The Solid State Logic BiG SiX is a versatile and high-performance mixing console that also functions as a USB audio interface. Designed for both studio and live sound applications, it combines the renowned SuperAnalogue sound quality with advanced digital connectivity. This console offers a comprehensive mixing experience, featuring a range of inputs and outputs, high-quality preamps, and flexible routing options, making it an ideal choice for professional audio engineers and musicians seeking exceptional sound clarity and detail.
One of the standout features of the BiG SiX is its USB audio interface capability, which allows seamless integration with digital audio workstations (DAWs). This feature enables users to connect their computer directly to the console, facilitating easy multi-track recording and playback. The console supports high-resolution audio, ensuring that even the most intricate details of your sound are captured and reproduced with precision.
The layout of the BiG SiX is intuitive and user-friendly, providing a familiar feel to those accustomed to traditional analog consoles while incorporating modern enhancements. It includes high-quality SSL EQs, channel dynamics, and the famous G-Series Bus Compressor, offering users the tools needed to shape and control their audio with professional-grade processing. This combination of analog warmth and advanced digital functionality makes the BiG SiX a powerful tool for both creative and technical audio work.
We have carefully reviewed and analyzed user feedback from various websites worldwide, leading us to the following insights. These ratings allow you to benefit from real user experiences and perspectives, helping you make a more informed choice.
95% of users praised the Solid State Logic BiG SiX for its exceptional sound quality, noting the clarity and depth it adds to recordings. The SuperAnalogue technology was highlighted for its ability to deliver pristine audio that rivals high-end studio equipment.
5% of users were not satisfied with the sound quality, mentioning that it did not meet their specific expectations in terms of warmth or color, preferring a more vintage sound profile.
92% of users were satisfied with the build quality of the BiG SiX, describing it as robust and durable. The materials used are considered top-notch, providing confidence in its longevity and resilience during extensive use.
8% of users felt that certain components, such as the knobs or faders, could be improved, mentioning occasional stiffness or lack of smoothness compared to other high-end mixers.
87% of users found the BiG SiX easy to use, highlighting its intuitive layout and user-friendly interface, which allows both beginners and seasoned professionals to quickly adapt and operate without a steep learning curve.
13% of users experienced difficulties with the interface, citing a lack of detailed instructions or a more complex initial setup than anticipated, which was challenging for those unfamiliar with similar equipment.
85% of users felt the BiG SiX offered good value for money, appreciating the features and quality it provides relative to its price range. Many noted that it competes well with more expensive models in the market.
15% of users believed the price was too high, especially those who did not require all the features, suggesting that a less feature-rich version at a lower price would be more appealing.
90% of users were impressed with the feature set of the BiG SiX, particularly praising the inclusion of USB audio interface capabilities, multiple channels, and advanced routing options that enhance versatility in different recording scenarios.
10% of users felt that while the features are extensive, some could have been more innovative or tailored for niche professional needs, which they felt were missing in this model.
93% of users lauded the connectivity options, enjoying the seamless integration with various devices and software, which facilitates a versatile workflow in both studio and live settings.
7% of users encountered issues with connectivity, reporting occasional compatibility problems with certain DAWs or hardware, which required additional troubleshooting.
80% of users appreciated the relatively compact size of the BiG SiX, making it easier to transport for mobile recording or live performances compared to larger mixing consoles.
20% of users found the console somewhat bulky for portable use, suggesting that a lighter version would better serve those frequently on the move.
88% of users were pleased with the low latency performance of the BiG SiX, which is crucial for live monitoring and real-time recording processes, enhancing the overall user experience.
12% of users encountered latency issues, particularly during complex setups or high-demand sessions, which affected their workflow efficiency.
86% of users commended the smooth software integration, noting how well it pairs with popular DAWs, allowing for enhanced control and functionality during production.
14% of users faced challenges with software integration, including setup complications or missing features that they expected to be available out of the box.
