PreSonus ERIS 3.5 vs Yamaha HS4: Which Studio Monitor Is Right for You?

PreSonus ERIS 3.5 vs Yamaha HS4: Which Studio Monitor Is Right for You?

The PreSonus ERIS 3.5 Studio Monitor Speaker and the Yamaha HS4 Studio Monitor are both popular choices among audio enthusiasts and professionals looking for reliable studio monitors. The PreSonus ERIS 3.5 is known for its compact size and affordability, making it a great option for smaller studios or home setups. It features a 3.5-inch Kevlar low-frequency driver and a 1-inch silk dome tweeter, providing a balanced and accurate sound. The ERIS 3.5 also includes acoustic tuning controls, allowing users to adjust the sound to fit their room acoustics, and offers multiple input options such as RCA, TRS, and an auxiliary input, enhancing its versatility.


On the other hand, the Yamaha HS4 Studio Monitor is part of the renowned HS series, known for its exceptional sound accuracy and performance. The HS4 features a 4-inch cone woofer and a 1-inch dome tweeter, delivering a precise and clear sound that is ideal for professional mixing and mastering. Yamaha's signature white-cone design is not just aesthetic but also ensures minimal distortion and a flat response. The HS4 is equipped with Room Control and High Trim response controls, allowing users to tailor the sound to their specific environment. Its build quality is robust, often preferred by professionals who require consistent and reliable performance over long periods.


In summary, if you're looking for a budget-friendly, compact option with decent sound quality and flexibility, the PreSonus ERIS 3.5 is a solid choice. It's particularly suitable for beginners or those with limited space. Conversely, the Yamaha HS4 is better suited for those who prioritize sound accuracy and quality, especially in a professional setting where precise audio monitoring is crucial. While the HS4 is generally more expensive than the ERIS 3.5, its performance justifies the investment for serious audio work. Both monitors have their strengths, and the choice ultimately depends on the specific needs and budget of the user.

In the following sections, we will delve into a comprehensive comparison of the specifications, advantages, and disadvantages of the PreSonus ERIS 3.5 and Yamaha HS4 studio monitors. Our detailed analysis will provide you with the insights needed to make an informed choice between these two popular options.

In-Depth Comparison of PreSonus ERIS 3.5 and Yamaha HS4

User Rating Based on Analysis of Reviews
  • Purchase Value

    85% of users were satisfied with the purchase value of the Yamaha HS4 Studio Monitor Speaker. Many praised its affordability relative to the quality of sound it delivers, noting that it offers a great entry point for budding audio enthusiasts and professionals alike. Users appreciated the balance between cost and performance, highlighting that it provides a professional grade output without breaking the bank.

    15% of users expressed dissatisfaction with the purchase value. Some felt that despite its reasonable price, the speaker lacked certain advanced features found in higher-end models, which could limit its utility for more demanding professional applications. Others believed that the price could be slightly lower given the competition in the market.

    85%
  • Sound Quality

    90% of users were pleased with the sound quality of the Yamaha HS4. They highlighted the clarity and precision across different frequencies, making it ideal for mixing and mastering tracks. Users particularly appreciated the flat response, which provides an accurate representation of their audio projects without coloration.

    10% of users were not completely satisfied with the sound quality. Some critiques were directed towards the bass response, which a few users found to be lacking in depth. Others noted that the sound could be too clinical or sterile, which might not appeal to those who prefer a warmer audio signature.

    90%
  • Build Quality

    88% of users were satisfied with the build quality of the Yamaha HS4 Studio Monitor Speaker. They noted the sturdy construction and the high-quality materials used, which contribute to its durability. Many users felt confident in the speaker's longevity, even with frequent use.

    12% of users were disappointed with the build quality. Some users reported issues with the finish, stating that it could be prone to scratches or marks easily. A few others mentioned concerns over the plastic components, which they felt detracted from an otherwise robust design.

    88%
  • Design

    87% of users were satisfied with the design of the Yamaha HS4. Many appreciated its sleek, minimalist look, which fits well in various studio settings. The compact size was also praised, as it allows for easy placement even in smaller spaces without compromising on sound output.

    13% of users had some issues with the design. A few users found the design to be too simplistic and lacking in aesthetic appeal. Others mentioned that the positioning of certain controls was not intuitive, making it a bit cumbersome to adjust settings quickly.

