contrast, the PreSonus monitors offer a lower total power output of 25 W RMS per monitor, which may result in a quieter performance, especially in larger spaces.Show More


Both models utilize a bass-reflex/ported enclosure, which enhances low-frequency response and overall sound quality. This design feature is critical for studio monitors, as it allows for better bass reproduction, which can be essential for mixing and mastering music. While both speakers excel in this area, the Mackie CR4-X's higher power output may provide a more dynamic range and clarity in bass-heavy tracks compared to the PreSonus ERIS 3.5.


In summary, the Mackie CR4-X Studio Monitor Speaker stands out with its higher power output of 50 W per monitor, offering greater volume and potentially richer sound quality. Meanwhile, the PreSonus ERIS 3.5, while still a solid option with its 25 W RMS per monitor, may be more suitable for smaller spaces or users who prioritize a more compact design. Ultimately, the choice between these two models will depend on the specific audio needs and environment of the user.

Drivers per Monitor
Tweeter
1x 0.75" / 19.1 mm Silk Dome 1x 1" / 25.4 mm Silk Dome
Woofer
1x 4" / 10.16 cm Polypropylene Cone
1x 3.5" / 11.4 cm Cone
Amplifiers
Full-Range: 50 W Peak Class-D Full-Range: 2 x 25 W RMS Class-AB

The Mackie CR4-X Studio Monitor Speaker features a 0.75" silk dome tweeter and a 4" polypropylene cone woofer, providing a balanced sound profile suitable for various audio applications. With a total power output of 50 W peak Class-D amplification, these monitors are designed to deliver impactful sound, making them ideal for both casual listening and professional monitoring environments.Show More


In contrast, the PreSonus ERIS 3.5 Studio Monitor Speaker is equipped with a 1" silk dome tweeter and a smaller 3.5" cone woofer. The speaker's amplification is rated at 2 x 25 W RMS Class-AB, which provides a clear and accurate sound reproduction but with less power than the Mackie model. The smaller woofer size may limit the bass response compared to the CR4-X, but it allows for a more compact design that can fit into tighter spaces.


Both models utilize silk dome tweeters, which are known for their smooth high-frequency response. However, the Mackie CR4-X boasts a larger woofer, allowing it to produce deeper bass tones, while the PreSonus ERIS 3.5 takes a more compact approach, potentially favoring clarity and precision over power. Ultimately, the choice between these two studio monitors may depend on the specific requirements of the user, including space constraints and the desired audio characteristics.

Performance
Frequency Range
60 Hz to 20 kHz (-10 dB)
65 Hz to 20 kHz (-3 dB)
80 Hz to 20 kHz
Maximum Sound Pressure Level (SPL)
100 dB 97 dB

When comparing the Mackie CR4-X Studio Monitor Speaker and the PreSonus ERIS 3.5 Studio Monitor Speaker, one of the key differentiators is their frequency range. The Mackie CR4-X offers a frequency range of 60 Hz to 20 kHz (-10 dB) and 65 Hz to 20 kHz (-3 dB), which allows for a broader low-end response compared to the PreSonus ERIS 3.5, which has a frequency range of 80 Hz to 20 kHz. This gives the Mackie CR4-X an advantage in delivering deeper bass frequencies, which can enhance the overall sound experience in music production and mixing.Show More


Another important aspect to consider is the maximum sound pressure level (SPL) of each speaker. The Mackie CR4-X boasts a maximum SPL of 100 dB, providing a louder output which can be beneficial in larger studio environments or when higher volume levels are required. In contrast, the PreSonus ERIS 3.5 has a maximum SPL of 97 dB, making it slightly less powerful in terms of output. This difference may affect the listening experience depending on the user's specific needs and the size of the space in which the monitors are used.


Additionally, the PreSonus ERIS 3.5 features protections and limiting through output current limiting, which can help prevent damage to the speaker during high-volume playback. The Mackie CR4-X does not specify similar protection features, which may be a consideration for users who prioritize durability and reliability in their equipment. Overall, while both studio monitors offer valuable features, the choice between the Mackie CR4-X and PreSonus ERIS 3.5 will largely depend on the user's specific requirements regarding frequency response, output volume, and protective measures.

Signal Processing
EQ
1x HF Shelf
1x LF Shelf
Phase Adjustment

The Mackie CR4-X Studio Monitor Speaker is a straightforward option for those seeking reliable sound reproduction without the complexities of additional features. It lacks an EQ, filters, and parametric EQ, providing a more neutral listening experience. With a crossover frequency set at 3 kHz, this monitor focuses on delivering balanced audio across the frequency spectrum without customizable adjustments. The absence of a phase adjustment further solidifies its simplicity, making it a solid choice for users who prefer a plug-and-play solution without the need for extensive sound tailoring.Show More


In contrast, the PreSonus ERIS 3.5 Studio Monitor Speaker offers a bit more flexibility with its built-in EQ capabilities. It features a 1x HF Shelf and 1x LF Shelf, allowing users to make basic adjustments to high and low frequencies to better suit their listening environment or personal preferences. Similar to the Mackie model, the PreSonus monitor also does not include a phase adjustment, which keeps the user experience straightforward. However, the inclusion of EQ options provides a level of customization that may appeal to those who want to fine-tune their audio output.