82% of users were satisfied with customer support, stating that representatives were knowledgeable and helpful in resolving inquiries and technical issues promptly.
18% of users had negative experiences with customer support, mentioning delays in response times or insufficient assistance in solving their problems.
89% of users appreciated the aesthetic design of the BiG SiX, highlighting its professional appearance and modern interface that suits both studio and live environments.
11% of users were not fond of the design, preferring a more traditional look or different color options to better match their existing equipment.
91% of users praised the durability of the BiG SiX, emphasizing its solid construction that withstands frequent use and transport without showing significant wear or damage.
9% of users expressed concerns about durability, particularly regarding specific parts like knobs that felt less sturdy over time.
84% of users were content with the power consumption of the BiG SiX, noting it as efficient and suitable for long recording sessions without overheating.
16% of users felt the power consumption was higher than expected, particularly those who used it in settings where power efficiency was a critical factor.
94% of users were impressed with the input/output flexibility, which provides ample options for connecting various instruments and peripherals, accommodating diverse recording needs.
6% of users desired even greater flexibility, such as additional specialized inputs or outputs that cater to specific professional requirements.
89% of users appreciated the analog warmth the BiG SiX brings to audio production, enhancing recordings with a rich, full-bodied sound that is often sought after in high-quality mixes.
11% of users were disappointed with the level of analog warmth, finding it less pronounced than expected, particularly those who preferred a more vintage analog sound.
90% of users found the BiG SiX highly versatile, suitable for a range of applications from home studios to professional setups, thanks to its comprehensive features and connectivity options.
10% of users found the versatility lacking in specific niche applications, suggesting that it could benefit from additional tailored features for specialized use cases.
92% of users were satisfied with the low noise levels of the BiG SiX, which enhances the clarity of recordings by minimizing any unwanted background noise.
8% of users experienced higher noise levels than anticipated, particularly when pushing the mixer to its limits in demanding recording environments.
88% of users reported that the BiG SiX is reliable, consistently performing well without technical issues or failures during important recording sessions.
12% of users encountered reliability concerns, such as unexpected glitches or failures that required technical support or repairs.
85% of users were pleased with the channel count offered by the BiG SiX, finding it adequate for most recording and mixing needs without feeling limited.
15% of users desired more channels, feeling restricted when managing larger projects or live performances that demand extensive input management.
83% of users were content with the warranty and support services provided, appreciating the peace of mind it offers for potential issues.
17% of users found the warranty terms or support services lacking, expressing a desire for more comprehensive coverage or extended support options.
In the following sections, we will delve into the detailed specifications of the Solid State Logic BiG SiX mixing console and USB audio interface. Our comprehensive review will highlight the product's numerous advantages while also considering any potential disadvantages.
Pros:
Cons:
Max I/O Capacity | 18x Input / 12x Output |
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Number of Analog Input Channels | 12 (4 Mono / 4 Stereo) |
Number of Mic Preamps | 4 |
Analog Output Channels | 1x Stereo Master Output 1x Stereo Bus/Subgroup Output 1x Stereo Control Room/Monitor Output 1x Stereo ALT Control Room/Monitor Output 2x Stereo Headphone Output 2x Stereo Foldback/Cue Output |
Mix Routing | 2x Stereo Aux Send per Input Channel 1x Stereo Main Mix 1x Stereo Bus/Subgroup |
Faders & Level Adjustment | 8x 3.9" / 100 mm Channel Fader 1x 3.9" / 100 mm Master Fader |
Meters | Channel Meter: 12x 8-Segment LED Main Meter: 2x 12-Segment LED Bus Meter: 1x 5-Segment LED |
Meter Range | Channel Meter: -21 to +24 dB Peak/Clip Main Meter: -21 to +24 dB Peak/Clip |
Max I/O Capacity refers to the total number of input and output channels available on the BiG SiX mixing console. With a configuration of 18x input and 12x output, this feature allows users to connect multiple audio sources simultaneously and manage various output paths, making it ideal for both studio recording and live sound applications. The higher the I/O capacity, the more flexibility you have in routing audio signals for complex projects.Show More
Number of Analog Input Channels indicates the total number of analog channels available for audio input. The BiG SiX features 12 channels, comprising 4 mono and 4 stereo inputs. This variety allows for versatile signal routing from different sources, such as microphones, instruments, and playback devices. The distinction between mono and stereo channels helps users manage and enhance the spatial qualities of their audio mixes effectively.
