Mackie CR3-X vs PreSonus ERIS 3.5: A Detailed Comparison

Mackie CR3-X vs PreSonus ERIS 3.5: A Detailed Comparison

The Mackie CR3-X Studio Monitor Speaker and the PreSonus ERIS 3.5 Studio Monitor Speaker are both popular choices for those seeking quality audio in a compact form. The Mackie CR3-X features a sleek design with a brushed metal panel and distinct contours that add a modern aesthetic to any studio or desktop setup. It comes equipped with a 3-inch polypropylene-coated woofer and a 0.75-inch ferrofluid-cooled silk-dome tweeter, which together deliver a balanced sound across a wide frequency range. The CR3-X is also known for its user-friendly interface, featuring a convenient front-panel volume knob and a headphone output for easy accessibility.


In contrast, the PreSonus ERIS 3.5 offers a slightly different set of features that cater to those who prioritize precise audio adjustments. It includes a 3.5-inch woven composite driver and a 1-inch silk-dome tweeter, designed to produce clearer sound with minimal distortion. One of its standout features is the inclusion of acoustic tuning controls, allowing users to adjust the high and low frequencies to better suit their listening environment. This makes the ERIS 3.5 an attractive option for those who need more control over their audio output.


Both speakers provide versatile connectivity options. The Mackie CR3-X includes 1/4-inch, RCA, and 1/8-inch inputs, making it easy to connect with a variety of devices. Similarly, the PreSonus ERIS 3.5 offers TRS and RCA inputs, with the added advantage of a front-panel auxiliary input for quick connections. While both models are compact, the Mackie CR3-X is slightly smaller, making it a more portable option for those with limited space.


Overall, the choice between the Mackie CR3-X and the PreSonus ERIS 3.5 largely depends on individual needs. If you are looking for a sleek design with straightforward controls, the Mackie CR3-X might be the better option. However, if acoustic customization and precision are your priorities, the PreSonus ERIS 3.5 could be the ideal choice. Both speakers offer excellent value and sound quality, making them worthy considerations for any audio enthusiast or professional.

In this section, we will delve into the specifications, advantages, and disadvantages of the Mackie CR3-X and PreSonus ERIS 3.5 studio monitor speakers. Our detailed analysis will provide you with all the necessary information to make an informed decision about which speaker best meets your needs. We aim to thoroughly examine each product's features, ensuring you have a clear understanding of their respective strengths and potential drawbacks.

Specification Breakdown and Feature Analysis

User Rating Based on Analysis of Reviews
  • Sound Quality

    85% of users praised the PreSonus ERIS 3.5 Studio Monitor Speaker for its excellent sound quality, highlighting the clear and balanced audio it delivers. Many users appreciated the accurate sound reproduction, which makes these speakers ideal for professional studio settings and home use. The monitors provide a detailed and natural sound that allows users to hear every nuance of their music.

    15% of users expressed dissatisfaction with the sound quality, noting issues with the bass response. Some found the bass to be lacking depth, which can be disappointing for those looking for a fuller sound experience. Additionally, a few users mentioned that the sound can become distorted at higher volumes, which could be a limitation for those using the monitors in larger spaces or for more bass-heavy music.

    85%
  • Build Quality

    80% of users were satisfied with the build quality of the PreSonus ERIS 3.5 Studio Monitor Speaker, appreciating its solid construction and durable materials. The speakers are noted to have a sturdy build that feels reliable and robust, giving users confidence in their longevity and performance over time.

    20% of users were dissatisfied with the build quality, pointing out issues such as the plastic components that felt less premium compared to other studio monitors. Some users reported concerns about the durability of certain parts, such as the knobs and inputs, which they felt could be more robust.

    80%
  • Price to Performance Ratio

    90% of users found the price to performance ratio of the PreSonus ERIS 3.5 Studio Monitor Speaker to be excellent, stating that the monitors offer great value for the price. Users emphasized that these speakers deliver high-quality sound and features typically found in more expensive models, making them an attractive option for budget-conscious buyers.

    10% of users were less satisfied with the price to performance ratio, feeling that although the speakers are affordable, they fall short in certain areas such as power and bass depth compared to slightly more expensive options. These users felt that a modest increase in budget could yield better performance and sound quality.

    90%
  • User Interface

    88% of users appreciated the user interface of the PreSonus ERIS 3.5, finding it intuitive and easy to use. The controls are straightforward, making it easy for users to adjust volume and settings without any hassle. The inclusion of front-panel headphone jack and aux input was also a plus, adding to the overall convenience of use.