    87%
  • Ease of Setup

    92% of users were very satisfied with how easy it was to set up the Yamaha HS4. The majority found the plug-and-play nature of the speakers straightforward, requiring minimal technical knowledge. The clear instructions provided further facilitated a smooth setup process.

    8% of users encountered difficulties during the setup process. Some users noted that the lack of included cables required additional purchases, which was an inconvenience. Others mentioned that the manual could be more detailed for those unfamiliar with audio equipment setup.

    92%
  • Size and Portability

    75% of users were satisfied with the size and portability of the Yamaha HS4. They appreciated its compact dimensions, which make it suitable for home studios and easy to move around as needed.

    25% of users were not fully satisfied with the size and portability. Some found the speaker to be heavier than expected, making it less portable. Others wished for a more compact design that could better accommodate smaller workspaces.

    75%
  • Frequency Response

    89% of users were satisfied with the frequency response of the Yamaha HS4. Users praised its ability to provide a detailed and accurate sound across a wide range of frequencies, which is crucial for high-quality audio production.

    11% of users expressed concerns over the frequency response. Some felt that the lower frequencies were not as pronounced as they would like, impacting the overall listening experience, especially for bass-heavy genres.

    89%
  • Durability

    86% of users were satisfied with the durability of the Yamaha HS4. They highlighted its solid build and resistance to wear and tear after extended use, making it a reliable choice for long-term use.

    14% of users had concerns regarding durability. Some reported issues with components failing after a period of use, which led to questions about the speaker's long-term reliability. Others noted that the finish was prone to fading or scratches over time.

    86%
  • Bass Performance

    80% of users were satisfied with the bass performance of the Yamaha HS4. They found it satisfactory for most production needs, offering a clean and tight bass response that aids in accurate audio monitoring.

    20% of users were not satisfied with the bass performance. Several users felt that the bass lacked depth and power, making it less suitable for genres that rely heavily on low frequencies. This led some to pair the monitor with a subwoofer for improved bass response.

    80%
  • Treble Performance

    90% of users were satisfied with the treble performance of the Yamaha HS4. They appreciated the clarity and sharpness in the higher frequencies, which enhances the overall listening and production experience by revealing intricate details.

    10% of users had issues with the treble performance. A few users reported that the treble could be too pronounced, leading to listener fatigue over long sessions. Others suggested that the high frequencies could sound slightly harsh at higher volumes.

    90%
  • Midrange Performance

    91% of users were highly satisfied with the midrange performance of the Yamaha HS4. They lauded its ability to deliver clear and balanced mid frequencies, crucial for vocals and instruments, which makes it a favorite for music production.

    9% of users expressed some dissatisfaction with the midrange performance. Some felt that the mid frequencies could occasionally get overshadowed by the highs, causing a slight imbalance in the sound profile.

    91%
  • Connectivity Options

    78% of users were satisfied with the connectivity options of the Yamaha HS4. They appreciated the standard input options available, which are sufficient for most studio setups.

    22% of users were dissatisfied with the connectivity options. Some users desired more versatile connectivity options, such as Bluetooth or additional input types, to better integrate with modern audio equipment and workflows.

    78%
  • Customer Support

    82% of users were satisfied with the customer support provided by Yamaha. Many found the support team to be responsive and knowledgeable, assisting effectively with setup and troubleshooting inquiries.

    18% of users were dissatisfied with customer support experiences. Some reported delays in response times or perceived a lack of detailed technical support, which impacted their overall satisfaction with the product.

    82%
  • Warranty

    84% of users were satisfied with the warranty offered for the Yamaha HS4. They appreciated the peace of mind that the warranty provided, ensuring coverage for potential defects or issues.

    16% of users were not satisfied with the warranty terms. Some found the duration of coverage to be shorter than expected, while others encountered challenges in claiming warranty services, which affected their perception of the product's value.

    84%
  • Volume Output

    88% of users were satisfied with the volume output of the Yamaha HS4. Users appreciated its ability to deliver sufficient volume levels for a variety of studio settings without distortion, making it versatile for different production environments.

    12% of users were not fully satisfied with the volume output. Some found the maximum volume to be lower than expected, especially in larger studio spaces, which necessitated the use of additional amplification equipment.

    88%
  • Brand Reputation

    93% of users were satisfied with Yamaha's brand reputation, noting the company's long-standing history and credibility in producing high-quality audio equipment. Users felt confident purchasing from a trusted brand known for reliability and innovation.

    7% of users had concerns despite Yamaha's reputation. Some felt that the brand's popularity might lead to complacency in innovation, while a few others had past experiences with other Yamaha products that did not meet their expectations, affecting their trust.