Number of Mic Preamps denotes the quantity of built-in microphone preamps within the console. With 4 mic preamps, users can easily connect multiple microphones, enabling them to capture vocals and instruments with high clarity and gain control. The quality of the preamps greatly influences the overall sound quality, allowing for greater detail and richness in the audio signal.
Analog Output Channels refer to the different pathways through which audio can exit the console. The BiG SiX provides multiple outputs, including a stereo master output, subgroup outputs, and various monitor outputs. This extensive output configuration facilitates seamless integration with other audio equipment, allowing for flexible monitoring and routing of final mixes or submixes.
Mix Routing encompasses the ways in which audio signals can be directed within the console. The BiG SiX features 2x stereo aux sends per input channel, a stereo main mix, and a stereo bus/subgroup option. This routing capability allows users to send audio to external effects processors or create submixes for easier control during mixing, enhancing creative possibilities and workflow efficiency.
Faders & Level Adjustment highlight the physical controls used to adjust volume levels for each channel. The BiG SiX includes 8 channel faders and one master fader, each measuring 3.9 inches or 100 mm. These faders provide tactile control over audio levels, ensuring precise adjustments during mixing and balancing of tracks for optimal sound output.
Meters serve as visual indicators of audio levels, enabling users to monitor signal strength and avoid clipping. The BiG SiX features various types of meters, including 12x channel meters, 2x main meters, and a bus meter, each with different LED segment displays. This visual feedback is essential for maintaining optimal levels and ensuring a clean mix.
Meter Range specifies the operational range of the meters, indicating the lowest and highest levels they can display. For the BiG SiX, the channel meter range spans from -21 to +24 dB, while the main meter shares the same range. This broad range allows for accurate monitoring of both quiet and loud signals, helping users to maintain a balanced audio mix without distortion.
Gain/Trim Range | Mic Input: +6 to +72 dB (Mono Channels) Line Input: -3 to +63 dB (Mono Channels) Line Input: -10 to +20 dB (Stereo Channels) |
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Input Polarity | Normal/Reverse |
Dynamic Processing | Mono Channels: Compressor Master: Compressor |
Compressor Parameters | Channel: Threshold: -20 to +10 dB Ratio: 2:1 Attack: 5 ms Release: 300 ms Bus: Threshold: -20 to +20 dB |
Sidechain Filters | |
EQ | Input Channels: 3-Band EQ |
EQ Parameters | High: ±15 dB at 3.5 kHz Mid: ±15 dB at 700 Hz Low: ±15 dB at 60 Hz |
Graphic EQ | |
Filters | Mono Channels: High-Pass: 75 Hz, 12 dB/Octave |
Solo/Mute | PFL per Input Channel Mute per Input Channel Mute per Master |
Channel Output/Source Monitoring | PFL, Insert Return |
Built-In Effects |
Gain/Trim Range: The gain or trim range specifies the level of amplification applied to the audio signal coming from the input channels. For the mono channels, the mic input can be boosted from +6 to +72 dB, allowing for a wide range of microphone sensitivities and sound sources. For line inputs, the range varies: -3 to +63 dB for mono channels and -10 to +20 dB for stereo channels. This flexibility ensures optimal signal levels are achieved, enhancing the overall sound quality and clarity.Show More
Input Polarity: Input polarity refers to the ability to reverse the phase of the input signal. This can be crucial when dealing with multiple microphones or sources, as it helps to eliminate phase issues that may cause cancellations or comb filtering in the audio. The BiG SiX allows for both normal and reverse polarity settings, giving users control over their sound's integrity.