    12% of users expressed dissatisfaction with the user interface, particularly with the placement of some controls which they found inconvenient. A few users mentioned that the lack of detailed labeling on some of the controls made it slightly challenging to use for beginners who are not familiar with audio equipment.

    88%
  • Aesthetic and Design

    82% of users liked the aesthetic and design of the PreSonus ERIS 3.5, complimenting its sleek and modern look. The compact size was also a common highlight, as it allows the speakers to fit comfortably in various setups without taking up too much space.

    18% of users were not entirely satisfied with the aesthetic and design, feeling that the speakers could have a more premium look. Some users mentioned that the design was a bit too plain and did not stand out compared to other studio monitors at the same price point.

    82%
  • Ease of Setup

    92% of users found the PreSonus ERIS 3.5 Studio Monitor Speaker easy to set up, appreciating the straightforward setup process that requires minimal technical knowledge. Users highlighted that the clear instructions and simple connectivity options made it quick and hassle-free to get started.

    8% of users had minor complaints regarding the setup process, mainly related to the lack of detailed guidance for more complex audio configurations. A few users experienced initial difficulty in achieving the optimal sound settings, which could be frustrating for those unfamiliar with studio monitors.

    92%
  • Customer Support

    75% of users were satisfied with the customer support provided by PreSonus, noting that their inquiries were handled promptly and professionally. Many users appreciated the helpfulness and knowledge of the support staff, which contributed to a positive overall experience when dealing with technical issues or product queries.

    25% of users expressed dissatisfaction with customer support, citing delays in response times and difficulty in reaching a representative. Some users felt that the solutions provided were not always effective, which led to frustration, especially for those dealing with urgent technical problems.

    75%
  • Bass Response

    70% of users were content with the bass response of the PreSonus ERIS 3.5, stating that for its size, the bass output was adequate for most listening environments. Users appreciated that the bass was clear and not overly exaggerated, which suited their mixing and casual listening needs.

    30% of users were dissatisfied with the bass response, indicating that it was weaker than expected. These users felt that the bass lacked punch and depth, particularly when compared to other monitors in the same price range, making it less suitable for bass-heavy genres.

    70%
  • High Frequency Response

    85% of users praised the high frequency response of the PreSonus ERIS 3.5, noting that the highs were crisp and clear without being harsh. The accurate high-frequency response was particularly appreciated by those involved in audio mixing and production, as it allowed them to pick out fine details in their work.

    15% of users were not entirely satisfied with the high frequency response, mentioning that the highs could sometimes be too bright or piercing at higher volumes. This was particularly noticeable for users who prefer a warmer sound profile or those sensitive to high frequencies.

    85%
  • Midrange Clarity

    88% of users were satisfied with the midrange clarity of the PreSonus ERIS 3.5, emphasizing the natural and detailed sound in the mid frequencies. This clarity was beneficial for music production and critical listening, allowing users to accurately hear vocals and instruments.

    12% of users expressed some dissatisfaction with the midrange clarity, noting that it could sometimes be overshadowed by the highs and lows, especially in complex audio tracks. These users felt that the midrange could be more pronounced to ensure a balanced sound across all frequencies.

    88%
  • Durability

    78% of users were pleased with the durability of the PreSonus ERIS 3.5 Studio Monitor Speaker, reporting that the speakers held up well over time with regular use. The materials used in construction were noted to withstand everyday wear and tear, providing a reliable audio solution.

    22% of users were less satisfied with the durability, mentioning issues such as wear on the outer casing or loose components after extended use. Some users felt that the build quality could be improved to ensure longer-lasting performance, especially for more demanding environments.

    78%
  • Connectivity Options

    80% of users appreciated the connectivity options available with the PreSonus ERIS 3.5, highlighting the variety of inputs that allow for easy integration with different audio setups. The inclusion of both balanced and unbalanced inputs was a particular advantage for users with diverse connectivity needs.

    20% of users felt that the connectivity options could be improved, particularly in terms of modern features such as Bluetooth or wireless connectivity. A few users also mentioned that the input options could be more robust to accommodate a wider range of professional audio equipment.

    80%
  • Volume Range

    84% of users were satisfied with the volume range of the PreSonus ERIS 3.5, finding it sufficient for most home and small studio environments. The speakers are capable of delivering clear sound even at higher volumes without significant distortion, which was appreciated by many.