    93%
  • User Manual

    81% of users found the user manual for the Yamaha HS4 to be helpful. They valued the clarity and comprehensiveness of the instructions, which aided them in understanding the setup process and basic troubleshooting.

    19% of users were dissatisfied with the user manual. Some users found it lacking in detail, particularly for advanced features or troubleshooting issues, which led to some frustration during initial setup and use.

    81%
  • Aesthetics

    85% of users appreciated the aesthetics of the Yamaha HS4. They praised its modern and professional look, which complements a wide range of studio environments and enhances the overall workspace ambiance.

    15% of users were not completely satisfied with the aesthetics. Some thought the design was too plain or lacked personality, suggesting that more color options or design variations could enhance its appeal.

    85%
  • Overall User Experience

    88% of users reported a positive overall experience with the Yamaha HS4. They commended its reliable performance, ease of use, and the significant improvement it brought to their audio production setups.

    12% of users had a less favorable overall experience. Some users encountered technical issues or had expectations set by other products that were not met by the HS4, leading to a less satisfying interaction with the product.

    88%
  • Value for Professionals

    86% of users, particularly those in professional settings, found value in the Yamaha HS4. They noted its reliable performance and sound accuracy as key factors that make it a strong tool in professional audio production.

    14% of professional users felt that the Yamaha HS4 fell short in delivering value. Some believed it lacked certain high-end features necessary for more complex production tasks, which might limit its use in professional studios compared to more premium models.

    86%
  • Sound Quality

    85% of users praised the PreSonus ERIS 3.5 Studio Monitor Speaker for its excellent sound quality, highlighting the clear and balanced audio it delivers. Many users appreciated the accurate sound reproduction, which makes these speakers ideal for professional studio settings and home use. The monitors provide a detailed and natural sound that allows users to hear every nuance of their music.

    15% of users expressed dissatisfaction with the sound quality, noting issues with the bass response. Some found the bass to be lacking depth, which can be disappointing for those looking for a fuller sound experience. Additionally, a few users mentioned that the sound can become distorted at higher volumes, which could be a limitation for those using the monitors in larger spaces or for more bass-heavy music.

    85%
  • Build Quality

    80% of users were satisfied with the build quality of the PreSonus ERIS 3.5 Studio Monitor Speaker, appreciating its solid construction and durable materials. The speakers are noted to have a sturdy build that feels reliable and robust, giving users confidence in their longevity and performance over time.

    20% of users were dissatisfied with the build quality, pointing out issues such as the plastic components that felt less premium compared to other studio monitors. Some users reported concerns about the durability of certain parts, such as the knobs and inputs, which they felt could be more robust.

    80%
  • Price to Performance Ratio

    90% of users found the price to performance ratio of the PreSonus ERIS 3.5 Studio Monitor Speaker to be excellent, stating that the monitors offer great value for the price. Users emphasized that these speakers deliver high-quality sound and features typically found in more expensive models, making them an attractive option for budget-conscious buyers.

    10% of users were less satisfied with the price to performance ratio, feeling that although the speakers are affordable, they fall short in certain areas such as power and bass depth compared to slightly more expensive options. These users felt that a modest increase in budget could yield better performance and sound quality.

    90%
  • User Interface

    88% of users appreciated the user interface of the PreSonus ERIS 3.5, finding it intuitive and easy to use. The controls are straightforward, making it easy for users to adjust volume and settings without any hassle. The inclusion of front-panel headphone jack and aux input was also a plus, adding to the overall convenience of use.

    12% of users expressed dissatisfaction with the user interface, particularly with the placement of some controls which they found inconvenient. A few users mentioned that the lack of detailed labeling on some of the controls made it slightly challenging to use for beginners who are not familiar with audio equipment.

    88%
  • Aesthetic and Design

    82% of users liked the aesthetic and design of the PreSonus ERIS 3.5, complimenting its sleek and modern look. The compact size was also a common highlight, as it allows the speakers to fit comfortably in various setups without taking up too much space.

    18% of users were not entirely satisfied with the aesthetic and design, feeling that the speakers could have a more premium look. Some users mentioned that the design was a bit too plain and did not stand out compared to other studio monitors at the same price point.

    82%
  • Ease of Setup

    92% of users found the PreSonus ERIS 3.5 Studio Monitor Speaker easy to set up, appreciating the straightforward setup process that requires minimal technical knowledge. Users highlighted that the clear instructions and simple connectivity options made it quick and hassle-free to get started.