Dynamic Processing: Dynamic processing is a crucial feature for controlling the dynamics of audio signals. The BiG SiX incorporates a compressor for mono channels, which allows for effective management of audio levels by reducing the volume of louder signals while boosting quieter ones. This feature is essential for achieving a polished and balanced mix, ensuring that no individual sound element dominates the overall output.
Compressor Parameters: The compressor's parameters include threshold, ratio, attack, and release. The threshold determines the level at which the compressor begins to act, while the ratio defines how much compression is applied. The attack time controls how quickly the compressor responds to signals that exceed the threshold, and the release time specifies how long it takes for the compressor to stop affecting the signal after it falls below the threshold. These parameters can be finely adjusted to shape the dynamics of the audio accurately.
EQ: The equalization (EQ) feature in the BiG SiX allows users to shape the tonal quality of their audio. With a 3-band EQ on the input channels, users can boost or cut frequencies at high, mid, and low ranges. Specifically, the high band operates at 3.5 kHz, the mid at 700 Hz, and the low at 60 Hz, each with a range of ±15 dB. This provides significant control over the sound, allowing users to tailor their mixes to their preferences or the requirements of the project.
Filters: The filters available on the BiG SiX include a high-pass filter for the mono channels, set at 75 Hz with a slope of 12 dB per octave. This filter helps eliminate unwanted low-frequency noise and rumble, ensuring that the mix remains clean and focused on the desired frequencies. By using high-pass filters, users can enhance the clarity of their audio by removing frequencies that may muddy the overall sound.
Solo/Mute: The solo/mute functionality allows users to isolate or silence individual input channels, which is vital during the mixing process. The BiG SiX provides PFL (pre-fader listen) for each input channel and mute options for both individual channels and the master output. This capability enables engineers to focus on specific elements of the mix without distraction, facilitating more precise adjustments and improvements.
Channel Output/Source Monitoring: The channel output/source monitoring feature lets users listen to different audio sources before they are sent to the main mix. The BiG SiX allows for PFL monitoring and insert return monitoring, giving users flexibility in how they manage and evaluate their audio signals. This feature is particularly useful for ensuring that the levels and tonal qualities of each channel are as intended before finalizing the mix.
Built-In Effects: The BiG SiX does not include built-in effects, which may be a consideration for users who prefer to apply effects externally. While some mixing consoles offer a range of internal effects, the BiG SiX focuses on high-quality signal processing and routing, allowing users to integrate their preferred effects units into their workflow for tailored sound manipulation.
Sample Rates | AD/DA Conversion: 96 kHz |
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Bit Depth | AD/DA Conversion: 24-Bit |
DSP | |
Converter Dynamic Range | A/D: 117 dBA at 48 kHz D/A: 117 dBA at 48 kHz |
Sample Rates: The sample rate refers to the number of samples of audio carried per second, measured in kilohertz (kHz). In the case of the BiG SiX, it supports a maximum sample rate of 96 kHz for both analog-to-digital (A/D) and digital-to-analog (D/A) conversion. A higher sample rate generally captures more detail in the audio, making it suitable for professional-grade recordings and ensuring that the nuances of sound are preserved effectively.Show More
Bit Depth: Bit depth indicates the number of bits of information in each sample, which directly influences the dynamic range and the audio quality. The BiG SiX operates at a 24-bit depth for both A/D and D/A conversion. This allows for a greater dynamic range, providing more headroom and minimizing distortion at high volume levels. A higher bit depth also means that softer sounds can be captured more accurately, making it ideal for intricate musical performances.
DSP: Digital Signal Processing (DSP) refers to the manipulation of audio signals using digital technology. The BiG SiX does not include DSP capabilities, which means it focuses on delivering pure analog sound without digital effects or processing. This design choice appeals to users looking for a traditional mixing experience while maintaining high audio fidelity.