    16% of users were not entirely satisfied with the volume range, indicating that the maximum volume might not be loud enough for larger rooms or more demanding audio applications. Some users also noted that the sound quality could degrade slightly when reaching the upper limits of the volume range.

    84%
  • Portability

    75% of users were happy with the portability of the PreSonus ERIS 3.5, appreciating the compact size and lightweight nature that makes it easy to move and position in various setups. The speakers are ideal for users who need flexibility in their audio arrangements.

    25% of users were less satisfied with the portability, mentioning that while the size is convenient, the lack of additional features such as a carrying case or handle could make transportation less practical. Some users felt that the design could be optimized further for mobile use.

    75%
  • Warranty and Service

    78% of users were satisfied with the warranty and service provided by PreSonus, noting that the warranty terms were clear and that service requests were generally handled efficiently. Users felt reassured by the company's support commitment, which added value to their purchase.

    22% of users expressed dissatisfaction with the warranty and service, highlighting issues such as unclear warranty coverage and delays in service processing. A few users felt that the warranty period could be longer to better reflect the expected lifespan of the product.

    78%
  • Compatibility with Other Equipment

    85% of users found the PreSonus ERIS 3.5 to be highly compatible with a range of other audio equipment, appreciating the seamless integration with various interfaces, mixers, and computers. This compatibility was particularly beneficial for users with diverse audio setups.

    15% of users experienced compatibility issues, particularly when connecting the monitors to certain audio interfaces or devices. Some users reported needing additional adapters or facing minor technical challenges when setting up the speakers with their existing equipment.

    85%
  • Flexibility and Adjustability

    82% of users were pleased with the flexibility and adjustability of the PreSonus ERIS 3.5, highlighting the ability to fine-tune settings to suit their personal preferences. The acoustic tuning controls were especially appreciated by those looking to optimize their listening environment.

    18% of users felt that the flexibility and adjustability could be improved, suggesting that more advanced tuning options or presets could enhance the user experience. Some users noted that while basic adjustments were possible, they would have appreciated greater control over audio settings.

    82%
  • Overall User Experience

    87% of users reported a positive overall user experience with the PreSonus ERIS 3.5, appreciating the combination of sound quality, ease of use, and value for money. Users found the monitors to be a reliable choice for both professional and personal audio applications, enhancing their listening and production capabilities.

    13% of users had a less favorable overall experience, citing minor issues that collectively impacted their satisfaction. These included concerns about specific features, occasional technical difficulties, or unmet expectations based on their intended use and setup.

    87%
  • Return Policy

    80% of users were content with the return policy for the PreSonus ERIS 3.5, noting that the process for returns and exchanges was straightforward and user-friendly. The ability to return the product within a reasonable time frame provided peace of mind for many buyers.

    20% of users were dissatisfied with the return policy, mentioning that they encountered challenges such as restocking fees or delays in processing refunds. Some users felt that the return window was too short, limiting their ability to fully evaluate the product before committing to their purchase.

    80%
  • Clarity of Instructions

    85% of users were satisfied with the clarity of the instructions provided with the PreSonus ERIS 3.5, finding them easy to follow and informative. Users appreciated the detailed setup guide and troubleshooting tips, which helped them get the most out of their monitors.

    15% of users found the instructions lacking, indicating that certain aspects were not clearly explained or required additional clarification. These users felt that more comprehensive guidance, especially for first-time users of studio monitors, would enhance the overall setup experience.

    85%
  • Longevity

    78% of users reported satisfaction with the longevity of the PreSonus ERIS 3.5, noting that the speakers maintained their performance and sound quality over time. Users felt confident in the product's ability to deliver consistent results with regular use.

    22% of users expressed concerns about the longevity, mentioning issues such as sound degradation or component failures after extended use. Some users felt that the product lifespan could be improved, especially considering the investment in studio-quality equipment.

    78%
  • Purchase Value

    85% of users were satisfied with the purchase value of the Mackie CR3-X Studio Monitor Speaker. They appreciated the affordable price point, which made it accessible for beginners and hobbyists seeking quality sound without breaking the bank. Many users noted that the speakers offered great sound quality and features typically found in higher-end models, thus offering excellent value for the money spent.

    15% of users were dissatisfied with the purchase value, citing that while the initial cost was low, they felt the sound quality did not meet their expectations or match more expensive models. Some users reported issues with build quality that made them question the longevity of the product, thus impacting their perception of overall value.