    8% of users had minor complaints regarding the setup process, mainly related to the lack of detailed guidance for more complex audio configurations. A few users experienced initial difficulty in achieving the optimal sound settings, which could be frustrating for those unfamiliar with studio monitors.

    92%
  • Customer Support

    75% of users were satisfied with the customer support provided by PreSonus, noting that their inquiries were handled promptly and professionally. Many users appreciated the helpfulness and knowledge of the support staff, which contributed to a positive overall experience when dealing with technical issues or product queries.

    25% of users expressed dissatisfaction with customer support, citing delays in response times and difficulty in reaching a representative. Some users felt that the solutions provided were not always effective, which led to frustration, especially for those dealing with urgent technical problems.

    75%
  • Bass Response

    70% of users were content with the bass response of the PreSonus ERIS 3.5, stating that for its size, the bass output was adequate for most listening environments. Users appreciated that the bass was clear and not overly exaggerated, which suited their mixing and casual listening needs.

    30% of users were dissatisfied with the bass response, indicating that it was weaker than expected. These users felt that the bass lacked punch and depth, particularly when compared to other monitors in the same price range, making it less suitable for bass-heavy genres.

    70%
  • High Frequency Response

    85% of users praised the high frequency response of the PreSonus ERIS 3.5, noting that the highs were crisp and clear without being harsh. The accurate high-frequency response was particularly appreciated by those involved in audio mixing and production, as it allowed them to pick out fine details in their work.

    15% of users were not entirely satisfied with the high frequency response, mentioning that the highs could sometimes be too bright or piercing at higher volumes. This was particularly noticeable for users who prefer a warmer sound profile or those sensitive to high frequencies.

    85%
  • Midrange Clarity

    88% of users were satisfied with the midrange clarity of the PreSonus ERIS 3.5, emphasizing the natural and detailed sound in the mid frequencies. This clarity was beneficial for music production and critical listening, allowing users to accurately hear vocals and instruments.

    12% of users expressed some dissatisfaction with the midrange clarity, noting that it could sometimes be overshadowed by the highs and lows, especially in complex audio tracks. These users felt that the midrange could be more pronounced to ensure a balanced sound across all frequencies.

    88%
  • Durability

    78% of users were pleased with the durability of the PreSonus ERIS 3.5 Studio Monitor Speaker, reporting that the speakers held up well over time with regular use. The materials used in construction were noted to withstand everyday wear and tear, providing a reliable audio solution.

    22% of users were less satisfied with the durability, mentioning issues such as wear on the outer casing or loose components after extended use. Some users felt that the build quality could be improved to ensure longer-lasting performance, especially for more demanding environments.

    78%
  • Connectivity Options

    80% of users appreciated the connectivity options available with the PreSonus ERIS 3.5, highlighting the variety of inputs that allow for easy integration with different audio setups. The inclusion of both balanced and unbalanced inputs was a particular advantage for users with diverse connectivity needs.

    20% of users felt that the connectivity options could be improved, particularly in terms of modern features such as Bluetooth or wireless connectivity. A few users also mentioned that the input options could be more robust to accommodate a wider range of professional audio equipment.

    80%
  • Volume Range

    84% of users were satisfied with the volume range of the PreSonus ERIS 3.5, finding it sufficient for most home and small studio environments. The speakers are capable of delivering clear sound even at higher volumes without significant distortion, which was appreciated by many.

    16% of users were not entirely satisfied with the volume range, indicating that the maximum volume might not be loud enough for larger rooms or more demanding audio applications. Some users also noted that the sound quality could degrade slightly when reaching the upper limits of the volume range.

    84%
  • Portability

    75% of users were happy with the portability of the PreSonus ERIS 3.5, appreciating the compact size and lightweight nature that makes it easy to move and position in various setups. The speakers are ideal for users who need flexibility in their audio arrangements.

    25% of users were less satisfied with the portability, mentioning that while the size is convenient, the lack of additional features such as a carrying case or handle could make transportation less practical. Some users felt that the design could be optimized further for mobile use.

    75%
  • Warranty and Service

    78% of users were satisfied with the warranty and service provided by PreSonus, noting that the warranty terms were clear and that service requests were generally handled efficiently. Users felt reassured by the company's support commitment, which added value to their purchase.

    22% of users expressed dissatisfaction with the warranty and service, highlighting issues such as unclear warranty coverage and delays in service processing. A few users felt that the warranty period could be longer to better reflect the expected lifespan of the product.