Converter Dynamic Range: The converter dynamic range indicates the range within which the audio signal can be accurately captured and reproduced, measured in decibels (dBA). For the BiG SiX, the dynamic range is 117 dBA for both A/D and D/A conversion at a sample rate of 48 kHz. A higher dynamic range signifies better performance in capturing quiet sounds while avoiding distortion from louder signals. This feature ensures that recordings maintain clarity and detail across a wide range of audio levels.
Headroom | Channel: > +24 dBu (into 600 Ohms) > +27.5 dBu () Channel Compressor: > +26 dBu Channel EQ: > +27 dBu Mic Input: > +27 dBu Line Input: > +27 dBu |
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Frequency Response | Mic/Line Input: 20 Hz to 20 kHz +0/-0.2 dB 20 Hz to 80 kHz -3 dB Stereo Input: 20 Hz to 20 kHz +0/-0.2 dB 20 Hz to 100 kHz -3 dB |
Max Input Level | Mic Input: +21 dBu (1% THD) Line Input: +27 dBu (1% THD) Stereo Input: +27.5 dBu (1% THD) |
I/O Impedance | Mic Input: 1.2 Kilohms Line Input: 10 Kilohms Hi-Z Input: 1 Megohm Stereo Input: 10 Kilohms Main Output: 100 Ohms |
CMRR | Mic Input: > 90 dB Line Input: > 80 dB Stereo Line Input: > 55 dB |
EIN | Mic Input: -129 dBu at Max Gain (Typical) Line Input: < -120 dBu at Max Gain Stereo Input: < -93 dBu at Max Gain |
Noise Floor | Channel EQ: < -87.5 dBu Channel Compressor: -87.5 dBu Main Output: < -90 dBu (One Channel Level at Unity) < -116 dBu (One Channel Level at Unity, with Respect to +26 dBu) < -82.5 dBu (Channel Levels at Unity) < -108.5 dBu (Channel Levels at Unity, with Respect to +26 dBu) |
THD+N | Mic Input: < 0.0015% at +30 dB Gain (at 1 kHz) Line Input: < 0.0015% at +30 dB Gain (at 1 kHz) Stereo Line Input: < 0.001% at +30 dB Gain (at 1 kHz) |
Headroom refers to the amount of signal level that can be handled by the console before distortion occurs. In the context of the BiG SiX, having a higher headroom value, such as +24 dBu for channels and +27 dBu for mic and line inputs, means that the console can accommodate louder signals without clipping. This is particularly beneficial during recording or mixing, as it allows for greater dynamic range and flexibility when processing audio signals.Show More
Frequency Response indicates the range of frequencies that the console can accurately reproduce. The BiG SiX boasts a frequency response from 20 Hz to 20 kHz with minimal deviation, ensuring that both low and high frequencies are captured and played back with fidelity. Additionally, the extended frequency response up to 80 kHz and 100 kHz for different inputs highlights the console's capability to handle high-frequency content, which is essential for modern audio production.
Max Input Level specifies the highest signal level that can be accepted by the console's inputs without introducing distortion. The BiG SiX features a max input level of +21 dBu for mic inputs and +27 dBu for line and stereo inputs, which translates to the ability to handle strong signals from various sources, allowing for high-quality recordings without unwanted artifacts.
I/O Impedance indicates the input and output resistance of the console, affecting how it interacts with connected devices. The BiG SiX has a mic input impedance of 1.2 kilohms and line inputs at 10 kilohms, which are standard values that ensure compatibility with a wide range of microphones and instruments, providing optimal signal transfer and minimizing loss.
CMRR (Common Mode Rejection Ratio) measures the console's ability to reject unwanted noise and interference that can occur during signal transmission. With a CMRR of >90 dB for mic inputs, the BiG SiX demonstrates excellent performance in maintaining clean audio by minimizing hum and noise, particularly in environments with electrical interference.