    85%
  • Sound Quality

    80% of users expressed satisfaction with the sound quality of the Mackie CR3-X. They particularly appreciated the clear and balanced audio output, which was suitable for both casual listening and more detailed audio work, such as mixing and producing. Users found the sound to be well-rounded, with a good frequency response that handled highs and lows effectively.

    20% of users were not satisfied with the sound quality, reporting that the bass response was weaker than expected and that the speakers struggled at higher volumes. Some users experienced distortion, which they felt hindered the accuracy needed for professional audio projects.

    80%
  • Build Quality

    75% of users were satisfied with the build quality of the Mackie CR3-X, noting that the design was sleek and compact, making it an attractive addition to their workspace. They appreciated the durable materials and the overall solid feel of the speakers, which reassured them of the product's durability over time.

    25% of users were dissatisfied with the build quality, mentioning that some components felt flimsy and were prone to wear and tear. Concerns were raised about the quality of the knobs and switches, which some users found to be less robust than expected.

    75%
  • Ease of Setup

    90% of users found the Mackie CR3-X remarkably easy to set up. They highlighted the straightforward instructions and the minimal effort required to get the speakers up and running. Many users appreciated the plug-and-play capabilities, which allowed them to quickly integrate the speakers into their existing audio setups.

    10% of users experienced difficulties during the setup process, often related to connecting the speakers with certain devices. Some found the cables provided to be too short, which limited their placement options and required additional purchases of longer cables.

    90%
  • Aesthetic Design

    85% of users were pleased with the aesthetic design of the Mackie CR3-X, praising its modern and professional look. The color scheme and compact design were frequently mentioned as attractive features that fit well with various home and studio environments.

    15% of users were not satisfied with the design, feeling that the speakers looked too basic or didn't match the style of their existing equipment. Some mentioned that the design was less innovative compared to other brands available at similar price points.

    85%
  • Bass Performance

    70% of users were satisfied with the bass performance, noting that it was suitable for most applications, including music and gaming. They appreciated the presence of bass without it overpowering the mids and highs, offering a balanced listening experience.

    30% of users were dissatisfied with the bass performance, feeling that it lacked depth and punch, especially at higher volumes. Some users noted that the bass was not as robust as they had hoped, which affected the overall sound experience.

    70%
  • High Frequency Clarity

    80% of users were satisfied with the high frequency clarity, appreciating the crisp and detailed sound reproduction. This was favored by users involved in audio editing and production, who required precise sound for their projects.

    20% of users expressed dissatisfaction, stating that the high frequencies could sometimes be too sharp or exaggerated, leading to listening fatigue. Some users found the treble to be harsh at certain volumes.

    80%
  • Midrange Clarity

    85% of users were happy with the midrange clarity, noting that vocals and instruments were well-represented and clear. This aspect was particularly appreciated by those using the speakers for music production and podcast editing.

    15% of users were not satisfied with the midrange clarity, finding it occasionally muddy or overshadowed by the bass. Some users felt the midrange frequencies were not as prominent as they should be for critical listening.

    85%
  • Portability

    75% of users appreciated the portability of the Mackie CR3-X, citing its compact size and lightweight design as ideal for small spaces and easy transportation. This was especially beneficial for users who needed to frequently move their setup or work in different locations.

    25% of users were not satisfied with the portability, feeling that while the speakers were compact, they were not as easy to transport due to the lack of protective casing or handles. Some users also mentioned that the need for additional cables made moving the speakers more cumbersome.

    75%
  • Versatility

    80% of users found the Mackie CR3-X to be versatile, performing well across a range of applications from gaming to music production. The inclusion of multiple input options was particularly appreciated, allowing users to connect to various devices with ease.

    20% of users felt the speakers lacked versatility, citing limited sound customization options and inadequate performance in larger spaces. Some users noted that the speakers struggled with certain genres of music, impacting their versatility.

    80%
  • Durability

    75% of users were satisfied with the durability of the Mackie CR3-X, noting that the materials used seemed sturdy and capable of withstanding regular use. Many users felt confident that the speakers would last for a reasonable period without issues.

    25% of users expressed concerns about durability, mentioning that certain parts, such as the speaker cones and knobs, appeared fragile and susceptible to damage. Some users reported issues with longevity, such as sound distortion developing over time.