    78%
  • Compatibility with Other Equipment

    85% of users found the PreSonus ERIS 3.5 to be highly compatible with a range of other audio equipment, appreciating the seamless integration with various interfaces, mixers, and computers. This compatibility was particularly beneficial for users with diverse audio setups.

    15% of users experienced compatibility issues, particularly when connecting the monitors to certain audio interfaces or devices. Some users reported needing additional adapters or facing minor technical challenges when setting up the speakers with their existing equipment.

    85%
  • Flexibility and Adjustability

    82% of users were pleased with the flexibility and adjustability of the PreSonus ERIS 3.5, highlighting the ability to fine-tune settings to suit their personal preferences. The acoustic tuning controls were especially appreciated by those looking to optimize their listening environment.

    18% of users felt that the flexibility and adjustability could be improved, suggesting that more advanced tuning options or presets could enhance the user experience. Some users noted that while basic adjustments were possible, they would have appreciated greater control over audio settings.

    82%
  • Overall User Experience

    87% of users reported a positive overall user experience with the PreSonus ERIS 3.5, appreciating the combination of sound quality, ease of use, and value for money. Users found the monitors to be a reliable choice for both professional and personal audio applications, enhancing their listening and production capabilities.

    13% of users had a less favorable overall experience, citing minor issues that collectively impacted their satisfaction. These included concerns about specific features, occasional technical difficulties, or unmet expectations based on their intended use and setup.

    87%
  • Return Policy

    80% of users were content with the return policy for the PreSonus ERIS 3.5, noting that the process for returns and exchanges was straightforward and user-friendly. The ability to return the product within a reasonable time frame provided peace of mind for many buyers.

    20% of users were dissatisfied with the return policy, mentioning that they encountered challenges such as restocking fees or delays in processing refunds. Some users felt that the return window was too short, limiting their ability to fully evaluate the product before committing to their purchase.

    80%
  • Clarity of Instructions

    85% of users were satisfied with the clarity of the instructions provided with the PreSonus ERIS 3.5, finding them easy to follow and informative. Users appreciated the detailed setup guide and troubleshooting tips, which helped them get the most out of their monitors.

    15% of users found the instructions lacking, indicating that certain aspects were not clearly explained or required additional clarification. These users felt that more comprehensive guidance, especially for first-time users of studio monitors, would enhance the overall setup experience.

    85%
  • Longevity

    78% of users reported satisfaction with the longevity of the PreSonus ERIS 3.5, noting that the speakers maintained their performance and sound quality over time. Users felt confident in the product's ability to deliver consistent results with regular use.

    22% of users expressed concerns about the longevity, mentioning issues such as sound degradation or component failures after extended use. Some users felt that the product lifespan could be improved, especially considering the investment in studio-quality equipment.

    78%
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Pros:
  • Exceptional sound clarity and accuracy, making them ideal for professional audio mixing.
  • Compact design suitable for smaller studio spaces.
  • Built-in bi-amplification for optimized performance.
  • Room control and high trim response controls allow for customization based on the room acoustics.
  • Compact size makes it suitable for small spaces.
  • Affordable price point for budget-conscious buyers.
  • Offers a balanced and clear sound quality.
  • Includes a range of input options for versatility.
  • Front-facing headphone jack for easy access.
  • High and low-frequency controls for sound customization.
Cons:
  • Limited low-frequency response may require an additional subwoofer for bass-heavy productions.
  • Higher price point compared to entry-level monitors.
  • Some users may find the neutral sound less engaging for casual listening.
  • Lack of additional input options such as Bluetooth or AUX.
  • Limited bass response due to small size.
  • Not suitable for large rooms or professional studios.
  • Plastic build may not appeal to everyone.
  • No Bluetooth connectivity option.
Key Specs
Monitor Type & Configuration
Active 2-Way Active 2-Way
Total Power Output
26 W per Monitor 25 W RMS per Monitor
Tweeter
1x 1" / 25.4 mm Dome 1x 1" / 25.4 mm Silk Dome
Woofer
1x 4.5" / 11.4 cm Cone
1x 3.5" / 11.4 cm Cone
Frequency Range
83 Hz to 20 kHz (-3 dB)
60 Hz to 22 kHz (-10 dB)
80 Hz to 20 kHz
Audio I/O
2x Combo XLR-1/4" TRS Balanced Mic/Line Input (20 Kilohms)
1x 1/8" / 3.5 mm TRS Unbalanced Line Input (10 Kilohms)
1x Stereo 2RCA Unbalanced Line Input (10 Kilohms)
1x 1/8" / 3.5 mm TRS Speaker Input
1x 1/8" / 3.5 mm TRS Headphone Output
1x Binding Post Pair Speaker Output
2x 1/4" TRS Balanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Input
2x Binding Post Pair Output
1x 1/8" / 3.5 mm TRS Headphone Output
Digital Audio I/O
Network I/O
Wireless