EIN (Equivalent Input Noise) quantifies the noise level present at the inputs of the console, which can affect the overall sound quality. The BiG SiX shows an EIN of -129 dBu for mic inputs at max gain, indicating a very low noise floor that enhances the clarity and detail of the audio, especially for quiet sources.
Noise Floor represents the level of background noise in the system when no audio signal is present. The BiG SiX maintains a noise floor lower than -90 dBu across various outputs, ensuring that the audio remains clean and dynamic, allowing for subtle details in recordings to be heard without interference from noise.
THD+N (Total Harmonic Distortion + Noise) measures the amount of distortion and noise introduced in the signal path. The BiG SiX achieves very low THD+N levels, below 0.0015% for mic and line inputs, indicating high fidelity and transparency in audio processing, which is crucial for professional audio applications.
Analog Inputs | 4x XLR 3-Pin Balanced Mic Input 4x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input 8x 1/4" TRS Balanced Line Input (4 Stereo Pairs) 4x 1/4" TRS Balanced Line Return 2x 1/4" TRS Balanced Main Input (1 Stereo Pair) 2x 1/4" TRS Balanced Main Return (1 Stereo Pair) 4x 1/4" TRS Balanced Tape Input (2 Stereo Pairs) 1x XLR 3-Pin Balanced Talkback Input |
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Analog Outputs | 4x 1/4" TRS Balanced Mono Line Send 2x 1/4" TRS Balanced Mono Main Output (1 Stereo Pair) 2x 1/4" TRS Balanced Mono Bus Output (1 Stereo Pair) 2x 1/4" TRS Balanced Mono Main Send (1 Stereo Pair) 2x 1/4" TRS Balanced Mono Monitor Output (1 Stereo Pair) 2x 1/4" TRS Balanced Mono Alt Output (1 Stereo Pair) 4x 1/4" TRS Balanced Mono Foldback Output (2 Stereo Pairs) 2x 1/4" TRS Unbalanced Stereo Headphone Output |
Phantom Power | +48 V, Selectable On/Off (Selectable on Individual Inputs, on 4 Channels, Talkback Mic) |
Digital I/O | |
MIDI I/O | |
USB I/O | 1x USB-C 2.0 (Host Connection) |
USB I/O Capacity | 16x Input / 16x Output |
The Analog Inputs section of the Solid State Logic BiG SiX provides a variety of connections tailored for different audio sources. With a total of 4 XLR 3-pin balanced mic inputs, users can easily connect professional microphones, ensuring high-quality audio capture. Additionally, the console features multiple 1/4" TRS inputs that accommodate balanced, unbalanced, and Hi-Z signals, allowing for versatile connections to instruments and line-level devices. The inclusion of various line inputs and returns ensures seamless integration of multiple audio sources, making it ideal for both studio and live settings.Show More
In the Analog Outputs section, the BiG SiX offers several outputs that facilitate effective routing of audio signals. The 1/4" TRS balanced mono line sends and main outputs allow users to send mixed audio to external devices or monitors. Furthermore, dedicated bus outputs and monitor outputs provide flexibility in managing audio chains, whether for recording or live sound applications. The presence of foldback outputs is particularly useful for live performances, enabling musicians to hear themselves through monitors, thus enhancing their performance experience.
The Phantom Power feature is crucial for powering condenser microphones, delivering a +48 V supply that can be selectively turned on or off for individual inputs. This functionality ensures that users have control over their microphone setup, allowing them to use a wide range of mic types without needing external power sources. The ability to apply phantom power to the talkback mic is also a significant advantage, facilitating communication in studio environments.
While the BiG SiX lacks Digital I/O and MIDI I/O, it compensates with a robust USB I/O capability. The USB-C 2.0 host connection supports 16x input and 16x output channels, making it easy to connect to computers for recording and playback. This feature is particularly valuable for users looking to integrate the console within a digital audio workstation, ensuring a seamless workflow for both recording and mixing.