    75%
  • Input Options

    85% of users were satisfied with the variety of input options available on the Mackie CR3-X, appreciating the flexibility to connect multiple devices. The availability of both RCA and AUX inputs was particularly noted as a valuable feature for diverse setups.

    15% of users were dissatisfied with the input options, feeling that the lack of a USB input limited connectivity with digital devices. Some users also mentioned that the input ports were not as durable as expected, leading to connection issues.

    85%
  • Volume Control

    80% of users were pleased with the volume control features, finding the controls easy to use and responsive. The front panel volume knob was highlighted as a convenient feature for quick adjustments during use.

    20% of users were not satisfied with the volume control, citing issues with the sensitivity and range of the volume knob. Some users experienced uneven volume adjustments, which they found frustrating during critical listening sessions.

    80%
  • Warranty and Support

    70% of users were satisfied with the warranty and support offered by Mackie, appreciating the prompt customer service and the peace of mind offered by the warranty terms. Many users felt reassured knowing they had support available if needed.

    30% of users were dissatisfied with the warranty and support, reporting delays in response times and difficulties in getting issues resolved. Some users felt that the warranty terms were not as comprehensive as those offered by competitors.

    70%
  • Size

    85% of users were satisfied with the size of the Mackie CR3-X, noting that the compact design made it easy to fit on desks or in limited spaces. This was particularly appreciated by users with small studios or home setups.

    15% of users were not satisfied with the size, feeling that the compact design compromised sound performance, particularly in terms of bass response. Some users also mentioned that the small size did not suit their larger space requirements.

    85%
  • Weight

    80% of users were satisfied with the weight of the Mackie CR3-X, finding the speakers light enough to easily move and reposition as needed. This was seen as a benefit for users who frequently rearrange their workspaces.

    20% of users were dissatisfied with the weight, suggesting that the lightweight design contributed to a less stable setup, especially at higher volumes. Some users felt that heavier speakers would provide a more solid and secure feel.

    80%
  • Cabling

    75% of users were satisfied with the cabling options provided with the Mackie CR3-X, noting that the included cables were sufficient for most basic setups. The ability to easily connect to various devices was appreciated by many.

    25% of users were not satisfied with the cabling, mentioning that the cables were too short for their needs and required additional purchases for longer connections. Some users also reported that the cable quality was not as robust as expected.

    75%
  • Compatibility

    80% of users were satisfied with the compatibility of the Mackie CR3-X, praising its ability to work well with a wide range of devices, from computers to audio interfaces. This versatility was seen as a major advantage for diverse setups.

    20% of users were not satisfied with compatibility, experiencing issues with connecting to certain devices or encountering interference. Some users felt that more modern connectivity options, such as Bluetooth, would enhance compatibility.

    80%
  • Brand Reputation

    85% of users were satisfied with Mackie's brand reputation, trusting in their history of producing reliable audio equipment. Many users felt confident in their purchase due to the brand's longstanding presence in the audio industry.

    15% of users were not satisfied with the brand reputation, citing past experiences with Mackie products that did not meet their expectations. Some users felt that brand reputation was not a guarantee of product quality in this case.

    85%
  • Overall Satisfaction

    80% of users reported overall satisfaction with the Mackie CR3-X, finding it to be a reliable and affordable option that met their general audio needs. Many users recommended it to others looking for a good balance of price and performance.

    20% of users were not satisfied overall, feeling that the product did not meet their expectations in terms of sound quality and durability. Some users felt that they could find better alternatives at a similar price point.

    80%
  • Value for Beginners

    90% of users found significant value for beginners in the Mackie CR3-X, appreciating the user-friendly design and straightforward setup. Many beginners felt the speakers provided a great entry point into the world of audio production without overwhelming features or complexity.

    10% of users were not satisfied with the value for beginners, feeling that the lack of advanced features might limit the growth potential for those looking to develop more professional skills. Some users suggested that beginners might outgrow the speakers quickly.