When comparing the PreSonus ERIS 3.5 and Yamaha HS4 studio monitor speakers, both are active 2-way monitors designed for professional audio applications, but they differ slightly in specifications and performance. The PreSonus ERIS 3.5 features a total power output of 25 W RMS per monitor, while the Yamaha HS4 offers a marginally higher output at 26 W per monitor. This power difference may contribute to slight variations in volume and headroom during playback.Show More


In terms of driver configuration, the PreSonus ERIS 3.5 is equipped with a 3.5-inch cone woofer and a 1-inch silk dome tweeter, whereas the Yamaha HS4 utilizes a 4.5-inch cone woofer and a 1-inch dome tweeter. The larger woofer in the HS4 is likely to provide improved low-frequency response, with a frequency range of 60 Hz to 22 kHz (-10 dB) compared to the ERIS 3.5's 80 Hz to 20 kHz. This gives the HS4 an advantage in delivering a fuller bass response.


Both monitors offer a variety of audio input options. The PreSonus ERIS 3.5 includes 2x 1/4" TRS balanced inputs, a stereo 2RCA unbalanced input, and an 1/8" TRS unbalanced input. In contrast, the Yamaha HS4 provides 2x combo XLR-1/4" TRS balanced mic/line inputs, along with similar unbalanced inputs. This flexibility in connections makes the HS4 more versatile for various audio sources, giving it an edge in professional environments.


Ultimately, both the PreSonus ERIS 3.5 and Yamaha HS4 have their strengths, with the HS4 being slightly more powerful and capable of delivering better low-end performance, while the ERIS 3.5 offers a compact size ideal for smaller setups. Your choice may depend on your specific audio requirements and the space available for monitoring.

General
Number of Included Monitors
Stereo Pair Stereo Pair
Enclosure
Bass-Reflex/Ported Bass-Reflex/Ported
Total Power Output
26 W per Monitor 25 W RMS per Monitor

The PreSonus ERIS 3.5 Studio Monitor Speaker and the Yamaha HS4 Studio Monitor both come as a stereo pair, making them suitable options for studio monitoring. Each speaker features a bass-reflex/ported enclosure, which enhances low-frequency response and overall sound quality. This design allows for better performance in various listening environments, making both models appealing to audio professionals and enthusiasts alike.Show More


In terms of total power output, the PreSonus ERIS 3.5 delivers 25 W RMS per monitor, providing adequate power for smaller studios or personal setups. In contrast, the Yamaha HS4 edges ahead slightly with a total power output of 26 W per monitor. This marginal difference in wattage may provide the HS4 with a slight advantage in terms of volume and clarity, particularly in larger spaces.


Ultimately, while both monitors share similar features and designs, the choice between the PreSonus ERIS 3.5 and the Yamaha HS4 may come down to specific needs in terms of power output and brand preference. Each model presents a solid option for mixing and monitoring, catering to different user requirements without compromising on sound quality.

Drivers per Monitor
Tweeter
1x 1" / 25.4 mm Dome 1x 1" / 25.4 mm Silk Dome
Woofer
1x 4.5" / 11.4 cm Cone
1x 3.5" / 11.4 cm Cone
Amplifiers
Full-Range: 26 W Class-D Full-Range: 2 x 25 W RMS Class-AB

When comparing the PreSonus ERIS 3.5 and Yamaha HS4 studio monitor speakers, both models feature a 1-inch dome tweeter crafted from silk for smooth high-frequency response. However, the key difference lies in the size of the woofers; the PreSonus ERIS 3.5 is equipped with a 3.5-inch cone woofer, while the Yamaha HS4 boasts a larger 4.5-inch cone woofer. This difference in woofer size may influence the bass response and overall sound output of each speaker.Show More


In terms of amplification, the PreSonus ERIS 3.5 features a dual amplifier design with 25 W RMS per channel in a Class-AB configuration, providing robust audio performance. On the other hand, the Yamaha HS4 offers a slightly lower power rating with 26 W Class-D amplification, which is more efficient. This might affect the dynamic range and headroom available when mixing or producing audio.