OS Compatibility | macOS 10.14 or Later Windows |
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Internet Connection | Required for Registration, Software/Driver Download |
Required Hardware | Available USB-A Port |
The OS Compatibility specification indicates the operating systems that the Solid State Logic BiG SiX supports. In this case, it is compatible with macOS 10.14 or later versions and Windows operating systems. This means users need to ensure that their systems are running one of these compatible versions to utilize the mixer fully. Compatibility with specific OS versions often affects the performance, stability, and features available within the software environment of the mixing console.Show More
The Internet Connection requirement highlights the need for an active internet connection for certain initial tasks related to the BiG SiX. This includes activities such as registration of the product and downloading necessary software or drivers. An internet connection is essential to accessing updates and support resources, ensuring that users can maximize the functionality and longevity of their mixing console.
Lastly, the Required Hardware points to the necessity of having an available USB-A port. This is crucial for connecting the BiG SiX to a computer or other devices. The presence of a USB-A port allows for high-speed data transfer and connectivity, which is vital for efficient communication between the mixing console and the host system. Having the correct hardware ensures that users can enjoy seamless integration and operation with their audio setup.
DC Input Power | 15 VDC at 3.3A |
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Power Consumption | 70 W |
The DC Input Power specification indicates the type of power supply the BiG SiX requires to operate effectively. In this case, the console needs a 15 VDC input at a current capacity of 3.3A. This specification is crucial because it ensures that the mixer receives the proper voltage and current for optimal performance, preventing any potential issues related to insufficient power supply that could affect audio quality or device functionality.Show More
Power Consumption refers to the amount of electrical power the BiG SiX uses during operation, which is specified as 70 W. This figure is important for users to consider, especially when planning their studio setup, as it impacts the overall power requirements of the system. A lower power consumption rate can lead to increased energy efficiency, while a higher rate may necessitate more robust power management solutions to accommodate the mixer and any other connected equipment.
Rack Mountable | |
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Rackmount Size | 9 RU (with Non-Included Hardware) |
Operating Temperature | 33 to 86°F / 1 to 30°C |
Storage Temperature | -4 to 122°F / -20 to 50°C |
Dimensions | 19.3 x 5.6 x 15.4" / 49 x 14.2 x 39.1 cm (Including Feet, Including Trim) |
Weight | 15 lb / 6.8 kg |
Rack Mountable: This feature indicates whether the mixing console can be mounted in a standard rack system. In this case, the BiG SiX is not rack mountable, which may influence the setup and placement options in a studio environment.Show More
Rackmount Size: Although the BiG SiX cannot be directly mounted, it has a specific size measurement of 9 rack units (RU) if one were to use non-included hardware for mounting. This specification provides users with an idea of how much vertical space it would occupy in a rack if adapted for such use, which can be important for spatial planning in professional setups.
Operating Temperature: The operating temperature range of 33 to 86°F (1 to 30°C) indicates the optimal conditions under which the console can function effectively. Staying within this range helps ensure that the electronics perform reliably and maintain sound quality without overheating or malfunctioning.
Storage Temperature: The storage temperature range of -4 to 122°F (-20 to 50°C) defines the temperature limits for safe storage of the device when not in use. This specification is vital for protecting the console's internal components and overall integrity, ensuring it remains functional when needed.
Dimensions: The dimensions of 19.3 x 5.6 x 15.4 inches (49 x 14.2 x 39.1 cm) including feet and trim provide users with a clear understanding of the physical size of the console. This information is crucial for determining the placement of the device in a studio or live setup, as well as ensuring compatibility with other equipment.
Weight: Weighing in at 15 lb (6.8 kg), the weight of the BiG SiX is a consideration for transport and setup. A lighter console can be easier to move and position, while the weight also reflects the build quality and durability of the device, which is important for professional use.