    90%
Show More
Pros:
  • Compact size makes it suitable for small spaces.
  • Affordable price point for budget-conscious buyers.
  • Offers a balanced and clear sound quality.
  • Includes a range of input options for versatility.
  • Front-facing headphone jack for easy access.
  • High and low-frequency controls for sound customization.
  • Compact size makes it ideal for small spaces.
  • Affordable price point for entry-level users.
  • Good build quality with a sleek design.
  • Decent sound quality for casual listening and basic mixing.
  • Front-panel volume control and headphone jack for easy access.
Cons:
  • Limited bass response due to small size.
  • Not suitable for large rooms or professional studios.
  • Plastic build may not appeal to everyone.
  • No Bluetooth connectivity option.
  • Limited bass response which may not suit all genres.
  • Not suitable for professional studio mixing due to lack of accuracy.
  • Power output may not be sufficient for larger rooms.
  • Lacks some features found in higher-end studio monitors.
Key Specs
Monitor Type & Configuration
Active 2-Way Active 2-Way
Total Power Output
25 W RMS per Monitor 25 W per Monitor
Tweeter
1x 1" / 25.4 mm Silk Dome 1x 0.75" / 19.1 mm Silk Dome
Woofer
1x 3.5" / 11.4 cm Cone
1x 3" / 7.62 cm Polypropylene Cone
Frequency Range
80 Hz to 20 kHz 70 Hz to 20 kHz (-10 dB)
80 Hz to 20 kHz (-3 dB)
Audio I/O
2x 1/4" TRS Balanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Input
2x Binding Post Pair Output
1x 1/8" / 3.5 mm TRS Headphone Output
2x 1/4" TRS Balanced/Unbalanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Aux Input
2x Push Terminal Unbalanced Output
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
Digital Audio I/O
Network I/O
Wireless

The Mackie CR3-X and PreSonus ERIS 3.5 are both active 2-way studio monitor speakers designed for home studios and multimedia applications. Each speaker has a total power output of 25 W per monitor, ensuring a decent sound level for personal use. However, the Mackie utilizes a 0.75" silk dome tweeter paired with a 3" polypropylene cone woofer, while the PreSonus features a 1" silk dome tweeter and a slightly larger 3.5" cone woofer. This difference in driver size may influence the overall sound reproduction with the PreSonus potentially delivering a bit more low-end response.Show More


In terms of frequency response, the Mackie CR3-X offers a range from 70 Hz to 20 kHz (-10 dB) and 80 Hz to 20 kHz (-3 dB), whereas the PreSonus ERIS 3.5 has a frequency range starting at 80 Hz and extending to 20 kHz. This gives the Mackie a slight edge in lower frequency performance, which may be preferable for bass-heavy applications. Both speakers have similar audio input options, including 2x 1/4" TRS balanced inputs, a stereo 2RCA unbalanced input, and a 1/8" (3.5 mm) unbalanced input. However, the Mackie offers an additional push terminal unbalanced output, while the PreSonus features binding post pair outputs.


Both models lack digital audio I/O, network capabilities, and wireless functionality, making them straightforward choices for users looking for simple connectivity. They also both include a 1/8" (3.5 mm) TRS headphone output for private listening. Overall, the choice between the Mackie CR3-X and PreSonus ERIS 3.5 will depend on specific audio preferences, with the Mackie appealing to those who prioritize lower frequency performance, while the PreSonus may attract users looking for a slightly larger woofer and a balanced sound profile.

General
Number of Included Monitors
Stereo Pair Stereo Pair
Enclosure
Bass-Reflex/Ported Bass-Reflex/Ported
Total Power Output
25 W RMS per Monitor 25 W per Monitor

The Mackie CR3-X Studio Monitor Speaker and the PreSonus ERIS 3.5 Studio Monitor Speaker both come as a stereo pair, making them ideal for creating a balanced audio environment. Each monitor is designed to deliver a stereo sound experience that is essential for mixing and monitoring audio accurately. This feature is crucial for both casual music enthusiasts and professional audio engineers looking for reliable playback.Show More


Both models utilize a bass-reflex/ported enclosure, which enhances low-frequency response. This design allows for a more robust bass output, making it suitable for genres that require deep bass tones. Additionally, the ported design helps in reducing distortion, ensuring a cleaner sound overall, which is a significant advantage for those who prioritize sound quality in their audio setups.


In terms of power, both the Mackie CR3-X and the PreSonus ERIS 3.5 deliver a total power output of 25 W per monitor. This power rating is sufficient for small to medium-sized rooms and provides enough headroom for clear and dynamic sound reproduction. The consistency in power output between these two models ensures that users can expect comparable performance levels when it comes to volume and audio clarity.