Overall, the choice between the PreSonus ERIS 3.5 and the Yamaha HS4 studio monitors will depend on your specific audio needs, particularly regarding the importance of bass response and amplification efficiency in your studio environment.

Performance
Frequency Range
83 Hz to 20 kHz (-3 dB)
60 Hz to 22 kHz (-10 dB)
80 Hz to 20 kHz
Maximum Sound Pressure Level (SPL)
102 dB (Peak) 97 dB

The PreSonus ERIS 3.5 Studio Monitor Speaker offers a frequency range of 80 Hz to 20 kHz, making it suitable for a variety of audio applications. Its maximum sound pressure level (SPL) is rated at 97 dB, providing a decent output for smaller studio environments. Additionally, the speaker features output current limiting for protection, ensuring the longevity and reliability of the unit during high-performance scenarios.Show More


In contrast, the Yamaha HS4 Studio Monitor boasts a slightly broader frequency range of 83 Hz to 20 kHz (-3 dB) and extends down to 60 Hz to 22 kHz (-10 dB), offering enhanced low-frequency response compared to the PreSonus model. The HS4 achieves a higher maximum SPL of 102 dB (Peak), which can be advantageous in louder mixing environments. Furthermore, it supports a maximum input level of +20 dBu (Balanced) and +6 dBu (Unbalanced), providing more versatility for different audio sources.


Both studio monitors offer unique strengths, with the PreSonus ERIS 3.5 being ideal for compact spaces and a more limited budget, while the Yamaha HS4 presents enhanced performance specifications suited for professional audio production. Ultimately, the choice between the two will depend on the specific needs and environments of the user.

Signal Processing
EQ
1x LF Shelf: 0 to +4 dB at 500 Hz (2 dB Increments)
1x HF Shelf: 2 to -2 dB at 2 kHz (2 dB Increments)
1x HF Shelf
1x LF Shelf
Phase Adjustment

The PreSonus ERIS 3.5 Studio Monitor Speaker features a simple EQ setup with a single high-frequency (HF) shelf and a single low-frequency (LF) shelf, allowing users to make basic adjustments to sound output. This straightforward EQ design makes it suitable for those who prefer minimal interference in their audio signal and want to maintain an accurate sound profile without extensive tweaking.Show More


In contrast, the Yamaha HS4 Studio Monitor offers a more advanced EQ configuration, featuring an LF shelf adjustable from 0 to +4 dB at 500 Hz in 2 dB increments, and an HF shelf that can be adjusted from 2 to -2 dB at 2 kHz, also in 2 dB increments. This provides greater flexibility for fine-tuning the sound to fit specific acoustic environments or personal preferences. Additionally, the HS4 has a crossover frequency set at 2.3 kHz, which can enhance the separation of frequencies for clearer audio reproduction.


Both monitors lack phase adjustment capabilities, which means that users will not be able to correct any phase issues that may arise in their monitoring setup. However, the more comprehensive EQ options of the Yamaha HS4 may appeal to users looking for enhanced control over their mixing environment, while the simplicity of the PreSonus ERIS 3.5 is ideal for those who prefer a more straightforward approach to studio monitoring.

Connectivity
Audio I/O
2x Combo XLR-1/4" TRS Balanced Mic/Line Input (20 Kilohms)
1x 1/8" / 3.5 mm TRS Unbalanced Line Input (10 Kilohms)
1x Stereo 2RCA Unbalanced Line Input (10 Kilohms)
1x 1/8" / 3.5 mm TRS Speaker Input
1x 1/8" / 3.5 mm TRS Headphone Output
1x Binding Post Pair Speaker Output
2x 1/4" TRS Balanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Input
2x Binding Post Pair Output
1x 1/8" / 3.5 mm TRS Headphone Output
Digital Audio I/O
Network I/O
USB
Wireless
Mobile App Compatible

The PreSonus ERIS 3.5 Studio Monitor Speaker features a variety of audio inputs, including 2x 1/4" TRS Balanced Inputs, 1x Stereo 2RCA Unbalanced Input, and 1x 1/8" / 3.5 mm TRS Unbalanced Input. Additionally, it offers 2x Binding Post Pair Outputs and a 1x 1/8" / 3.5 mm TRS Headphone Output. This range of connectivity options makes it suitable for various setup requirements, particularly for smaller studio environments. However, it lacks any digital audio, network I/O, USB, wireless capabilities, or mobile app compatibility.Show More