Package Weight | 21.66 lb |
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Box Dimensions (LxWxH) | 23.6 x 21 x 10.2" |
The Package Weight of the Solid State Logic BiG SiX is 21.66 lb, indicating the overall weight of the product when packaged for shipping. This weight is significant for users who may need to transport the console, whether for studio sessions or live performances. A heavier console often suggests a robust build quality, which can be crucial for durability and stability during use.Show More
The Box Dimensions listed as 23.6 x 21 x 10.2 inches provide insight into the size of the packaging, which is important for determining how much space the console will occupy during storage or transport. The dimensions also inform users about the necessary space available for setup in their studio or performance area. Adequate space is essential to ensure optimal workflow and accessibility to all features of the mixing console.
How do I connect the BiG SiX to my computer for USB audio streaming?
To connect the BiG SiX to your computer, use a high-quality USB cable to connect the USB port on the BiG SiX to an available USB port on your computer. Ensure that the BiG SiX is powered on, and install any necessary drivers if prompted by your computer's operating system.
Why is the BiG SiX not showing up as an audio device on my computer?
Ensure that the USB cable is properly connected and functioning. Check that the BiG SiX is powered on. Make sure that any necessary drivers are installed correctly. Restart your computer and reconnect the BiG SiX to see if it appears in your audio settings.
How can I configure the BiG SiX for multitrack recording?
Open your DAW (Digital Audio Workstation) and select the BiG SiX as your audio input device. Set up individual tracks in your DAW and assign each track to a different input channel on the BiG SiX. Ensure that the BiG SiX is set to the correct sample rate and buffer size for your project.
Why am I experiencing latency issues with the BiG SiX?
Check your DAW settings to ensure that the buffer size is set correctly. A smaller buffer size reduces latency but may increase CPU load. Make sure that the correct sample rate is selected and that your computer's performance settings are optimized for audio processing.
How do I set up the BiG SiX for monitoring while recording?
Connect your headphones or studio monitors to the appropriate outputs on the BiG SiX. Use the control room or headphone level controls to adjust your monitoring levels. Ensure that you have selected the correct source for monitoring in the BiG SiX’s monitor section.
What should I do if I'm not getting any sound from the BiG SiX?
Check all cable connections to ensure they are secure. Verify that the BiG SiX is receiving power and that all necessary drivers are installed. Make sure that the correct input and output channels are selected in your DAW or audio settings.
How can I update the firmware on my BiG SiX?
Visit the Solid State Logic website and navigate to the support section for the BiG SiX. Download the latest firmware update and follow the provided instructions to update the firmware on your device.
What do I do if the buttons and knobs on the BiG SiX are not responsive?
Ensure that the BiG SiX is powered on and that all connections are secure. If the problem persists, restart the device. If the issue continues, contact Solid State Logic support for assistance.
How do I integrate external effects with the BiG SiX?
Connect your external effects processor to the insert points or aux sends/returns on the BiG SiX. Use the appropriate knobs and switches to route the signal to the external effects and adjust the effects level as needed.
Can I use the BiG SiX with both Mac and Windows computers?
Yes, the BiG SiX is compatible with both Mac and Windows operating systems. Ensure that you have installed the correct drivers for your operating system and follow the setup instructions to connect the BiG SiX to your computer.
Solid State Logic (SSL) BiG SiX |
VS | |
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12 (4 Mono / 4 Stereo) | Number of Analog Input Channels | - |
4 | Number of Mic Preamps | - |
1x Stereo Master Output 1x Stereo Bus/Subgroup Output 1x Stereo Control Room/Monitor Output 1x Stereo ALT Control Room/Monitor Output 2x Stereo Headphone Output 2x Stereo Foldback/Cue Output |
Analog Output Channels | - |
2x Stereo Aux Send per Input Channel 1x Stereo Main Mix 1x Stereo Bus/Subgroup |
Mix Routing | - |
Input Channels: 3-Band EQ |
EQ | - |
Built-In Effects | - | |
1x USB-C 2.0 (Host Connection) | USB I/O | - |
Rack Mountable | - | |