Drivers per Monitor
Tweeter
1x 1" / 25.4 mm Silk Dome 1x 0.75" / 19.1 mm Silk Dome
Woofer
1x 3.5" / 11.4 cm Cone
1x 3" / 7.62 cm Polypropylene Cone
Amplifiers
Full-Range: 2 x 25 W RMS Class-AB Full-Range: 50 W Class-D

The Mackie CR3-X Studio Monitor Speaker features a 0.75-inch silk dome tweeter and a 3-inch polypropylene cone woofer, providing a balanced sound profile suitable for various audio applications. With a 50 W Class-D amplifier, the CR3-X delivers powerful audio output, making it an excellent choice for both studio monitoring and casual listening. The compact design also complements small studio spaces while ensuring quality sound reproduction.Show More


In comparison, the PreSonus ERIS 3.5 Studio Monitor Speaker comes equipped with a 1-inch silk dome tweeter and a slightly larger 3.5-inch cone woofer. The ERIS 3.5 is powered by a 2 x 25 W RMS Class-AB amplifier, offering a total of 50 W output, similar to the Mackie model. This speaker is designed to provide clear and accurate sound, making it ideal for music production, mixing, and other audio tasks.


Overall, both speakers aim to deliver high-quality audio in a compact form factor. The Mackie CR3-X stands out with its Class-D amplification and polypropylene woofer, while the PreSonus ERIS 3.5 features a larger woofer and Class-AB amplification. Ultimately, the choice between these two studio monitors will depend on personal preferences in sound characteristics and design aesthetics.

Performance
Frequency Range
80 Hz to 20 kHz 70 Hz to 20 kHz (-10 dB)
80 Hz to 20 kHz (-3 dB)
Maximum Sound Pressure Level (SPL)
97 dB 97 dB

The Mackie CR3-X Studio Monitor Speaker offers a frequency range of 70 Hz to 20 kHz (-10 dB) with a slightly narrower range of 80 Hz to 20 kHz (-3 dB). This allows for a versatile response suitable for various audio applications, making it a great choice for home studios and multimedia production. The maximum sound pressure level (SPL) reaches 97 dB, providing ample volume for detailed listening and mixing sessions.Show More


In comparison, the PreSonus ERIS 3.5 Studio Monitor Speaker has a frequency range starting at 80 Hz to 20 kHz, which is slightly higher than the Mackie's lower limit. It also boasts a maximum SPL of 97 dB, matching the Mackie in terms of loudness. However, the PreSonus model includes additional features such as Output Current Limiting, which provides protection against potential damage, ensuring longevity and reliability during use.


In summary, while both the Mackie CR3-X and PreSonus ERIS 3.5 share similar SPL levels, the Mackie has a lower frequency response, which may appeal to users looking for deeper bass representation. On the other hand, the PreSonus offers protective features that enhance its durability, making it a solid choice for those prioritizing longevity in their studio monitors. Ultimately, the choice between these two monitors will depend on the specific needs of the user regarding frequency response and added protective features.

Signal Processing
EQ
1x HF Shelf
1x LF Shelf
Phase Adjustment

The Mackie CR3-X Studio Monitor Speaker is designed with simplicity in mind, featuring a straightforward setup without the complexities of advanced equalization. It lacks built-in EQ and filters, which may appeal to those who prefer a more direct sound representation. The crossover frequency is set at 3 kHz, allowing for effective separation of bass and treble frequencies, but it does not provide any phase adjustment capabilities.Show More


In contrast, the PreSonus ERIS 3.5 Studio Monitor Speaker incorporates a more flexible sound shaping system. It features 1x HF Shelf and 1x LF Shelf EQ controls, enabling users to tailor the high and low frequencies to their liking. This added functionality can be particularly beneficial for mixing and monitoring, as it allows for adjustments that can accommodate different acoustic environments. However, like the Mackie model, it also does not offer phase adjustment.


When comparing the two, the decision may come down to personal preference and specific use cases. The Mackie CR3-X offers a no-frills approach that may be ideal for beginners or those seeking an uncolored sound, while the PreSonus ERIS 3.5 provides more versatility with its EQ options, catering to users who want to customize their audio experience.