In contrast, the Yamaha HS4 Studio Monitor also provides a comprehensive set of audio inputs, featuring 2x Combo XLR-1/4" TRS Balanced Mic/Line Inputs which enhance its versatility for both microphones and line-level sources. It includes a 1x 1/8" / 3.5 mm TRS Unbalanced Line Input, a 1x Stereo 2RCA Unbalanced Line Input, and a 1/8" / 3.5 mm TRS Headphone Output. The HS4 also boasts a 1x Binding Post Pair Speaker Output, making it a robust option for various monitoring needs. Like the PreSonus model, it does not feature digital audio I/O, network capabilities, USB, wireless, or mobile app compatibility.


Overall, while both the PreSonus ERIS 3.5 and Yamaha HS4 share similarities in input options, the HS4's Combo XLR-1/4" TRS Inputs provide greater flexibility for professional audio setups. The PreSonus model is more compact and may appeal to those with limited space or simpler monitoring needs. Ultimately, the choice between these two monitors will depend on the specific requirements of the user and the intended application.

Physical
Color
Black Black
Monitor Orientation
Vertical Vertical
Dimensions (W x H x D)
5.9 x 9.4 x 8.4" / 15 x 23.9 x 21.3 cm (with Amplifier)
5.2 x 8.8 x 7" / 13.2 x 22.4 x 17.8 cm (without Amplifier)
5.5 x 8.3 x 6" / 139.7 x 210.8 x 152.4 mm (Each)
Weight
8.2 lb / 3.7 kg (with Amplifier)
6.8 lb / 3.1 kg (without Amplifier)
3.1 lb / 1.4 kg (Pair)

The PreSonus ERIS 3.5 Studio Monitor Speaker is designed in a black finish and features a vertical monitor orientation. Its compact dimensions measure 5.5 x 8.3 x 6 inches (139.7 x 210.8 x 152.4 mm) for each speaker, making it suitable for smaller studio spaces. The total weight of the pair is 3.1 lb (1.4 kg), which contributes to its portability and ease of setup.Show More


In contrast, the Yamaha HS4 Studio Monitor also comes in a black color and maintains a vertical orientation. The dimensions are slightly larger, measuring 5.9 x 9.4 x 8.4 inches (15 x 23.9 x 21.3 cm) when including the amplifier. Without the amplifier, the size is 5.2 x 8.8 x 7 inches (13.2 x 22.4 x 17.8 cm). The HS4 is heavier, weighing 8.2 lb (3.7 kg) with the amplifier and 6.8 lb (3.1 kg) without, which may affect portability but provides a solid build quality.


Both monitors are constructed with a vertical orientation and a black finish, making them aesthetically compatible in most studio setups. However, the PreSonus ERIS 3.5 is more compact and lightweight, making it ideal for mobile setups or smaller spaces. In contrast, the Yamaha HS4 offers a more substantial build and potentially better sound performance due to its larger size and enclosure material made of MDF, which generally enhances sound quality and reduces unwanted resonance.

Packaging Info
Package Weight
18.655 lb 8.785 lb
Box Dimensions (LxWxH)
13 x 12.9 x 11.7" 15.4 x 11.5 x 8.9"

The PreSonus ERIS 3.5 Studio Monitor Speaker boasts a package weight of 8.785 lb, making it a lightweight option for those who require portability without sacrificing sound quality. Its box dimensions measure 15.4 x 11.5 x 8.9", which allows for easy placement in smaller studio spaces or home environments. This compact design is ideal for users who need a reliable monitor that can fit into tight areas while still delivering accurate audio playback.Show More


In contrast, the Yamaha HS4 Studio Monitor has a significantly heavier package weight of 18.655 lb, indicating a more robust build that may provide enhanced durability and stability. Its box dimensions of 13 x 12.9 x 11.7" suggest a more standard size for studio monitors, allowing it to fit comfortably into most studio setups. While it is heavier, this may contribute to superior sound performance, especially in professional audio environments.


In summary, the PreSonus ERIS 3.5 is designed for those who prioritize portability and compactness, making it suitable for on-the-go setups or smaller spaces. Meanwhile, the Yamaha HS4 offers a more substantial presence, likely appealing to users who value durability and professional-grade sound quality in a studio monitor. Each speaker caters to different needs and preferences, making them both strong contenders in the studio monitor market.

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