When comparing these two speakers, the key difference lies in the EQ capabilities. The Mackie CR4-X is designed for those who favor a more direct approach to monitoring without the need for additional sound shaping tools, while the PreSonus ERIS 3.5 caters to users looking for some degree of control over their audio with its shelving EQ features. Ultimately, the choice between these two will depend on the user's preference for simplicity versus a modest degree of customization.

Connectivity
Audio I/O
2x 1/4" TRS Balanced/Unbalanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Input
2x Push Terminal Unbalanced Output
1x 1/8" / 3.5 mm TRS Unbalanced Output
2x 1/4" TRS Balanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Input
2x Binding Post Pair Output
1x 1/8" / 3.5 mm TRS Headphone Output
Digital Audio I/O
Network I/O
USB
Wireless

The Mackie CR4-X Studio Monitor Speaker features a versatile set of audio inputs, including 2x 1/4" TRS Balanced/Unbalanced Inputs, 1x Stereo 2RCA Unbalanced Input, and 1x 1/8" / 3.5 mm TRS Unbalanced Input. Additionally, it offers 2x Push Terminal Unbalanced Outputs and 1x 1/8" / 3.5 mm TRS Unbalanced Output. This variety allows for flexible connectivity with different audio sources and devices.Show More


In comparison, the PreSonus ERIS 3.5 Studio Monitor Speaker also provides a range of audio I/O options, including 2x 1/4" TRS Balanced Inputs, 1x Stereo 2RCA Unbalanced Input, and 1x 1/8" / 3.5 mm TRS Unbalanced Input. However, it differs slightly in output options with 2x Binding Post Pair Outputs and an added 1x 1/8" / 3.5 mm TRS Headphone Output, making it convenient for headphone monitoring directly from the monitor.


Both speakers lack Digital Audio I/O, Network I/O, USB, Wireless, and Mobile App Compatibility, indicating that they are focused primarily on traditional analog connections. The Mackie CR4-X and PreSonus ERIS 3.5 thus cater to users who prefer straightforward connectivity without digital integration.

Physical
Color
Black Black
Monitor Orientation
Vertical Vertical
Dimensions (W x H x D)
6.1 x 8.9 x 8.3" / 15.5 x 22.6 x 21.1 cm (Each) 5.5 x 8.3 x 6" / 139.7 x 210.8 x 152.4 mm (Each)
Weight
10.1 lb / 4.6 kg (Pair) 3.1 lb / 1.4 kg (Pair)

The Mackie CR4-X Studio Monitor Speaker features a sleek black finish and is designed for vertical monitor orientation. Constructed from MDF, it ensures durability while maintaining sound quality. With an operating temperature range of 32 to 104°F / 0 to 40°C, this model is versatile for various environments. The dimensions of each speaker are 6.1 x 8.9 x 8.3 inches (15.5 x 22.6 x 21.1 cm), and the pair weighs a total of 10.1 lb / 4.6 kg, making it a solid option for studio setups.Show More


In contrast, the PreSonus ERIS 3.5 Studio Monitor Speaker also comes in a black color and maintains a vertical monitor orientation. However, it has a more compact design with dimensions of 5.5 x 8.3 x 6 inches (139.7 x 210.8 x 152.4 mm) for each speaker. This model is significantly lighter, with a total weight of 3.1 lb / 1.4 kg for the pair, making it easier to transport and fit into smaller studio spaces.


Both models offer excellent audio performance, but the Mackie CR4-X provides a larger speaker size and weight, potentially translating to deeper bass and higher sound pressure levels. Meanwhile, the PreSonus ERIS 3.5 focuses on portability and space efficiency, ideal for users with limited workspace or those who prioritize mobility in their monitoring setup.

Packaging Info
Package Weight
11.635 lb 8.785 lb
Box Dimensions (LxWxH)
19.9 x 10.9 x 8.9" 15.4 x 11.5 x 8.9"

The Mackie CR4-X Studio Monitor Speaker has a package weight of 11.635 lb, making it somewhat heavier than its competitor. This weight could imply a more robust build quality or additional features that contribute to its overall performance. The box dimensions are 19.9 x 10.9 x 8.9", which indicate a larger footprint that may impact placement options in smaller studio spaces.Show More


In contrast, the PreSonus ERIS 3.5 Studio Monitor Speaker is lighter, with a package weight of 8.785 lb. This lighter weight can be advantageous for those who need to transport their studio monitors frequently or have limited space. The box dimensions for the ERIS 3.5 are 15.4 x 11.5 x 8.9", making it more compact and potentially easier to fit in tight studio environments or on smaller desks.


In summary, the Mackie CR4-X offers a sturdier option with its heavier weight and larger dimensions, while the PreSonus ERIS 3.5 provides a more portable and compact solution for users with space constraints. Choosing between these two studio monitors will depend on the specific requirements of your studio setup and personal preferences in terms of size and weight.

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