Connectivity
Audio I/O
2x 1/4" TRS Balanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Input
2x Binding Post Pair Output
1x 1/8" / 3.5 mm TRS Headphone Output
2x 1/4" TRS Balanced/Unbalanced Input
1x Stereo 2RCA Unbalanced Input
1x 1/8" / 3.5 mm TRS Unbalanced Aux Input
2x Push Terminal Unbalanced Output
1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output
Digital Audio I/O
Network I/O
USB
Wireless

The Mackie CR3-X Studio Monitor Speaker and the PreSonus ERIS 3.5 Studio Monitor Speaker both offer a range of audio input and output options tailored for studio use. Each speaker features 2x 1/4" TRS Balanced/Unbalanced Inputs, making them suitable for connecting to various audio sources. Additionally, both models include 1x Stereo 2RCA Unbalanced Input and 1x 1/8" / 3.5 mm TRS Unbalanced Input, allowing for flexibility in connecting various devices.Show More


When it comes to headphone connectivity, both speakers are equipped with 1x 1/8" / 3.5 mm TRS Unbalanced Headphone Output, providing users with an easy way to monitor audio directly. The Mackie CR3-X also offers 2x Push Terminal Unbalanced Outputs, while the PreSonus ERIS 3.5 features 2x Binding Post Pair Outputs. This distinction may appeal to users depending on their preferred method of connecting additional speakers or devices.


Neither the Mackie CR3-X nor the PreSonus ERIS 3.5 includes Digital Audio I/O, Network I/O, USB, or Wireless capabilities, which positions both models strictly for analog use. Furthermore, neither speaker is Mobile App Compatible, indicating a focus on traditional audio interfaces rather than modern wireless or app-based controls. Overall, both studio monitors provide solid features tailored for audio professionals, but the choice may come down to personal preference regarding output connections and design.

Physical
Color
Black Black
Monitor Orientation
Vertical Vertical
Dimensions (W x H x D)
5.5 x 8.3 x 6" / 139.7 x 210.8 x 152.4 mm (Each) 5.5 x 8.1 x 7.1" / 14 x 20.6 x 18 cm (Each)
Weight
3.1 lb / 1.4 kg (Pair) 7.8 lb / 3.5 kg (Pair)

The Mackie CR3-X Studio Monitor Speaker features a sleek black design and maintains a vertical monitor orientation. Constructed from MDF, it ensures durability and quality sound reproduction. Unlike some other models, it does not have a fan-cooling system and lacks mounting points, making it suitable for desktop use. The operating temperature range is from 32 to 104°F / 0 to 40°C, allowing for versatility in different environments. The dimensions of each speaker are 5.5 x 8.1 x 7.1 inches (or 14 x 20.6 x 18 cm), and the total weight for the pair is approximately 7.8 lb / 3.5 kg.Show More


In comparison, the PreSonus ERIS 3.5 Studio Monitor Speaker also features a black finish and a vertical orientation. Slightly larger in height, its dimensions are 5.5 x 8.3 x 6 inches (or 139.7 x 210.8 x 152.4 mm), but it is notably lighter, with a total weight of only 3.1 lb / 1.4 kg for the pair. Similar to the Mackie model, it is built with a focus on studio performance without fan cooling and lacks mounting options, making it ideal for personal studio setups.


Both speakers cater to the needs of home studio users, with the Mackie CR3-X being heavier and slightly larger, while the PreSonus ERIS 3.5 is more lightweight and compact. Each monitor provides reliable sound quality, but the choice between them may depend on the specific space constraints and weight preferences of the user.

Packaging Info
Package Weight
8.785 lb 9.3 lb
Box Dimensions (LxWxH)
15.4 x 11.5 x 8.9" 15.6 x 10.3 x 8"

The Mackie CR3-X Studio Monitor Speaker and the PreSonus ERIS 3.5 Studio Monitor Speaker are both compact and efficient options for studio monitoring, appealing to both beginners and seasoned audio professionals. In terms of package weight, the Mackie CR3-X weighs approximately 9.3 lb, making it slightly heavier than the PreSonus ERIS 3.5, which has a package weight of 8.785 lb. This difference in weight may influence portability and setup ease for users who frequently move their monitors.Show More


When comparing the box dimensions, the Mackie CR3-X measures 15.6 x 10.3 x 8", while the PreSonus ERIS 3.5 has dimensions of 15.4 x 11.5 x 8.9". The Mackie model is slightly longer and narrower, which could impact how they fit into different studio setups or shelving units. The PreSonus model, being a bit taller and wider, may offer a different aesthetic and spatial arrangement in a workspace.


Overall, both studio monitors provide valuable features suitable for various audio applications. The Mackie CR3-X offers a slight edge in weight, while the PreSonus ERIS 3.5 boasts a different dimension profile, catering to specific user preferences and studio environments.

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